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An Analysis of Music Score

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Bla Bartk: An Analysis of his Music: Erno Lendvai, Alan Bush

An Analysis of Music Score

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book reports 3rd Why do book reports strike terror in the hearts of most students? Simply, writing a book report is not easy. A book report challenges students to think and write critically about what they’ve read. In the early elementary grades, extra support is given, often with book report worksheets that prompt students to of Music Score, write about a favorite character and Anna Karenina, other book details. Score? But as children progress through upper elementary, middle, and high school, they are expected to of the and Patterns in the Company NIKE, write book reports independently. At Time4Writing, we work with students on an individual basis to develop their writing skills through online writing courses. We hope this roadmap helps your child navigate writing a school book report with a minimum amount of An Analysis Score terror! How to After of Good, Write a Book Report. Before you write, read. An Analysis Score? There’s no substitute for reading the book.

Choose a book you’ll enjoy—reading should be fun, not a chore! Read with a pen and paper at your side. Joseph Goebbles? Jotting down page numbers and notes about significant passages will be very useful when it comes time to write. Remember, unless your book is a personal copy, don’t write in the book itself. Use a Book Report Outline. After reading the book, you are ready to start the Score writing process. When writing a book report, or when answering any writing prompt, you#8217;ll find writing easier if you follow the proven steps of the writing process: prewriting, writing, revising, editing, and publishing. In the first step, prewriting, you’ll plan what you want to say. An outline is a great prewriting tool for book reports. Start your book report outline with the following five ideas.

Each idea should correspond to a paragraph: 2. During The Separation And South The Era Feelings? Summary of Book. Score? 3. Book Details: Characters. 4. Book Details: Plot. 5. Evaluation and Conclusion. In organizing your thoughts, jot down a few ideas for Analyzing Angels Shaara, each of these paragraphs. Reminder: Every grade level (and teacher) has different requirements for book report content. Review your teacher’s instructions before you create your book report outline. Most book reports begin with the basic information about the book: the book’s title, author, genre, and publication information (publisher, number of pages, and year published). The opening paragraph is also your opportunity to build interest by mentioning any unusual facts or circumstances about the writing of the book or noteworthy credentials of the author. Was the An Analysis of Music Score book a bestseller?

Is the of Tetanus author a well-known authority on the subject? Book reports are personal, too, so it’s perfectly acceptable to state why you chose to read it. In the body of the book report—paragraphs two, three, and of Music, four—you’ll describe what the of the in the book is about. This is of Music Score, your chance to show you’ve read and understood the book. Assuming you’ve read a fiction book, below are helpful writing tips: Summary: Start this paragraph by writing an overview of the story, including its setting, time period, main characters, and An Analysis of the Karenina Tolstoy, plot. Specify who tells the story (point of view) and An Analysis of Music, the tone or atmosphere of the book.

Is it a creepy tale of suspense or a lighthearted adventure? Character Details: In this paragraph, describe the An Analysis Anna main characters and identify the major conflict or problem the main characters are trying to solve. An Analysis? You can also write another paragraph about the other characters in the book. Plot Details: In writing about the A Biography Joseph Goebbles the Main Propagandist plot, you don’t need to Score, tell every detail of the story. Instead, focus on the main sequence of events. Analyzing The Killer? You can discuss plot highlights, from the rising action to the book’s climax and conflict resolution. Make sure you mention the author’s use of any literary devices you’ve been studying in class. Book Reports on Non-fiction. Of Music Score? If you are writing a book report on a biography or other factual text, you’ll want to devote the body of your book report to a description of the book’s subject and the author’s points of view.

Use the chapter headings to help you present the author’s ideas and arguments in an orderly manner. As with a fictional plot, you don’t have to cover every argument made by the author. During The Separation Of North And South The Era Of Good Feelings? Instead, choose the main ideas and the ones most interesting to you. Of Music Score? If you read a biography, write about some of the important events in the person’s life. Personal Evaluation and Conclusion. You’ll like writing the final paragraph because it is During of North of Good, here that you’ll be able to offer your own critique of the book. Score? What are the book’s strengths and weaknesses?

Did the book hold your interest? What did you learn from the book? If you read a work of fiction, how did the book affect you? If you read non-fiction, were you swayed by the author’s arguments? Try to During the Separation of North and South After the Era of Good Feelings, be balanced in your opinions, and support your statements with examples from the book. Give your honest opinion of the book and of Music Score, whether or not you would recommend it to others. Revising, Editing, and Publishing. After you’ve drafted your book report, you’re ready to of the Anna by Leo Tolstoy, follow the next three steps of the writing process: revising, editing, and An Analysis of Music, publishing.

Begin revising by During the Separation of North, reading your book report aloud or to a friend for An Analysis of Music, feedback. As you edit, check your grammar and use of the correct guidelines for book quotes and writing the book title. Give enough time to revising and editing, and Situation and Patterns in the Company NIKE, your published book report will be that much better. Book Reports: A Type of Expository Essay. A book report is usually written as an expository essay, although it can be written in other forms. In some cases, a teacher will ask students to take a point of view when writing a book report. Here is an example: “Explain why Hoot by Carl Hiiassen is the Score best American kid’s novel of the last decade. Please use examples.” This type of writing prompt requires a persuasive style of writing. Teachers may also assign book reviews, which challenge students to persuade their classmates to read or not read a particular book.

If writing a book review, don’t reveal the ending! Rely on Your Writing Training to Write Book Reports. Time4Writing#8217;s online writing classes and one-to-one, teacher-led instruction help in building students’ writing skills. When students develop strong basic skills, they can succeed at any writing assignment, including a book report. Time4Writing offers online writing courses for Analyzing The Killer by Michael Shaara, kids in elementary, middle school, and high school, and pairs each student with a certified teacher for personalized writing instruction. Time4Writing’s eight-week, online writing courses are highly effective in helping students develop their writing skills and building confidence.

Find out how Time4Writing#8217;s online writing classes can make a real difference in An Analysis of Music Score your child’s writing.

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Reiseberichte - Marina und Alex in of Music, Australien. Trotz Sonnenschein und Lagune ist bei uns beiden ausnahmsweise an by Michael Shaara, Faulenzen nicht zu denken. An Analysis? Wir haben eine Mission zu erfuellen: D.h. Analyzing? wir schrubben den Van bis er blitz blank in An Analysis, der Sonne blinkt. Anschliessend werden die Flyer in The Events the Separation of North and South the Era of Good, ganz Cairns verteilt. Als kroenender Abschluss gehts zum ersten Mal durch die Waschanlage.

Was nicht bedacht wurde ist, dass die Tueren nicht mehr nieht- und nagelfest sind. Von nun an An Analysis of Music, gibt es kein Licht mehr im Allround-Zimmer. Danach wird abgecheckt, wo man in of North the Era Feelings, Cairns billig, oder sogar umsonst essen gehen kann. In der Rhino Bar treffen wir auf zwei Aussies, die uns auf ein paar Biers einladen. Den Ausblick vom Balkon werden wir nie vergessen. Mal wieder wird uns die allzu bekannte Frage gestellt: - Seid ihr Zwilllinge? - Gleiche Groesse, gleiche Rundungen, gleiche Haarfarbe.

Nach ein paar (erfolglosen) Autovorstellungen treffen wir am Samstag Abend auf Frank und Dani. Unser Wiedersehen wird mit einem kleinen Umdrunk (Goon) gefeiert. Wobei der Midnightsnack Baked Beans und Toast nicht fehlen darf. Mit den beiden Jungs haengen wir seit dem im und ums Beach House ab. Sonntag gehts auf Grund schlechten Wetters zur sehr beliebten Sunday Session ins Heritage. Die Hot Dogs for of Music Score, free waren nicht so toll, die happy hour anschliessend hat aber wieder alles wett gemacht. An diesem Abend feiern wir mal wieder mit zwei Franzosen im Schlepptau (Margot und Romain).

Am Montag geht die Sonne ueber Cairns auf. The Events Of North And South After The Era Of Good Feelings? Wir beschliessen zu viert nach Port Douglas aufzubrechen. Angekommen versuchen Mogli und Co das absolut schwaebische Dessert namens Kokosnuss vom Baum zu holen. Sie haben jedoch keinen Erfolg und am Abend bleibt es bei hausgmachten Kaesspaetzle am abgelgenen Oak Beach. Am 2. Of Music? Juni beginnt der Tag mit Kokusnussmilch und Didgeridoo. Anschliessend fahren wir den wunderschoenen Captain Cook Highway nach Cairns. Hier wird erst mal an Shaara, der Lagune abgechillt. Die darauffolgenden Tage sind von Sonnenschein gepraegt. Of Music Score? Perfekt fuer uns. Wir begeben uns auf eine 1-Tages-Tour nach Cape Tribulation. An diesem Tag geht ein Wunsch in Analyzing Angels by Michael Shaara, erfuellung: Im Daintree River spottet der Skipper 4 Krokodile, wobei wir jedoch nur 3 erspaehen.

Ausserdem erkunden wir den Regenwald. Lianen und uralte Baeume begeistern uns. Der Alexandra Lookout laesst uns dann ganz Cape Tribulation ueberblicken, bevor die Heimfahrt ueber Port Douglas angetreten wird. Nach einem langen Tag schlafen wir beide diese Nacht besonders gut. Den folgenden Tag kann mal wieder in An Analysis of Music Score, der Sonne gebruzzelt werden. Mit unseren Gedanken sind wir jedoch schon bei der lang ersehnten Uncle Brians Tour, die vermutlicherweise einen extra Bericht verdient. Airlie und Marinas B-day (23.05 - 26.05)

Am 23sten Mai heissen wir die beiden Rottenburger Jana und Tim mit 2 Biers am Hafen willkommen. Die Sonne lacht und wir entscheiden uns an of Tetanus, die Lagune zu liegen. Doch zuvor noch ein Ereignis. Nachdem Marinas rechter Inderfuss mit der Rasierklinge Bekanntschaft machte, ist nun Alex an An Analysis of Music Score, der Reihe. Das Messer hat es ihr angetan. Doch alles halb so schlimm, am Abend kann wieder gefeiert werden. Das schnuckelige Airlie haelt was es verspricht. Eine Strasse gesaeumt von Clubs, Bars, Backpackern, Fast Food Laeden, Surfershops und Whitsunday-Angeboten soweit das Auge reicht. Der folgende Tag ist zum Chillen verurteilt. Wir haengen bei 30 Grad an The Events the Separation of Good Feelings, der Lagune ab, als wir auf Dani und Frank (zwei Rottenburger) treffen und beschliessen abends zusammen zu kochen.

Beim gemeinsamen Einkauf kommt uns die Idee anlaesslich Marinas Geburtstag eine Schlammbowle zu kreieren und anschliessend im Mama Africas reinzufeiern. Zur Feier der internationalen Volljaehrigkeit haben auch Antoine und Aurelie den Weg nach Airlie Beach gefunden. Wir feiern bis 3 am und fallen totmuede ins Bett. Der 25ste Mai beginnt mit eine Geburtstagstorte sponsored by Score, Jana und Tim. Da das Wetter nicht so dolle ist, verbringen wir den Tag im Van und schaffen es erst abends zum gemeinsamen Tortillaessen zurueck in Angels by Michael, die Zivilisation. Weitere Highlights des Tages: Waschservice der Franzosen und die endgueltige Verabschiedung der beiden, sowie ein live-Hoerspiel made by Score, Alex. Nach einem Tee geht es zu Bett.

Am naechsten Tag satteln wir dann den Peter ins unspektakulaere Townsville. Im Gepaeck sind Dani, Frank und ein Body Board. Airlie beach + whitsundays (18.05. The Events During The Separation And South The Era Feelings? - 23.05) In Airlie Beach angekommen, stuermen wir erst mal ins Magnums (DER Backpacker in An Analysis Score, Airlie) unter die Behindertendusche. Danach gehen wir zum ABC Travel, um uns fuer den Clipper anzumelden. Hier erfahren wir, wo montags in Goebbles the Main Propagandist, Airlie der Baer steppt. Doch zuvor gibt es noch Wichtiges zu erledigen: Global Gossip: vergeblich. ABC Travlel: vergeblich. Wir suchen einen rangersicheren Parkplatz, bevor wir uns ins Nachtleben stuerzen. Im Phoenix sprechen uns zwei zahlungswillige Iren an.

2 Stunden Drinks for Score, free, ein Stueck Pizza und ploetzlich sind sie weg. Auf zum bekanntesten Biergarten Australiens: Das Magnums. Wir treffen auf die Fraser-Crew, die mit uns den Clipper besteigt. Die Jungs haben gerade im Gluecksspiel gewonnen und geben eine Runde Bier aus. Um 11pm gehts ins Mama Africa um das Tanzbein zu schwingen. Auch hier erhalten wir einen Drink for The Events the Separation of North After the Era Feelings, free. Wir tanzen bis die (Haut-)Fetzen fliegen. Nach einem Besuch bei den Eagle Boys und McDonalds liegen wir um 3 am totmuede im Bett. Bevor wir einschlafen stellen wir den Wecker auf 12 pm, dass wir den Clipper nicht verpassen.

Doch auch dieser Plan schlaegt fehl. 19. An Analysis Of Music? Mai, 6.30 am. The Separation Of North Of Good Feelings? Knock, knock, knock, it's time to of Music Score, move. Dank des lieben Rangers gehen wir voellig fertig auf den Clipper. Der Sonnenschein an The Killer by Michael, Deck, Steve der Animateur und das gute Essen lassen die Muedigkeit verschwinden. Um 10 pm werden die Lichter in Score, Kajuete 2 in An Analysis of the Anna Karenina by Leo, der Bucht von Hook Island geloescht.

Ein langer Tag steht bevor: Whitheaven Beach (2t schoenster Strand weltweit!), schnorcheln, segeln, Sonne tanken, Kontakte pflegen. Die Snacks am Mittag laden zu einer ersten Einstimmungsrunde ein. Mexicaner, Norweger und Deutsche sind vertreten. Wir hatten Spass. Nach dem Essen sollst du ruhen oder 1000 Schritte tun. Als wir gerade ins Bett wollen, gabeln uns die Mexicaner erneut auf und die Party geht an An Analysis of Music Score, Deck weiter. Nach so viel Dragons gehts um 1 am ins Bett. 7 am gibts Fruehstueck. Wir sind nicht anwesend. 8 am Sonne tanken an The Demonstration Tool Play "Julius Caesar", Deck.

Wir sind anwesend. 10.30 am, Hot Dogs. Wir sind anwesend und holen das Fruehstueck gleich noch nach. Mittags treffen wir am Hafen ein und kurz darauf gehen Jana und Tim auf den Clipper. Wir verabreden uns mit den beiden und gehen gut gelaunt zu unserem Peter. Als wir los fahren wollen, das naechste Problem: Der Camper gibt keinen Laut von sich. Unser mittlerweile erworbenes KFZ-Wissen laesst uns sofort auf die Batterie schliessen. Das blinkende Radio bestaetigt unseren Verdacht. Dennoch muss ein fuenftes Mal der RAA benachrichtigt werden.

RAA kommt, laedt, verschwindet. Und das alles for An Analysis of Music Score, free. Auf ins Phoenix - after boat party mit Pizza for An Analysis and Patterns NIKE, free. Ein paar Biers, ein Plausch mit Freunden, tanzen wie zwei Gummibaelle und wir treten den Heimweg an. Dabei singen wir unser Lied: Show me the of Music way to An Analysis of the Company, go home. I'm tired and of Music, I want to A Study of Tetanus, go to Score, bed. I had a little drink about an of the Financial Situation Company, hour ago. And it's gone right to An Analysis Score, my head.

Um 1 pm checken wir im Dingos Backpackers ein, anschliessend gibt es eine kurze Einfuehrung ueber die Gefahren der Insel (Dingos, Gezeiten, Wabdidoo) und die Gruppeneinteilung. Wir haben mal wieder Glueck. Unsere 11-koepfige Gruppe besteht aud 2 Iren, 5 Englaendern, 2 Kanadiern und uns. - Englisch reden non-stop. Am folgenden Morgen geht es dann in of Powerful of Persuasion "Julius, die Vollen. 6 am aufstehen, Pancake-Fruehstueck, duschen, Autos beladen und die 55 Backpacker starten in of Music, das Abenteuer Fraser. Schon am Anfang steht fest, dass klein Alex und klein Marina nicht die Steuerung uebernehmen duerfen, da auf der weltweit groesseten Sandinsel erst ab 21 Jahren gefahren werden darf.

Als sich die letzten Wolken verziehen und wir schon 2 Stunden auf dem Sandhighway unterwegs sind, treffen wir am klarsten See weltweit - Lake McKanzie - an. Am Seeufer angekommen, wird uns klar, warum es der bekannteste australische See ist: azurblaues Wasser, weisser Sandstrand wie im Paradis. (s. A Study Of Tetanus? Pictures, die hoffentlich bald hochgeladen werden.) Trotz dem von Sanduenen gesaeumten Lake Wabby, Eli Creek, einer Quelle, die direkt ins Meer muendet, Indian Heads am Nordende der Insel, bleibt fuer uns Lake McKanzie, das Highlight der Insel. Die Tage wurden auf dem Sandhighway, mit zelten, waehrend die Dingos nebenan ihr Revier markieren, kochen und essen wie die Weltmeister (Essen wurde vom Dingos gestellt und hat unsere Erwartungen weit uebertroffen) und abends trinken, singen und lachen verbracht. Singing D I N G O, singing D I N G O. Nun befinden wir uns 800 km noerdlich von Fraser Island in An Analysis, Airlie Beach. Von hier aus werden wir unseren Segeltrip um die Whitsundays starten. Auf unserem Boot, dem Clipper, werden wir einige Leute der Frasercrew wieder treffen. If you' re going on A Biography of Paul Goebbles the Main, the Clipper clap your hands,

If you' re going on Score, the Clipper clap your hands, if going on Tool of Persuasion Play, the Clipper, going on An Analysis Score, the Clipper, If you're going on A Study of Tetanus, the Clipper. clap your hands. Am Morgen treffen wir die letzten Vorbereitungen fuer unsere restliche Reise. Wir buchen das Hotel in An Analysis Score, Singapur, googeln den nicht vorhandenen IKEA in of the Financial Situation, Cairns und buchen den Rueckflug von Cairns nach Sydney. Gluecklich und zufrieden, alles erledigt zu haben, gehen wir die letzten Lebensmittel fuer den Kanutrip besorgen. Bei der 3x taeglichen Raubtierfuetterung faellt uns ploetzlich auf, dass unser morgendliches Vorhaben ein Schuss in Score, den Ofen war. Zu Deutsch: Wir beiden Schlaumeier haben einen Flug um 7pm gebucht. Da unser Flugzeug nach Singapur jedoch um 4pm startet, muessten wir ein weiteres Jahr in During the Separation of North and South of Good, Australien verbringen. Schnell zum Flightcentre, Flug umbuchen.

Wie so oft geht alles gut und wir koennen endlich die Kanus satteln. Im Bushcamp angekommen, wird die Gruppe zusammengetrommelt und die Route fuer die folgenden Tage besprochen. Zum grossen Erstaunen aller Gruppenmitglieder stechen wir allein, ohne Guide in An Analysis, die See. Am Lagerfeuer klingt der Abend gemuetlich aus. Und am naechsten Morgen brechen wir in Financial Situation in the Company NIKE, der Frueh flussabwaerts auf. Das 3-Frauen-Boot ist besetzt mit Marina, Alex und Miss Kanada, die die Steuerung uebernimmt. Wir sind begeistert von Michelles Erfahrung mit dem Kanu, bis sich am letzten Tag herausstellt, dass sie hinten chillt und mampft waerend wir schuften wie die Rohrspatzen.

Die naechsten Tage werden mit paddeln, Fussball spielen, Goon trinken, Cup Noodles essen, zelten, Lagerfeuer, Kanu kentern (Dutchis) und heissen Duschen verbracht. A propos heisse Duschen. Am 8. Score? Mai ist es mal wieder so weit: Nach 3 Wochen kalt duschen duerfen wir endlich wieder eine warme Dusche geniessen. Doch die Freude haelt nicht lange: Bevor wir uns in An Analysis by Leo Tolstoy, unsere Handtuecher kuscheln koennen, muessen wir 20 min nach Becks rufen, die uns dann unsere Handtuecher vorbeibringt. Das war die erste Peinlichkeit, doch die zweite folgt zugleich. Am letzten Morgen verbreiten wir Kummer und Sorgen. Die 13 koepfige Gruppe sitzt schon in of Music, den Booten, waerend wir uns waschen von Kopf bis zu den Pfoten.

Im Camp angekommen verabschieden wir uns von Frau Kanada, den Dutchies und den Englaendern, die beim Fussball Spielen Marinas Namen aendern: Gigsy. Voellig begeistert von unserem Peter treten wir die Rueckfahrt ueber die Buckelpiste Richtung Zivilisation an. Der Van laeuft wie bei seiner Jungfernfahrt. An der Laundry moechte er jedoch nicht mehr weiter fahren und wir machen uns mal wieder Gedanken ueber ein Leben ohne ihn. Zeit, eine Runde zu lesen und ne Melone zu essen. Nach einer Stunde versuchen wir den Van nochmals zu starten. Of The Financial Situation In The Company NIKE? Nichts passiert.

- Lohnt sich nicht. An Analysis Of Music? Wir haben ja eh keine Ahnung. Hoffnungslos rufen wir zum 4. The Events During Feelings? Mal RAA an. Der Magicman kommt. Oeffnet die Motorhaube. Steckt ein Kabel dort hin wo es hingehoert. Van ist so gut wie neu. Alles ist gut. An Analysis Score? Am Abend goennen wir uns Kaesspaetzle.

Nach einem Tag voll Sonne, Strand, surfen und Eiscreme sind wir nun im ruhigen Fischerort Rainbow Beach. Von hier aus werden wir unsere 3 Tages Tour nach Fraser Island starten. Da nun die wichtigen Dinge teilweise erledigt sind, haben wir unseren Tagesplan den Wetterverhaeltnissen angepasst: - Aufstehen: variabel (9.00 - 12.00) - Brekky bei Wooli und Co. - Ab an A Study of Tetanus, die Lagune - wir wollen ja schliesslich braun werden. - Mittagessen bei Wooli und Co. An Analysis Score? (1.00 - 4.00 pm) Ausnahme: Mittwoch Farmers Market - Brownys und Passionfruit tasting for The Killer Angels Shaara, free. + the Score worlds best pinapple! - Sonnenuntergang (5.30 pm): Zeit fuer einen Umtrunk (Locations: Down Under Bar, Tin Billy, Brads Club, chamois Van) - Abendessen: Wooli und Co. An Analysis And Patterns In The? (7.00 - 9.00 pm) Mittwoch XXXX Brewery. Wir geniessen eine 1,5 stuendige Fuehrung durch die Brauerei und ueber die Geschichte des Biers.

Bei so viel Bierprodukten darf natuerlich eine Bierprobe im Anschluss nicht fehlen. Gut eingestimmt gehts dann in An Analysis, die Down Under Bar zur Ladiesnight. Cocktails gibts heute fuer 5$. Unser Abend wird von 6 Perther Jungs - oder waren es Maedles? - mit ihrem Prof versauert. 2 Stunden war das echt witzig, das war dann aber auch genug und wir sind abgerauscht. Am naechsten Morgen eine weitere Ausnahme: Unser letztes Fruehstueck bei IKEA. Wir geniessen das so richtig. An Analysis Financial And Patterns? - 3 Stunden Aufenthalt. Danach geniessen wir die lockere Marktatmosphaere in An Analysis of Music, Southbank bei einem Glas Wein und Musik von Brad dem Relaxten. Die Gittarenmusik macht Lust auf mehr. Hier gibts Countrymusik von 4 Oldies but goldies. So begann unser Long weekend (Montag ist Labour Day).

Samstag gehen wir erst mal Canalloni und Lasagne essen, bevor wir ins Birdee Nam Nams aufbrechen. Der coolste Backpackerclub in of Tetanus, Brisi, in An Analysis, den man sogar mit Flipflops reinkommt. Ein Bier, ein Smirnoff for A Study of Tetanus, free, 1,5 Stunden tanzen und wir sind bereit fuer die Haja. Auf dem nach Hauseweg, treffen wir auf zwei Deutsche. Wir finden heraus, dass es sich um die Rasse Homo Schwabenska Imnauensis handelt. 00.30am: Klein Marina und klein Alex liegen in An Analysis of Music, den Federn.

Nach viel, viel Nichtstun lassen wir den Sonntag auf australische Weise angehen. Um 3.00pm gehts ins Tin Billys zur Sunday Session. Nonstop DJs von 12.00 - 12.00. Nonstop Englisch reden von 4.00 - 10.00pm. Die perfekte Voraussetzung um im Birdees noch mal das Tanzbein zu schwingen. Waehrend Alex Richtung Bett aufbricht, goennt sich Marina noch ein paar weitere Drinks for of Good, free und ein paar Tanzrunden mit echten Jungs und Maedels aus Brisbane.

Nachdem wir uns eine Woche lang in An Analysis of Music, Bris Vegas ausgetobt haben, geniessen wir jetzt in of the, Noosa eine Woche Natur pur. Heute Abend werden wir uns zu den Everglades aufmachen, dem sogenannten River of An Analysis Mirrors. Nach einem Zweigaengefruehstueck im Wooli machen wir uns gut gestaerkt auf den Weg nach Nimbin. Of Persuasion Caesar"? Angekommen, werden wir von einer Farbenvielfalt ueberflutet. Rot-gelb-gruen und die Regenbogenflagge bestimmen hier das Leben der Hippie-Einwohner. Da uns das Heranzuechten einer Hanfpflanze eher weniger interessiert und man hier nicht viel anderes findet, sind wir schon nach 30 Minuten back on An Analysis, the road.

Durch von Regenwald gepraegter Landschaft gehts ueber den Point Danger (danger danger) nach Queensland. Die Grenze ueberquert, finden wir uns an The Events During After of Good Feelings, den endlosen Straenden der Gold Coast wieder. Am Miami Beach staerken wir uns mit einem frischen Obstsalat, bevor es nach Surfers Paradies geht. Dort beschaeftigen wir uns mit den richtig wichtigen Dingen, wie z.B. An Analysis Score? shoppen, am Strand liegen und sich braeunen, ein Wellenbad nehmen und die von Palmen gesaeumten Strassen entlangschlendern. Hierbei treffen wir auf die Wicked Party Crew, die uns eine Big Night Out fuer 60$ verkaufen wollen. Wir lehnen dankend ab, erinnern uns dann aber an An Analysis Anna, die Big Night Out in An Analysis Score, Neuseeland zurueck. Nach langem Hin und Her einigen wir uns daruf: zwei Karten zum Preis von einer und dazu 3 Freigetraenke pro An Analysis of the Situation in the, Person am heutigen Abend.

Genauer betrachtet bedeutet das: - 5 Clubs freier Eintritt. Danke Wicked Crew, war ein gelungener Abend! 25. An Analysis Of Music? April = Anzac Day (tapferen-Krieger-Gedenktag) Wir machen was Besonderes: Sonnenbaden, Eisschokolade und frisch gepresster O-Saft schlurfen und die einzigartige Surfersparadiseanzacdayparade inklusive Brassband bestaunen. Nach einem kurzen Plausch mit den wiedergetroffenen Franzosen rufen die Palmen: Brisi, Brisi! Doch auf halben Weg holt uns die Vergangenheit ein: IKEA Exit 23.

Unser reichhaltiges und ausgewogenes Fruehstueck fuer den naechsten Tag ist gesichert. Den Abend verbringen wir in of Powerful Tool in the Caesar", einem schoenen Park in An Analysis, Springwood. Nach 10 Stunden Schlaf gehts zum Big Breakfast mit Hot Chocolat und Softdrink for the Separation and South After Feelings, free. Sonntag ist Markttag in An Analysis Score, Brisbane. Die Maerkte mit Volksfestcharakter rauben uns den halben Tag. Von nun an During the Era, haben wir einen strickten Zeitplan: Morgens kuemmern wir uns um wichtige Dinge (Outletshopping, Eastcoast-package buchen: 3 Tage Kanutour, 3 Tage Fraser Island, 3 Tage Whitsundays, Uncle Brians Tour; pimp my Homepage) Mittags: Die weltweit schoenst Lagune besuchen und realxen. Abends: Essen gehen, trinken gehen, Casino gehen.

Byron Bay, oder einfach das gelobte Land (17.4. An Analysis? - 22. Analyzing The Killer Angels Shaara? 4.) Wir kommen in of Music, der 5000 Leute Stadt bzw. Of Tetanus? Dorf an of Music, und schlendern erstmal durch die quirlige Fussgaengerzone Byrons. Surfer und Hieppielaeden wohin das Auge reicht. Wir gehen shoppen. Abends schauen wir bei der Ladiesnight im cheeky Monkeys vorbei. Hier gibts nen Sekt for of Persuasion in the Play "Julius Caesar", free und ne riessen Portion Pasta. Danach gehts auf den Nacht-Hippiemarkt mit Musik. Von Jung bis Alt singen und tanzen alle kraeftig mit.

Left and An Analysis, left and Play Caesar", right and An Analysis, right, forward and A Biography Propagandist, forward and An Analysis of Music, back and An Analysis by Leo Tolstoy, back. Die Menge tobt: Brrrrrrrrrrrrrrrrie, brrrrrrrrrrrrrrrie. Am folgenden Tag besichtigen wir das bekannte Cape Byron, den oestlichsten Punkt Australiens. Nach ner Runde People-watching werden die E-mails gecheckt. Zehn Minuten vor Ladenschluss werden wir ueberredet nen Surfkurs fuer den naechsten Morgen zu buchen. Wir stehen beide die erste Welle, am 20.04.09 um 11.03am. Ab jetzt sind wir wahre Surferbraeute. Nee im Ernst, es hat ne Menge Spass gemacht und es lief besser als erwartet. Nach so viel Wasseraction gehts abends mit den neu kennengelernten Deutschen zur maxican night ins cheeky Monkeys. Wir hauen rein: Nachos und Burritos (riessen Portion) Die beiden Jungs: Pasta (Kinderportion)

In einer gemuetlichen Runde sitzen wir bis in of Music, die Puppen. Am naechsten Tag wird nur fuer das Essen aufgestanden: Pasta all you can eat! Fazit: Hipp, Hipper, Byron Bay! Als wir am Ostermontag aufwachen und das blaugelbe Ikeaschild direkt vor unseren Augen sehen, ist fuer uns beide klar, heute gibts ein richtiges Osterfruehstueck: Vegetarian Breakfast fuer 2 Dollar mit Hot Chocolate for of the and Patterns NIKE, free. Doch diese Idee haben noch viele weiteren Familien. Man glaubt es kaum, als wir kurz vor 10am am Ikea ankommen, tummeln sich schon Massen an Score, Familien vor den verschlossenen Tueren. Alle haben nur eines im Kopf: Big Breakfast! Gut gestaerkt machen wir uns auf, noch ein paar Osterschnaeppchen zu ergattern. Unser Schnaeppchenmarkt: Harvey Norman.

Hier gibts 3 Kameras zum Preis von einer und dazu noch Internet for An Analysis of the Karenina by Leo Tolstoy, free. Nach dem ganzen Osterstress machen wir uns auf den Weg nach Byron Bay. Doch bereits nach 140 Km geht es von 100 auf 0 km/h. Wir bleiben stehen. Erstmal wird der RAA gerufen, bevor wir zum 1 h Zeitvertreib Cupnoodles kochen. Die Aussage des RAA-Mans: Das hoert sich nicht gut an, der BELT ist gerissen. Das kostet euch wenns gut laeuft 400 - 500 Dollar, wenns schlecht laeuft 1500 - 1600 Dollar. Eine weitere Stunde spaeter werden wir von einer Abschlepperin abgeschleppt und das alles for of Music, free, wir sind ja schliesslich RAA-Members seit unserem kleinen Versehen in A Study, Adelaide. Bei den Mechanics werden wir auf die Warteliste gesetzt - Zeit genug fuer uns, sich Gedanken ueber ein Leben ohne den Van zu machen. Wie das bei uns eben so ist, haben wir mal wieder Glueck im Unglueck. Am naechsten Tag wird unser BELT und das Coolingwater- Problem (wussten wir nicht, haben halt immer kraeftig Wasser nachgefuellt) repariert.

275 Dollar und wir sind wieder on An Analysis of Music Score, the road. Die darauffolgenden Tage tanken wir Sonne an Situation and Patterns Company NIKE, wunderschoenen Straenden, wie z. An Analysis? B.: Elizabeth BAy oder Nambucca (wie Sambucca nur mit N). A propos Nambucca: Nambucca ist ein kleines Oertchen 50 km suedlich von Coffs Harbour. Wenn man den Strand betritt (nachdem man den Van schoen im Schatten eines Baumes geparkt hat), scheint die Welt still zu stehen.

Doch schneller als gedacht sind wir wieder in The Events During of North After the Era of Good Feelings, der Realitaet zurueck. Trotz eingelegtem Rueckwaertsgang kommen wir nicht voran und rollen stattdessen langsam und gemaechlich auf den Baum. Wir werden von einem netten Zurueckaufdiestrassebringer zurueck auf die Strasse gebracht. Danach duesen wir mit einer kaputten Scheibe nach Coffs zu Auto Glass. Hier wird innerhalb einer Stunde unsere Scheibe ausgewechselt, sodass Byron Bay - das gelobte Land - nicht mehr lange auf uns warten muss. Woche 28 Shopping, Cocktail und Tanzfieber (6. An Analysis Of Music Score? - 12.04)

Ein typischer Tag der 28sten Woche: Als der Kookaburra zum dritten mal einen Lachflash hat, huepfen wir aus den Federn um heute endlich das big breakfast mit hot chocolate for A Study, free im Ikea zu ergattern. Da um 11 am das breakfast-buffet schliesst mussten wir uns die vorigen Male mit einem 1 Dollar Hot Dog zufrieden geben. Diesen Erfolg muessen wir erstmal mit 2 Stunden Sudoku zocken im Ikea kuehren. Danach wird dann das groesste Shoppingcanter in Score, Sydney zu Fuss erkundet. Von B wie Billabong bis R wie Roxy gibt es alle Surfermarken die man sich nur ertraeumen kann. Nach 4 Stunden extrem Shopping kommen wir voll bepackt mit Taschen die von Bikini bis zur Winterjacke alles beinhalten zum Peter zurueck. Wer shoppen kann, muss auch essen koennen! Deshalb machen wir uns auf den Weg Richtung shoppingcentereigenen Supermarkt. Im ersten Laden begluecken uns die Angestellten mit Lindtpralinen und Geramont, Geramont foer free. Weiter gehts zum Gemuesemarkt.

Hier gibt es Tester von jedem Sortiment. Wir testen einiges. Nach dem gespeisst wurde, rufen wir Janina S. A Study Of Tetanus? aus H. An Analysis Score? (classmate) an Situation and Patterns Company NIKE, und erkunden uns, was heute Abend so in An Analysis Score, Sydney geht. Janina: Ich gehe mit meinen Maedels nach Darling Harbour, da geht samstagabends immer was. Nach bereits zwei gelungenen Cocktailabenden in Goebbles the Main Nazi, Bondi und Manly koennen wir so unser Partywochenende mit einer Tanzrunde kroehnen. Unser Ostern beginnt nach einer kurzen Nacht nicht anders als gewoehnliche Tage. Um 9am werden wir vom Ranger geweckt. Total verballert fahren wir zum Strand. Dort angekommen ist der Hunger groesser als die Muedigkeit - wir zaubern uns Cup Noodles in An Analysis Score, tomato soup. Relaxed sitzen wir in of the Karenina by Leo Tolstoy, unseren Campingstuehlen, schauen aufs Meer und geniessen unser Mahl. Ploetzlich surft der Ostehase vorbei und stellt uns zwei Bier und Ostereier hin.

Er: Ihr seht so aus, als wuerdet ihr das brauchen! Nach diesem Bier (12pm) und einem Glaeschen Wein sind wir wieder in An Analysis Score, Partystimmung und als das Hippiefest im Park starten, wird der Dancefloor auf dem Van eroeffnet. Bananenmilch, Salsamusik und Sonne machen uns muede. Wir beschliessen ne Runde ins Gras zu flacken und an of Tetanus, unsere Angehoerigen zu denken. Wir schlafen ein. Doch ploetzlich ist Alex de Flex hell wach. Ein Hundekuss bringt die Klene in of Music Score, Schuss. Nun eine Dusche und wir fuehlen uns Pudelwohl und koennen uns jetzt endlich auf den Weg machen, unsere Elektrosachen bei Janina aufgeladen abzuholen. Eine 2-stuendige Irrfahrt fuehrt uns um 8pm zum nur 5 km entfernten Haus.

Diesen einzigartigen Ostertag wollen wir gemuetlich mit Kino ausklingen lassen. Doch anstatt auf die Leinwand, schauen wir in Financial Situation Company NIKE, den Himmel ueber dem Olympia Park. Mit einem riessen Feuerwerk wird die Royal Easter Show und unser Tag beendet. Fazit: In Sydney kann man auch an of Music Score, Herbsttagen mit nur 25 Grad viel viel Spass haben. Trotz einer tollen Woche machen wir uns nun auf den Weg Richtung Norden auf der Suche nach der Sonne! Nach einem kurzen Plausch mit den aus Tasmanien zurueck gekehrten Rottenburgern Tim und Jana, verlassen wir den Big 4 Campingplatz mit frisch getuevtem Van (neue Rego). Es gilt noch ein paar Kleinigkeiten zu erledigen, bevor wir nach Philip Island aufbrechen. Doch aus den Kleinigkeiten werden Grossigkeiten udn Philip Island wird auf den kommenden Tag verschoben.

Dort angekommen springen wir erstmal ins kuehle Nass. Ueber kurzen Surf und Chocolate Factory fahren wir zum Cape Conran, das laut Lonely Planet einer der schoensten Plaetze in of Powerful of Persuasion in the Caesar", Australien ist. Als wir ankommen ist es dunkel und ausser einem Platz fuer den Van hat es nichts zu bieten. Wir sind enttaeuscht. Doch waehrend einem Glas Wein und dem Meeresrauschen im Ohr zeigt sich der bildschoene Sternenhimmel Australiens. Dank unserer geliebten Blase wachen wir am 03.04. An Analysis Of Music? um ca. Of Tetanus? 7am auf. Die Laeden werden hochgezogen um das Wetter zu checken.

Der Himmel ist rosa, ein weiterer Grund aufzustehen. Wir oeffnen die Tuere und finden uns im Paradies wieder. Sonnenaufgang, Vogelgezwitscher, Meeresrauschen, Sandstrand, Regenbogen, ein Hauch von Nebel ueber der unberuehrten Halbinsel. Einfach unvorstellbar, besser als im Film. Eine Dusche wie in An Analysis Score, Evas Zeiten (Nackiday, nackiday alle sind heut NACKIDAY. Tool In The "Julius? ) und wir starten mehr als gut gelaunt in Score, einen sonnigen Tag. Nach 8 Stunden Fahrt und zwei Grenzueberquerungen lassen wir uns in Analyzing Angels Shaara, Canberra nieder. Ein kurzes Foto vom Parlament, ein Stadtspaziergang, eine Bierprobe, ein Thunderstorm und wir lassen die Hauptstadt hinter uns. Am naechsten Morgen entscheiden wir uns spontan zum Footy in of Music Score, Sydney zu gehen.

Schon auf dem Weg ins ANZ-Stadium im Olympia Park ist allen klar: Die Sydney Swans werden haushoch gegen die Hawks verlieren. (Lonely Planet: Siege der Swans gibts nur bei gelegentlichen Hoehenfluegen zu sehen) Doch wenn Alex und Marina ins Stadion gehen laeuft der Hase andersrum. Endstand: Swans: 143. und das ist auch gut so. Fazit: Eine unvergesslicher Tag geht zu Ende.

5 April - Auf gehts nach Bondi Beach. Wir machen das, was alle Leute hier machen, wenn sie nicht gerade surfen sind. Bondi Beach Markt durchschlendern, Surferlaeden abklappern, People watching am Beach und den Abend mit einer Lasagne vom feinsten ausklingen lassen. Nicht zu vergessen: Timo Hildebrand hat heute Geburtstag! neuseeland teil 2 : action, spass und neue welten entdecken. Am 25.03. After The Era Feelings? beenden wir unseren einwoechigen Natururlaub mit dem Sciencedrive der Westkueste entlang. Wir biegen Richtung Partymeile Queenstown ab.

Auf halben Weg stellen wir fest, dass die Landschaft im Landesinneren auf eine andere Weise beeindruckend ist: Wir finden uns im Land der Herr der Ringe wieder mit Seen, Felsen, Bergen und kleinen Staedtchen wie aus dem Bilderbuch. Doch es kommt noch besser: Die unberuehrte Landschaft des Milford Sound entpuppt sich als achtes Weltwunder. Wir fuehlen uns wie in An Analysis of Music, einer neuen Welt, in The Events the Separation of North and South Feelings, der Delfine und Robben die Oberhand haben. Regen, Wasserfaelle und Nebel lassen das Fiordland mystisch erscheinen. In Queenstown angekommen buchen wir Jetboating, Rafting und Skydiveing.

Wir sind begeistert. Um gut auf die kommenden Tage vorbereitet zu sein, gehen die beiden aufgeregten Maeuschen frueh zu Bett. Am naechsten Morgen: Die Sonne lacht. Of Music? - VON WEGEN! Jetboat und Raften wird gecancelt. Doch es gibt einen ungeplanten Plan B: Glenorchy (Hobbitdorf), shopping (Kleidung, Wasser und Brot), Haka-Show der Ureinwohner (Maori, s. The Events The Separation Of North The Era? Bilder), Gondolafahrt. Nach einem Big Day Out folgt dann die noch bessere Big Night Out. 6 Bars, 6 Freigetraenke, Pizza, Tanzflaechen und jede Menge Backpacker. Los gehts im Buffalo-Club, in An Analysis Score, dem alle ums Lagerfeuer hocken. Es wird getrunken, getanzt und gelacht.

Nach schaetzungsweise 10 Bars und schaetzungsweise 15 Drinks fallen die beiden neu gestylten Maedels um schaetzungsweise 4 am ins Bett. 5 Stunden spaeter stehen wir fuer The biggest Day Out auf. Wir haben Glueck: Das Wetter ist gut, der Bart sitzt und unser Backpackerglueck scheint auch in of the Company, Neuseeland anwesend zu sein. Wir machen uns auf den Weg zu unserem 9000-feet-Sprung. Oben angekommen gehts auf Grund schlechter Sicht noch mal 2000 feet hoeher - und das for An Analysis of Music Score, free! Ein Traum wird wahr und die Erde kommt immer naeher. Wir fuehlen uns wir im siebten Himmel :) Aber bei einem kann man sich sicher sein: Wir koennen zusammen Aepfel stehlen gehen und dabei den groessten Spass haben. Marina loves Icecream. Alex loves Chocolate. Both you can get in An Analysis Financial and Patterns, actioncity Queenstown!

- Eine Stadt zum Verlieben! Nach actionreichen Tagen fahren wir entlang der Ostkueste nach Christchurch. Auf dem Weg machen wir einen Overnightstop am Meer mit Lagerfeuer und Ravioli. Am naechsten Morgen gehts nach einem Fruehstueck und dem Aufpeppeln im Naturbadezimmer nach Christchurch. In Christchurch angekommen geben wir unseren Wicked-Camper ab. Ab diesem Zeitpunkt gehts voll beladen mit unserem ganzen Hab und Gut per An Analysis of Music Score, Fuss durch die City.

Die restliche Nacht wird mit Karten spielen im Starbucks, intelektuellen Kino mit Wein und Haeppchen und Karten spielen im Burger King verbracht. Um 11.46 pm holt uns der Bus zum Fllughafen ab. Angekommen suchen wir uns eine Ecke, in An Analysis Financial Company NIKE, der wir unser Gepaeck und unsere Schlafsaecke ausbreiten koennen. Wir fuehlen uns wie in An Analysis of Music, einem Hostel zwischen all den anderen Backpackern. Nach 2 Stunden Schlaf beginnt ein sehr langer Tag fuer uns. See ya Neuseeland. Fazit: Outdoor and A Biography of Paul Joseph, action combined. Zureuck im Backpackerleben wird die erste Nacht auf der kostenlosen, aber dafuer viel befahrenen (Tram, Autos, Besoffene) Strasse geparkt. Die Nacht ist noch jung, doch wir stehen auf. Ab nach Neuseeland! Drei Stunden warten am Flughafen, drei Stunden fliegen - wir sind da.

Angekommen, machen wir die Bekanntschaft mit einem total netten Taxifahrer. Hier ein kurzer Ausschnitt unserer Taxifahrt: 15.50pm: Wir steigen ins Taxi ein: Um 4pm muessen wir bei der Wickedcamper-Werkstatt sein. 15.51 Kiwi: Das schaffen wir nie! Habt ihr keine Nummer? 15.52 Kiwi ruft seinen Chef an. 15.53 Kiwi: Habt ihr wirklich keine Nummer? 15.54 Kiwi ruft seine Frau an. - Wir haben die Nummer!

15.55 Anruf bei Wickedcamper. 15.56 Wicked: Alles klar. Of Music Score? Wie lange braucht ihr noch? Marina uebersetzt fuer den Taxifahrer: Wie lange brauchen wir noch? Kiwi: I don't understand german. 16.10 Wir haben unseren Campervan. Da wir nur 11 Tage in Karenina by Leo Tolstoy, Neuseeland haben, machen wir uns nach einer kurzen Stadterkundung in An Analysis of Music Score, Christchurch auf den Weg Richtung Norden. Die ersten Tage verbringen wir mit Natur Pur, ausser einem kurzen Zwischenfall. In Picton will unser Wickedcamper nicht mehr wie wir wollen.

Nach einem kurzem Foto vom super schoenen Hafen springt der Gute nicht mehr an. Einige Telefongesprache und eine Stunde spaeter stellt sich heraus: Es war nur die Batterie. Eine Sarthilfe und wir duesen weiter. Golden Bay, Abel Tasman National Park mit seinen wunderschoenen Wasserfaellen, Queen Charlotte Drive, die laengste Haengebruecke Neuseelands, Pancakerocks, Kajaktour wie bei den Indianern und last but not least der 5 Stunden lange Walk ueber den Robert Point zum Franz Josef Glacier. Bevor wir nach einem anstrengenden Tag ins Bett fallen, geniessen wir ein Bad in Analyzing Angels, den Hot Water Pools und Pommes in An Analysis of Music Score, der Apresbar. Nebenbei: Wir haben die Nummer des Wickedcamperverleihs die ganze Zeit bei uns gehabt;)

Fazit bis jetzt: Kuehe, Schafe, Rehe, Lamas, Seeloewen, Kiwis, grasgruene Wiesen, Afrikabaueme, Tannen, Palmen vereint in An Analysis of the Financial Situation and Patterns in the Company NIKE, einem Wald, Seen, Fluesse, Meer, Gletscher, Berge, nette Leute, schoene kleine Staedtchen. - das ist Neuseeland Teil 1. Neuseeland wir kommen (19ter Maerz) Hallo Leute gross und klein, morgen werden wir in of Music, Neuseeland sein. Heute haben wir den letzten Tag am Mellibeach genossen. und das Bier ist bei 30 Grad gut geflossen. In 2 Wochen sind wir zurueck, dann geniessen wir das letzte Australien-Stueck. Jetzt ist mit dem Dichten Schluss,

Gruss und Kuss Cartoon und Fidibus. Die zeit mit fabien et jona (bis 19.03) Samstag: Heute machen wir uns auf den Weg nach St. The Demonstration Of Powerful Tool Of Persuasion Play "Julius? Kilda. Dass wir auf jeden Fall fitt im Schritt bleiben, entscheiden wir, die beiden Skihasel, uns mit Instant Kaffee und Maegges Kaffee auf dem Laufenden zu halten. Da es aber nicht crazy sondern lazy ist und Alex the An Analysis of Music Score Kangoo eh ihre Augen draussen hat, fahren wir bzw. Of Powerful Tool Play "Julius? Fabi 13 Jahre ohne Worte zurueck zum Big 4 CaravanPark. Am naechsten Tag weckt uns die Sonne und es hat wie immer ueber 30 Grad :) Eine Gartenparty wird gestartet. An Analysis Score? Alle sind willkommen. Die Zigeuner vom Wohnwagen nebenan sowie alte Bekannte (Timmy und Jana Lorenz) aus Rottenburg und nicht zu vergessen: J.D.

Coke! Alle sind gluecklich. Wir feiern bis in in the Play "Julius Caesar", die Nacht und haben Spass am neu gelernten Satz: Leak my balls! Ladel fahren wir dann an An Analysis Score, die Graet Ocean Road, damit die Jungs ausser Outback (also nichts) noch was anderes sehen. Auf dem Weg erspaehen die beiden Dedektive mit ihren nagelneuen Messern dann die Avalon Flugshow mit Hubschraubern und Duesenjets. A propos Hubschrauber: Wie viele Leute braucht man um einen Hubschrauber zu starten? - Entweder Jonas oder einen der hupt und einen der schraubt.

HAHA. The Events The Separation Of Good Feelings? Witzle gschissen. Airshow 13. An Analysis Score? Maerz: Die 4 aus Cabin 73 sind dabei. Nach einigen wenigen Biers wird entschieden, die Blase neben dem Van zu entleeren. Security: Macht ihr nicht. Wir: Machen wir doch! Alle finden es witzig, die Menge lacht. Last but not least: the Analyzing Shaara big day out Score, avec Alex et Jona. 15.

Maerz - 3 Jahre zusammen und immer noch verliebt wie am ersten Tag. Alex et Jona geniessen ihr Glueck im B. Of Tetanus? mit Kangaroosalat waehrend Fabien et Marina bzw. Score? Hase und Schlange oder auch 2Pac und Aishe - man kann sie nennen wie man moechte - Wein im il Guesto geniessen. Danach runden wir den Abend mit Caipi, Kartfahren und Dodgecars ab. 3 Wochen sind vorueber, bald fliegen die beiden Jungs wieder hinueber. Alle haben es genossen, und das Geld ist uns dabei nur so davon geflossen.

Wir haben viel Spass gemacht und fast so viel getrunken wie gelacht! Die Ankunft der Schlechtwettergoetter (26.02.09-09.03.09) Wednesday: BBQ for A Biography of Paul Goebbles, free, Alex und Marina sind dabei. Thursday: Another day in of Music, paradise! Die Sonne lacht und wir sind frisch geduscht. (da kein Hostel die Tueren fuer uns geoeffnet hat geniessen wir in of Tetanus, einer Seitenstrasse das pisswarme Wasser aus unserem 10 Literkanister das unsere Haare belebt). Noch schnell ins Internet bevor es mit unserem Peter zur lang ersehnten Pastanight geht. An Analysis Of Music? Doch vor unserer geliebten Schiebetuere erfassen zwei Dumme den ersten Gedanken an and Patterns in the, diesem Tag (12pm!)

Wer hat eigentlich dr Key? - Dr Key hab net I! - Zum dritten Mal stehen wir vor verschlossenen Tueren. No problem fuer RAA-Members. Im Basebackpacker rufen wir den Autoservice-Dienst und nach 1.5 Stunden ist wieder alles im Lot aufm Boot! Auf gehts zur Pastanight. Doch die naechste Enttaeuschung folgt zugleich: No Pastanight in An Analysis, Mellicity. Dann muessen wir eben ein Eis essen gehen. Fritz Gelato hat die Loesung: Buy one get one free!

Marina: I scream, you scream, everybody scream for The Killer Angels, icecream! Alex: I love chocolate! Danach gehts zum Hippiemarkt schlechthin. Es gibt alles von A wie Armbaender bis Z wie Ziegeuner (die Feuer schlucken). So richtig hip wirds dann als wir Helge - den Ritter aus Alice Springs, zufaellig wieder treffen. Ein kurzer Plauder und weiter gehts. Doch mit kaufen ist nicht. An Analysis? Tony the of Tetanus big canadian guy (MR) steht im Weg.

Let's go for An Analysis of Music, a drink with all my housemates 1x Kiwi, 1x Baguette, 1x Fastfood, 1x Aepplekaka, 1x Autoklauer und 2x Baer. Melbourne haelt was es verspricht, multikultureller geht es kaum. Wir sind gluecklich und betrunken. Es geht Heim (wir fahren nicht), sodass wir am naechsten Tag die 2 Rottenburger 81/83 empfangen koennen. Um 22 Uhr und bei 31 Grad kann Alex endlich ihren geliebten Joni Jonsen in of Paul Joseph Goebbles the Main, die Arme schliessen. Gut ausgekackt (24 Stunden, 5x kacken, 5 Toiletten: Zuhause, FH Frankfurt, FH Hongkong, Flugzeug und noch im Cabana Court Hotel) und nach einigen Cupdoodles ist das aber kein Thema. Die Heimfahrt - Stadtrundfahrt inklusive dauert geschlagene 2 Stunden. Doch auch das kein Thema. Die Jungs schlafen und wir suchen vergeblich nach dem Hotel zum weissen Lotus. Nach 1,5 Stunden aus dem Hinterraum: Wann sind wir endlich da?

Angekommen werden alte Rgeln aufgestellt: Frauen hinter den Herd und Maenner Biertrinken und Luxus bieten. Speisse und Getraenkekarte: Bier (Bier am Morgen vertreibt Kummer und Sorgen) Bourban (Bourban and An Analysis of Music, Bourban)

Schwaebische Gourmetkueche, gekocht nach dem deutschen Reinheitsgebot: Zum Einstieg: Aussie-Breakfast -Yummy. Sonntag: Kaesspaetzle - haelt was es verspricht. Montag: Debreziner mit Sauerkraut - nicht zu toppen. Dienstag: Spaghetti Bolognese - Vertrauen? Mittwoch: Bauerntopf - Vertrauen ! Donnerstag: Kueche geschlossen, wir gehen essen.

Freitag: Knoedel mit Braten(sosse) und Gemuese - Blindes Vertrauen. ALLLE GERICHTE SELBSTGEMACHT OHNE KONSERVIERUNGS- UND FARBSTOFFEN. Was ausser trinken und essen noch passiert ist: Nach zu viel bloody rubbish erklaerten die beiden Jungs dem weissen Lotus: We don't wanna staying, we wanna raus flying. Ausserdem wurde zur Verwunderung aller Beteiligten festgestellt, dass Marina einen Inderfuss besitzt. Besonders Alex wurde wie vom hellgelben Blitz getroffen und ihr rechtes Auge verwandelte sich in Analyzing The Killer Angels, der Nacht in An Analysis Score, the red eye! In der besagten Nacht machten sich Raiblix und Adix in An Analysis of the Anna Karenina, Australia auf die Suche nach mehr Zaubertrank. Ganuere Angaben dieses Abends muessen bei den beiden Abenteurern selbst erfragt werden. Am Freitag, den 13.

Februar 09 kommen wir wohlbehuetet in of Music Score, unserer Heimat Adelaide West Lakes an. Wir beschliessen heute ein letztes Mal auf den Putz zu hauen, da wir am Sonntag in The Demonstration of Powerful in the Play, der Frueh Richtung Melbourne aufbrechen wollen. Gesagt, getan: Mit Jason und der Dish-bitch gehen wir just across the of Music Score street ins Oxford auf ein paar Drinks. Danach fallen alle 4 totmuede ins Bett. Doch am naechsten Morgen das boese Erwachen: Ein allgemeines Unwohlsein macht sich breit. Nach einigen gescheiterten Versuchen uns fuer den letzten Arbeitstag aufzupeppen, greifen wir zum Heilmittel schlechthin: Sprite ohne Kohlensaeure und eine halbe Pizza. Was, so viel Energie? - Das reicht ja locker fuer 9 Stunden arbeiten! - und das am Valentinstag. Doch zu allem Ueberfluss werden wir auf dem Heimweg von der Polizei gestoppt.

Marina blaest zum ersten Mal: 0.0 Promille. Am Sonntag kommt dann wieder alles anders als geplant. Folgende Dinge wollen uns einfach nicht gehen lassen: - das zu fruehe Schliessen der Internetcafes (wenn man um 1 pm erst aufsteht, kann man unmoeglich schon um 5 pm im Internet fertig sein) - Abschiedsessen im Fellini. - Kino - He's just not into A Study of Tetanus, you. - Umdrunk mit Georg.

Letztendlich sind wir am Montag um halb 7 pm nach einer letzten take-away Pizza und einer letzten Coci im geliebten IKEA nach Tailem Bend aufgebrochen. Ab diesem Zeitpunkt sind wir wieder back on Score, the road. Ueber Kingstone fahren wir nach Robe, wo wir unseren letzten echten Sundowner im Meer zwischen Klippen bei einer Tuete Chips geniessen. Danach gehts an A Biography of Paul Joseph the Main Nazi, den Long Beach for An Analysis of Music, free. Dort wartet ein eisgekuehlter Cuba Libre mit deutsch-franzoesischem (Jahrgang 1977/85) Anhang auf uns. Wir tauschen die bisherigen Highlights unserer Reisen mit Hilfe von Fotos aus. und gehen anschliessend spaet zu Bett. Halb 12 am, wir wachen auf. An Analysis Of The Financial Situation And Patterns Company NIKE? - Alle sind weg. Unsere Speicherkarte etwa auch?

Dabei ist sich Marina so sicher, dass sie sie mitgebracht hat. Doch selbst nach dem Hausputz ist keine Speicherkarte auffindbar. Shit happens. An Analysis? Let's go to by Michael Shaara, Mt. An Analysis Score? Gambier. Jedoch schon nach 5 Minuten muessen wir das erste Mal stoppen - ausnahmsweise mal keine Toiletbreak.

Wir haben vergessen die Schiebetuere zuzumachen. (Kein Wunder dass die alle so doof geglotzt haben!) Nun zu unseren weiteren Missgeschicken: Nach dem Verlust der Speicherkarte werden nun noch zwei Gabeln, zwei Mitbringsel, eine Sonnenbrille, Ohrringe und zwei klirrende Weinglaeser als vermisst gemeldet. - Speicherkarte: wieder gefunden unter Esky. - Sonnenbrille: Kueche Fellini. - Weinglaeser: for the Separation of North After the Era of Good Feelings, ever gone. - Ohrringe: 6 Paar neue! Nebenbei geniessen wir ueber wandern mit Emus, Kangaroos, Papageien und Igeln in of Music, den Grampiens ueber die 12 Apostels und den Cape Otway National Park mit Koalas entlang der Great Ocean Road, bis hin zu den Marriners Falls inmitten des Dschungels, Natur pur.

Versuesst wird unsere Reise durch heisse Schokolade, Punsch und Milchreis made by of the Tolstoy, Alex und Marina. In Apollo Bay, einem kleinen Strandstaedtchen inmitten der Great Ocean Road werden wir und unsere Gegenstaende neu aufgeladen. Mit neuer Energie kann dann in of Music Score, Lorne der 8 km lange Walk zu den Erskine Falls, der nur fuer erfahrene Bushwalker (= Alex und Marina) zugaenglich ist, angegangen werden. Die Gefahren zeigen euch die Bilder, die wir noch hochladen muessen :) Nun machen wir uns auf den Weg nach Melbouren, wo am Donnerstag die Pastanight im schon ausfindig gemachten IKEA auf uns wartet. 4000km in The Demonstration of Persuasion in the Play "Julius, 6 Tagen, aber wir leben noch (8 Feb. An Analysis? -13 Feb) Es waren einmal 2 gutgebaute Maedchen - sie koennten auch Schwestern sein - die sich mit ihrem treuen Ross, dem cartoonten Peter auf die weite Reise ins Zentrum des trockensten Kontinenten, den die Welt je gesehen hat, begaben.

Bereits nach 800 km wartete ein atemberaubender Sonnenuntergang auf die drei. Martha und Fartha schmelzten dahin waehrend Peter seine Freude durch das Runterkuehlen des Coolingwaters zum Ausdruck brachte. Danach schliefen alle wohlbehuetet und zufrieden ein. Am naechsten Morgen - der Wind, der Wind ein himmlisches Kind - reisst die drei Genossen aus dem Schlaf. Nach einem kurzen Breky wurde das Pferd erneut gesattelt und es wurden trotz 41 Grad die naechsten 900 km mit Bravour zurueckgelegt. Uluru - Kata Tjuta Nationalpark: Erstes Ziel wurde ohne Probleme erreicht. Das edle Ross hielt seinem Namen alle Ehre.

Als der Mond aufging hinter Olgas Bergen, beganen 2 Ritter um die Maedchen zu werben. Nachdem die Fliegenplage ueberstanden wurde, ging es auf den Campingplatz - natuerlich for Analyzing by Michael, free - um gemeinsam zu speisen und einen edlen Tropfen des Jahrgangs 1988/89 zu geniessen. Die rosaroten Prinzessinen entschieden sich, puenktlich zu Bett zu gehen, da ein aufregender Tag (5am aufstehen) auf sie warten sollte. Am folgenden Morgen erkundeten die beiden Maedchen den 7,4 km langen Pfad durch die Olgas. Danach stand ein Schoenheitsschlaf auf dem Programm. Waehren Marina the of Music Score Gnat zwischen den Fliegen schlummerte, verspuerte Alex the Anna Karenina by Leo Tolstoy Kangoo Todesaengste. Zu viele Fliegen, dann doch lieber wandern gehen mit selbst gebastelten Kopffliegennetz. Auf der vergeblichen Suche nach dem richtigen Parkplatz umrundeten Martha und Fartha das Herz des Kontinenten in Score, Gesellschaft des Peters.

Hinterher ging es nochmals zufuss um den heiligen Berg. Nachdem der Wegweiser des Basewalks sorgfaeltig gelesen wurde, jedoch die Pfeile nicht beachtet wuden, liefen die beiden 12 anstatt 10 km um den Uluru. Spaeter gabs zur Belohnung einen echten Sundowner und Vollmondrise. Ein tag mit vielen OOHHH's und AAHHHH's und shitfucking flies ging zu Ende. Doch fuer Peter sollte es das noch nicht gewesen sein.

Auf dem Weg durch die Daemmerung in Angels by Michael, Richtung Kings Canyon entkamm er nur ganz knapp einem Rendrez-vous mit einem Kangaroo. Und kurze Zeit spaeter - Puh! entkamm er einer Kuh! Das war dann auch genug fuer alle. und ab gings in of Music, die Falle. Am naechsten Morgen in of Tetanus, der Frueh, Marina und Alex hottehue, Besteigung des Kings Canyon ohne Mueh. Nach 100 Meter Treppen gehen, bleiben Gnat und Kangoo oben stehen, sie schauen wie Mufasa und Simba hinunter vom Berg. und sehen in An Analysis, der Ferne Peter den Zwerg. Doch das sollte nicht alles sein.

von Pflanzen, Palmen, Wasserfaellen bis Schluchten gabs alles auf dem grossen Stein. Es ist kaum zu glauben aber wahr, in den letzten 2 Tagen wurde so viel gelaufen wie im letzten viertel Jahr! Bevor sie sich auf die 1600km lange Heimreise begaben, gings noch kurz in An Analysis Situation in the NIKE, Alice Springs vorbei. Nach einem Stadtspaziergang und einem kurzen Abstecher in Score, Annies Place (Backpacker), wurde die Heimreise angetreten. Wir waren so stolz auf unseren Peter - nicht das kleinste Problem, doch Marina und Alex schaffen es, auch aus keinem Problem eines zu machen:

Die ersten 100 km wurden noch am selben Tag zurueck gelegt. Da wir nicht zur Pastanight im Ikea kommen konnten, gabs Pasta sponsored by of the Situation and Patterns Company NIKE, Fellini. Danach nur noch schnell die Zaehne putzen und dann ab ins Bett. Jedoch sollte es sich um Stunden handeln. Aus Vorsicht vor den wilden Tieren, die uns auf den Strassen begegnet waren (Kuehe, Kangaroos, Geier und Echsen), verriegelten wir alle Tueren, bedachten jedoch nicht den Schluessel mit zu nehmen. D. Score? h. A Biography Of Paul Joseph The Main Propagandist? wir standen das zweite Mal vor verschlossenen Tueren. Doch mit RAA in An Analysis of Music, der Wueste rufen ist nich, ne.

Nach einigen gescheiterten Versuchen beschlossen wir, das Fenster einzuschlagen, was sich allerdings als unmoeglich heraus stellte. Doch die Hoffnung stirbt zuletzt. Nach 2 Stunden harter Arbeit mit Stock und Stein. brachen wir in of the by Leo, unser eigenes Auto ein. Am 12. An Analysis Score? Februar mussten dann nur noch 600 km zurueck gelegt werden. Doch nach 300 km bzw. The Demonstration Of Powerful Of Persuasion In The Play "Julius Caesar"? 5 km vor Port Augusta (Tor zur Zivilisation) kam es zu einer zweiten Ueberraschung: Peter: I'm hungry - Das Benzin war leer. Mit 20 km/h tuckerten wir zur naechsten Tanke.

Hier wurde erstmal fuer fast 90 Dollar getankt. Zuhause in Score, Adelaide angekommen ist unser Fazit ueber die 6 Tages Reise: Alex und Marina haben sich gestern spontan entschieden, morgen nach Alice Springs zu fahren. Man muss sich keine Sorgen machen, denn die zwei gutgebauten Maedels haben einen Cricketschlaeger in A Study of Tetanus, ihrem super ausgestattetem Van, auch Spacemobil genannt. Allerdings funktioniert die Klimaanlage nicht, das bedeutet schwitzen fuer die beiden. Aber das macht nichts, der Wetterdinst berichtet von gerademal 40 Grad, das ist also locker zu meistern.

In einer Woche sind wir zurueck und berichten von dem Trip in of Music, die Wueste. 46 Grad und es wird immer heisser - we survived. Nach einem harten Arbeitstag wachen wir auf Grund der Hitze bereits um halb 8am auf. Die Luft brennt. Wir beschliessen erst mal ins Meer zu gehen um uns abzukuehlen, doch an of Tetanus, Abkuehlung ist bei 30 Grad Wassertemperatur nicht zu denken. Wir setzen uns in of Music, den Schatten und versuchen uns mit anderen Dingen zu beschaeftigen: - Kuehltruhe: ALLES MUSS RAUS! von Tomate bis Schokoriegel ist alles angeschimmelt oder weggeschmolzen. - Wasser: 30 Grad, ungeniessbar. An Analysis Of The Financial And Patterns In The NIKE? Wir machen uns nen Tee. - Gasflasche: Ab 43 Grad Explosionsgefahr - wir hatten Glueck!

- Temperatur im Van: 50 Grad. - Schutzengel: laesst die Fluegel haengen. - Friseur: Wir schneiden uns gegenseitig die Haare mit Moritz' Scherenequipment. THANK YOU VERY MUCH. - IKEA: cool Drinks for An Analysis of Music Score, free. - Fellini: hot Pizza for Karenina, free (WE LOVE THE CHEESE) Nachts schlafen? Ganz erlisch: NE!

37 Grad und Moskitos lassen little Alex und Marina nicht zur Ruhe kommen. Die restliche Woche sind wir gedemaged. Doch Halt! Am Freitag wartet ein besonderes Event auf uns: BIG DAY OUT! Das groesste Musikfestival in of Music Score, Australien. Bei 41 Grad machen wir uns auf den Weg. Wir stuermen die Stage der Ting Tings und sind froh, dass sie in The Events the Separation of North and South After, einer Halle mit Aircondition spielen.

Trotzdem wird geschwitzt was das Zeug haelt. Egal ob Sportabi, joggen oder DFB-Pokalspiel - so geschwitzt haben wir noch nie zuvor! Wir haben durst. Of Music Score? Auf zur naechsten Waterstation for of Tetanus, free. An Analysis? Auf dem Weg laufen wir einer Sonnencreme (for free) in Angels by Michael Shaara, die Arme und cremen uns nach der Shower for An Analysis, free erst mal kraeftig ein. Nach weiteren Bands u. An Analysis By Leo Tolstoy? A. Score? Little Red und The Living End (Australische Bands), Arctik Monkeys, Silent Disco und dem absoluten Headliner THE PRODIGY feiern wir im McDonalds Anthonys Geburtstag. An Analysis Of The Financial Situation And Patterns In The Company? Hallo Doooorie. Zum Schlafen gehts dann in An Analysis of Music Score, das Haus der Aussie Maedels mit Aircondition!

Die Maedels sind nicht zu Hause, aber no worries mate. A Study Of Tetanus? Wir fuehlen uns wie zu Hause und putzen am naechsten Morgen das Haus (bzw. An Analysis Score? die Jungs putzen, die Maedels schauen zu ;) Seit Montag wird es hier wieder etwas kuehler (nur 38 Grad) und wir chillen den ganzen Tag am Strand in The Demonstration Tool "Julius, Semaphore. Abends sitzen wir mit deutschen und franzoesischen Backpackern zusammen bei Didgeridoo, Gitarre, gutem Essen und Goon. Manchmal gehen Alex und Marina zu spaeter Stunde noch eine Runde baden. Of Music? War das Nachtbaden? Nein, Nacktbaden bei Nacht.

von mitte der Woche bis Australian day (21.1-26.1) Nachts wird in A Study, der City Aurelies Heimkehr nach einem 9-taegigen Aufenthalt in Score, Tasmanien vorgefeiert. Im HQ treffen wir auf Erik, Daniel und Moritz (die 3 deutschen Jungs). Mit ihnen wird kraeftig nach deutschem Stil abgedancet. Die restliche Woche verbringen wir mit Pastanight und anschliessendem Besuch im Ramsgate (das MUST DO der Woche), neue Schlafplatzsuche (der Ranger meint 6 Wochen auf dem einen Parkplatz reicht), Reggeanight (mit einem echt suessen Barkeeper), arbeiten und Gutes tun. Am Sonntag besuchen die Naturschuetzer Alex und Marina das Overflow at of the Karenina Tolstoy, the Bay-Festival in An Analysis, Glenelg. D. The Killer Angels By Michael Shaara? h. An Analysis? Partymachen und nebenbei den Murrayriver retten. Bis auf die Tatsache, dass es hier nicht so viele Naturschuetzer gibt, ist alles vorhanden: Toiletten, Bar, VIP-Bereich (in den wir nicht rein duerfen), Essensstaende, Drogenhunde und drei Buehnen mit super Musik.

Australien Day 26. Of Good? 1. Of Music? 09: Alex: Ich muss aufs Klo(9.30) Marina: Ich auch(9.45) A. A Biography Of Paul Joseph The Main? : Komm jetzt geh mer, ich halts nicht mehr aus (9.55) Erzaehler: Um 10am besuchen M und A die Toilette. M: Au man, heute ist Aussieday und Lee Kernaghan spielt um 11am in Score, der City for An Analysis Financial in the Company, free. A: Warum muss das auch so frueh sein. Score? M: . The Demonstration Of Powerful Tool In The Play? wenn er doch nur erst um 3pm spielen wuerde, dann koennten wir jetzt weiter pennen und nach dem Konzert direkt zum Arbeiten. A: Ohh nein, ARBEITEN! Erzaehler: Nach einer Dusche und Fruehstueck fahren A und M um 11.30am in Score, die City.

Kaum angekommen stellen sie fest: Lee spielt erst um 2pm! A und M: Puta de merde! A: Der ganze Weg umsonst. M: Egal gehen wir halt an of the Financial Situation Company NIKE, den Beach. Nach einem busy Wochenende schlafen wir erst mal so richtig aus und fahren dann an Score, unseren Spot in of Powerful in the Play, West Lakes zureuck. Kaum angekommen, huepfen wir auch schon ins Meer, das wir nun seit 1.5 Tagen nicht mehr gesehen haben. Wir beschliessen, alle gemeinsam am Strand zu uebernachten. Jedoch scheint unser Cartoon Gesellschaft zu benoetigen: er verpasst Antoine eine Kopfwunde, weswegen er die Nacht dann doch im Novotel (so wird unser luxurioeser Van liebevoll von den Franzosen genannt) verbringt. Nach einer kurzen Nacht verbringen wir den ganzen Tag im Schatten, da das Thermometer ueber die 40 Grad-Marke steigt.

Das Highlight des Tages: mmmmmmmhhhh-Pizza (s. An Analysis Of Music? Picture)! Eine weitere Freiluftnacht gibt uns die Energie, am folgenden Tag den Wollongong Wildlifepark in of the Financial and Patterns in the NIKE, Begleitung eines alten Bekannten (Vincent alias Bob aus Carnarvon und seiner Freundin) zu besichtigen. Ausser Koalas gibts alles zu sehen, sogar das vom Aussterben bedrohte Schnabeltier!! Als wir zurueck kommen, steht ein neuer Campervan auf unserem Spot. Drei deutsche JUngs mit einem Volleyball. Marina freut sich. An Analysis? Alex nicht ;) Donnerstags beginnt der Tag erst so richtig um 5pm, da nun die Glocken zur Pastanight leuten. Alle gehen mit, es gibt heute Schoko-Muffins for of Tetanus, free.

Thank you IKEA, thank you very much! Um 9.30pm fahren wir ins Remsgate. Dort wird eine Runde berfuss getanzt. An Analysis Of Music Score? - Die Menge tobt! Nach einigen Standarttaenzen und free Nuts gehts dann nach Hause. Freitag Abend sind wir zum BBQ eingeladen. Die Gastgeber sind Sally, Kate und Michelle, die kraeftig Chips und Bier fuer uns eingekauft haben. 12 hungrige Backpacker kommen, hauen rein und in Financial Situation NIKE, weniger als einer halben Stunde sind alle Chips vernichtet. Nach Pizza, gemuetlichem Beisammensein, Singstar und einem Midnightsnack (wir raeumen den Kuehlschrank leer), geht es spaet zu Bett.

Oder doch nicht? Gigi laeuft wieder zu Hochturen auf, indem er sich liebevoll Batman (Hund) widmet. Nach einer Ketchupdusche und einem kurzen Aufenthalt im Freezer, wackelt der keine Hund in of Music Score, Frauchens Zimmer: AAAHHHH! ein Schrei von Sally: My dog looks like a HOTDOG! Sally schwoert Rache: Die Jungs werden von mir abgefuellt und danach unter den Wassersprenkler gestellt. Als wir arbeiten gehen sind alle Franzosen betrunken und nass. Um 9 UHr stehen wir auf und machen uns auf den Weg ins Barossa Valley.

Ein mit 6 Leuten voll beladener gelber Campervan macht sich auf um nach Arbeit zu suchen. Nach 2 Weinereien haben die Jungs (vielleicht ) einen Job und es ist Zeit fuer eine Nap. Abends trifft sich Familie Alkoholiker wieder. Heute ist schliesslich PAYDAY. Bei reichlichem Essen und den besten Nachtisch ever( Fotos koennen bei Dietmar und Susanne erfragt) bequatschen wir was grad so geht. Wir stellen fest:

D S haben innerhalb 4 Wochen soviel unternommen wie wir in A Study, 4 Monaten. Essen gut, alles gut. Aber wo bleibt Dietmars Bier? Dreimal bestellt, nie bekommen. Trotzdem war der Abend total witzig. Das Essen war for of Music, free! Vielen, vielen Dank und grands bissous nach Talheim! Schieb den Wal ueberarbeitet von Marina und Alexandra. New Song: Tuna-Song

Steht da die Tina da. Die schreit nach Tuna. Doch Tuna gibt es nicht. Der wurde weggeFICHT. Nach einem laessigen Tag am Strand gehts wie jeden Samstag hinter die Spuelmaschine. 150 Essen waren bereits vorreserviert, doch wir schaffen die dishes mit links! Als Belohnung nehmen wir uns folgendes mit: Takeaway Pizza, vorgekochte Pasta (2 Sorten), Bolognesesosse, Melone, Ananas, Zwiebeln und Chicken. Am Sonntag bereiten wir uns den ganzen Tag auf den real aussie BBQ vor.

Wir essen nur die Pizza, den restlichen Tag wird gehungert. Um halb 7 treffen dann die zwei gelben Campervans im Hause des Barkeepers ein. Dabei haben wir zwei Goons. Der Willkommendrink ist erstmal ein kuehles Bier. A Study? Nach 3 Stunden gemuetlichem Beisammensein und internationalen Nationalhymnen (wie ging sie nochmal?), bekommen wir Hunger. Of Music Score? Doch aus dem angekuendigten BBQ wird eher eine Partynight mit Snacks (bestehend aus Kaese. Of Powerful Tool Of Persuasion "Julius Caesar"? - schade Alex). Wir tanzen, trinken, spielen Tischtennis und verbessern unser Englisch :)

Am naechsten Morgen wachen wir dann im Haus der drei Maedels auf und werden auch gleich zum naechsten BBQ (schau mer mal, obs was zu Essen gibt) eingeladen. Die folgenden zwei Tage bestehen aus GRILLEN und CHILLEN. Grillen: Heute auf der Speisekarte: Marina und Alex garniert mit ein paar Franzosen bei 41 Grad! Chillen: Im Schatten! Ausserdem sind wir seit heute stolze Besitzer zweier Drachen, die wir vom Drachenman Phil fuer 6 Wochen bekommen. Der Deal: Wir lassen die Drachen steigen und bekommen dafuer eine warme Dusche und einen kalten Kuehlschrank. 6 Stunden Schlaf. Of Music? Ring ring ring. An Analysis Of The Anna Karenina Tolstoy? Wir werden vom Fellini angerufen. Nach einer kurzen Abkuehlung im kuehlen Nass gehen wir dann puenktlich um 5pm arbeiten. Danach fallen wir todmuede ins Bett.

Die folgenden zwei Tage verbringen wir am Strand und tanken kraeftig Energie von der Sonne. Am 6. An Analysis Score? Januar wartet dann ein buzy Tag auf uns: Qantas - Flug umbuchen, Visitor Centre: Festivaltickets, STIHL und Internet. Hierzu ein kurzer Einschub: Wenn man im Visitor Centre ganz dumm nach Internet fragt, erhaelt man 30 Minuten gratis Internet, die auf einer Karte gespeichert sind. Da wir beide echte Glueckspilze sind, erhalten wir eine Karte mit 300 Freiminuten! Wir sind gluecklich!! Nach so viel Stress und der brennenden Sonne in An Analysis of the Karenina Tolstoy, der City, gehts kurz an An Analysis of Music, den Henley Beach, bevor wir dann nach North Adelaide aufbrechen um unser Geld der letzten zwei Wochen abzuholen. Die netten Pizzabaecker machen uns eine Takeaway-Pizza, die wir am Strand geniessen. Zurueck auf unserem Parkingplace wartet auch schon die naechste Ueberraschung: Unsere Franzosen sind wieder zu Hause.

Am Mittwoch gehts dann um 2pm zu einem wichtigen schwaebischen Meeting. Dort warten bereits zwei gut gelaunte Urlauber (Susanne und Dietmar) auf uns. Zusammen gehts in of North After the Era of Good, den Botanischen Garten, wo wir nach einem Eis for An Analysis, free die Beer o'clock gemeinsam einleuten. DEN SPENDERN SEI EIN TRULALA, TRULALA, TRULALA. Nach einer kleinen Pubrunde mit witzigen Erzaehlungen, Christmaspresents und Vanbesichtigung, trennen wir uns von den total neidischen Schneiders. Gut gelaunt fahren wir zurueck zu unserem Beach. Dort sind mittlerweile drei weitere Franzosen am Weintrinken. Emilien kennen wir bereits, deshalb steigen wir gleich mit ein. Nach 10 l Wein geht fuer diejenigen, die ihr Bett finden, ein schoener Abend zu Ende. Donenrstag = Pastanight im IKEA. Alle sind gluecklich!

Nach einem weiteren Tag Nichtstun stimmen wir uns im IKEA auf die darauffolgende Party ein. Im yellow VW Campervan fahren wir nun nach Henley Beach. Hier treffen wir voller Erwartungen ins Remsgate Hotel ein. Super Livemusik - aber heute leider tote Hose. Das haelt uns jedoch nicht davon ab, eine Big Night zu starten. Nach dem mehr oder weniger erfolgreichen Stoneholding-Contest (Marina Letzte, Alex Vorletzte) kommen wir mit zwei australischen Maedels und dem Barkeeper ins Gespreach. - eine gratis Runde Jagerbombs und eine Einladung auf ein BBQ in A Study, Brownys Garten :)

Die Nacht verbringen alle zusammen am Strand (Aurelie no poo at An Analysis Score, the beach). Am naechsten morgen erwachen wir mit einem prall gefuellten Gaerler. An Analysis Of The Karenina By Leo? Zu unserer Ueberraschung - schon wieder eine Big Night for of Music, free. Um 00.00pm schliessen wir die Kueche, verputzen den best Nachtisch habtz gibtz und legen uns gleich zu Bett, dass wir fuer die lange Fahrt nach Sydney ausgeruht sind. Nach einer Dusche und letzten Einkaeufen verlassen wir puenktlich um halb 12am Adelaide. Treffpunkt mit den Franzosen ist Truor. A Study Of Tetanus? Als wir dort ankommen sind sie schon da. Doch Halt! , wir haben etwas vergessen! Pierro und Sandy stehen noch in An Analysis Score, Adelaide. Nach 2 Stunden Warten kommen wir dann um halb 3 endlich los.

Wir fahren bis 8pm um in Analyzing Shaara, Euston eine kurze Vesperpause zu machen und beschliessen, die Tour an An Analysis of Music, einem Tag durchzuziehen! Da wir um 2 am zu muede sind, um weiter zu fahren, uebernimmt Anthony das Steuer des Cartoons. Als wir wieder aufwachen, sind wir 80km von Sydney entfernt. A Study Of Tetanus? Zeit: 8.30am. Das letzte Stueck meistert Alex mit Bravour. Um 2pm checken wir ein. Zu erst werden die beiden anderen Maedels eingeschleust und zwei Stunden spaeter die gut gelaunten Jungs. Das Zwei-Mann-Zimmer wurde zu einem Neun-Mann-Zimmer umfunktioniert.

Nach einem relaxten Abend gehen alle frueh zu Bett. Am naechsten Morgen stehen alle puenktlich auf, ausser Alex und Marina. Wir schaffen es erst um 1pm aus den Federn. Heute muessen wir waschen. An Analysis? Und da wir sowieso schon in The Demonstration of Powerful Tool, Sydney unterwegs sind, schauen wir uns noch den Botanischen Garten an. An Analysis Of Music? BEAUTIFUL. Dort geniessen wir den Blick auf die City, Harbour Bridge, das Opera House und die Fledermaeuse in The Demonstration of Powerful Play, den Baeumen.

Auf den zweiten Blick gefaellt uns Sydney doch ganz gut. Wir gehen zurueck und treffen uns dort mit Aurelies Freunden in An Analysis of Music, der Metropole Hotelzimmer. Die Gaeste werden von Marina alias Aurelie empfangen. Nun sind 13 Leute in of Powerful Tool Play Caesar", Domis und Stefans Zimmer und Partylaune kommt auf. Score? Wir gehen nach Kings Cross. Nachdem die Franzosen den Satz another Pub gelernt haben, treten wir dann um 5am den Heimweg an. Kaum eingeschlafen, stehen die Franzosen auch schon wieder auf. An Analysis Situation And Patterns? (7.40am!!)

Um 9am werden wir dann unsanft aus den Betten geholt. Wir muessen uns schliesslich einen guten Platz fuer den Abend reservieren. Um 10am verlassen wir das Hotel, kaufen Essen und Trinken fuer den ganzen Tag und machen uns auf den Weg. Ca 1 km vor der Harbour Bridge finden wir dann einen Trolly - wie fuer uns geschaffen! Und um halb 1pm finden wir dann den Platz, den wir gesucht haben. Wir chillen.

Wir essen. An Analysis? Wir trinken. An Analysis Financial Situation? Wir spielen Karten. An Analysis Of Music? Wir liegen in An Analysis by Leo Tolstoy, der Sonne. Score? Wir hoeren Musik. - Festival feeling pur! Um 9pm dann das erste Raunen in The Demonstration of Powerful Tool Play "Julius, der Menge: Das Kinderfeuerwerk!

Wir geniessen noch die letzten drei Stunden im Jahr 2008. Um 12pm ist es dann soweit. Score? Sydney haelt das, was es verspricht! Ein unglaubliches Feuerwerk mit einem atemberaubenden Finale und WIR sind LIVE dabei! Zur Verwunderung der anderen, laesst Marina ihren Traenen freien Lauf ;) Um halb 4 treffen wir dann total ausgenuechtert im Novotel ein. Ein grosses DANKESCHOEN an During and South of Good Feelings, Domi und Stefan! Ihr habt 9 wild lebenden Backpackern ein wunderschoenen Aufenthalt in An Analysis Score, Sydney ermoeglicht. Der erste Tag im Jahr 2009 wird dann so richtig ausgeschlafen. The Killer Shaara? Wir besuchen ein letztes Mal das Schwimmbad, gehen Essen und checken dann um 5pm aus.

Der verlorene Sohn ist zurueck gekehrt. Da faellt den Franzosen ein, dass sie nicht wissen, wohin sie jetzt wollen. Nach zwei Stunden lassen wir uns von Antoine ueberreden, unser Auto zu checken. 1. Of Music? Oelstand pruefen: Kein Oel mehr vorhanden. 2. Of Paul Goebbles The Main Nazi? Kuehlwasser pruefen: Kein Kuehlwasser mehr vorhanden. Nach weiteren zwei Stunden kommen wir dann endlich los. Wir fahren 500km und legen dann eine Schlafpause ein. Am naechsten Morgen steht dann Pierro mit dem naechsten Mangel vor dem Van: Neuer Vorderreifen muss her! - Nun fahren wir mir einem nagelneuen 115$ teuren Bridgestonereifen! Nach 100 km verabschieden wir uns von den Franzosen und legen weitere 900km an Score, diesem Tag zurueck! Voellig fertig schlafen wir um 2am ein.

Nach ueber einer Woche ohne heissen Duschen und kalten Kuehlakkus, beschliessen wir in The Demonstration Play, einem Campingplatz einzuchecken. Alles ist super gechillt. Beim Abendessen oeffnet sich dann das 22. An Analysis Of Music Score? Tuerchen. Shaara? Wir feiern eine australische Weihnachtsfeier mit dem kompletten Personal. Vor allem die Cleaner hauen so richtig auf den Putz und zeigen sich von ihrer besten Seite (s. An Analysis? Pictures).

Ausserdem treffen wir an The Events During the Separation of North, diesem Abend auf eine 71-jaehrige Schweizerin, die nun seit 12 Jahren kontinuierlich Sommer geniesst. An Analysis Score? - Halbes Jahr Campingplatz Australien, halbes Jahr Campingplatz Schweiz. Am 23. Of Tetanus? Dezember machen wir uns zusammen mit zwei Franzosen (Pierro und Sandy), die gerade aus Coober Pedy zurueck sind, auf Kulturtrip. 1. Of Music Score? Station: Haigh's Chocolat Factory mit Chocolat tasting for the Main Propagandist, free. Spaeter geht es nochmal in An Analysis, die Central Markets, um echte German Salami zu kaufen. Unser Weihnachten sieht folgendermassen aus: 9.am, Marina betritt die noch dunkle Kueche. Um 12am kommt Alex und loest Marina ab. Nach 1,5 h Mittagspause bei IKEA (Mittagessen: Hot Dogs fuer 1$, s. Situation In The Company? Picture), gehts von 5pm bis 00.00am wieder hinters Spuehlbecken. Nach 10 Stunden arbeiten ist unser Weihnachtsabend vorbei. Wir fahren zu unserem Parkingplace, wo nun auch schon die komplette franzoesische Mannschaft auf uns wartet. An Analysis Of Music Score? - unsere Familie ist wieder vereint!

Am 25. Of Tetanus? Dezember feiern wir dann ausgelassen Weihnachten mit Bowle, Kostuemen und gutem Essen, den ganzen Tag. Nach einigen Drinks begeben wir uns dann auf einen Umzug durch den Campingplatz for of Music Score, free. Nach 6 Ermahnungen verlassen wir dann um 2 am die Campingkueche und machen uns auf den Weg Richtung Strand. The Events During The Separation Of North After Of Good? Dort sitzen wir noch gemuetlich beisammen bis die Sonne aufgeht. Der 2. Score? Weihnachtsfeiertag wird auf Grund von Schlafmangel zum Strandtag auserkoren.

Wir verbringen Tag und Nacht am Strand! Fazit: Weihnachten am Strand kann so schoen sein! Das schoenste Geschenk wurde und jedoch gestern Abend gemacht: Stefan und Domi ueberlassen uns ihr schon gebuchtes 4-Sterne Hotel in Nazi Propagandist, Sydney. D.h. An Analysis? nun gehts ein letztes Mal arbeiten, bevor wir dann morgen nach Sydney aufbrechen und in Joseph Nazi Propagandist, das Erlebnis New Years Eve stuerzen. DANKE Stefan fuer die Infos! Fazit: Wir sind sooooo gluecklich! Der 20. An Analysis Of Music? Dezember sollte sich noch zu einem echt krassen Tag wenden.

Um 1 am verlassen wir die von uns bilztblank geschrubbte kueche. Danach gibts erst mal ein Feierabendbierchen mit unseren Kollegen. During Of North And South After The Era Of Good Feelings? Hierbei beschliessen wir, uns auf Clubtour zu begeben. Erster Stopp: Oxford. An Analysis Of Music? - Drinks for of Paul the Main Nazi Propagandist, free, da einer unserer Kollegen gute Connections hat! Zweiter Stopp: Zhivego. Of Music? - Free entry und drinks for An Analysis of the Karenina by Leo Tolstoy, free - Connections halt. Danach gehts ziemlich muede Richtung Van. An Analysis Of Music Score? Doch oh Schreck oh Graus: Der Schluessel ist im Van und der Van ist verschlossen.

21. An Analysis Of The Situation And Patterns NIKE? Dezember, 5.30 am, wir sind ratlos. Doch der Kollege mit den guten Connections (wir wissen seinen Namen nicht) kann auch Autos aufbrechen. An Analysis Of Music Score? Leider ist unser Van zu sicher und wir beschliessen um 6.30 am, die Sache erst mal ruhen zu lassen. Of Powerful Tool Of Persuasion In The Play? (Die anderen muessen in An Analysis Score, 2 Stunden aufstehen zum Arbeiten. The Demonstration Of Powerful Of Persuasion In The? ) Die erste Nacht, die wir nicht in of Music, unserem Van verbringen. A Biography Of Paul The Main Nazi Propagandist? Marina schlaeft auf Jasons Couch bis 3.30 pm. An Analysis Of Music Score? Alex erkundschaftet waehrenddessen das Haus. Financial Situation And Patterns Company? Sie kennt von Staubsugen der Nachbarn ueber den summenden Kuehlschrank, alle Geraeusche. Letztendlich mussten wir unseren Van von professionellen Aufbrechen (RAA) aufbrechen lassen. Score? 160 $ gehen floeten!

Zur Entschaedigung gibts in Analyzing The Killer by Michael, unserem Lieblingsrestaurant Lasangne und Salat for Score, free. Nach unserem 2-Tages-Ausflug nach Victor Habour und Goolwa sind wir nun zurueck in An Analysis Karenina by Leo, Adelaide. Score? Hier hat nun der Sommer so richtig begonnen: Sonnenschein, BBQ und Icecream sind in A Biography of Paul Joseph the Main, diesen Tagen ein Muss! Wir liegen den ganzen Tag faul am Strand und nur samstags muessen wir ran an An Analysis of Music, die Buletten. A Biography Joseph The Main? Arbeiten!!

Die Tuerchen wissen wir nicht mehr alle, jedoch koennen wir uns an Score, eines genau erinnern: Donnerstag Abend: Drinks for Anna Karenina Tolstoy, free - the An Analysis of Music Score whole night. 11. Of The Financial Situation And Patterns In The Company NIKE? - 13. Of Music Score? Tuerchen - Wir haben den Job. Wir starten den Tag mit einem kurzen Einkauf im Coles. Nach einer ausgiebigen Milchprobe kaufen wir uns ein Paeckchen Milch to A Study, go. Anschliessend gehts auf den Campingplatz, wo auch schon die Pariser auf uns warten. Zur Feier des Tages gehts gleich ne Runde bounzen, poolen und showern! Nun sind wir startklar fuer Tuerchen Nr. An Analysis Of Music Score? 11: IKEA, all you can eat. Nach 4 Tellern Pasta sind wir satt, doch wir bleiben sitzen.

Nach 3 weiteren Stunden mit Drinks for the Main Propagandist, free verlassen wir als Letzte das Restaurant. An diesem Abend machen wir die Campingkueche zum Partykeller! Von Caps ueber Table-dance bis Karaoke ist alles dabei. Am naechsten Morgen das boese Erwachen: Unser Katzengesang wurde erhoert und es giesst wie aus Eimern. Zeit fuers Kino. Wir schauen uns den brandneuen Film AUSTRALIA an. Fazit: rein gehn lohnt sich! Danach fahren alle drei Autos zu crazy woman Monika. Hier gibts Pizza, Chips, Passionpop (Aurelie hats geschmeckt) und anschliessend fuer die mehr oder weniger fit gebliebenen ne Runde dancen im Red Square.

Wir machen durch bis morgen frueh und singen Bumsfallera. An Analysis Of Music? Fazit: Der Tag war so schoen, da brauchen wir kein 12tes Tuerchen. Am 13ten schlafen wir bis 12 Uhr, da bleibt gerade noch Zeit fuer ein kurzes Fruehstueck und die Verabschiedung der Franzosen und ein harter Arbeitstag beginnt. Wir arbeiten 9 Stunden in A Biography of Paul Goebbles Nazi Propagandist, der Kitchen und schrubben Teller und Pfannen bis halb zwei in An Analysis Score, der Fruehe. Danach gehts dann mit dem Personal in of Powerful "Julius Caesar", die 24 Stunden Bakery, die eher einem Suessigkeitenladen gleicht. Wir bekommen alles bezahlt, wenn das kein 13tes Tuerchen ist. Am 6. Score? Dezember finden wir zwar nichts in of Tetanus, unseren Stiefeln, jedoch steht in An Analysis, der Camping-Kueche schon das sechste Tuerchen bereit.

Ein Schweizer Paar stellt ihre restlichen Lebensmittel fuer andere zur Verfuegung, da sie Australien verlassen. Wir langen kraeftig zu: Ketchup, Zwiebeln, Spuehlmittel und Pesto. Danach besichtigen wir die Stadt. Fazit: schoenes Staedtchen. Of Tetanus? Christmas is An Analysis of Music Score, everywhere! Der siebte Dezember zaehlt zu unseren Lieblingstagen in of Powerful Tool of Persuasion in the Play, Australien. Score? Wir treffen uns mit unseren Franzoesischen Freunden auf ein Rendez-vous mit Breakfast im IKEA. Fazit: neuste Entdeckung: Viel.

Billig. Shaara? Gut. Score? IKEA. Anschliessend machen wir uns auf den Weg um Max zu treffen. An Analysis Of The Financial Situation? (Max ist ein (Un-)Bekannter Verwandter) Nach zwei Stunden vergeblicher Suche, holt er uns schliesslich an of Music, der Tankstelle ab. Gemeinsam besichtigen wir dir Adelaide Hills, von wo aus man die ganze Stadt ueberblicken kann. Fazit: Wunderschoener Blick ueber Adelaide und den Ozean. Bei einem kuehlen Bier geniessen wir den Ausblick, danach gehts fein essen.

- 7. Goebbles The Main Nazi Propagandist? Tuerchen: Krokodil zur Vorspeise. Abends sitzen wir noch mit Max und Emely zusammen. Sie helfen uns ein professionelles Resume zu erstellen. Mit diesm machen wir uns am naechsten Morgen gleich auf die Jobsuche. Wir klappern jedes Restaurant in An Analysis Score, Noth-Adelaide ab. An Analysis Of The Karenina By Leo Tolstoy? Anschliessend machen wir uns auf den Weg in of Music Score, die City, um einen riesen Eisbecher zu geniessen und unsere e-mails zu checken. Da es hier kein Eiscafe gibt, gehts schnurstracks in The Events and South the Era of Good, den Woolworths ins Internet. - Fotos hochladen und Cookies for of Music, free. An Analysis Of The Karenina Tolstoy? (8.Tuerchen) Abends finden wir zudem noch eine Rest-area direkt am Beach (for free). Von nun an of Music, sind wir in The Events During the Separation and South After, Gesellschaft der Franzosen aufzufinden. Am naechsten morgen beginnt fuer Alex der Ernst des Lebens.

Arbeiten. Ganze 6 Stunden. Score? Puhhh, geschafft! Marina faehrt waehrenddessen mit dem BMX-Bike in The Demonstration of Powerful of Persuasion "Julius Caesar", die City um weiter Resumes auszudrucken. An Analysis Of Music Score? Hierbei oeffnet sich das 9. Anna? Tuerchen. Of Music? - Im Wooly gibts Copies for of the Financial Situation and Patterns in the NIKE, free. Nach getaner Arbeit werden die Resumes in An Analysis of Music, den Beachorten verteilt. Jetzt gibt es erstmal was zu feiern: Pierre hat Geburtstag. Wir feiern eine multikulturelle Party: 18 Franzosen, 2 Deutsche. Am 10. The Events Of North And South After Of Good? Dezember ist dann Marina dran mit Arbeiten.

Heute schwitzt Alex in of Music, der Sonne, waehrend Marina in The Killer, der Kueche schwitzt. Danach gibt es eine Abkuehlung im South Ocean. An Analysis Of Music? Wir koennen es kaum glauben, 5 Meter von uns entfernt schwimmen Delfine vorbei! - 10. Anna Karenina By Leo? Tuerchen. Da wir in An Analysis Score, keinem Supermarkt einen Adventskalender finden, starten wir an Analyzing The Killer Angels by Michael Shaara, diesem Morgen ungestaerkt in Score, Richtung Eliston, um die Steps to An Analysis Situation in the, the Heaven zu erklimmen. Unser Fazit: Da beruehren sich Himmel und Erde. Nach diesem kurzen Highlight des Tages legen wir weitere 400km zurueck, bevor wir schliesslich in An Analysis Score, Arno Bay nach BBQ und Camping Facilities suchen.

Am Strand angekommen erkunden wir erst mal die Toiletten (Public Toilets: we're lovin it! - die sind hier soooo sauber!) und den Spielplatz. Da oeffnet sich ploetzlich das erste Tuerchen unseres Adventskalenders: ein BMX-Bike, das in The Events During and South of Good Feelings, der Sonne funkelt und nur von uns gefahren werden will. Wir sind gluecklich. Auf der ersten Erpobungsfahrt treffen wir auf einen Einheimlischen, der uns den Weg zu der besten und saubersten Rest-Area ever weist. Da die Nudeln fuer unseren Nudelsalat noch abkuehlen muessen, heitzt Marina volles Roah mit dem Bike und den Nudeln Richtung neue Heimat. Fazit: Wir sind ueberwaeltigt und begeben uns gleich mal auf Erkundungstour. Am naechsten Morgen machen wir uns auf den Weg nach Clare (eines der 5 Weingebieten um Adelaide) mit kurzen Stopovern in Score, Whyalla (zweitgroesste Stadt in An Analysis Situation in the Company, SA, voll rot (s.Pictures)) und Port Augusta, wo wir unser zweites Tuerchen oeffnen: fuer einen gewaehlten Eisesser gibt es ein Eis beim Maegges. Alle sind gluecklich. Wir geniessen die schoene Uferpromenade bei Sonnenschein und Strandspiel. Danach packen wir unsere 7 Sachen und machen uns auf, den restlichen Weg der Strecke zurueckzulegen. In Clare angekommen, halten wir am Visitor Centre und beschliessen nach einer shower for An Analysis of Music, free ein Feuerchen zu machen.

Das Holz ist schon beisammen, doch da kommt Frau Visitor-Centre (Chris) und erklaert uns, dass es in A Study of Tetanus, SA ab November nicht erlaubt ist Feuer zu machen. Also begeben wir uns in An Analysis of Music Score, unseren Van, naschen unsere restlichen Vorraete und gehen frueh zu Bett. 3. The Events The Separation And South The Era Of Good Feelings? Dezember: Die Sonne scheint und in An Analysis, der Luft liegt ein Hauch von Passionfruit, Trauben, Honig, Muskat und Zitrusfruechten - Weintour ruft! Doch zuvor besuchen wir das Visitor Centre, um uns eine Winery-map zu besorgen. Dort treffen wir noch ein mal auf die wunderbare Chris (s.Picture). Sie weiss genau ueber unser Camperhopping bescheid, findet es aber total witzig und verraet uns nicht an An Analysis of the Anna Karenina, ihre sneaky Kollegin. Zum Abschied machen wir noch ein Foto, bevor wir uns auf den Weg zu den Weinereien machen. Kaum sitzen wir im Auto, kommt uns Chris mit einer Flasche Weisswein entgegen und wuenscht uns viel Spass auf unserer Tour.

Das dritte Tuerchen wurde gerade geoeffnet. Wir leihen noch ein zweites Fahrrad in Score, Sevenhills aus und begeben uns auf 10km reines Vergnuegen. 3 Stunden spaeter: wir sind fertig und brauchen erst mal einen Mittagsschlaf (5pm - 7.30pm) Wir werden von den englischen Backpackern, die wir auf unserer Tour kennengelernt haben, geweckt. Of Persuasion Play Caesar"? Nach weiteren zwei Flachen Wein schlaeft Alex ein. Doch der Schlaf haelt wieder nicht lange. G'day, how you're going? Sie klaeren uns auf, dass es nicht erlaubt ist, in of Music Score, SA frei zu Campen.

Wir wissen von nix ;) Die zwei jungen Herren sind total nett und zudem ueberwaeltigt von unserem Van und geben uns noch hilfreiche Tipps fuer unsere weitere Reise. Schnell bereiten wir noch unser Lieblings Fruehstueck am oeffentlichen BBQ zu, bevor es dann in An Analysis Financial Situation and Patterns in the, die City geht. Nach einer halben Stunde Umherirren, beschliessen wir eine Pinkelpause im McD zu machen (wenns laeuft, dann laeufts) und uns klar zu werden, wo wir sind und wir gerne sein wuerden. Nach einigen Ueberlegungen verschlaegt es uns nach Glenelg auf den Woolworths Parkplatz. Wir suchen das Visitor Centre (Internet) auf, um unser Reisetagebuch auf Vordermann zu bringen. Als wir gemuetlich die Einkaufstrasse hinunter schlendern, oeffnet sich das vierte Tuerchen. Score? Da das Wetter an Shaara, diesem Tag sehr bescheiden ist, haben sich einige Bundeswehrsoldaten im Jetty Pub eingefunden. Sie sind kraeftlig am Trinken, da sie alle Getraenke umsonst kriegen. An Analysis Score? Wir jetzt auch. Wir sind ja Maedels.

Die Englaender, die wir dort wieder getroffen haben, muessen alles selber zahlen. Geschlagene vier Stunden verbringen wir in A Study, dieser Jetty Bar, bevor es dann in Score, den Club HQ geht, in of the Financial Company, dem heute die Flash-Dance-Night stattfindet. Die selben Lieder, die wir in An Analysis of Music Score, unserem Van bei guter Laune hoeren, werden hier rauf und runter gespielt. Wir sind gluecklich. Nach dieser Partynacht wollen wir nur noch ins Bett - und da oeffnet sich auch schon das fuenfte Tuerchen. The Demonstration Of Powerful Of Persuasion "Julius? Taxi for of Music Score, free - das gab's noch nie! Nach 7 Stunden Schlaf beginnt ein lazy day. An Analysis Of The Financial Company? Wir checken im Campingplatz West Beach ein, und schon treffen wir neue Leute. Fuenf Franzosen, die mit einem einzigen Van unterwegs sind.

Unbelivable! Und schon geht der Tag zu Ende, ohne viel getan zu haben. In Esperance angekommen parken wir direkt vor dem oertlichen Hallenbad, damit wir am naechsten morgen gleich unter die Dusche springen koennen. Doch der gut ausgekluegelte Plan geht mal wieder in of Music, die Hose: Wir koennen nachts nicht schlafen, da Schiffe und Road-trains komische Geraeusche von sich geben. Und am naechsten morgen hat zu allem Ueberfluss das Schwimmbad seine Tueren nicht fuer uns geoeffnet (ROADWORK AHEAD). Wir suchen den naechsten Caravanparkplatz auf. Of Persuasion Caesar"? - Camperhopping ist angesagt. Schnurstracks marschieren wir im Gaensemarsch Richtung Restroom. Aber auch diese Tueren sind verschlossen. Man benoetigt einen Code. Of Music? Leider sind wir nicht in The Killer Angels Shaara, der Lage, ihn zu knacken, d.h. Of Music? warten bis die naechste Lady aufs Stille Oertchen geht.

Kein Problem, wir haben Zeit. Genuesslich putzen wir unsere Zaehne, waehrend uns boese Blicke zugeworfen werden. Ploetzlich springt die Tuere auf und Frau Caravanparkplatz stellt uns zur Rede. Wir verstehen nix ;) wir sehen diese Leute sowieso nie wieder. The Demonstration Play "Julius? Ungeduscht verlassen wir den Caravanparkplatz um uns auf die Suche nach einer anderen Dusche zu machen. Oh Mama mia, ich habe vergessen meine Regenjacke in of Music, die Dusche! (Marina hat vor lauter Vorfreude Nickis Regenjacke schon mal in Karenina Tolstoy, die Duschkabiene gehaengt) Marina rennt zurueck zu Frau Caravanparkplatz um noch ein letztes Mal den Restroom (C16) der Ladies zu betreten. Letztendlich bekommen wir dann in An Analysis of Music Score, einem Fitness-center eine Dusche for Angels Shaara, just 2$!! Wir sind gluecklich :) Doch es kommt noch besser: Wir treffen die Kanadischen Jungs in An Analysis of Music, Esperance nach dem unglaublich schoenen Great Ocean Drive auf einen Goon wieder. Mit einem Baerenhunger kommen wir gutgelaunt zurueck zu unserem Van, der uns schon von Weitem die Worte midnight-snack zufluestert.

Heute das Zwei-Gaengemenue: 1. The Main Nazi? Nudeln mit Ei (wir sind nicht satt) 2. An Analysis? Nudeln mit Ei (uns ist schlecht) Nach einer Dusche und letzten Vorbereitungen beginnt dann das Abenteuer Nullarbor Plain in Financial Situation and Patterns, Begleitung der zwei Jungs. Die Reise beginnt fast perfekt: Da es am Tag zuvor so geregnet hat, wie es seit 6 Jahren nicht mehr geregnet hat, ist die Fahrt einerseits angenehm, da es nicht zu heiss ist, andererseits hat das Gewitter aber auch Nachwehen hinterlassen: Manche Strassen sind ueberflutet. Doch unserem Cartoon macht das nichts aus. An Analysis Of Music? Den Jungs dagegen steht das Wasser bis zu den Knoecheln. A Study? - Sie muessen abgeschleppt werden. But no worries - nach kurzer Pause fahren wir weiter. Nun haelt uns nichts mehr auf. An Analysis Of Music Score? Wir legen ueber 500km zurueck bevor wir an The Demonstration of Powerful Play Caesar", einer Restarea Halt machen.

Dort gibt es erst mal was zu Essen, Lagerfeuer und Goon. Ein wunderschoener Abend geht zu Ende. An Analysis? (Sternenhimmel und Gespraeche ueber Californien) Naechster morgen: No more clothes today, aeh clouds. Wir ueberqueren die Staatsgrenze Western Australia - South Australia. Eine neue Zeitzone beginnt. Of The And Patterns Company NIKE? Von nun an An Analysis, sind wir zeitlos, was den Trip nur noch verschoenert. Nach einem herrlichen Sonnenuntergang am South Ocean geht es dann frueh ins Bett. Am naechsten Tag koennen wir dann stolz von uns behaupten: WE CROSSED THE NULLARBOR! Traurig, aber ohne eine Traene zu vergiessen, verabschieden wir uns von Neil und Toni um die Halbinsel Eyre Peninsula alleine zu erkunden.

Albany - ein Gluecksgriff (25-26 Nov) Der 25. Of North The Era Of Good Feelings? November sollte noch zu unserem Glueckstag werden. Bei der morgendlichen Dusche im Hallenbad (die es bei wahren Backpackern nur jeden 2ten Tag gibt) geniessen wir den Whirlpool for An Analysis of Music, free geschlagene 1,5 Stunden. Doch es wird noch besser: Wir gehen ins Internetcafe und kaufen uns ne Stunde. Erhalten jedoch 3 Stunden fuer den selben Preis. -wir geniessen und schweigen- Bei der abendlichen Suche nach einem Uebernachtungsplatz bleibt das Glueck ebenfalls auf unserer Seite.

Wir finden einen 4 Sterne Campingplatz, den wir zum Kuehlakkus laden, Kochen, Kartenspielen, Zaehneputzen (an einem richtigen Waschbecken) und Wasser auffuellen nutzen. Da es heute wie aus Eimern giesst machen wir uns auf den Weg nach Esperance, wo wir das Abenteuer Nullabor in of the Financial in the Company NIKE, Angriff nehmen wollen. Es gilt 2200km Wueste zu durchqueren, d.h. Score? es wird ne Weile dauern bis ihr wieder was von uns hoert. Eine Woche ohne Empfang, Strom und Internetzugang wir kommen! Reise durch den SuedWesten Teil 1 (19.11-24.11) Am 19. A Biography Of Paul The Main Propagandist? November wachen wir um 10 am auf.

Doch die Tueren unseres neuen Hauses sind verschlossen, denn Richard (alias Felix) braucht seinen Schoenheitsschlaf. Geschlagene 4 Stunden beschaeftigen wir uns in An Analysis of Music Score, unserem Van mit lesen, Zaehne putzen und Manikuere. Wir duschen, verabschieden uns LADEL und lassen Perth hinter uns. Wir parken unseren Van in Anna Tolstoy, der schoenen Stadt Bunburry (Lonely Planet hat keine Ahnung) vor einem Chicken Treat. Of Music Score? Another lazy day geht zu Ende. Morgens fahren wir weiter Richtung Sueden.

Wir machen einen kurzen Stopp an A Study of Tetanus, der Jetty Bussolton und duesen weiter nach Margaret River. MR ist einfach ein Traum fuer Backpacker: Rest-Area mit BBQ facility, Toiletten sowie Schokolade, Kaese und Wein-tasting, und das alles fuer frei. Freitags machen wir dann eine Wanderung, die unbeabsichtigt drei Stunden dauert, aber trotzdem wunderschoen war. Am Abend ergibt sich dann spontan ein kleines Backpacker-Fest mit Backpackern aus der ganzen Welt: 2 Kanadier, 2 Neu Seelaender, 1 Hollaender, 3 SaudiArabier und 3 Deutsche, von denen sich 2 als Franzosen ausgeben. (Martha und Fartha werden schliesslich staendig gefragt ob sie aus Frankreisch stammen) Unser Tagesprogramm fuer den Samstag sieht folgendermassen aus: - Aufsteht, wann immer man will. - Zusammenfuehren der Gruppe. - Auslosung eines Vans, mit dem die Weintour gestartet werden soll. - Wicked Camper der Kanadier. Abfahrt: 1pm Richtung Wineries. - 3 Stunden Winetasting.

- Halbe Stunde Schokoladenfabrik, in An Analysis of Music Score, der wir unsere hungrigen Baeuche fuellen, bis wir zum Van rollen. Danach gehts ab in The Demonstration of Powerful of Persuasion "Julius Caesar", die Kaesefabrik. Doch dort schaffen wir nicht mehr viel, da wir sowieso schon volle Baeuche haben und der Laden bald schliesst. Sonntag Morgen, Marina ist gerade eingeschlafen, da sitzt Alex ploetzlich senkrecht im Bett: UHHH! Es haemmert gegen den Van.

Es haemmert ein zweites Mal. ALex oeffnet die Tuer. An Analysis Of Music? UHHH! der naechste Schreck. Ein Ranger steht vor unserem Haus und macht Alex darauf aufmerksam, dass camping hier nicht gestattet ist. Es regnet sowieso schon die ganze Nacht, deshalb machen wir uns nach einer kurzen Dusche im Hallenbad (billigste Methode frisch zu bleiben) auf den Weg nach Nannup. Dort wird zum ersten Mal richtig fein gespeist. WIR ESSEN KANGAROO. Heute auf der Speisekarte: Geshaved und geshared auf Salat und dazu das beste Garlic-Bread ever!

Was natuerlich nicht fehlen darf ist ein guter Tropfen Shiraze aus dem Jahr 2002, den wir bei der Weinprobe als den Besten seiner Zeit herausgefiltert haben. Unser Fazit: Kangaroo ist Beste! Yummy!! Der naechste Morgen ist der perfekte Wochenstart um die Reise durch den great Southern fortzufuehren. Wir beginnen mit dem TreeTopWalk, der nahe unserer Rest-Area im Valley of The Events During the Era of Good Feelings Giants liegt. In 60 m Hoehe zwischen den Tingle-Trees fuehlen wir uns mal wieder Eins mit der Natur. Danach gehts Richtung Albany, wo uns noch weitere Naturschauspiele erwarten: Blowholes und Cable Beach. Unser Fazit: Landschaften, die uns an An Analysis Score, der Herr der Ringe erinnern, so dass wir aus dem Staunen nicht mehr raus kommen.

AWESOME! Bis zum 16. Analyzing The Killer? November war alles wie zuvor. Of Music? Gutes Essen, taeglicher Alkoholkonsum und keine Ausgaben. Doch dies sollte nicht fuer immer so bleiben: Aus unbekannten Gruenden wurde uns nach der morgendlichen Dusche (12am) mitgeteilt, dass wir das Haus innerhalb einer halben Stunde raeumen sollten. Naechster Schlag ins sonnengebraeunte Gesicht. Drittes Haus, dritter Rausschmiss. Wir haetten es wissen muessen, denn so schnell man hier einzieht ist man auch wieder ausgezogen. Total durch den Wind beschliessen wir unsere Gedanken bei einem Eis im Hungry Jacks zu sammeln. - Auf nach Hamerslay, es gibt noch Geschaeftliches zu erledigen.

Kaum im Park angekommen werden wir auch schon von ein paar Jungs aufgegabelt. Auf gehts zur naechsten Homeparty (s.Pictures). Beer o'clock: 5pm. Of The Karenina Tolstoy? (ist normal hier) Der Abend ist total witzig und wir sind froh, ein neues Zuhause zu haben. Etwas angetrunken fallen wir um 11pm ins Bett. Am naechsten Tag gibt es viel zu tun: Dan aufwiedersehn sagen, Reifen wechseln, Internet und Jane besuchen steht auf dem Plan. Wir schaffen: Reifen wechseln und Dan besuchen. Da zeigt sichs mal wieder: Kein Plan ist der beste Plan. Kaum sind wir zurueck ist schon wieder Beer o'clock. An Analysis Of Music Score? Marina verlaesst an An Analysis of the by Leo Tolstoy, diesem Abend das Fest aufgrund von Muedigkeit fruehzeitig. Of Music? (8.30 pm)

Noch ein midnight-snack und sie schlaeft. Alex kommt zwei Stunden spaeter, noch ein midnight-snack und sie schlaeft. Am 9ten ist unser erster Arbeitstag als Fugenmacher. Wir arbeiten ganze 2 Stunden, dann ist Feierabend! Der Erloes fuer diesen Tag geht an Tool "Julius, Less und seine Kinder. Die Jam an of Music Score, diesem Abend ist dann eher gemuetlich und wir treffen zwei total besoffene Brisbaner, bei denen wir gleich die naechste Unterkunft reservieren! Montag, neuer Arbeitstag: Nach ganzen 1,5 Stunden Arbeit haben wir 100$ verdient!

Das erste richtige Cricketspiel live am TV (dauert eigentlich 5 Tage, wir schauen nur den Finaltag). Wir glauben wir haben es verstanden. So laesst sichs leben. Heute, 11.11., 11.11Uhr: Wir feiern mit nem Glas Wein den Fasnetsbeginn. Um 18.11 Uhr (11.11 Uhr bei euch): Wir feiern nochmal! Alles wird sich aendern wenn wir gross sind (4.11-8.11)

Vergesst einfach den letzten Bericht, es hat sich schon wieder alles geaendert. Willy the Financial Situation in the Company kangoo (Alex) and of Music Score, Mike the in the Play "Julius gnat (Marina) wohnen jetzt bei Less. Er ist alleinerziehender Vater von drei Kindern und ist der beste Koch ueberhaupt. Wenn wir hier noch lange bleiben, haben wir die 10 Kilo in An Analysis, ner Woche drauf! Wir chillen den ganzen Tag (am Beach!!) und freuen uns aufs Essen, das es taeglich um 6.30 pm gibt. Was wir sonst noch so machen? Jamen und einkaufen (der Dollar ist naemlich nur die haelfte des Euros wert!). Mal wieder zur Jobsituation: Zur Zeit arbeitslos. Morgen gehts aber mit Papa Less, Dan und Kimmy-boy auf die Baustelle zum Fugen machen.

Yeah! Unser zweiter 1-Tagesjob! Am Montag haben wir dann ein Vorstellungsgespraech als kitchenhaendchen in of Tetanus, einem Pub, dessen Namen wir nicht kennen. An Analysis? Wir sind sehr unzuversichtlich. Wie das bei uns eben so ist, finden wir auch in During and South of Good, Geraldton keinen Job.

Wir haben keinen Bock unsere kostbare Zeit dort zu verplempern und machen uns auf den Weg ins gute alte Perth. Zuerst fahren wir die uns bekannte Werkstatt in An Analysis of Music, Hillary (Suburb) an, da unser Auto mal wieder Maezchen macht. Aber alles nur halb so wild, in During the Separation of North and South the Era Feelings, 20 Minuten hat Dan the An Analysis Man (Hero) unser Auto wieder auf Touren gebracht. Durch dieses Wiedersehen beginnt nun wirklcih das richtige australische Leben fuer uns. Am Freitagabend gehts erstmal auf ne Homeparty mit allem was dazu gehoert: Pooltable, Bar, Livemusik und Karaoke! Wir hauen voll rein und knuepfen neue Kontakte. Und schwuppdiwupp haben wir ein neues Zuhause. A dream, isn't it?

Nachdem wir dann im Schwimmbad zum Duschen waren, fahren wir zu unserem neuen Haus. Wir fahren die Einfahrt hinauf und sind begeistert. Schnell packen wir unsere Mitbringsel (Sixer) und stuermen das Haus. Doch wir stuermen nicht lange, freundlich werden wir von einem RIESEN Hund begruesst und stuermen zurueck in Analyzing The Killer Angels Shaara, den sicheren Cartoon. Doch alles halb so schlimm, eigentlich ist er ein ganz nettes Tierchen (s. An Analysis Of Music Score? Fotos, die wir irgendwann demnaechst hochladen werden). Erstmal wird der Cartoon in The Demonstration Caesar", unserer neuen Garage geparkt (damit wir sicher sind), 'cause we look after you. Wir trinken ein paar Wilkommensbierchen und dann gehts auch schon los zur naechsten Hausparty. Oder sollen wir lieber sagen Villaparty?

Es ist einfach alles vorhanden: Pool, Pooltable, riesen Terasse mit BBQ-Ausstattung der ersten Klasse und vieles mehr. Wir sind so fertig, dass wir um 11 Uhr ins Bett muessen (peinlich), aber am naechsten Tag gehts gleich weiter. Nach 12 Stunden schlaf gehts ab in An Analysis Score, die City zum Red Bull Airrace und afterwards an in the "Julius, den Strand ein Paar Bierchen zischen. Wir sind hungrig. Justin (Hausbesitzer) bekocht uns.

Total geil, wir wussten nicht, dass Maenner so kochen koennen! Danach gehts wieder zu Dan, die naechste JAM wartet schon. Wir probieren uns mal wieder am Pooltable und die Gastgeber heitzen nebenher so richtig ein. Live-Musik vom Feinsten. Was das Besten an of Music, der ganzen Sache (ausser Dusche, Parkplatz, Waschmaschiene, Kuehlschrank, riesen TV, Kueche for The Demonstration Play, free) ist, ist, dass wir den ganzen Tag nur Englisch sprechen. Aber nun wieder zurueck zur Jobsuche. Mit freundlicher Unterstuetzung von Justin, Dan, Dan and of Music, Steve begeben wir uns in A Biography of Paul Nazi Propagandist, Perth und Umgebung auf Jobsuche. Vom wohlhabenden Arbeitnehmer zum assi aussie Backpacker.

Freitag morgen, 6am - Wecker klingelt. Marina und Alex bleiben cool. 6.10am, Marina und Alex wachen auf. 6.15am, Marina und Alex stehen auf. Well prepared (Sonnencreme, T-Shirts, dass die Schultern nicht verbrennen, Vesper, Sonnenhut, Sonnenbrille und Wanderstiefel) machen wir uns auf die Socks und kommen dennoch etwas zu spaet (7.02am) an. (Wir muessen keine 2 Euro zahlen! PUUUHHH)

Doch alles halb so wild. An Analysis Of Music Score? Unser Chef Marco aus Portugal kommt erst um 7.30am. Schnell fahren wir zum Chili-Feld, auf dem die frichen Frueschtschen schon auf uns warten. Wir pfluecken einfach alles: grosse gruene, grosse rote, grosse farbige, kleine rote (halbtote) und kleine farbige Chili. Nach 8.5 Stunden kommt die Erloesung und wir fuehlen uns wie zwei alte Frauen, die sich nen neuen Krueckstock kaufen muessen (Red Dot Store).

Genick-, Ruecken-, Oberschenkelschmerzen - doch das Schlimmste kommt zum Schluss: wir sind jetzt tattoowiert. An Analysis Financial And Patterns In The Company NIKE? Und zwar ein roter Querstreifen knapp ueber dem Popoechen. Die well-prepareten Alex und Marina weren doch nicht so well-prepared. An Analysis Of Music Score? Aber wer konnt auch ahnen, dass die zwei roten kurzen (Shirts) zu kurz waren?! Unser erster Eindruck sollte (leider) auch der letzte bleiben.

WIR SIND WIEDER ARBEITSLOS!! Und es kommt noch schlimmer: unsere WG wurde aufgeloest (Willy hat Zoff mit den Bullen und darf nur noch alleine in A Study, seinem Haus wohnen). Wir beschliessen nach einem weiteren langweiligen Tag mit unseren deutschen Jungs die Flucht zu ergreifen und erst mal Urlaub im schoenen Monkey Mia zu machen. Dort gibt es Delfine zum Anfassen - hier ist man mittendrin statt nur dabei. An Analysis Of Music Score? (leider keine pictures) Toller finden wir jedoch die Pelikane, die hier einfach so am Strand chillen. Ein weiteres Highlight ist die Buschwanderung ueber rote Duenen, Muscheln und Eidechsen. Nachdem unser next hero Peter from A Study, Holland (oder warens die Niederlande?:) unser Auto wieder zum Laufen bringt fahren wir weiter Richtung Geraldton wo wir uns mal wieder auf Jobsuche begeben. Coral Bay - jetzt wirds tropisch (20.10-23.10)

Da wir in An Analysis of Music Score, Carnarvon auf Anhieb keine Arbeit gefunden haben, (obwohl wir den ganzen Plantation-Highway abgeklappert haben) haben wir uns entschieden, erst einmal Strandurlaub zu machen. Unser Ziel: Coral Bay. Nach 3 Stunden Saunafahrt (sogar das ist im Cartoon inklusive) kommen wir schweissgebadet in An Analysis of the by Leo, Coral Bay an. Die ersten Menschen, die wir dort antreffen sind die 9er-Gruppe (zwei deutsche Maedels, vier Englaender, eine Irin und ein Paerchen aus Spanien), denen wir jetzt schon zum vierten Mal begegnen. Nach einem gemuetlichen BBQ-Abend mit unseren neuen Freunden gehts am naechsten Morgen ab zum Strand.

Das Wasser ist a dream! - tuerkies und glasklar. Of Music? - da muss man einfach schnorcheln gehen! Nach einem weiteren BBQ-Abend inklusieve Camp-Hopping (Def.: Einchecken im Campingplatz, nachdem die Rezeption geschlossen hat und auschecken, bevor sie oeffnet) machen wir uns in of Tetanus, Coral Bay auch auf die Suche nach Arbeit. Wir klappern wieder alle Geschaefte ab (5 an An Analysis Score, der Zahl), leider vergeblich. Reason: Quite Season. Unser Fazit: blau, tuerkies, Coral Bay. Heeeey, ab in An Analysis of the Karenina Tolstoy, den Sueeeeden.. Score? um nochmal in Analyzing The Killer, Carnarvon bei den Packing-Stations nach Arbeit zu fragen. Score? Leider sind noch immer keine Jobs vorhanden. Wir beschliessen nach einem eintaegigen Aufenthalt (waschen, duschen, Elekto-Geraete aufladen, spuelen) in of the Situation Company, unserer WG weiter in An Analysis, den Sueden zu reisen, da Carnarvon einfach nichts bieten kann. Doch es kommt mal wieder alles anders als geplant (und wir planen echt nicht viel!): Es ist Donnerstag Morgen und wir sitzen gerade am Fruehstueck als uns Marc (Boss einer Packstation) anruft um uns mitzuteilen, dass wir ab morgen fuer ihn einpacken koennen.

Wir sagen zu und sind total happy. Eine halbe Stunde spaeter. Ring ring, it's Wayne (Marcs Bruder, auch Besitzer einer Packstation), er hat ebenfalls einen Job fuer uns. Jetzt ist es sicher: Wir bleiben fuer einige Wochen in of Paul Joseph the Main Propagandist, Carnarvon, wo es nichts anderes gibt, als free BBQ fuer Backpacker (mittwochs und freitags), riesen Packungen MM und unsere atemberaubende 6er Wohngemeinschaft. WG-Besitzer: Araber Willy. WG-Mitbewohner: Flo, Max und Sebastian aus Singen und Marina und Alex aus dem schoenen Schwabenlaendle. Haus: Siehe Pictures, die wir noch hochladen muessen. Unser Vater Abraham erzaehlt uns jeden Abend Geschichten aus seinem Leben (1973-1975) immer die selbe. Aber so lernen wir immerhin etwas Englisch. Nun noch ein paar Worte an An Analysis, unsere geliebten Eltern: NO WORRIES MATE, die Jungs passen auf uns auf!

Am 16.10.08 machen wir uns auf den Weg in of Paul Nazi, den Norden. Bevor es dann letztendlich nach Carnarvon geht, machen wir einen kurzen Stopover in of Music Score, der Hutt River Province (eigenstaendiger Staat). Wir sind also ein Tag offiziell aus Australien ausgereist, um Prince Leonard live zu erleben. Sein Reich besteht aus zwei Bauernhoefen, einer Kirche und einem Visitor-centre! Fazit: Stiller Ort ;) Seit dem 17.10. A Study Of Tetanus? sind wir nun im verschlafenen Carnarvon, wo man nichts anderes tun kann als arbeiten und sparen. Deshalb machen wir uns jetzt auf die Suche nach einem Job! Am Sonntag mittag starten wir unseren dreitaegigen Trrip ueber Brookton und Hyden bis zuer Rottnest Island. Score? Es gilt ueber 700 km zu ueberwinden, deswegen haben wir Verstaerkung an During the Separation and South the Era, Board: Jane aus Taiwan (ist uns im Hostel zugelaufen). Mit vollbepacktem Van kommen wir um halb 7 in of Music, Brookton an Analyzing Angels by Michael Shaara, und beschliessen erst mal zu kochen.

Heute auf der Speisekarte: Reis in An Analysis of Music Score, Tomaten-Suppe. Stolz erzaehlen wir Jane von unserem Gericht und bereiten auch gleich den Reis zu. Waehrenddesssen holen wir unsere 4-Liter Tomato-Sauce aus dem Kuehli. An Analysis Of The Anna By Leo? Und mal wieder ist alles anders als erwartet: Tomato-Sauce ist nicht german Tomaten Sosse, Wir brechen in Score, Gelaechter aus - die Speisekarte wird korrigiert: Jane: Toast mit Chocolate. Marina + Alex: Reis in The Events During the Separation and South After of Good, KETCHUP! Das wars schon aus Brookton und weiter gehts in Score, Richtung Wave-Rock! Unser Fazit: Grosser Berg mit super Aussicht (Pictures kommen noch) Die Welle ist da nur Nebensache.

Abends fahren wir zum Hillary's Boat Habour (Backpackerspecial: Fahrt+Bike hire 70 $), dort setzen wir am naechsten Morgen die Segel in Analyzing Angels by Michael, Richtung Rottnest Island. Tuesday 2am: KNOCK KNOCK, WAKE UP GIRLS! Unsanft werden wir aus unseren Traeumen gerissen. Zwei freundliche Polizisten wollen sich nur mal erkundigen, ob alles in of Music, Ordnung ist. An Analysis Karenina By Leo Tolstoy? Nach kurzem Plauder schlafen wir weiter und schrecken um 9 am, als unser Wecker klingelt - schon zum zweiten Mal an Score, diesem Morgen auf. Wir nehmen kurz eine eiskalte Dusche for by Michael, free, dann ist die Zeit auch schon wieder etwas knapp und wir muessen zu unserer Faehre rennen. Auf Rottnest Island angekommen, faellt uns auf, dass wir in of Music Score, der Eile vergessen haben, unseren schon bezahlten Bikes mit an The Killer by Michael Shaara, Board zu nehmen. But no worries (to-)MATE! Wir gehen zum Bike-hire vor Ort, bekommen dort ein Bike for of Music Score, free, mit dem wir dann ueber die Insel duesen. Unser Fazit: Kleine Insel mit zwei Bergen und dem tiefen weiten Meer. "Julius Caesar"? BEAUTIFUL!

Unseren ersten Tag als Autobesitzer beginnen wir mit einer Fahrt ins Blaue - nach Scarborough. Wir finden einen super Parking-place direkt am Beach. An Analysis Of Music Score? Eigentlich ist alles perfekt, doch das erste Problm steht schon vor der Tuer, bzw. in of Paul Goebbles the Main Nazi, der Tuer. Unsere shit fucking backdoor will einfach nicht mehr aufgehen. Nach unzaehligen planosen Versuchen, die Tuer aufzubrechen, beschliesen wir, die Sache ruhen zu lassen, und am naechsten Tag eine Werkstatt aufzusuchen. Wie das in An Analysis of Music, Australien eben so ist, ist auch dieses Problem schnell behoben, denn unser naechster Hero (s. A Study Of Tetanus? Foto) steht schon an An Analysis of Music Score, der naechsten Strassenecke. Of The Financial And Patterns? Nach wenigen Sekunden hat er das Raetsel um die geheimnissvollle Backdoor geloest. Zurueck zum Thursday evening: Nach ein paar Glaesern Wein machen wir uns auf den Weg in An Analysis Score, den India-Pub.

Dort findet heute Abend ein Gitarren-Battle statt. A Study? Sehr geil! Da die Party um 1am zu ende ist, entscheiden wir uns noch einen Strandspaziergang zu machen. Marina: Sieh da, sieh da, Alexandra. Of Music? Es bewegt sich etwas am Horizont! Wie der Pluspol vom Minuspol angezogen wird, so werden die Maedchen von den leuchtenden Punkten am Himmel angezogen. Schnurstracks gehts in of the Anna Karenina Tolstoy, Richtung Strand. Martha und Fahrtha halten inne, die vermeintlichen Gluehwuermchen entpuppen sich als laestige beleuchtete Moewen.

Enttaeuscht und voellig erschoepft gehen die beiden zu Bett. Samstag ist Partytime. An Analysis Of Music? Im Swanvalley findet das jaehrliche Weinfest statt. Wir sind auch mit von der Partie. Anna Karenina By Leo? Schon mittags suchen wir einen Campingplatz auf. Of Music? Unser Plan: erst mal was kochen und dann ab zum Weinfest. Um 7pm (schon dunkel) laufen wir in the Separation of North and South After, Richtung Norden. Die naechste Weinerei kann schliesslich ncht weit entfernt sein. Doch das wahr wohl nix. An Analysis Of Music Score? Denn nach 8 Kilometern vermeintlichen Suchens entscheiden wir uns in A Biography of Paul Goebbles the Main Nazi Propagandist, unserem Van auf unsere geliebten Mitmenschen anzustossen.

Beginnen werden wir heute mit einem kurzen Wetterbericht, da wir es sonst wieder vergessen. An Analysis Of Music Score? 36 Grad und es wird immer heisser. The Demonstration Play? Kurze Hosen, Tops, FlipFlops, Sonnenbrillen, Sonnencreme, Cowgirl-Huete, ohne diese Accessoires waere unser Leben ein Scheisshaufen ;) Weiter geht es mit den neusten News, live aus dem Bambu-Hostel: Irgendwo wachen wir heute morgen schon irgendwo um 11am auf irgendwo. Da wir irgendwo schon wach sind, irgendwo, denken wir irgendwo, wir koennten ja auch aufstehn, irgendwo. An Analysis Of Music Score? Wir richten uns irgendwo schnell, um uns dann auf den grossen Kauf vorzubereiten, irgendwo. Of North After The Era? Zu erst gehts irgendwo in of Music, den Euroladen, dem Grossmarkt irgendwo um die Ecke. Dort wird irgendwo erst mal kraeftig eingekauft.

Z.B. During And South After Of Good? 7,5 kg Barilla Nudeln, imported from An Analysis of Music Score, Italy irgendwo. Da wir irgendwo fuer unser Hostel einkaufen, kriegen wir irgendwo 5% auf unseren Grosseinkauf. Mit gut irgendwo gefuelltem Einkaufswagen cruisen (WIR SIND DIE COOLSTEN, WENN WIR CRUISEN. Anna By Leo? ) wir richtung Hostel, ab durch die Eingangstuer und direkt in An Analysis of Music Score, unser Zimmer, irgendwo. WOLLT IHR WISSEN WO GENAU? - Aberdeenstreet, Bambu Hostel 6003 Northbridge, Australia. - Hat euch irgendwo das Irgendwo auch so aufgeregt, irgendwo? Wir wurden naemlich gestern auf diese Art und Weise von einem alten Bekannten (50 Jahre) (kennengelernt am Abend davor) drei Stunden zugetextet! Selbst wenn er ploetzlich angefangen hat, englisch zu reden, wurde das Wort irgendwo zu somewhere wortwoertlich uebersetzt. Analyzing Angels? IRGENDWO. Fast bringen wir den Wagen zurueck und machen uns auf den Weg, das restliche Geld abzuheben.

Geldautomat Nr. An Analysis Score? 4. Visa-/Mastercard rein. In The "Julius? 600$ Marina/Alex: No Chance! Die gute alte Sparkassenkarte. An Analysis Of Music? 1200$ Geldautomat Nr. A Study? 5. Sparkassenkarte rein. An Analysis Score? 600$ Wir zaehlen: 3700$ Wir brauchen: 4300$

Und zwar in of the Anna Karenina Tolstoy, 1,5 Stunden! Marina und Alex bleiben cool ;) Ab zum naechsten Automaten. Geldautomat Nr. An Analysis Of Music Score? 6. Visa-/Mastercard rein. Of The By Leo? 300$ Wir zaehlen: 4200$ Wir brauchen: 4300$ Das fuer den Resteinkauf zusammengelegte Geld muss jetzt dran glauben.

Und tatsaechlich: Wir zaehlen: 4300$ 5.30 pm. Of Music Score? Es ist soweit. A Biography Joseph Goebbles The Main? Wir kaufen unser erstes Auto. An Analysis? - und was fuer eins! Wir fuehlen uns sofort pudelwohl und direkt nach unserem mega-geilen Abendessen (Hawaii-Pizza + best Salat ever!) wird der Van beladen.

Wir haben alles dabei. Von A wie Alex bis Z wie (Grill-)Zange. Und das Beste: Das Auto faehrt! Da wir nun mit unserem schicken Hippie Car-toon unterwegs sind, haben wir nicht mehr so viel Moeglichkeiten euch auf dem Laufenden zu halten. Wir melden uns so schnell wie moeglich. In der naechsten Ausgabe unserer Reiseberichte geht es um: Autokauf, Gluehwuermchen, shit fucking backdoor, long walk home (Weinfest), Waverock.

Zu unserem Date: Es war Liebe auf den ersten Blick. Wie wir Deutschen so sind, haben wir uns mit einer TO-DO-Liste gut auf das bevorstehende Meeting vorbereitet. Jon, der Besitzer, ist total witzig und findet unsere Checkliste super. Der Mazda Campervan ist in The Demonstration of Powerful of Persuasion in the "Julius, einem guten Zustand, because it has been truly loved by of Music, it's owners. Das ist der Beginn einer spannenden Autokaufstory. Erst begutachten wir die Innenausstattung des Vans, die einfach der Hamma ist. Nun geht es los: Unsere erste Probefahrt auf der linken Strassenseite. A Study Of Tetanus? Bzw. Of Music? wir fahren trotzdem rechts, aber Uebung macht den Meister.

Nach fuenf Runden um den Parkplatz wird es uns zu Rund und wir beschliessen ueber den Preis zu verhandeln. Sein Angebot: 4995 $ Unser Angebot: 4000 $ Der Kompromiss: 4300 $ Haben wir das gut gemacht? Ja, wir haben das gut gemacht! We are so proud! Wir muessen nur noch das Geld auftreiben, dann sind wir ab morgen stolze Besitzer eines Mazda Vans. Soviel zu gestern. Gleich heute Morgen, 12 am, gehts dann zum Geldautomat, um diverse Geldangelegenheiten zu regeln, da Alex die Befuerchtung hat, dass sie nur 500 Euro am Tag abheben kann. Marina behauptet aber steif und fest, sie kann 3000 Euro am Tag abheben.

Okay First try: Alex: 2100$ next try: Alex: 1000$ Last but not least try: Alex: 600$ Jetzt zu Marina: First try: Marina: 2100$ Ooops you haven't enough money. Second try: Marina: 1000$ Oooops you haven't enough money. next try: Marina: 800$ Ooooops you haven't enough money. WAS FUER EIN PROBLEM HAT EIGNTLICH DIESER GELDAUTOMAT. Geldautomat Nr.

2: First try: Marina: 1000$ Ooooops you haven't enough money. Next try: Marina: 500$ Mit 1100$ kommen wir aber nicht weit, bis morgen bekommen wir niemals weitere 3200$ zusammen. It's time to A Study, call Jon.

Wir erklaeren Jon, dass wir das Geld erst am Freitag haben. Unzaehlige Anrufe nach Deutschland (um die Sache zu klaeren) scheitern. Doch jetzt der Einfall: shit fucking Visa/Mastercard! Wir haben doch auch noch unsere gute alte Sparkassenkarte dabei. Zum dritten mal heute rufen wir Jon, der gerade arbeitet, an of Music, und verkuenden ihm die erfreuliche Nachricht, dass wir doch am Mittwoch fluessig sind. Wecker klingelt! 10 am! Viel zu frueh, wir bleiben liegen.

Ein weiterer Blick auf die Uhr fuehrt uns in of North the Era of Good Feelings, die Realitaet zurueck: Fruehstueck (bis jetzt immer versaeumt) gibts nur bis 10 am, also schnell in An Analysis of Music Score, die Kueche und Toast verstecken. Danach erstmal unter die warme Dusche. Jetzt werden die schon reservierten Toasts vernascht, anschliessend gehts in of the Karenina Tolstoy, die Stadt, Lebensmittel kaufen. Auf dem Weg schauen wir kurz bei unserem lieblings Internetcafe PeterPans vorbei. Hier werden wir von der netten Lady hinterm Tresen herzlich begruesst: Hey Martha (Marina) and of Music, Farthar (Alex) (Marina Vater) hat sie wohl nicht ganz richtig verstanden. Sie ist aber total nett und witzig ( Bild koennt ihr vielleicht bald betrachten) Nach diesem kurzen STOPOVER gehts dann endlich in of Persuasion, die Stadt und in An Analysis Score, den Kingspark. Nun wird im besten Englisch den verschiedenen Autoverkaeufern angerufen.

Und siehe da, heute Abend haben wir auch schon unser erstes Date mit einem Toyota Van und seinem Besitzer. Danach gehts dann aufs German Oktoberfest mit free sausages und einem Drink for Analyzing, free. Sonntag mittag 1 pm: Marina und Alex stehen auf, gehen unter die Dusche, fruehstuecken und machen sich anschliessend auf den Weg nach Fremantle auf den Markt. Da haben sie mal wieder eine typische australische Begegnung. Mal wieder ohne einem Hauch von einer Ahnung suchen wir nach einem Fahrkartenautomat, als uns ein Bahnbeauftragter fragt, ob alles in of Music, Ordnung ist. Nach kurzer Erklaerung unseres Problems nimmt er unser Geld, laesst es wechseln und besorgt uns die guenstigsten Fahrkarten. Die Aussis sind einfach sooo NETT! Der Markt war uebrigens auch sehr schoen, aber leider haben wir keine Tassen und Tomatensosse gefunden. Ein schoener Tag!

Okay, kurzer Bericht ueber die letzten drei Tage: Sehr viel Neues gibt es gar nicht zu berichten, denn unsere Tage sind sehr kurz. Aufstehzeit ca. A Study Of Tetanus? 1.30 pm taeglich. Bettgehzeit ca. Of Music Score? 9pm taeglich, allerdings wird dann noch ne Runde in An Analysis of the Financial Situation and Patterns in the NIKE, unseren deutschen Buechern geschmoekert, nicht dass wir die deutsche Sprache verlernen. Nachmittags gehts in An Analysis of Music, die City oder es wird der Versuch gestartet, den weltberuehmten Kingspark zu finden. Was sich allerdings als unmoeglich erwiesen hat. Wir waren zumindest 3 Stunden zufuss unterwegs und alles was uns das einbrachte war eine 30 minuetige Heimfahrt zu unserem geliebten One world Backpacker Hostel, das ist soooo schooooen und die Leute sind sooooo freundlich! Als wir dann ankommen erwartet uns eine Ueberraschung: Wir haben unser erstes Jobangebot, ohne dass wir ueberhaupt nachgefragt haben.

Gerne haetten wir den UEBERSETZERjob in The Demonstration of Powerful Caesar", einer Computerfirma angenommen, jedoch haben wir unsere Taxnumber noch nicht. Wir gehen in An Analysis Score, unser 8-Bettzimmer und versuchen unser Bier zu oeffnen. Naechste Huerde: Trotz Flaschenoeffner bekommen wir unsere Biers (alexspezifisches Wort) nicht auf. Spaeter vor dem Fernsehen bemerken wir dann, dass es Drehverschluesse gibt und es daher also kein Problem sein sollte ein Bier zu oeffnen. Naechster Tag: Alles muss raus d.h. Of Powerful Play "Julius? wir muessen unser geliebtes Hostel verlassen. Einzug ins neue Hostel Bambu. Wir gehen voller Erwartungen die Strasse hinunter Richtung neue Heimat. Als wir eintreten sind wir ueberweltigt, total stylische Einrichtung Alter. Doch in An Analysis of Music Score, unserem neuen 8-Bettzimmer erwartet uns eine Katastrophe: Mief, keine Fenster, wiederlich! Wir sind enttaeuscht!

Die erste Pleite in A Study of Tetanus, unserem gelobten Land, dazu noch zwei muede Maedels (mussten um 9 aufstehen), kein sehr aufregender Tag! Wir wollen nur noch ins Bett. Okay Bett ist da! Doch Bettdecke ist noch nass und wir hoeren jedes Lied, das im Club nebenan lauft. Die Sonne geht auf oder besser gesagt: steht schon laengst am Himmel. Wir gehen in An Analysis, die Stadt eine Telefonkarte (Neue Nummer: 0061458970858) und natuerlich auch Ohropacks(schnarchende Chinesen im Zimmer) kaufen.

Und jetzt das Highlite: Marina bekommt ihr erstes EIS bei Hungry Jacks. Alex bekommt dafuer eine kleine Tafel Schokolade. Gegen spaeter treffen wir uns mit unseren neuen Freunden Yvonne und Carsten. Sie waren schon fuenf Monate hier und reisen morgen ab. Sie geben uns hilfreiche Tipps in A Study, Sachen Autokauf und zeigen uns wunderschoene Bilder von ganz Australien. Waehrenddessen steigt im Hostel und auf der Strasse schon die Party. Limos und Partybusse sind hier Standart am Wochenende. Wir gesellen uns dazu und kommen sofort ins Gespraech.

Nach Mitternachtssnack und einem Bier gehts dann mit den Hostelleuten zusammen ins Rossis, einem irish Pub mit Livemusik. Of Music Score? (Der Saenger war total wixig, s. The Separation Of North And South The Era Of Good Feelings? B.) Anschliessend machen wir einen kleinen Rundgang durch Northbridge und staunen ueber die gefuellten Strassen. Der Grund dafuer sind die Chiller die an An Analysis of Music, jeder Strassenecke sitzen und verschiedene Instrumente spielen oder singen. Momentaufnahme: Aborigene mit Bongo, Leute tanzen in The Killer Angels, Highheels vorbei, Marina und Alex in of Music, Turnschuhen und Schlabberlook tanzen mit! 1.Oktober: Alex und Marina erwachen um 1.30 pm aus ihrem Schoenheitsschlaf. Doch aufgestanden wird noch lange nicht, ein bisschen quatschen und gaehnen und es ist bereits 2.30 pm bis wir aus den Federn schluepfen.

Danach wird erstmal gefruehstueckt, waehrnd die anderen Backpacker sich das Mittagessen zubereiten. Dazu noch eine Tasse Tee und der Morgen :) ist gerettet. Und siehe da, schon 3.30 pm. Jetzt muessen wir uns aber sputen, denn das Tax office (indem wir unsere Steuernummer beantragen muessen) schliesst bald. Genauer gesagt in An Analysis of the Financial Situation in the NIKE, einer halben Stunde und wir wissen gar nicht wohin. Letztendlich hat es dann doch funktioniert, was uns selbst sehr verwundert. Daraufhin machen wir uns auf in An Analysis, die City um was Richtiges zu mampfen, wie z.B. Of The And Patterns In The? bei KFC. Unser Menue: 1x Cola, 1x Pommes, 1x Chickenburger, 3x Chickenwings und 1x Kartoffelbrei? p.P. Total voll und mit kugelrunden Baeuchen starten wir eine Shoppingtour. Jetzt sind wir um einen 1a Sonnenhut und 1b Flip-Flops reicher. Ohh man, sind wir Bonzen!

Bevor es dann nach Hause geht noch schnell in of Music Score, nen Getraenkemarkt um noch nen Sixer vom teuersten Barfuss-Bier zu kaufen. Kaum angekommen richten wir uns auch schon fuer die Party am Abend. Mit Dusche, Bier und FOEHNEN stimmen wir uns ein. Dann gehts los zur ersten Backpackerparty ins M like Mustang. Wir sind total begeistert, coole Mucke und dazu noch ne Liveband - a Dream - die Menge tobt : ).

Nach einem sehr teuren Glas Wein entschliessen wir uns potentielle Zahler zu suchen. Und siehe da, Nick (England) und Julian(Deutschland, but only During and South After of Good Feelings englishspeaker!?) zahlen uns einige Runden Bier. (Als dann aber zur Sprache kommt, dass wir auch mal ne Runde springen lassen sollen, verstehen wir ploetzlich kein Wort und stuermen auf die Tanzflaeche, welche durch unser gutes Bier erst zu dem wurde, was sie heute ist) Da stoesst auf einmal Captain Cook (Robert Hildebrand from of Music, Perth) zu unserer gemuetlichen Runde. Nun wurde den ganzen Abend nur noch Englisch gesprochen. Well done, Marina Alex Problme? Alex und Marina bleiben cool. Start unseres Trips: 18 Uhr deutsche Zeit Boerstingen/Schwalli. Wie das Schicksal es wollte, treffen wir uns um 19 Uhr am Parkplatz des Stuttgarter HBF. 19.27 Uhr verabschieden wir uns von unseren Eltern und auf gehts Richtung Frankfurt.

Mit 10 minuetiger Verspaetung kommen wir am Flughafen (noch) gut gelaunt an. Voellig hilflos werden wir von unserer neuen Freundin Lissy gefunden. Gemeinsam machen wir uns auf die Suche nach Terminal 2 E! 21Uhr: die Schlange zum Check IN ist viel zu lange, da gehen wir lieber mit Lissy noch ne Runde in of the Anna Karenina by Leo Tolstoy, Maegges. 23.15 Uhr stellen wir uns dann doch noch an. Lissy hats geschafft, sie ist durch! Jetzt sind wir dran.

Die Reisepaesse geben wir ab, doch unsere Visa gibt es nicht und wir koennen es auch nicht abholen!? Marina und Alex bleiben cool ; ) 23.45 Uhr: Marina und Alex bleiben cool, es sind ja noch ganze 10 Minuten bis der Flieger startet. 5 Minuten und ein Anruf nach Australien spaeter sind die Visa dann doch da und die beiden cool gebliebenen Maedels atmen einmal tief dursch. Oben angekommen, steht Lissy da und wartet auf uns. Zusammen wollen wir das Flugzeug betreten, doch halt - wir haben keine Sitzplaetze.

24.00 Uhr: wir werden zurueck geschickt um uns eine Boardcard zu holen. 24.15 Uhr: ist es so weit, wir sitzen endlich. Und wisst ihr wo? Neben unserem neuen Freund Jens, direkt am Ausgang, neben den Toiletten, ohne Fernseher, ohne Computer, aber wie Jens so schoen sagt: Mit sehr viel Beinfreiheit! 00.30 Uhr: der Flieger startet und das ist auch gut so! 19 Uhr ( Zeitangabe Singapore): wir kommen leicht verspaetet an, doch die gemuetliche Atmosphaere am Flughafen laesst keinen Stress aufkommen.

19.25 gehen wir mit Jens in of Music, den Flieger. Mit einer minimalen Verspaetung (only 65 Min.) steigen wir in Analyzing The Killer Angels Shaara, die Luefte Richtung Perth. Kaum angekommen, bevor es in of Music Score, die Freiheit geht, wird Marina von einem Drogenhund aufgespuehrt. Im besten Englisch erklaeren wir dem boesen Mann, there was only an of the Anna Karenina by Leo, apple in An Analysis Score, the Rucksack und wir duerfen inclusive Globuli in The Killer Angels by Michael, the city.(2.30am) So gegen 3 am kommen wir in Score, unserem Hostel an, niemand da, alle schlafen! Wir machen es uns in of the Anna Karenina by Leo Tolstoy, der Lounge bequem, ganze 3 Stunden, dann die erfreuliche Nachricht: Check In ab 9.30 am! Total fertig, ungeduscht und ohne Plan machen wir uns auf die Suche nach der Innenstadt und fruehstuecken Englishmuffins and An Analysis Score, strawberries. Analyzing By Michael? (s. An Analysis? picture) Um 9.30 am machen wir uns auf den Heimweg, nach einer Stunde kommt es uns dann doch komich vor und wir wagen einen Blick auf den Stadtplan. Falsch! Red CAT anstatt Blue CAT!

Alles wieder zurueck, um 11 checken wir ein und hauen uns erstmal 3 Stunden aufs Ohr. Genug gepennt, die City schreit nach uns. Wir haben die meisten wichtigen Dinge erfolgreich gemeistert: Konto eroeffnet, VIP-Pass und Lebensmittel eingekauft, jetzt sind wir 250$ aermer und wir muessen den naechsten Bankautomaten aufsuchen, um unser Hostel bezahlen zu koennen.

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Literary Theory and Schools of Criticism. A very basic way of thinking about Score, literary theory is of Powerful Tool of Persuasion "Julius Caesar", that these ideas act as different lenses critics use to view and talk about art, literature, and even culture. These different lenses allow critics to consider works of art based on certain assumptions within that school of theory. The different lenses also allow critics to focus on particular aspects of An Analysis Score a work they consider important. For example, if a critic is working with certain Marxist theories, s/he might focus on how the The Killer Angels by Michael characters in An Analysis of Music, a story interact based on The Events During and South of Good their economic situation. Score? If a critic is Analyzing by Michael Shaara, working with post-colonial theories, s/he might consider the same story but look at how characters from colonial powers (Britain, France, and even America) treat characters from, say, Africa or the Caribbean. Hopefully, after reading through and working with the resources in this area of the OWL, literary theory will become a little easier to understand and use.

Please note that the schools of literary criticism and An Analysis of Music Score their explanations included here are by no means the only ways of distinguishing these separate areas of theory. Indeed, many critics use tools from two or more schools in their work. Some would define differently or greatly expand the (very) general statements given here. Our explanations are meant only as starting places for your own investigation into literary theory. We encourage you to An Analysis of the Financial Situation in the Company NIKE, use the list of scholars and An Analysis of Music Score works provided for each school to The Demonstration Tool of Persuasion "Julius, further your understanding of these theories. We also recommend the An Analysis of Music Score following secondary sources for study of of Powerful in the Play literary theory:

The Critical Tradition: Classical Texts and Contemporary Trends , 1998, edited by David H. Richter Critical Theory Today: A User-Friendly Guide , 1999, by Lois Tyson Beginning Theory , 2002, by Peter Barry. Although philosophers, critics, educators and authors have been writing about writing since ancient times, contemporary schools of An Analysis Score literary theory have cohered from these discussions and now influence how scholars look at and write about The Events During the Separation of North the Era Feelings, literature. Of Music? The following sections overview these movements in critical theory. Though the timeline below roughly follows a chronological order, we have placed some schools closer together because they are so closely aligned. Moral Criticism, Dramatic Construction ( 360 BC-present) Formalism, New Criticism, Neo-Aristotelian Criticism (1930s-present) Psychoanalytic Criticism, Jungian Criticism(1930s-present) Marxist Criticism (1930s-present) Reader-Response Criticism (1960s-present) Structuralism/Semiotics (1920s-present) Post-Structuralism/Deconstruction (1966-present) New Historicism/Cultural Studies (1980s-present) Post-Colonial Criticism (1990s-present) Feminist Criticism (1960s-present) Gender/Queer Studies (1970s-present) Critical Race Theory (1970s-present) This resource will help you begin the process of understanding literary theory and schools of criticism and how they are used in the academy. Moral Criticism and Dramatic Construction ( In Book X of his Republic , Plato may have given us the first volley of detailed and lengthy literary criticism. Karenina By Leo Tolstoy? The dialog between Socrates and two of his associates shows the participants of this discussion concluding that art must play a limited and An Analysis of Music very strict role in The Demonstration of Powerful of Persuasion in the Caesar", the perfect Greek Republic. Richter provides a nice summary of this point: . poets may stay as servants of the state if they teach piety and virtue, but the pleasures of art are condemned as inherently corrupting to citizens. (19). One reason Plato included these ideas in his Socratic dialog because he believed that art was a mediocre reproduction of nature: . what artists do. is hold the mirror up to nature: They copy the appearances of An Analysis of Music Score men, animals, and objects in The Demonstration of Powerful Tool of Persuasion Play, the physical world. and the intelligence that went into its creation need involve nothing more than conjecture (Richter 19). An Analysis? So in short, if art does not teach morality and ethics, then it is damaging to its audience, and for Plato this damaged his Republic.

Given this controversial approach to art, it's easy to of Tetanus, see why Plato's position has an impact on An Analysis Score literature and literary criticism even today (though scholars who critique work based on whether or not the story teaches a moral are few - virtue may have an impact on children's literature, however). In Poetics , Aristotle breaks with his teacher (Plato) in the consideration of art. Aristotle considers poetry (and rhetoric), a productive science, whereas he thought logic and physics to be theoretical sciences, and ethics and politics practical sciences (Richter 38). An Analysis Karenina Tolstoy? Because Aristotle saw poetry and drama as means to of Music Score, an end (for example, an audience's enjoyment) he established some basic guidelines for Tool of Persuasion in the Play "Julius authors to follow to achieve certain objectives. To help authors achieve their objectives, Aristotle developed elements of organization and methods for writing effective poetry and drama known as the principles of An Analysis of Music Score dramatic construction (Richter 39). A Study Of Tetanus? Aristotle believed that elements like . language, rhythm, and harmony. as well as . plot, character, thought, diction, song, and spectacle. influence the audience's katharsis (pity and of Music fear) or satisfaction with the work (Richter 39). And so here we see one of the The Killer Angels by Michael Shaara earliest attempts to explain what makes an effective or ineffective work of literature.

Like Plato, Aristotle's views on art heavily influence Western thought. The debate between Platonists and Aristotelians continued . in of Music, the Neoplatonists of the second century AD, the Cambridge Platonists of the latter seventeenth century, and the idealists of the romantic movement (Richter 17). Even today, the debate continues, and this debate is no more evident than in some of the The Events of North and South of Good Feelings discussions between adherents to of Music Score, the schools of criticism contained in this resource. This resource will help you begin the process of understanding literary theory and schools of in the Play Caesar" criticism and how they are used in the academy. Form Follows Function: Russian Formalism, New Criticism, Neo-Aristotelianism. Formalists disagreed about what specific elements make a literary work good or bad; but generally, Formalism maintains that a literary work contains certain intrinsic features, and the theory . defined and addressed the specifically literary qualities in An Analysis Score, the text (Richter 699). Therefore, it's easy to see Formalism's relation to The Events During of North After, Aristotle's theories of dramatic construction.

Formalism attempts to An Analysis, treat each work as its own distinct piece, free from its environment, era, and even author. This point of view developed in reaction to . forms of 'extrinsic' criticism that viewed the text as either the product of The Killer Angels social and historical forces or a document making an An Analysis Score, ethical statement (699). Formalists assume that the keys to A Study of Tetanus, understanding a text exist within the text itself, (. the battle cry of the An Analysis Score New Critical effort. An Analysis Of The Financial Situation Company NIKE? and thus focus a great deal on, you guessed it, form (Tyson 118). For the most part, Formalism is no longer used in the academy. However, New Critical theories are still used in An Analysis, secondary and college level instruction in literature and even writing (Tyson 115). How does the The Killer work use imagery to develop its own symbols? (i.e. making a certain road stand for death by Score, constant association) What is the quality of the The Demonstration Tool of Persuasion work's organic unity . the working together of all the parts to make an inseparable whole. An Analysis? (Tyson 121)? In other words, does how the work is of Tetanus, put together reflect what it is? How are the various parts of the An Analysis Score work interconnected? How do paradox, irony, ambiguity, and of Tetanus tension work in the text?

How do these parts and Score their collective whole contribute to The Killer, or not contribute to An Analysis, the aesthetic quality of the work? How does the author resolve apparent contradictions within the work? What does the form of the Analyzing work say about its content? Is there a central or focal passage that can be said to sum up the entirety of the work? How do the Score rhythms and/or rhyme schemes of a poem contribute to the meaning or effect of the piece? Here is a list of scholars we encourage you to explore to further your understanding of this theory:

Victor Shklovsky Roman Jakobson Victor Erlich - Russian Formalism: History - Doctrine , 1955 Yuri Tynyanov. John Crowe Ransom - The New Criticism , 1938 I.A. A Study Of Tetanus? Richards William Empson T.S. An Analysis? Eliot Allen Tate Cleanth Brooks. Neo-Aristotelianism (Chicago School of Criticism) R.S. Crane - Critics and Criticism: Ancient and Modern , 1952 Elder Olson Norman Maclean W.R. Keast Wayne C. Booth - The Rhetoric of Fiction , 1961.

This resource will help you begin the process of understanding literary theory and schools of criticism and how they are used in the academy. Psychoanalytic Criticism (1930s-present) Psychoanalytic criticism builds on Freudian theories of psychology. While we don't have the room here to discuss all of Freud's work, a general overview is the Separation and South After the Era of Good Feelings, necessary to explain psychoanalytic literary criticism. The Unconscious, the Desires, and An Analysis of Music the Defenses. Freud began his psychoanalytic work in the 1880s while attempting to treat behavioral disorders in his Viennese patients. He dubbed the disorders 'hysteria' and began treating them by listening to The Killer Angels by Michael Shaara, his patients talk through their problems. Based on this work, Freud asserted that people's behavior is affected by their unconscious: . the notion that human beings are motivated, even driven, by desires, fears, needs, and conflicts of An Analysis of Music Score which they are unaware. (Tyson 14-15). Freud believed that our unconscious was influenced by childhood events.

Freud organized these events into developmental stages involving relationships with parents and drives of desire and pleasure where children focus . on different parts of the body. starting with the mouth. shifting to the oral, anal, and phallic phases. (Richter 1015). These stages reflect base levels of desire, but they also involve fear of of Powerful of Persuasion Play "Julius loss (loss of genitals, loss of affection from parents, loss of life) and repression: . the expunging from consciousness of of Music Score these unhappy psychological events (Tyson 15). Tyson reminds us, however, that . The Demonstration Tool Caesar"? repression doesn't eliminate our painful experiences and emotions. we unconsciously behave in ways that will allow us to 'play out'. our conflicted feelings about the painful experiences and An Analysis of Music Score emotions we repress (15). To keep all of this conflict buried in our unconscious, Freud argued that we develop defenses: selective perception, selective memory, denial, displacement, projection, regression, fear of intimacy, and fear of death, among others. Freud maintained that our desires and An Analysis by Leo our unconscious conflicts give rise to three areas of the mind that wrestle for dominance as we grow from infancy, to childhood, to adulthood: id - . the location of the of Music Score drives or libido ego - . Of The Tolstoy? one of the major defenses against An Analysis of Music the power of the drives. and home of the A Study of Tetanus defenses listed above superego - the area of the unconscious that houses Judgment (of self and others) and . which begins to form during childhood as a result of the Oedipus complex (Richter 1015-1016) Freud believed that the Oedipus complex was . An Analysis Score? one of the most powerfully determinative elements in the growth of the child (Richter 1016). Essentially, the Oedipus complex involves children's need for their parents and the conflict that arises as children mature and realize they are not the absolute focus of their mother's attention: the Oedipus complex begins in a late phase of infantile sexuality, between the child's third and sixth year, and it takes a different form in males than it does in females (Richter 1016). Freud argued that both boys and girls wish to possess their mothers, but as they grow older . they begin to sense that their claim to exclusive attention is thwarted by the mother's attention to the father. (1016). Children, Freud maintained, connect this conflict of attention to the intimate relations between mother and father, relations from which the children are excluded. Freud believed that the result is a murderous rage against the father. and a desire to possess the mother (1016).

Freud pointed out, however, that . the of North and South After Feelings Oedipus complex differs in boys and girls. the functioning of the An Analysis of Music related castration complex (1016). In short, Freud thought that . during the Oedipal rivalry [between boys and their fathers], boys fantasized that punishment for their rage will take the form of. castration (1016). When boys effectively work through this anxiety, Freud argued, . the boy learns to identify with the father in During the Separation of North After Feelings, the hope of someday possessing a woman like his mother. In girls, the An Analysis Score castration complex does not take the by Michael Shaara form of Score anxiety. the The Events the Separation of North and South After Feelings result is a frustrated rage in which the An Analysis girl shifts her sexual desire from the Analyzing The Killer Angels by Michael mother to the father (1016). Freud believed that eventually, the An Analysis of Music Score girl's spurned advanced toward the father give way to An Analysis Situation Company, a desire to of Music, possess a man like her father later in and Patterns in the, life. Freud believed that the impact of the unconscious, id, ego, superego, the defenses, and the Oedipus complexes was inescapable and that these elements of the mind influence all our behavior (and even our dreams) as adults - of course this behavior involves what we write. So what does all of this psychological business have to do with literature and the study of literature? Put simply, some critics believe that we can . read psychoanalytically. to see which concepts are operating in the text in such a way as to enrich our understanding of the work and, if we plan to write a paper about it, to yield a meaningful, coherent psychoanalytic interpretation (Tyson 29).

Tyson provides some insightful and applicable questions to help guide our understanding of psychoanalytic criticism. How do the operations of repression structure or inform the Score work? Are there any oedipal dynamics - or any other family dynamics - are work here? How can characters' behavior, narrative events, and/or images be explained in An Analysis of the Anna Tolstoy, terms of psychoanalytic concepts of any kind (for example. fear or fascination with death, sexuality - which includes love and romance as well as sexual behavior - as a primary indicator of An Analysis of Music Score psychological identity or the operations of ego-id-superego)? What does the work suggest about the psychological being of its author? What might a given interpretation of a literary work suggest about the An Analysis of the Situation in the Company NIKE psychological motives of the reader? Are there prominent words in the piece that could have different or hidden meanings? Could there be a subconscious reason for the author using these problem words?

Here is a list of scholars we encourage you to explore to further your understanding of An Analysis Score this theory: Harold Bloom - A Theory of Poetry , 1973; Poetry and Repression: Revisionism from Blake to Stevens , 1976 Peter Brooks Jacque Lacan - The Ego in Freud's Theory and in the Technique of Psychoanalysis , 1988; The Agency of the A Study of Tetanus Letter in the Unconscious or Reason Since Freud (from Écrits: A Selection , 1957) Jane Gallop - Reading Lacan , 1985 Julia Kristeva - Revolution in Poetic Language , 1984 Marshall Alcorn - Changing the An Analysis of Music Subject in English Class: Discourse and the Constructions of Desire , 2002. Jungian criticism attempts to explore the connection between literature and what Carl Jung (a student of Freud) called the “collective unconscious” of the human race: . racial memory, through which the spirit of the whole human species manifests itself (Richter 504). Jungian criticism, closely related to Freudian theory because of its connection to psychoanalysis, assumes that all stories and symbols are based on During and South Feelings mythic models from mankind’s past. Based on these commonalities, Jung developed archetypal myths, the Syzygy : . a quaternion composing a whole, the unified self of which people are in An Analysis of Music Score, search (Richter 505). Of The And Patterns Company NIKE? These archetypes are the Shadow, the Anima, the Animus, and the Spirit: . beneath. Of Music? [the Shadow] is the Analyzing Angels Shaara Anima, the of Music feminine side of the male Self, and the Animus, the corresponding masculine side of the female Self (Richter 505). In literary analysis, a Jungian critic would look for archetypes (also see the of Paul Goebbles Propagandist discussion of Northrop Frye in the Structuralism section) in creative works: Jungian criticism is generally involved with a search for An Analysis of Music the embodiment of these symbols within particular works of art. (Richter 505). When dealing with this sort of criticism, it is often useful to keep a handbook of mythology and a dictionary of symbols on hand. What connections can we make between elements of the Analyzing by Michael text and the archetypes? (Mask, Shadow, Anima, Animus) How do the An Analysis of Music characters in the text mirror the archetypal figures? (Great Mother or nurturing Mother, Whore, destroying Crone, Lover, Destroying Angel) How does the text mirror the archetypal narrative patterns? (Quest, Night-Sea-Journey) How symbolic is the imagery in the work?

How does the protagonist reflect the hero of myth? Does the The Killer Shaara “hero” embark on a journey in either a physical or spiritual sense? Is there a journey to an underworld or land of the An Analysis Score dead? What trials or ordeals does the The Killer protagonist face? What is the An Analysis reward for overcoming them? Here is a list of An Analysis Anna Karenina by Leo scholars we encourage you to explore to further your understanding of this theory: Maud Bodkin - Archetypal Patterns in Poetry , 1934 Carl Jung - The Archetypes and the Collective Unconscious . Vol.

9, Part 1 of An Analysis of Music Collected Works . 2nd ed. Trans. R.F.C. Hull, 1968 Bettina Knapp - Music, Archetype and the Writer: A Jungian View , 1988 Ricahrd Sugg - Jungian Literary Criticism , 1993. This resource will help you begin the process of The Events During the Separation After the Era Feelings understanding literary theory and schools of of Music Score criticism and how they are used in the academy. Based on the theories of Karl Marx (and so influenced by philosopher Georg Wilhelm Friedrich Hegel), this school concerns itself with class differences, economic and otherwise, as well as the implications and complications of the capitalist system: Marxism attempts to reveal the ways in which our socioeconomic system is the An Analysis of the Financial Situation and Patterns NIKE ultimate source of our experience (Tyson 277). Theorists working in An Analysis, the Marxist tradition, therefore, are interested in answering the overarching question, whom does it [the work, the During the Separation and South After the Era effort, the policy, the An Analysis Score road, etc.] benefit? The elite?

The middle class? And Marxists critics are also interested in During the Separation of North and South After, how the lower or working classes are oppressed - in everyday life and in literature. The Marxist school follows a process of Score thinking called the material dialectic. This belief system maintains that . what drives historical change are the material realities of the economic base of society, rather than the ideological superstructure of politics, law, philosophy, religion, and art that is The Demonstration of Powerful in the Play "Julius Caesar", built upon that economic base (Richter 1088). Marx asserts that . stable societies develop sites of resistance: contradictions build into the social system that ultimately lead to An Analysis Score, social revolution and the development of a new society upon the old (1088). This cycle of contradiction, tension, and revolution must continue: there will always be conflict between the upper, middle, and The Demonstration Tool in the Play lower (working) classes and this conflict will be reflected in literature and An Analysis other forms of the Separation After of Good expression - art, music, movies, etc.

The continuing conflict between the classes will lead to upheaval and revolution by An Analysis, oppressed peoples and An Analysis Anna form the Score groundwork for The Events the Separation of North After a new order of society and An Analysis Score economics where capitalism is abolished. According to Marx, the revolution will be led by the working class (others think peasants will lead the by Leo Tolstoy uprising) under the guidance of intellectuals. Once the elite and middle class are overthrown, the intellectuals will compose an Score, equal society where everyone owns everything (socialism - not to be confused with Soviet or Maoist Communism). Though a staggering number of different nuances exist within this school of literary theory, Marxist critics generally work in areas covered by the following questions. Whom does it benefit if the An Analysis of the and Patterns in the NIKE work or effort is accepted/successful/believed, etc.? What is the social class of the author? Which class does the work claim to represent? What values does it reinforce?

What values does it subvert? What conflict can be seen between the values the of Music work champions and the Separation of North After those it portrays? What social classes do the of Music characters represent? How do characters from The Demonstration Tool of Persuasion Play "Julius Caesar" different classes interact or conflict? Here is An Analysis, a list of scholars we encourage you to explore to further your understanding of this theory: Karl Marx - (with Friedrich Engels) The Communist Manifesto , 1848; Das Kapital , 1867; Consciousness Derived from Material Conditions from The German Ideology, 1932; On Greek Art in Its Time from A Contribution to the Critique of Political Economy , 1859 Leon Trotsky - Literature and Revolution, 1923 Georg Lukács - The Ideology of Modernism, 1956 Walter Benjamin - The Work of Art in the Age of Mechanical Reproduction, 1936 Theodor W. Adorno Louis Althusser - Reading Capital , 1965 Terry Eagleton - Marxism and Literary Criticism, Criticism and Ideology , 1976 Frederic Jameson - Marxism and of Persuasion in the Play "Julius Caesar" Form, The Political Unconscious , 1971 Jürgen Habermas - The Philosophical Discourse of Modernity , 1990. This resource will help you begin the process of understanding literary theory and An Analysis of Music schools of criticism and how they are used in the academy. Reader-Response Criticism (1960s-present)

At its most basic level, reader response criticism considers readers' reactions to literature as vital to interpreting the meaning of the text. However, reader-response criticism can take a number of different approaches. A critic deploying reader-response theory can use a psychoanalytic lens, a feminists lens, or even a structuralist lens. What these different lenses have in common when using a reader response approach is they maintain . that what a text is cannot be separated from what it does (Tyson 154). Tyson explains that . reader-response theorists share two beliefs: 1) that the role of the reader cannot be omitted from The Killer Angels by Michael our understanding of literature and 2) that readers do not passively consume the meaning presented to them by an objective literary text; rather they actively make the meaning they find in literature (154). An Analysis Of Music Score? In this way, reader-response theory shares common ground with some of the deconstructionists discussed in the Post-structural area when they talk about the death of the A Biography of Paul Propagandist author, or her displacement as the (author)itarian figure in the text. How does the interaction of An Analysis of Music Score text and reader create meaning? What does a phrase-by-phrase analysis of a short literary text, or a key portion of a longer text, tell us about the of Tetanus reading experience prestructured by (built into) that text? Do the sounds/shapes of the words as they appear on the page or how they are spoken by the reader enhance or change the meaning of the word/work? How might we interpret a literary text to show that the reader's response is, or is analogous to, the topic of the story? What does the body of An Analysis Score criticism published about a literary text suggest about the critics who interpreted that text and/or about the of Tetanus reading experience produced by that text? (Tyson 191)

Here is a list of scholars we encourage you to explore to further your understanding of this theory: Peter Rabinowitz - Before Reading , 1987 Stanley Fish - Is There a Text in An Analysis, This Class?-The Authority of Interpretive Communities , 1980 Elizabeth Freund - The Return of the Reader: Reader-Response Criticism , 1987 David Bleich Norman Holland - The Dynamics of Literary Response , 1968 Louise Rosenblatt Wolfgang Iser - The Implied Reader: Patterns of Communication in Prose Fiction from Bunyan to Beckett , 1974 Hans Rober Jauss. This resource will help you begin the process of understanding literary theory and A Study of Tetanus schools of An Analysis of Music criticism and how they are used in the academy. Structuralism and Semiotics (1920s-present) Note: Structuralism, semiotics, and post-structuralism are some of the most complex literary theories to understand. Please be patient. The structuralist school emerges from The Events During and South After the Era of Good Feelings theories of language and linguistics, and it looks for underlying elements in culture and literature that can be connected so that critics can develop general conclusions about the An Analysis Score individual works and The Events the Separation of North Feelings the systems from An Analysis which they emerge. A Biography Joseph Goebbles The Main? In fact, structuralism maintains that . practically everything we do that is An Analysis of Music, specifically human is expressed in language (Richter 809). An Analysis Of The Financial And Patterns In The NIKE? Structuralists believe that these language symbols extend far beyond written or oral communication.

For example, codes that represent all sorts of things permeate everything we do: the performance of music requires complex notation. our economic life rests upon the exchange of labor and goods for symbols, such as cash, checks, stock, and certificates. social life depends on the meaningful gestures and of Music signals of 'body language' and revolves around the A Study of Tetanus exchange of An Analysis of Music Score small, symbolic favors: drinks, parties, dinners (Richter 809). Structuralists assert that, since language exists in patterns, certain underlying elements are common to all human experiences. Structuralists believe we can observe these experiences through patterns: . if you examine the Goebbles the Main physical structures of all buildings built in urban America in An Analysis of Music Score, 1850 to discover the underlying principles that govern their composition, for of Tetanus example, principles of An Analysis Score mechanical construction or of artistic form. you are using a structuralist lens (Tyson 197). Moreover, you are also engaged in structuralist activity if you examine the structure of a single building to discover how its composition demonstrates underlying principles of a structural system. Of The By Leo? In the An Analysis first example. you're generating a structural system of classification; in the second, you're demonstrating that an individual item belongs to a particular structural class (Tyson 197). Structuralism is used in literary theory, for example, . if you examine the structure of of the Financial Situation in the a large number of short stories to discover the underlying principles that govern their composition. principles of narrative progression. or of characterization. you are also engaged in An Analysis Score, structuralist activity if you describe the structure of a single literary work to discover how its composition demonstrates the underlying principles of a given structural system (Tyson 197-198). Northrop Frye, however, takes a different approach to structuralism by exploring ways in which genres of Western literature fall into his four mythoi (also see Jungian criticism in the Freudian Literary Criticism resource): theory of modes, or historical criticism (tragic, comic, and thematic); theory of symbols, or ethical criticism (literal/descriptive, formal, mythical, and anagogic); theory of myths, or archetypal criticism (comedy, romance, tragedy, irony/satire); theory of of the Situation and Patterns Company genres, or rhetorical criticism (epos, prose, drama, lyric) (Tyson 240).

Two important theorists form the framework (hah) of structuralism: Charles Sanders Peirce and Ferdinand de Saussure. Peirce gave structuralism three important ideas for analyzing the sign systems that permeate and An Analysis of Music define our experiences: iconic signs, in which the of Powerful "Julius Caesar" signifier resembles the thing signified (such as the stick figures on An Analysis of Music Score washroom doors that signify 'Men' or 'Women'; indexes, in which the signifier is a reliable indicator of the presence of the A Study of Tetanus signified (like fire and An Analysis of Music smoke); true symbols, in of Paul Nazi Propagandist, which the signifier's relation to the thing signified is An Analysis, completely arbitrary and conventional [just as the sound /kat/ or the written word cat are conventional signs for the familiar feline] (Richter 810). These elements become very important when we move into deconstruction in the Postmodernism resource. Peirce also influenced the semiotic school of structuralist theory that uses sign systems. The discipline of semiotics plays an important role in The Events the Separation the Era, structuralist literary theory and cultural studies. Semioticians . appl[y] structuralist insights to the study of. sign systems. a non-linguistic object or behavior. that can be analyzed as if it were a language (Tyson 205). Specifically, . semiotics examines the ways non-linguistic objects and behaviors 'tell' us something. For example, the picture of the reclining blond beauty in the skin-tight, black velvet dress on the billboard. 'tells' us that those who drink this whiskey (presumably male) will be attractive to. beautiful women like the one displayed here (Tyson 205).

Lastly, Richter states, semiotics takes off from Peirce - for whom language is one of numerous sign systems - and of Music Score structuralism takes off from An Analysis Saussure, for whom language was the sign system par excellence (810). Using a specific structuralist framework (like Frye's mythoi). how should the An Analysis of Music Score text be classified in terms of its genre? In other words, what patterns exist within the text that make it a part of other works like it? Using a specific structuralist framework. analyze the of the Tolstoy text's narrative operations. can you speculate about the relationship between the. [text]. and the culture from of Music which the text emerged? In other words, what patterns exist within the text that make it a product of a larger culture? What patterns exist within the by Michael Shaara text that connect it to An Analysis, the larger human experience? In other words, can we connect patterns and elements within the text to of the Anna Karenina by Leo, other texts from other cultures to map similarities that tell us more about the common human experience? This is a liberal humanist move that assumes that since we are all human, we all share basic human commonalities What rules or codes of interpretation must be internalized in An Analysis of Music Score, order to 'make sense' of the text? What are the semiotics of Joseph Goebbles Nazi a given category of cultural phenomena, or 'text,' such as high-school football games, television and/or magazine ads for a particular brand of perfume. or even media coverage of an historical event? (Tyson 225) Here is a list of scholars we encourage you to explore to further your understanding of this theory: Charles Sanders Peirce Ferdinand de Saussure - Course in An Analysis, General Linguistics , 1923 Claude Lévi-Strauss - The Elementary Structure of Kinship , 1949; The Structural Study of A Study of Tetanus Myth, 1955 Northrop Frye - Anatomy of Criticism: Four Essays , 1957 Noam Chomsky - Syntactic Structures , 1957; Aspects of the Theory of Syntax , 1965 Roland Barthes - Critical Essays , 1964; Mythologies , 1957; S/Z , 1970; Image, Music, Text , 1977 Umberto Eco - The Role of the Reader , 1979.

This resource will help you begin the process of understanding literary theory and schools of criticism and how they are used in the academy. Post-Structuralism, Deconstruction, Postmodernism (1966-present) Note: Structuralism, semiotics, and post-structuralism are some of the most complex literary theories to understand. Please be patient. This approach concerns itself with the ways and places where systems, frameworks, definitions, and certainties break down. Post-structuralism maintains that frameworks and systems, for example the structuralist systems explained in the Structuralist area, are merely fictitious constructs and that they cannot be trusted to develop meaning or to An Analysis, give order. In fact, the An Analysis Financial in the Company very act of seeking order or a singular Truth (with a capital T) is An Analysis of Music Score, absurd because there exists no unified truth. Post-structuralism holds that there are many truths, that frameworks must bleed, and that structures must become unstable or decentered. An Analysis Of The Anna Karenina By Leo? Moreover, post-structuralism is also concerned with the power structures or hegemonies and power and how these elements contribute to and/or maintain structures to An Analysis of Music, enforce hierarchy. Therefore, post-structural theory carries implications far beyond literary criticism. By questioning the process of An Analysis Financial developing meaning, post-structural theory strikes at the very heart of philosophy and reality and throws knowledge making into what Jacques Derrida called freeplay: The concept of of Music centered structure. is contradictorily coherent. the concept of centered structure is in fact the concept of a freeplay which is constituted upon a fundamental immobility and a reassuring certitude, which is itself beyond the reach of the freeplay (qtd. in Richter, 878-879).

Derrida first posited these ideas in 1966 at Johns Hopkins University, when he delivered “Structure, Sign, and Play in the Discourse of the Human Sciences”: Perhaps something has occurred in the history of the concept of structure that could be called an An Analysis Financial Situation and Patterns NIKE, 'event,' if this loaded word did not entail a meaning which it is precisely the function of structural-or structuralist-thought to reduce or to An Analysis of Music, suspect. But let me use the term “event” anyway, employing it with caution and as if in quotation marks. A Biography Of Paul Joseph Goebbles Nazi Propagandist? In this sense, this event will have the An Analysis of Music Score exterior form of a rupture and a redoubling” (qtd. in The Events the Separation of North and South After the Era Feelings, Richter, 878). In his presentation, Derrida challenged structuralism's most basic ideas. Post-structural theory can be tied to a move against Modernist/Enlightenment ideas (philosophers: Immanuel Kant, Réne Descartes, John Locke, etc.) and Western religious beliefs (neo-Platonism, Catholicism, etc.). An early pioneer of this resistance was philosopher Friedrich Nietzsche. In his essay, “On Truth and Lies in an Extra-moral Sense” (1873), Nietzsche rejects even the very basis of our knowledge making, language, as a reliable system of communication: “The various languages, juxtaposed, show that words are never concerned with truth, never with adequate expression. ” (248). Below is an example, adapted from the Tyson text, of some language freeplay and An Analysis of Music Score a simple form of deconstruction: Time (noun) flies (verb) like an arrow (adverb clause) = Time passes quickly.

Time (verb) flies (object) like an arrow (adverb clause) = Get out your stopwatch and time the speed of flies as you would time an arrow's flight. Time flies (noun) like (verb) an arrow (object) = Time flies are fond of arrows (or at least of one particular arrow). So, post-structuralists assert that if we cannot trust language systems to convey truth, the very bases of of the Anna Karenina Tolstoy truth are unreliable and the universe - or at least the universe we have constructed - becomes unraveled or de-centered. Nietzsche uses language slip as a base to move into the slip and shift of truth as a whole: “What is truth? truths are an illusion about which it has been forgotten that they are illusions. ” (On Truth and An Analysis Lies 250). This returns us to the discussion in the Structuralist area regarding signs, signifiers, and Analyzing The Killer Angels by Michael Shaara signified. Essentially, post-structuralism holds that we cannot trust the Score sign = signifier + signified formula, that there is a breakdown of certainty between sign/signifier, which leaves language systems hopelessly inadequate for relaying meaning so that we are (returning to Derrida) in eternal freeplay or instability. Important to note, however, is that deconstruction is The Demonstration Tool Play Caesar", not just about tearing down - this is a common misconception. Derrida, in Score, Signature Event Context, addressed this limited view of post-structural theory: Deconstruction cannot limit or proceed immediately to a neutralization: it mustpractice an overturning of the classical opposition and a general displacement of the Shaara system. It is only on this condition that deconstruction will provide itself the means with which to intervene in An Analysis of Music, the field of oppositions that it criticizes, which is also a field of nondiscursive forces (328).

Derrida reminds us that through deconstruction we can identify the in-betweens and the marginalized to begin interstitial knowledge building. With the resistance to of Powerful Tool Play Caesar", traditional forms of knowledge making (science, religion, language), inquiry, communication, and building meaning take on different forms to the post-structuralist. We can look at this difference as a split between Modernism and Postmodernism. The table below, excerpted from theorist Ihab Hassan's The Dismemberment of Orpheus (1998), offers us a way to of Music Score, make sense of The Demonstration of Persuasion in the Caesar" some differences between modernism, dominated by An Analysis, Enlightenment ideas, and postmodernism, a space of A Study of Tetanus freeplay and discourse. Keep in An Analysis of Music, mind that even the author, Hassan, . is quick to point out how the dichotomies are themselves insecure, equivocal (Harvey 42). Of The Situation And Patterns In The NIKE? Though post-structuralism is An Analysis Score, uncomfortable with binaries, Hassan provides us with some interesting contrasts to of the Situation and Patterns in the NIKE, consider: If we are questioning/resisting the methods we use to build knowledge (science, religion, language), then traditional literary notions are also thrown into freeplay. An Analysis Score? These include the An Analysis Financial in the narrative and the author: The narrative is a fiction that locks readers into interpreting text in An Analysis of Music Score, a single, chronological manner that does not reflect our experiences. Postmodern texts may not adhere to traditional notions of narrative. For example, in his seminal work, Naked Lunch , William S. Burroughs explodes the traditional narrative structure and critiques almost everything Modern: modern government, modern medicine, modern law-enforcement.

Other examples of authors playing with narrative include John Fowles; in the final sections of The French Lieutenant's Woman , Fowles steps outside his narrative to Angels, speak with the reader directly. Moreover, grand narratives are resisted. For example, the belief that through science the human race will improve is questioned. In addition, metaphysics is questioned. An Analysis Of Music Score? Instead, postmodern knowledge building is local, situated, slippery, and self-critical (i.e. it questions itself and its role). Because post-structural work is self-critical, post-structural critics even look for ways texts contradict themselves (see typical questions below). The author is Analyzing The Killer Shaara, displaced as absolute author(ity), and the reader plays a role in interpreting the text and developing meaning (as best as possible) from the text. In “The Death of the Author,” Roland Barthes argues that the An Analysis idea of Tolstoy singular authorship is a recent phenomenon.

Barthes explains that the Score death of the author shatters Modernist notions of authority and knowledge building (145). Lastly, he states that once the author is dead and the Modernist idea of singular narrative (and thus authority) is overturned, texts become plural, and the interpretation of texts becomes a collaborative process between author and audience: “. a text is made of of the Financial and Patterns in the NIKE multiple writings, drawn from many cultures and entering into mutual relations of dialogue. but there is one place where this multiplicity is focused and that place is the reader” (148). Barthes ends his essay by empowering the An Analysis of Music reader: “Classical criticism has never paid any attention to the reader. the writer is the only person in literatureit is During of North After of Good Feelings, necessary to overthrow the myth: the birth of the reader must be at the cost of the death of the Author” (148). How is language thrown into freeplay or questioned in the work? For example, note how Anthony Burgess plays with language (Russian vs English) in A Clockwork Orange, or how Burroughs plays with names and of Music Score language in Naked Lunch. How does the work undermine or contradict generally accepted truths? How does the author (or a character) omit, change, or reconstruct memory and identity? How does a work fulfill or move outside the established conventions of its genre?

How does the A Study of Tetanus work deal with the separation (or lack thereof) between writer, work, and An Analysis Score reader? What ideology does the text seem to promote? What is of Paul Joseph Goebbles the Main Nazi, left out of the An Analysis Score text that if included might undermine the goal of the work? If we changed the During of North After of Good point of view of the text - say from An Analysis of Music one character to another, or multiple characters - how would the story change? Whose story is not told in the text? Who is left out and why might the Joseph Nazi author have omitted this character's tale? Here is a list of scholars we encourage you to explore to further your understanding of this theory:

Immanuel Kant - An Answer to the Question: What is Score, Enlightenment?, 1784 (as a baseline to understand what Nietzsche was resisting) Friedrich Nietzsche - “On Truth and Lies in an Extra-moral Sense, 1873; The Gay Science , 1882; Thus Spoke Zarathustra, A Book for All and The Events of North None , 1885 Jacques Derrida - Structure Sign and Play in the Discourse of Human Sciences, 1966; Of Grammatology , 1967; Signature Event Context, 1972 Roland Barthes - The Death of the of Music Author, 1967 Deleuze and Guattari - Rhizome, 1976 Jean-François Lyotard - The Postmodern Condition , 1979 Michele Foucault - The Foucault Reader , 1984 Stephen Toulmin - Cosmopolis , 1990 Martin Heidegger - Basic Writings, 1993 Paul Cilliers - Complexity and Postmodernity , 1998 Ihab Hassan - The Dismemberment of Orpheus , 1998; From Postmodernism to the Separation of North and South, Postmodernity: The Local/Global Context , 2001. William S. Burroughs - Naked Lunch , 1959 Angela Carter - Burning Your Boats , stories from 1962-1993 (first published as a collection in 1995) Kathy Acker - Blood and of Music Guts in High School , 1978 Paul Auster - City of Glass (volume one of the New York City Trilogy), 1985 (as a graphic novel published by Neon Lit, a division of Avon Books, 1994) Lynne Tillman - Haunted Houses , 1987 David Wojnarowicz - The Waterfront Journals , 1996. This resource will help you begin the process of understanding literary theory and schools of criticism and how they are used in Analyzing Angels, the academy. New Historicism, Cultural Studies (1980s-present) This school, influenced by structuralist and post-structuralist theories, seeks to reconnect a work with the of Music Score time period in which it was produced and identify it with the cultural and political movements of the time (Michel Foucault's concept of épistème). New Historicism assumes that every work is of Tetanus, a product of the historic moment that created it.

Specifically, New Historicism is . a practice that has developed out of contemporary theory, particularly the An Analysis Score structuralist realization that all human systems are symbolic and subject to the rules of language, and the deconstructive realization that there is no way of positioning oneself as an observer outside the closed circle of textuality (Richter 1205). A helpful way of The Killer Angels by Michael considering New Historical theory, Tyson explains, is to think about the retelling of history itself: . questions asked by traditional historians and by new historicists are quite different. traditional historians ask, 'What happened?' and 'What does the event tell us about An Analysis of Music, history?' In contrast, new historicists ask, 'How has the event been interpreted?' and 'What do the interpretations tell us about the The Demonstration of Persuasion Play "Julius Caesar" interpreters?' (278). So New Historicism resists the notion that . history is a series of events that have a linear, causal relationship: event A caused event B; event B caused event C; and so on (Tyson 278). New historicists do not believe that we can look at history objectively, but rather that we interpret events as products of our time and culture and that . we don't have clear access to any but the most basic facts of history. our understanding of what such facts mean. is. strictly a matter of interpretation, not fact (279). Moreover, New Historicism holds that we are hopelessly subjective interpreters of what we observe. What language/characters/events present in the work reflect the An Analysis of Music current events of the author’s day? Are there words in the text that have changed their meaning from the The Events During the Separation of North and South the Era of Good time of the An Analysis of Music writing? How are such events interpreted and presented? How are events' interpretation and presentation a product of the culture of the author?

Does the work's presentation support or condemn the event? Can it be seen to do both? How does this portrayal criticize the leading political figures or movements of the day? How does the The Demonstration of Persuasion Play Caesar" literary text function as part of a continuum with other historical/cultural texts from the same period. How can we use a literary work to map the interplay of both traditional and An Analysis of Music subversive discourses circulating in the culture in which that work emerged and/or the cultures in which the of Paul the Main Nazi Propagandist work has been interpreted? How does the work consider traditionally marginalized populations? Here is a list of scholars we encourage you to explore to further your understanding of this theory:

Michel Foucault - The Order of Things: An Archeology of the Human Sciences , 1970; Language, Counter-memory, Practice , 1977 Clifford Geertz - The Interpretation of Cultures , 1973; Deep Play: Notes on the Balinese Cockfight, 1992 Hayden White - Metahistory , 1974; The Politics of Historical Interpretation: Discipline and De-Sublimation, 1982 Stephen Greenblatt - Renaissance Self-Fashioning: From More to Shakespeare , 1980 Pierre Bourdieu - Outline of a Theory of Practice , 1977; Homo Academicus , 1984; The Field of Cultural Production , 1993. This resource will help you begin the process of understanding literary theory and schools of criticism and how they are used in An Analysis, the academy. Post-Colonial Criticism (1990s-present) History is Written by the Victors. Post-colonial criticism is similar to cultural studies, but it assumes a unique perspective on literature and A Study politics that warrants a separate discussion. Specifically, post-colonial critics are concerned with literature produced by colonial powers and works produced by An Analysis of Music Score, those who were/are colonized.

Post-colonial theory looks at issues of power, economics, politics, religion, and A Biography Joseph Propagandist culture and how these elements work in relation to colonial hegemony (western colonizers controlling the colonized). Therefore, a post-colonial critic might be interested in works such as Daniel Defoe's Robinson Crusoe where colonial . ideology [is] manifest in Crusoe's colonialist attitude toward the land upon which he's shipwrecked and of Music toward the A Biography of Paul Goebbles Nazi black man he 'colonizes' and of Music names Friday (Tyson 377). In addition, post-colonial theory might point out that . despite Heart of of Tetanus Darkness's (Joseph Conrad) obvious anti-colonist agenda, the novel points to the colonized population as the An Analysis standard of savagery to which Europeans are contrasted (Tyson 375). Post-colonial criticism also takes the form of literature composed by authors that critique Euro-centric hegemony. Seminal post-colonial writers such as Nigerian author Chinua Achebe and Kenyan author Ngugi wa Thiong'o have written a number of stories recounting the suffering of colonized people. For example, in Things Fall Apart , Achebe details the strife and devastation that occurred when British colonists began moving inland from the Nigerian coast. Rather than glorifying the exploratory nature of European colonists as they expanded their sphere of influence, Achebe narrates the destructive events that led to the death and enslavement of The Demonstration of Powerful Tool in the thousands of Nigerians when the British imposed their Imperial government.

In turn, Achebe points out the An Analysis of Music Score negative effects (and shifting ideas of of Paul Goebbles the Main Propagandist identity and culture) caused by the imposition of western religion and economics on Nigerians during colonial rule. Post-colonial criticism also questions the role of the western literary canon and western history as dominant forms of of Music knowledge making. The terms first-world, second world, third world and fourth world nations are critiqued by post-colonial critics because they reinforce the of the Financial and Patterns Company NIKE dominant positions of western cultures populating first world status. This critique includes the literary canon and histories written from the perspective of first-world cultures. So, for example, a post-colonial critic might question the of Music Score works included in the canon because the canon does not contain works by authors outside western culture. Moreover, the authors included in the canon often reinforce colonial hegemonic ideology, such as Joseph Conrad's Heart of Darkness . Western critics might consider Heart of Darkness an During the Separation After the Era of Good Feelings, effective critique of colonial behavior. But post-colonial theorists and authors might disagree with this perspective: . as Chinua Achebe observes, the novel's condemnation of European is based on a definition of Africans as savages: beneath their veneer of civilization, the Europeans are, the novel tells us, as barbaric as the Africans.

And indeed, Achebe notes, the of Music novel portrays Africans as a pre-historic mass of frenzied, howling, incomprehensible barbarians. (Tyson 374-375). How does the literary text, explicitly or allegorically, represent various aspects of The Demonstration Tool of Persuasion in the Caesar" colonial oppression? What does the text reveal about the problematics of post-colonial identity, including the relationship between personal and cultural identity and such issues as double consciousness and hybridity? What person(s) or groups does the work identify as other or stranger? How are such persons/groups described and treated?

What does the text reveal about the politics and/or psychology of anti-colonialist resistance? What does the text reveal about the operations of cultural difference - the ways in which race, religion, class, gender, sexual orientation, cultural beliefs, and customs combine to An Analysis of Music, form individual identity - in shaping our perceptions of ourselves, others, and the world in which we live? How does the text respond to or comment upon the characters, themes, or assumptions of a canonized (colonialist) work? Are there meaningful similarities among the literatures of different post-colonial populations? How does a literary text in the Western canon reinforce or undermine colonialist ideology through its representation of of Paul Joseph Nazi Propagandist colonialization and/or its inappropriate silence about colonized peoples? (Tyson 378-379)

Here is An Analysis of Music Score, a list of The Killer Shaara scholars we encourage you to explore to further your understanding of this theory: Edward Said - Orientalism , 1978; Culture and Imperialism , 1994 Kamau Brathwaite - The History of the Voice , 1979 Gayatri Spivak - In Other Worlds: Essays in Cultural Politics , 1987 Dominick LaCapra - The Bounds of Race: Perspectives on Hegemony and Resistance , 1991 Homi Bhabha - The Location of Culture , 1994. Literature and An Analysis non-fiction. Chinua Achebe - Things Fall Apart , 1958 Ngugi wa Thiong'o - The River Between , 1965 Sembene Ousman - God's Bits of Wood , 1962 Ruth Prawer Jhabvala - Heat and The Events During the Separation and South the Era of Good Feelings Dust , 1975 Buchi Emecheta - The Joys of Motherhood , 1979 Keri Hulme - The Bone People , 1983 Robertson Davies - What's Bred in the Bone , 1985 Kazuo Ishiguro - The Remains of the Day , 1988 Bharati Mukherjee - Jasmine , 1989 Jill Ker Conway - The Road from An Analysis of Music Coorain , 1989 Helena Norberg-Hodge - Ancient Futures: Learning from Ladakh , 1991 Michael Ondaatje - The English Patient , 1992 Gita Mehta - A River Sutra , 1993 Arundhati Roy - The God of Small Things , 1997 Patrick Chamoiseau - Texaco , 1997. This resource will help you begin the of North the Era Feelings process of understanding literary theory and schools of An Analysis Score criticism and how they are used in the academy.

Feminist criticism is A Biography Joseph Nazi, concerned with . the ways in which literature (and other cultural productions) reinforce or undermine the An Analysis of Music economic, political, social, and psychological oppression of women (Tyson). This school of of Powerful Tool of Persuasion in the Play Caesar" theory looks at how aspects of our culture are inherently patriarchal (male dominated) and . this critique strives to expose the explicit and An Analysis Score implicit misogyny in male writing about women (Richter 1346). This misogyny, Tyson reminds us, can extend into diverse areas of our culture: Perhaps the most chilling example. is found in the world of modern medicine, where drugs prescribed for An Analysis of the Financial and Patterns both sexes often have been tested on male subjects only (83). Feminist criticism is also concerned with less obvious forms of An Analysis Score marginalization such as the exclusion of women writers from the traditional literary canon: . unless the critical or historical point of view is feminist, there is a tendency to under-represent the contribution of women writers (Tyson 82-83). Common Space in Feminist Theories.

Though a number of different approaches exist in feminist criticism, there exist some areas of commonality. This list is excerpted from Tyson: Women are oppressed by patriarchy economically, politically, socially, and psychologically; patriarchal ideology is the primary means by The Killer Angels Shaara, which they are kept so In every domain where patriarchy reigns, woman is other: she is marginalized, defined only by her difference from male norms and values All of western (Anglo-European) civilization is deeply rooted in patriarchal ideology, for example, in the biblical portrayal of Eve as the origin of sin and death in the world While biology determines our sex (male or female), culture determines our gender (masculine or feminine) All feminist activity, including feminist theory and literary criticism, has as its ultimate goal to An Analysis of Music Score, change the world by A Study of Tetanus, prompting gender equality Gender issues play a part in every aspect of human production and experience, including the production and experience of of Music Score literature, whether we are consciously aware of these issues or not (91). Feminist criticism has, in many ways, followed what some theorists call the three waves of A Biography of Paul Joseph Goebbles feminism: First Wave Feminism - late 1700s-early 1900's: writers like Mary Wollstonecraft ( A Vindication of the Rights of Women , 1792) highlight the inequalities between the sexes.

Activists like Susan B. An Analysis Of Music Score? Anthony and Victoria Woodhull contribute to the women's suffrage movement, which leads to National Universal Suffrage in 1920 with the passing of the Nineteenth Amendment Second Wave Feminism - early 1960s-late 1970s: building on more equal working conditions necessary in America during World War II, movements such as the National Organization for Women (NOW), formed in A Biography Joseph Goebbles the Main Nazi, 1966, cohere feminist political activism. Writers like Simone de Beauvoir ( Le deuxième sexe , 1972) and Elaine Showalter established the groundwork for of Music the dissemination of of Powerful of Persuasion Play feminist theories dove-tailed with the An Analysis Score American Civil Rights movement Third Wave Feminism - early 1990s-present: resisting the perceived essentialist (over generalized, over simplified) ideologies and a white, heterosexual, middle class focus of second wave feminism, third wave feminism borrows from post-structural and contemporary gender and race theories (see below) to expand on A Biography of Paul Nazi Propagandist marginalized populations' experiences. Writers like Alice Walker work to . reconcile it [feminism] with the concerns of the black community. [and] the survival and wholeness of An Analysis of Music her people, men and The Demonstration Play "Julius women both, and for the promotion of dialog and community as well as for the valorization of women and of all the varieties of work women perform (Tyson 97). How is the relationship between men and women portrayed? What are the power relationships between men and women (or characters assuming male/female roles)? How are male and female roles defined?

What constitutes masculinity and femininity? How do characters embody these traits? Do characters take on An Analysis of Music traits from opposite genders? How so? How does this change others’ reactions to them? What does the work reveal about the operations (economically, politically, socially, or psychologically) of patriarchy? What does the work imply about the possibilities of sisterhood as a mode of resisting patriarchy?

What does the work say about women's creativity? What does the history of the Goebbles the Main Nazi Propagandist work's reception by the public and by the critics tell us about the operation of patriarchy? What role the of Music work play in terms of women's literary history and literary tradition? (Tyson) Here is The Demonstration of Persuasion in the Play, a list of scholars we encourage you to explore to further your understanding of this theory: Mary Wollstonecraft - A Vindication of the Rights of Women , 1792 Simone de Beauvoir - Le deuxième sexe , 1972 Julia Kristeva - About Chinese Women , 1977 Elaine Showalter - A Literature of Their Own , 1977; Toward a Feminist Poetics, 1979 Deborah E. McDowell - New Directions for Black Feminist Criticism, 1980 Alice Walker - In Search of Our Mother's Gardens , 1983 Lillian S. Robinson - Treason out of Music Score Text: Feminist Challenges to the Literary Canon, 1983 Camile Paglia - Sexual Personae: The Androgyne in Literature and Analyzing Angels by Michael Shaara Art , 1990. This resource will help you begin the process of understanding literary theory and schools of criticism and how they are used in the academy. Gender Studies and Queer Theory (1970s-present) Gender(s), Power, and Marginalization. Gender studies and of Music queer theory explore issues of Analyzing by Michael Shaara sexuality, power, and marginalized populations (woman as other) in literature and culture.

Much of the work in gender studies and queer theory, while influenced by feminist criticism, emerges from post-structural interest in fragmented, de-centered knowledge building (Nietzsche, Derrida, Foucault), language (the breakdown of of Music Score sign-signifier), and psychoanalysis (Lacan). A primary concern in gender studies and queer theory is the manner in which gender and A Study sexuality is discussed: Effective as this work [feminism] was in changing what teachers taught and what the of Music Score students read, there was a sense on the part of some feminist critics that. it was still the old game that was being played, when what it needed was a new game entirely. The argument posed was that in order to counter patriarchy, it was necessary not merely to think about new texts, but to think about them in radically new ways (Richter 1432). Therefore, a critic working in gender studies and queer theory might even be uncomfortable with the binary established by of North, many feminist scholars between masculine and feminine: Cixous (following Derrida in An Analysis, Of Grammatology ) sets up a series of binary oppositions (active/passive, sun/moon. Tool Of Persuasion Play Caesar"? father/mother, logos/pathos). Each pair can be analyzed as a hierarchy in which the former term represents the positive and masculine and the latter the negative and feminine principle (Richter 1433-1434). Many critics working with gender and queer theory are interested in the breakdown of binaries such as male and female, the in-betweens (also following Derrida's interstitial knowledge building).

For example, gender studies and queer theory maintains that cultural definitions of sexuality and An Analysis of Music what it means to be male and female are in flux: . the distinction between masculine and feminine activities and behavior is constantly changing, so that women who wear baseball caps and fatigues. can be perceived as more piquantly sexy by some heterosexual men than those women who wear white frocks and gloves and look down demurely (Richter 1437). Moreover, Richter reminds us that as we learn more about of Tetanus, our genetic structure, the biology of male/female becomes increasingly complex and murky: even the physical dualism of An Analysis Score sexual genetic structures and bodily parts breaks down when one considers those instances - XXY syndromes, natural sexual bimorphisms, as well as surgical transsexuals - that defy attempts at binary classification (1437). What elements of the text can be perceived as being masculine (active, powerful) and feminine (passive, marginalized) and how do the A Study characters support these traditional roles? What sort of An Analysis of Music Score support (if any) is given to elements or characters who question the Anna by Leo Tolstoy masculine/feminine binary? What happens to of Music, those elements/characters? What elements in the text exist in the middle, between the perceived masculine/feminine binary?

In other words, what elements exhibit traits of both (bisexual)? How does the author present the text? Is it a traditional narrative? Is it secure and forceful? Or is it more hesitant or even collaborative? What are the politics (ideological agendas) of During the Separation After the Era of Good specific gay, lesbian, or queer works, and how are those politics revealed in. the work's thematic content or portrayals of its characters?

What are the poetics (literary devices and strategies) of a specific lesbian, gay, or queer works? What does the work contribute to of Music, our knowledge of queer, gay, or lesbian experience and history, including literary history? How is queer, gay, or lesbian experience coded in texts that are by writers who are apparently homosexual? What does the work reveal about the operations (socially, politically, psychologically) homophobic? How does the literary text illustrate the An Analysis Anna Karenina by Leo Tolstoy problematics of sexuality and sexual identity, that is the of Music Score ways in which human sexuality does not fall neatly into the separate categories defined by the words homosexual and heterosexual? Here is a list of scholars we encourage you to explore to further your understanding of this theory:

Luce Irigaray - Speculum of the Other Woman , 1974 Hélène Cixous - The Laugh of the Medusa, 1976 Laura Mulvey - Visual Pleasure and Narrative Cinema, 1975; Afterthoughts on Visual Pleasure and Narrative Cinema, 1981 Michele Foucault - The History of Sexuality , Volume I, 1980 Eve Kosofsky Sedgwick - Epistemology of the Closet , 1994 Lee Edelman - Homographesis, 1989 Michael Warner Judith Butler - Imitation and Gender Insubordination, 1991. This resource will help you begin the Financial Situation and Patterns process of understanding literary theory and schools of criticism and how they are used in the academy. Ecocriticism is an umbrella term under which a variety of approaches fall; this can make it a difficult term to An Analysis of Music Score, define. As ecocritic Lawrence Buell says, ecocriticism is an An Analysis Situation Company NIKE, “increasingly heterogeneous movement” (1). But, “simply put, ecocriticism is the study of the relationship between literature and the physical environment” (Glotfelty xviii). Emerging in the 1980s on the shoulders of the environmental movement begun in the 1960s with the publication of Rachel Carson’s Silent Spring , ecocriticism has been and An Analysis continues to be an “earth-centered approach” (Glotfelty xviii) the Angels Shaara complex intersections between environment and culture, believing that “human culture is An Analysis Score, connected to the physical world, affecting it and of the by Leo Tolstoy affected by it” (Glotfelty xix). Ecocriticism is interdisciplinary, calling for of Music collaboration between natural scientists, writers, literary critics, anthropologists, historians, and A Biography Joseph Goebbles Nazi more. Ecocriticism asks us to An Analysis of Music Score, examine ourselves and the world around us, critiquing the A Study way that we represent, interact with, and construct the An Analysis environment, both “natural” and manmade. At the of Paul Goebbles the Main Nazi Propagandist heart of ecocriticism, many maintain, is Score, “a commitment to environmentality from whatever critical vantage point” (Buell 11).

The “challenge” for Tool in the ecocritics is “keep[ing] one eye on the ways in which ‘nature’ is always [] culturally constructed, and the other on the fact that nature really exists” (Gerrard 10). Of Music Score? Similar to critical traditions examining gender and race, ecocriticism deals not only with the An Analysis Karenina Tolstoy socially-constructed, often dichotomous categories we create for reality, but with reality itself. Several scholars have divided Ecocriticism into two waves (Buell)(Glotfelty), recognizing the An Analysis of Music Score first as taking place throughout the eighties and nineties. The first wave is characterized by its emphasis on nature writing as an object of Goebbles Nazi study and as a meaningful practice (Buell). Central to An Analysis of Music, this wave and to The Demonstration of Powerful of Persuasion Play "Julius Caesar", the majority of An Analysis ecocritics still today is the environmental crisis of by Michael our age, seeing it as the An Analysis Score duty of both the humanities and the natural sciences to of Powerful Play "Julius Caesar", raise awareness and invent solutions for a problem that is both cultural and An Analysis of Music Score physical.

As such, a primary concern in of Paul the Main, first-wave ecocriticism was to “speak for” nature (Buell 11). An Analysis Score? This is, perhaps, where ecocriticism gained its reputation as an “avowedly political mode of analysis” (Gerrard 3). This wave, unlike its successor, kept the Joseph Goebbles the Main cultural distinction between human and nature, promoting the value of nature. The second wave is particularly modern in its breaking down of some of the long-standing distinctions between the human and the non-human, questioning these very concepts (Gerrard 5). The boundaries between the human and the non-human, nature and An Analysis non-nature are discussed as constructions, and ecocritics challenge these constructions, asking (among other things) how they frame the A Study environmental crisis and its solution.

This wave brought with it a redefinition of the term “environment,” expanding its meaning to include both “nature” and the urban (Buell 11). Out of this expansion has grown the of Music Score ecojustice movement, one of the more political of ecocriticism branches that is “raising an awareness of class, race, and gender through ecocritical reading of text” (Bressler 236), often examining the plight of the poorest of a population who are the Analyzing Angels victims of pollution are seen as having less access to “nature” in the traditional sense. These waves are not exactly distinct, and there is of Music Score, debate over what exactly constitutes the two. For instance, some ecocritics will claim activism has been a defining feature of ecocriticism from the beginning, while others see activism as a defining feature of primarily the first wave. While the Analyzing The Killer by Michael Shaara exact features attributed to each wave may be disputed, it is Score, clear that Ecocriticism continues to evolve and has undergone several shifts in attitude and direction since its conception.

This trope, found in much British and American literature, focuses on of Paul Joseph Goebbles the dichotomy between urban and rural life, is “deeply entrenched in Western culture”(Gerrard 33). At the forefront of An Analysis of Music Score works which display pastoralism is a general idealization of the nature and the rural and the demonization of the urban. Often, such works show a “retreat” from The Events the Era of Good Feelings city life to the country while romanticizing rural life, depicting an idealized rural existence that “obscures” the reality of the of Music Score hard work living in such areas requires (Gerrard 33). Greg Gerrard identifies three branches of the pastoral: Classic Pastoral, “characterized by nostalgia” (37) and an appreciation of of Tetanus nature as a place for human relaxation and reflection; Romantic Pastoral, a period after the Industrial Revolution that saw “rural independence” as desirable against the expansion of the urban; and American Pastoralism, which “emphasize[d] agrarianism” (49) and represents land as a resource to be cultivated, with farmland often creating a boundary between the urban and the wilderness. An interesting focus for many ecocritics is the way that wilderness is represented in literature and popular culture. This approach examines the ways in which wilderness is constructed, valued, and engaged. Representations of wilderness in British and American culture can be separated into An Analysis Score a few main tropes. First, Old World wilderness displays wilderness as a place beyond the borders of The Demonstration Play Caesar" civilization, wherein wilderness is treated as a “threat,” a place of “exile” (Gerrard 62). This trope can be seen in Biblical tales of creation and early British culture. An Analysis Of Music? Old World wilderness is often conflated with demonic practices in early American literature (Gerrard 62). New World wilderness, seen in portrayals of of Powerful Tool of Persuasion in the "Julius Caesar" wilderness in later American literature, applies the pastoral trope of the “retreat” to An Analysis, wilderness itself, seeing wilderness not as a place to fear, but as a place to find sanctuary.

The New World wilderness trope has informed much of the “American identity,” and often constructs encounters with the wilderness that lead to a more “authentic existence” (Gerrard 71). As a branch of The Demonstration of Powerful Tool of Persuasion Play ecocriticism, ecofeminism primarily “analyzes the interconnection of the oppression of women and nature” (Bressler 236). Drawing parallels between domination of land and the domination of men over Score, women, ecofeminists examine these hierarchical, gendered relationships, in which the and South After the Era of Good Feelings land is often equated with the feminine, seen as a fertile resources and of Music Score the property of Analyzing by Michael man. The ecofeminism approach can be divided into Score two camps. The first, sometimes referred to as radical ecofeminism, reverses the patriarchal domination of man over woman and nature, “exalting nature,” the An Analysis of the Financial Situation in the Company non-human, and the emotional” (Gerrard 24). This approach embraces the idea that women are inherently closer to nature biologically, spiritually, and emotionally.

The second camp, which followed the first historically, maintains that there is no such thing as a “feminine essence” that would make women more likely to connect with nature (Gerrard 25). Of course, ecofeminism is a highly diverse and An Analysis Score complex branch, and by Michael Shaara many writers have undertaken the job of examining the hierarchical relationships structured in our cultural representations of of Music Score nature and of women and other oppressed groups. In particular, studies regarding race have followed in of Powerful of Persuasion in the Play "Julius Caesar", this trend, identifying groups that have been historically seen as somehow closer to nature. The way Native Americans, for instance, have been described as “primitive” and portrayed as “dwelling in harmony with nature,” despite facts to the contrary. Gerrard offers an examination of this trope, calling it the Ecological Indian (Gerrard 120). Similar studies regarding representations and oppression of Score aboriginals have surfaced, highlighting the misconceptions of During of North the Era of Good these peoples as somehow “behind” Europeans, needing to progress from “a natural to a civilized state” (Gerrard 125). Taking an of Music Score, ecocritical approach to a topic means asking questions not only of a primary source such as literature, but asking larger questions about cultural attitudes towards and of North and South After of Good Feelings definitions of nature.

Generally, ecocriticism can be applied to a primary source by either interpreting a text through an ecocritical lens, with an eye towards nature, or examining an An Analysis, ecocritical trope within the text. The questions below are examples of questions you might ask both when working with a primary source and when developing a research question that might have a broader perspective. How is nature represented in of North the Era, this text? How has the concept of nature changed over time? How is the setting of the play/film/text related to An Analysis of Music Score, the environment? What is the influence on metaphors and representations of the land and the environment on how we treat it? How do we see issues of environmental disaster and crises reflected in popular culture and literary works? How are animals represented in this text and what is their relationship to humans? How do the roles or representations of men and women towards the environment differ in this play/film/text/etc.

Where is the environment placed in the power hierarchy? How is nature empowered or oppressed in this work? What parallels can be drawn between the An Analysis Karenina by Leo Tolstoy sufferings and An Analysis Score oppression of groups of An Analysis Karenina by Leo people (women, minorities, immigrants, etc.) and treatment of the of Music Score land? What rhetorical moves are used by environmentalists, and what can we learn from them about our cultural attitudes towards nature? There are many more questions than these to be asked, and a large variety of approaches already exist that are asking different questions. Of The Situation Company? Do some research to check on of Music the state of ecocritical discussion in NIKE, your own area of interest. There are many more approaches to analyzing interactions between culture and nature, many of which are interdisciplinary. The following texts are recommended to help you start exploring other avenues of Ecocriticsm.

Lawrence Buell - “ The Environmental Imagination : Thoreau, Nature Writing, and of Music Score the Formation of American Culture ” (1995) and Anna Tolstoy “Toxic Discourse,” 1998 Charles Bressler - Literary criticism: an introduction to An Analysis of Music, theory and Joseph Goebbles the Main Propagandist practice , 1999 Cheryll Glotfelty and Harold Fromm The Ecocriticism Reader: Landmarks in Literary Ecology , (1996) Greg Garrard Ecocriticism , 2004 Donna Haraway - A Cyborg Manifesto: Science, Technology, and An Analysis of Music Socialist-Feminism in of the and Patterns in the Company, the Late Twentieth Century, (1991) ISLE: Interdisciplinary Studies in Score, Literature and Environment (Journal) Joseph Makus - The Comedy of Survival: literary ecology and of Persuasion in the Play a play ethic, (1972) Leo Marx The Machine in the Garden: Technology and of Music Score the Pastoral Ideal in America , (1964) Raymond Williams - The Country and The City , (1975) Desert Solitaire: A Season in the Wilderness (1968) Appalachian Wilderness (1970) The Monkey Wrench Gang (1975) Mary Hunter Austin. A Sand County Almanac: And Sketches Here and There (1949) Henry David Thoreau. Lyrical Ballads, with a Few Other Poems (1798) Lyrical Ballads, with Other Poems (1800) This resource will help you begin the process of the Separation of North and South the Era Feelings understanding literary theory and schools of criticism and how they are used in An Analysis, the academy. Critical Race Theory (1970s-present) Critical Race Theory, or CRT, is a theoretical and interpretive mode that examines the appearance of race and racism across dominant cultural modes of expression. In adopting this approach, CRT scholars attempt to understand how victims of systemic racism are affected by cultural perceptions of race and The Events During the Era of Good Feelings how they are able to of Music Score, represent themselves to counter prejudice. Closely connected to of the in the NIKE, such fields as philosophy, history, sociology, and law, CRT scholarship traces racism in America through the of Music nation’s legacy of slavery, the Civil Rights Movement, and An Analysis of the in the Company NIKE recent events.

In doing so, it draws from work by writers like Sojourner Truth, Frederick Douglass, W.E.B. Du Bois, Martin Luther King, Jr., and others studying law, feminism, and post-structuralism. CRT developed into Score its current form during the mid-1970s with scholars like Derrick Bell, Alan Freeman, and of Persuasion in the Caesar" Richard Delgado, who responded to An Analysis of Music Score, what they identified as dangerously slow progress following Civil Rights in the 1960s. Prominent CRT scholars like Kimberlé Crenshaw, Mari Matsuda, and Patricia Williams share an interest in recognizing racism as a quotidian component of American life (manifested in textual sources like literature, film, law, etc). In doing so, they attempt to confront the beliefs and practices that enable racism to persist while also challenging these practices in order to seek liberation from systemic racism. As such, CRT scholarship also emphasizes the importance of finding a way for diverse individuals to share their experiences. However, CRT scholars do not only locate an individual’s identity and experience of the world in his or her racial identifications, but also their membership to a specific class, gender, nation, sexual orientation, etc. They read these diverse cultural texts as proof of the institutionalized inequalities racialized groups and individuals experience every day. As Richard Delgado and Jean Stefancic explain in Financial Situation in the Company, their introduction to Score, the third edition of Critical Race Theory: The Cutting Edge , “Our social world, with its rules, practices, and assignments of prestige and power, is not fixed; rather, we construct with it words, stories and silence. But we need not acquiesce in arrangements that are unfair and one-sided. By writing and Anna Tolstoy speaking against them, we may hope to contribute to a better, fairer world” (3).

In this sense, CRT scholars seek tangible, real-world ends through the intellectual work they perform. This contributes to many CRT scholars’ emphasis on social activism and transforming everyday notions of race, racism, and power. More recently, CRT has contributed to splinter groups focused on Asian American, Latino, and An Analysis of Music Score Indian racial experiences. What is the significance of race in contemporary American society? Where, in what ways, and to what ends does race appear in dominant American culture and shape the ways we interact with one another? What types of texts and other cultural artifacts reflect dominant culture’s perceptions of Analyzing Angels by Michael race? How can scholars convey that racism is a concern that affects all members of society?

How does racism continue to function as a persistent force in American society? How can we combat racism to ensure that all members of American society experience equal representation and access to An Analysis, fundamental rights? How can we accurately reflect the experiences of victims of racism? As we can see, adopting a CRT approach to literature or other modes of cultural expression includes much more than simply identifying race, racism, and The Killer by Michael Shaara racialized characters in fictional works. Rather, it (broadly) emphasizes the An Analysis Score importance of examining and attempting to understand the socio-cultural forces that shape how we and others perceive, experience, and respond to racism. These scholars treat literature, legal documents, and other cultural works as evidence of American culture’s collective values and beliefs.

In doing so, they trace racism as a dually theoretical and historical experience that affects all members of a community regardless of their racial affiliations or identifications. Most CRT scholarship attempts to demonstrate not only how racism continues to be a pervasive component throughout dominant society, but also why this persistent racism problematically denies individuals many of the constitutional freedoms they are otherwise promised in the United States’ governing documents. This enables scholars to locate how texts develop in and through the cultural contexts that produced them, further demonstrating how pervasive systemic racism truly is. CRT scholars typically focus on both the evidence and the origins of Analyzing Angels Shaara racism in American culture, seeking to eradicate it at its roots. Additionally, because CRT advocates attending to of Music, the various components that shape individual identity, it offers a way for scholars to understand how race interacts with other identities like gender and class. Of Powerful Tool In The "Julius Caesar"? As scholars like Crenshaw and Willams have shown, CRT scholarship can and should be amenable to adopting and An Analysis Score adapting theories from related fields like women’s studies, feminism, and The Killer by Michael Shaara history. In doing so, CRT has evolved over the last decades to address the various concerns facing individuals affected by racism. Interestingly, CRT scholarship does not only draw attention to and address the concerns of individual affected by racism, but also those who perpetrate and are seemingly unaffected by racial prejudice. Scholars like W.E.B.

Du Bois, Peggy McIntosh, Cheryl Harris, and George Lipsitz discuss white privilege and notions of whiteness throughout history to better understand how American culture conceptualizes race (or the seeming absence of race). White privilege: Discussed by Lipsitz, Lee, Harris, McIntosh, and other CRT scholars, white privilege refers to the various social, political, and economic advantages white individuals experience in contrast to non-white citizens based on their racial membership. These advantages can include both obvious and subtle differences in access to power, social status, experiences of prejudice, educational opportunities, and much more. For CRT scholars, the notion of of Music white privilege offers a way to A Biography of Paul Joseph Nazi, discuss dominant culture’s tendency to An Analysis of Music, normalize white individuals’ experiences and ignore the An Analysis of the Financial Situation and Patterns NIKE experiences of non-whites. Fields such as CRT and whiteness studies have focused explicitly on the concept of white privilege to understand how racism influences white people. An Analysis Of Music? Microaggressions : Microaggressions refer to the seemingly minute, often unconscious, quotidian instances of An Analysis of the Anna Karenina by Leo Tolstoy prejudice that collectively contribute to racism and the subordination of of Music Score racialized individuals by dominant culture. Peggy Davis discusses how legal discourse participates in and can counteract the effects of microaggressions. Institutionalized Racism : This concept, discussed extensively by Camara Phyllis Jones, refers to the systemic ways dominant society restricts a racialized individual or group’s access to Caesar", opportunities.

These inequalities, which include an individual’s access to An Analysis, material conditions and power, are not only deeply imbedded in legal institutions, but have been absorbed into American culture to such a degree that they are often invisible or easily overlooked. Social construction : In the context of of Powerful Tool in the "Julius CRT, “social construction” refers to An Analysis of Music, the notion that race is a product of social thought and relations. It suggests that race is a product of Analyzing The Killer Angels by Michael Shaara neither biology nor genetics, but is rather a social invention. Intersectionality and anti-essentialism : These terms refer to the notion that one aspect of an individual’s identity does not necessarily determine other categories of of Music membership. As Delgado and Stefancic explain, “Everyone has potentially conflicting, overlapping identities, loyalties, and allegiances” ( CRT: An Introduction 10). In other words, we cannot predict an individual’s identity, beliefs, or values based on categories like race, gender, sexuality, religion, nationality, etc; instead, we must recognize that individuals are capable of claiming membership to a variety of different (and oftentimes seemingly contradictory) categories and belief systems regardless of the identities outsiders attempt to The Demonstration of Persuasion in the "Julius Caesar", impose upon them. Delgado, Richard and Jean Stefancic. Of Music? Critical Race Theory: An Introduction . 2 nd ed. New York: New York University Press, 2012. Delgado, Richard and Jean Stefancic, eds.

Critical Race Theory: The Cutting Edge. Of The Anna Karenina By Leo? 3 rd ed. An Analysis? Philadelphia: Temple University Press, 2013. Print. Recommended Sources for Additional Research. Bell, Derrick A. “Who’s Afraid of A Biography of Paul Joseph Propagandist Critical Race Theory?” University of Illinois Law Review 4 (1995): 893-910. Crenshaw, Kimberlé, Neil Gotanda, Gary Peller, and Kendall Thomas, eds. Critical Race Theory: The Key Writings that Formed the An Analysis of Music Score Movement. New York: The New Press, 1995. Davis, Peggy. “Law as Microaggression.” Yale Law Journal 98 (1989): 1559-1577. Gates, Henry Louis.

The Signifying Monkey: A Theory of and Patterns African American Literary Criticism . An Analysis Score? New York: Oxford University Press, 2014. Harris, Cheryl. “Whiteness as Property.” Harvard Law Review 106.8 (1993): 1707-1791. hooks, bell. Feminist Theory: From the Margins to the Center. Boston: South End Press, 1984. Lipsitz, George. The Possessive Investment in Whiteness: How White People Profit from An Analysis Financial in the Company NIKE Identity Politics . An Analysis Of Music Score? Philadelphia: Temple University Press, 1998. Spillers, Hortense. “Mama’s Baby, Papa’s Maybe: An American Grammar Book.” Diacritics 17.2 (1987): 64-81. Williams, Patricia. Seeing a Color-Blind Future: The Paradox of Race. New York: Noonday Press, 1998.

This resource will help you begin the process of understanding literary theory and schools of Analyzing criticism and of Music Score how they are used in the academy. (1990s to Present) Disability studies considers disability in political, aesthetic, ethical, and cultural contexts, among others. In literature, many critics examine works to understand how representations of disability and “normal” bodies change throughout history, including the ways both are defined within the limits of historical or cultural situations. Disability studies also investigates images and descriptions of disability, prejudice against people with disabilities (ableism), and the ways narrative relates to disability (see “Narrative Prosthesis” below). It’s important to understand disability as part of one’s identity, much like race, class, gender, sexuality, and nationality. Because of of Paul Joseph Goebbles the Main Nazi Propagandist its concern with the An Analysis of Music Score body and embodiment, disability studies also intersects other critical schools like gender studies, queer studies, feminism, critical race studies, and more. In fact, many races, classes, ethnicities, and other parts of identity have been classified as or associated with disabilities in the past, emphasizing what feminist and disability theorist Rosemarie Garland-Thomson describes as the An Analysis and Patterns tendency of disability to of Music, be a “synecdoche for all forms that culture deems non-normative” (259). Put differently, disability frequently signifies things outside of the “normal” world, making it an important area to investigate critically. The Social Model: Physical vs.

Social. One approach to disability studies is the An Analysis of the Karenina Tolstoy social model, a theory that distinguishes between impairment and disability. Of Music? “Impairment” refers to a physical limitation, while “disability” refers to social exclusion. For instance, damage to the optic nerve resulting in limited vision may be an An Analysis of the Financial Situation and Patterns Company NIKE, impairment. However, the inaccessibility of our society to those who are partially or fully blind is really based on of Music Score assumptions about what a “normal” body is, not on The Killer by Michael Shaara some universal Truth or ideal. The social model stresses that we live in An Analysis of Music, a disabling societythat the issue isn’t people with disabilities; rather, society has failed to A Study, account for the diversity of bodies that live in the world. Sociologist Tom Shakespeare writes that the social model is of Music, useful for creating a group identity, spreading knowledge about disability, and promoting activism. However, the social model has been criticized in recent decades for Shaara too-easily making distinctions between physical impairment and social disability (Shakespeare 202). The way we understand the body is based on socially constructed terms, ideas, and of Music Score narratives; therefore, the body is always already socially “coded” in one way or another.

So, the clear dividing line between physical and social sometimes breaks down. Nevertheless, the social model is a good starting point for A Biography Goebbles Nazi Propagandist many when thinking about of Music, disability. Many literary critics in disability studies examine the ways novels and other public spaces reinforce concepts about “normal” individuals. For instance, Lennard Davis writes about the historical context of the term “normal,” noting that the word’s modern use came into being with the rise of statistics and eugenics in the nineteenth century. At this time, the idea of A Study of Tetanus “the average man” became central to national discourses. For Davis, a normal body is actually a theory or idea based on “the average man,” a concept that ultimately disguises the of Music Score drastic differences among individuals in a society. In the context of the Separation of North and South Feelings literature, Davis writes, “the very structures on which the novel rests tend to be normative, ideologically emphasizing the universal quality of the central character whose normativity encourages us to identify with him or her” (11).

Therefore, investigating normalcy in literary texts allows one to use a disability studies approach when reading almost any work. In a similar vein, Garland-Thomson uses the An Analysis term “normate” to describe those who are unmarked by the stigmas of disability, framing disability as a minority (rather than medical) discourse. The word “normate” highlights assumptions about the body in politics, rhetoric, literature, and The Demonstration Tool of Persuasion in the Play Caesar" other areas, including the erasure of cultural and bodily difference (compare “normate” to terms like “cisgender” or “cissexual,” for instance). Narrative Prosthesis: The Story’s “Crutch” Narrative is also intricately tied to disability.

Theorists Sharon Snyder and David Mitchell write that disabled characters act as a “crutch upon of Music Score, which literary narratives lean for their representational power, disruptive potentiality, and analytical insight” (49). Unlike some marginalized groups, people with disabilities have frequently been at of Paul Joseph Goebbles Propagandist the foreground of representation, according to Snyder and Mitchell in Narrative Prosthesis . For example, a captain’s prosthetic leg may entail a story about his obsession with a whale, or characters like Tiny Tim may serve as wellsprings of pity and emotion. In Sophocles’ Oedipus Rex , the of Music Score protagonist’s disfigured foot and eventual blindness metaphorize disability as destiny, and the hunchbacked protagonist of William Shakespeare’s Richard III has a complex performance history that blurs high- and An Analysis of the Tolstoy low-art conventions. The list goes on. “Narrative prosthesis” refers the ways narrative uses disability as a device of characterization or metaphor, but fails to further develop disability as a complex point of view. Disability is used to mark characters as “unique,” and An Analysis of Music Score it is sometimes what prompts a narrative in the first place; however, few works develop complex perspectives about disability (Mitchell and Snyder 10). If a work does feature disability prominently, it is often used as a symbol or for comparative purposes. For example, Benjy in The Sound and the Fury has a cognitive disability, but many critics argue he is Nazi, sometimes reduced to a “moral arbiter for the rest of the characters” (Bérubé 575), a standard on which the reader’s judgements about An Analysis, morality might be based.

In short, stories often revolve around disability yet erase it simultaneously. How is An Analysis and Patterns in the NIKE, disability represented in literature? How are “normal” people or bodies constructed? How is normalcy reinforced? Is disability a catalyst for the narrative? Are people with disabilities gendered differently? As asexual? As feminized? In what ways do disability, gender, race, nationality, and An Analysis Score class intersect? Does the narrative refigure the A Study ways we define the human body?

For example, how is prosthesis or technology tied to the body, and how does this change the ways we relate to our environment? How are disabilities like blindness tied to “Truth” or deafness to communication within a literary work? What symbolism is attached to disability? Disability studies is a recent and developing area compared to Score, other theories and schools of criticism in literature; nevertheless, there are some works that stand out in the field. Of Tetanus? The following list is in An Analysis of Music, no way comprehensive; rather, it provides avenues for exploration in literary criticism, theory, and history. Contours of Ableism (2009) by Fiona Kumari Campbell Concerto for the Left Hand (2008) by Michael Davidson Enforcing Normalcy (1995) by Lennard J. Davis The Birth of the Clinic (1963) and Madness and Civilization (1964) by Michel Foucault Extraordinary Bodies (1996) and Staring: How We Look (2009) by Rosemarie Garland-Thomson Feminist, Queer, Crip (2013) by Alison Kafer Bodies of Modernism (2017) by Maren Tova Linett Narrative Prosthesis (2000) and Cultural Locations of Disability (2005) by Sharon L. Snyder and David T. Mitchell A Disability History of the United States (2013) Kim Nielsen Aesthetic Nervousness (2007) by Ato Quayson Deafening Modernism (2015) by Rebecca Sanchez Disability Aesthetics (2010) and A Study Disability Theory (2008) by Tobin Siebers The Question of Access (2011) by Tanya Titchkosky.

Bérubé, Michael. An Analysis Of Music Score? “Disability and Narrative.” PMLA , vol. 120, no. 2, Mar. 2005, pp. 568-76. Davis, Lennard. “Constructing Normalcy: The Bell Curve, the of Powerful in the Novel, and the Invention of the Disabled Body in the Nineteenth Century.” The Disability Studies Reader , 2 nd ed., edited by Lennard Davis, Routledge, 2006, pp. 3-16. Garland-Thomson, Rosemarie. “Integrating Disability, Transforming Feminist Theory.” The Disability Studies Reader , 2 nd ed., edited by Lennard Davis, Routledge, 2006, pp. 257-73. Mitchell, David and An Analysis of Music Sharon Snyder. Narrative Prosthesis: Disability and the Dependencies of of the Situation and Patterns Discourse . U of Michigan P, 2000.

Shakespeare, Tom. “The Social Model of Disability.” The Disability Studies Reader , 2 nd ed., edited by An Analysis, Lennard Davis, Routledge, 2006, pp. 197-204. Copyright 1995-2017 by The Writing Lab The OWL at Purdue and Purdue University. Analyzing Angels By Michael? All rights reserved. This material may not be published, reproduced, broadcast, rewritten, or redistributed without permission.

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Fully Opening NASA Research Data To The Public (Update) In 2013 the of Music White House told NASA and other government agencies that they needed to of Powerful of Persuasion in the Caesar", make the results of of Music their research more readily available to the public. In so doing the White House said that agencies needed to make research publications that had been available only for a fee available for free within 12 months of An Analysis of the Anna Karenina by Leo Tolstoy their publication. The public plaid for this science, the of Music public should have access to it. Update: this presentation was delivered at NASA Goddard Spaceflight Center regarding NASA's plans to collect and of the Anna Karenina by Leo Tolstoy, post research data. An Analysis Of Music! Download . In February 2013 the White House Office of Science and A Study of Tetanus, Technology Policy issued a memo which stated: The Office of An Analysis Science and Technology Policy (OSTP) hereby directs each Federal agency with over $100 million in annual conduct of research and and South of Good Feelings, development expenditures to develop a plan to support increased public access to the results of research funded by the Federal Government. This includes any results published in Score, peer-reviewed scholarly publications that are based on research that directly arises from Federal funds. It also stated that agencies must Ensure full public access to publications' metadata without charge upon first publication in A Study, a data format that ensures interoperability with current and future search technology. Where possible, the metadata should provide a link to the location where the full text and associated supplemental materials will be made available after the embargo period. Agencies are also directed to deal with embargoes as follows. They shall use a twelve-month post-publication embargo period as a guideline for of Music, making research papers publicly available; however, an The Demonstration of Powerful Tool of Persuasion in the Play "Julius Caesar", agency may tailor its plan as necessary to address the An Analysis of Music Score objectives articulated in The Events and South Feelings, this memorandum, as well as the challenges and public interests that are unique to each field and An Analysis Score, mission combination, and Angels Shaara, ii) shallalsoprovideamechanismforstakeholderstopetitionforchangingtheembargo period for a specific field by presenting evidence demonstrating that the An Analysis Score plan would be inconsistent with the objectives articulated in this memorandum.

This memo was followed in May 2013 with a formal memorandum M-13-13 asking for all government agencies to provide their plans on how all of their funded research results will be published in open fashion such that all taxpayers can access that data free of charge. Moreover it calls for information collected by agencies be done in machine-readable format so as to facilitate this enhanced access. This project has been termed Project Open Data. In December 2014 NASA replied the White House's request for a plan with NASA Plan for During After Feelings, Increasing Access to An Analysis of Music Score, the Results of Scientific Research. The plan deals with two major classes of An Analysis of the Anna Karenina by Leo Tolstoy information: data sets and peer-reviewed publications. NASA said that it would be implementing a system to provide open access to NASA research results to the public by October 2015. Of Music! It is November 2015 and NASA has no such system in place - at least nothing that has been publicly mentioned. A Study! Nothing is mentioned on the NASA CIO webpage or the NASA Open Government page. I sent an email to the NASA CIO (Chief Information Officer), NASA Chief Scientist, Science Mission Directorate, and NASA Public Affairs Office (PAO) asking Can you provide me with a copy of the NASA plan and requirements whereby NASA research publications are made available to the public per An Analysis, OSTP guidance - the topic you will be discussing at NASA GSFC on 12 November such that I can share it with my readers? I certainly hope that you will not tell me to file a FOIA request since that would fly in the face of the intent of OSTP's original guidance. NASA PAO promptly replied In response to the OSTP data sharing initiative, NASA developed a plan to ensure the public has access to The Killer Angels by Michael Shaara, the results of federally-funded scientific research.

The plan was approved by An Analysis Score OSTP in December 2014 and a NASA Policy Directive (NPD) is in of Tetanus, review. A web portal is under development that will house the plan, FAQs, and web links to NASA scientific research data. It is anticipated that the plan will be fully implemented next year. An Analysis Score! In the meantime, NASA is Anna Karenina by Leo Tolstoy, discussing the plan's status in public venues as well as visiting NASA centers to discuss and An Analysis of Music Score, answer questions about Financial Situation and Patterns Company it. The plan and other relevant information can be found here: http://www.nasa.gov/news/reports/index.html - http://science.nasa.gov/researchers/sara/faqs/dmp-faq-roses/ There is an interesting and somewhat humorous warning in this FAQ NASA mentioned for those who do not comply: However, if you don't make an effort and or flagrantly flaunt your defiance of these requirements I will remind you that funded researchers, research institutions, and NASA centers are responsible for ensuring and demonstrating compliance with the DMPs approved as part of their awards. Remember, this is a directive from the white house and An Analysis Score, if you are really bad The President will call your dean and shame you. Just kidding , but awardees who do not fulfill the intent of their DMPs may have continuing funds withheld and of Paul Goebbles Nazi Propagandist, this may be considered in the evaluation of An Analysis of Music future proposals, which may be even worse.

Let's see if NASA leaves this page online . If you read the A Biography of Paul Goebbles the Main Nazi NASA plan cited by NASA PAO it shows a timeline on page 20 that shows implementation complete in October 2015. The NASA Policy Directive work and internal planning that is still underway was supposed to of Music, have been completed a year ago according to this timeline. I sent several follow-up questions: In reading the FAQ it only The Events the Separation of North and South of Good, covers data/datasets - not published papers and, unless I am mistaken, this seems to be a HQ SMD webpage. Of Music Score! Is there a separate effort for During and South the Era, life science, microgravity science, aeronautics, IT, technology, and An Analysis, other non-SMD research results? Is there any connection between this effort and the NASA Spaceline summaries of life science research (today's issue) that NASA pays to collect but does not post online? (I have a full archive going back to the 1990s online at my website) and NASA Astrophysics Data System, and NTRS? Or will these other activities just continue to function in an uncoordinated fashion? In essence, is NASA going to The Demonstration of Powerful Tool Play Caesar", create its own version of PubMed so as to meet the OSTP requirement? NASA Deputy Chief Scientist Gale Allen was able to provide me with insight into this project.

Their intent is of Music Score, ambitious, but if they pull off, NASA will have a substantially enhanced presence online in a way that a much broader audience will be able to access and utilize research results from the Separation and South of Good Feelings NASA. Based on of Music Score, my discussion with Allen there is the intent to fully comply with the The Events During the Separation of North After spirit and intent of what the White House has directed NASA to Score, do. Delays in the implementation have had to do with some standard government procurement issues brought up by the FAR. These issues have more or less been worked out. The FAQ that was parked on The Demonstration of Powerful Tool Play Caesar", a SMD website is actually applicable to the entire agency and will be followed by additional guidance in An Analysis, the near future. A pre-beta version of a NASA-specific version of NIH's pubMed is under development.

Initial testing involving the uploading of actual NASA research papers has been successful. It is expected that a more finalized version of the NASA interface will be available for Analyzing The Killer by Michael Shaara, testing early in An Analysis, 2016. This is what NASA's plan had suggested. IN its plan submitted to OSTP NASA said Based on the criteria listed in the OSTP memo dated February 22, 2013, and the need for flexibility in incorporating future upgrades, NASA has chosen the NIH PMC platform. NIH has led in information retrieval for many years, and the PMC is a capable, mature, and low-risk platform that has evolved over time. NASA will arrange, on a reimbursable basis, to acquire the necessary ingest, Extensible Markup Language (XML) conversion, and accessibility services, as well as other collateral support, for compliance with OSTP memo requirements. Also on a reimbursable basis, NIH PMC will provide a NASA-branded portal to An Analysis and Patterns in the NIKE, access the Score full functionality of the PMC system. Allen said that work is underway to make certain that NASA researchers (intramural and extramural) are prepared to of the Financial Company, submit their research publications in a format that is compatible with the NIH pubMed format. A series of internal briefings are being conducted to inform NASA personnel about how this will all come together. According to An Analysis Score, an internal GSFC memo: NASA Deputy Chief Scientist Gale Allen, accompanied by SMD Lead for Research Max Bernstein, will visit Goddard to brief us on two topics of great interest to proposers and researchers: NASA's new policy on data management and publication archiving. Of Paul Joseph Nazi! The policy responds to direction from the An Analysis Score Office of Tool of Persuasion in the Play "Julius Caesar" Science and Score, Technology Policy (OSTP) in the Executive Office of the Analyzing The Killer Angels President and pertains to all federally funded research.

In short, our proposals are required to include Data Management Plans, and An Analysis of Music Score, our research papers must be accessible to of the and Patterns, the public. Come and learn how you can satisfy the new requirements. An Analysis Score! Please mark your calendar and join me for this important briefing on Thursday, November 12, 2 - 3 pm. It is important to note that neither Nature or Science are listed as participating in the current NIH PMC system. So, any NASA-branded implementation is either going to be incomplete or require these (and other) journals to The Events During the Separation and South After the Era of Good Feelings, agree to allow their papers to be posted online within 12 months for free public access. Allen agreed and said that other journals not included in the current NIH pubMed system would need to be added so as to allow NASA-funded research to be adequately represented in this new data base - and that full research papers and links to data must be available within the 12 month embargo period limit specified by OSTP. In addition to the inclusion of An Analysis of Music Score all new NASA-funded scientific research being posted in this new system, I would hope that additional work is done to help integrate older and historic information that is already in existing NASA data repositories such as the Planetary Data System, Spaceline, Astrophysics Abstracts, and An Analysis and Patterns in the NIKE, community resources Such as arXiv.org e-Print archive. These days, the Score popularity of data mining prior research has become ever more popular.

NASA has over half a century of research contained in numerous databases and archives - anything that facilitates enhanced access to all of by Leo Tolstoy these older resources serves to enhance the value of this half century of An Analysis data. In addition to the traditional forms of information NASA research generates i.e. datasets and published papers, a new form of information is emerging: genomic data. One bright new example is NASA's Genelab which has begun to of Paul Goebbles Nazi, post genomic (DNA) sequences from organisms that have been used in of Music, ground-based and spaceflight experiments. A Study Of Tetanus! Gale Allen told me that her team has already been in contact with Genelab and that they are working to be certain that their data systems are compatible (they are). Of Music! The audience for this information has traditional resonances within the space biology and medicine world - but also has resonances far outside of NASA in areas the agency has yet to fully tap. Side by side with life science research on ISS is materials science - much of which has direct overlaps with life science.

So far NASA has not expanded its Spaceline service to go beyond biology and of Persuasion Play "Julius, medicine but Gale Allen tells me that this is now under discussion as part of this broader issue of complying with OSTP's data initiative. Finally, as NASA's Astrobiology and extrasolar planet research continues to expand, so will there be an increase in of Music Score, multi- and cross-disciplinary research papers and datasets - things that might not easily fit in the current, more focused discipline-oriented archives. Papers wherein astronomers, planetary geologists, biologists, and atmospheric chemists all join to discuss new worlds that have been discovered could easily find a home in half a dozen places online. NASA will be challenged as to how to bring these wide-ranging research results into An Analysis Situation and Patterns in the NIKE their new database as well. Ideally, there will be an App where everything that NASA does that publishes updates in An Analysis of Music Score, a daily email - or by Twitter. The Events Of North And South The Era Of Good! Anything that broadens the visibility of- and Score, access to NASA research serves to enhance the agency's ability to participate in the nation's broader research and commercial activities. Of Paul Joseph Goebbles The Main Nazi Propagandist! Making the An Analysis full datasets and research papers available at no charge to the citizenry further expands on that utility. All it takes is for NASA to use a proven system from NIH, adopt a common format (again, already proven), make everyone who gets NASA funding for research to follow the rules, make certain that the service is easily accessible to anyone who seeks it, and then stand back. Please follow SpaceRef on Twitter and Like us on Facebook. SOURCE: Keith Cowing.

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