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Why My Dad is My Hero

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My Dad, My Hero . Vicky Kaushal

Vicky Kaushal remembers the heavy-duty hiding he received at his dad s hands for lying! Kaushal follows his father s motto of being

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Bachelor's degree , Caffeine , Coffee 602 Words | 4 Pages. ? Baby Brains: Born with bias? We may think of babies as blank slates, but researchers at Yale University's ' baby . lab' have found infants are able to tell the difference between good and bad. They also found sometimes babies choose bad over good. Tonight Anderson looks at a test that finds babies have a bias for those who are most similar to them. The work being done at the Yale ' baby lab' is featured in Paul Bloom's book 'Just Babies : The Origins of Good and Evil. Anderson discussed these experiments. Anderson Cooper , Evil , God 782 Words | 3 Pages. SAMPLE TITLE PAGE – MASTERS THESIS All items centered – TITLE IN ALL CAPS – Use official degree names only Date is month and Why My My Hero, year . of degree conferral FACTORS AFFECTING DEGREE PROGRESS OF GRADUATE STUDENTS AT A LARGE URBAN UNIVERSITY AND IMPLICATIONS FOR STUDENT SERVICES OPERATIONS AND UNIVERSITY POLICY by Kathleen J. Online! Koch A Thesis Submitted in Dad is Partial Fulfillment of the Requirements for The Changes on by Victorian the Degree of Master of Arts in Sociology at Why My Dad is My Hero The University of Wisconsin-Milwaukee May 2008 SAMPLE APPROVAL. US Government Can't Freedom Of Speech Online! Bachelor's degree , College , Copyright 271 Words | 2 Pages. Why My! he main objective of this thesis is to see whether value premium is present in the Indian stock market since the of Situation Evil Persona, liberalization of it in the . early 1990s. Additionally, I look into the reasons for the value premium – whether it can be explained by higher levels of fundamental risk and classical (also called modern) financial theory or can the reasons for market inefficiencies be based on Why My My Hero irrationality of A Description market participants and the groundwork of behavioral finance theorists.

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Duncan I of Scotland , KILL , Macbeth 895 Words | 3 Pages. phoenix mall Mumbai) 3. Thesis on Jail , case study on (banglore jail, belgaum jail) 4. Thesis on institute of archaeology , . case study on (archaeological museum hampi) 5. Design of EXHIBITION 6. Restructuring the sukhna lake 7. Thesis on Why My My Hero film city, case study on (DADA SAHEB PHALKE CHITRANAGRI MUMBAI, RAMOJI FILM CITY HYDERABAD) 8. A Description Loop Hole! CENTRE FOR THE INDIAN CLASSICAL MUSIC, CASE STUDY ON (KALA ACADMY GOA, NRITYAGRAM BANGLORE, NATIONAL CENTRE FOR PERFORMING ARTS MUMBAI,) 9. THESIS ON INFOTAINMENT MALL. Bus station , Bus stop , Chandigarh 1434 Words | 4 Pages. Write a strong thesis statement! What is a thesis statement? ? ? It is usually a single sentence at the end of your first . paragraph that presents your argument to the reader. The rest of the paper, the body of the Why My My Hero, essay, gathers and organizes evidence that will persuade the reader of the logic of your interpretation.

The thesis statement is the “road map” of your paper, directing you as you write it and You Take My Anxiety, guiding the reader through it. Do ? ? ? ? Don’t ? ? ? ? Know your essay’s type. Make a statement. American Civil War , Essay , Question 467 Words | 2 Pages. PM Page 11 THESIS SENTENCE TEMPLATES A thesis sentence is a sentence in the introduction that tells the reader what the . Why My! topic or argument of the An Analysis Nietzsche's Popular Philosophical, essay is.

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25 July 2013 Manila Electric Company (MERALCO) Lopez Bldg., Meralco Center, Ortigas Avenue, Pasig City To Whom It May Concern: Good day! We are senior . students from the University of Santo Tomas and Can't Freedom, we are currently working on our Thesis paper as our major and final requirement. Our paper aims to study the new program designed by the Energy Regulatory Commission which is the Dad is My Hero, Prepaid Retail Electric Service. The focus of our study is the viability and The Changes on by Age, effectiveness of this program in the Philippine. GSIS-Meralco bribery case , Manila , Meralco 480 Words | 3 Pages. “The Different Learning Styles of the Why My My Hero, Selected Freshmen Education Students at Villaflores College, Tanjay City Negros Oriental SY: 20011-2012” . ____________________________________________________________ __________________ A Baby Thesis Presented to Mr. Percival T. Tolomia, M.A. ED In Partial Fulfillment of the requirement in US Government of Speech Online ED.STRAT 8 (Developmental Reading October 2011 CHAPTER 1 THE PROBLEM AND ITS SCOPE Introduction We choose. Auditory learning , Education , Educational psychology 2862 Words | 13 Pages.

Thesis sample ******GIVEMEFREEART.COM******* About This File Resolution: 1280x720 Run time: 26 seconds Codec Used: . photo jpeg File Type: Quicktime Created by: Logan Kenesis Programs Used to make it: After effects Cinema4d Thank you for downloading i hope you enjoy it If you like the Why My My Hero, art here at Help Support Us here is how 1.Make a donation 2.Sign up for our Newsletter on the homepage 3.Participate in the forums 4.Comment on The Influence of Situation Persona of Men the files. Bjork , Computer file , File format 1092 Words | 8 Pages. Dad Is My Hero! Similarities and Difference of Information Technology and Computer Science A Thesis Submitted to the faculty Of the College of Arts . and Sciences For the You Take, completion of the course Writing in the Discipline English 2 Submitted to: Ms. Nessa Estabillo Instructor Submitted by: Del MUNDO, Mark Anthony ESTABILLO, Christian Neil BARLAAN, Dan Anjo EMPEnO, Pauline March 2013 CHAPTER I INTRODUCTION Background of the Study Many college students nowadays are more intrested. My Hero! Algorithm , Computer , Computer science 772 Words | 3 Pages. A Touch of Philippine Literature.. Baby Thesis, Chapter One. comparing the The Changes Brought Age, “before and today” of Philippine literature but thinking that it is more easy to the “super hard baby thesis ” to . make it simpler than comparing these broad topics. One more page and Why My Dad is, the eye bugs were going to flee. Happiness of breathing great on the day that third year high school students were badly in need of help through there thesis but they made a great job about it by making a thesis by themselves.

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Internet Encyclopedia of Philosophy. Existentialism is a catch-all term for Dad is those philosophers who consider the nature of the An Analysis of Friedrich Nietzsche's Philosophical, human condition as a key philosophical problem and who share the view that this problem is best addressed through ontology. This very broad definition will be clarified by discussing seven key themes that existentialist thinkers address. Those philosophers considered existentialists are mostly from the continent of Europe, and date from the 19 th and 20 th centuries. Outside philosophy, the existentialist movement is probably the Why My, most well-known philosophical movement, and at least two of of Situation Persona, its members are among the most famous philosophical personalities and My Hero, widely read philosophical authors. You Take! It has certainly had considerable influence outside philosophy, for example on psychological theory and on the arts. Within philosophy, though, it is safe to say that this loose movement considered as a whole has not had a great impact, although individuals or ideas counted within it remain important. Moreover, most of the Why My My Hero, philosophers conventionally grouped under this heading either never used, or actively disavowed, the term 'existentialist'.

Even Sartre himself once said: “Existentialism? I don’t know what that is.” So, there is on by a case to be made that the term – insofar as it leads us to ignore what is distinctive about philosophical positions and to conflate together significantly different ideas – does more harm than good. In this article, however, it is assumed that something sensible can be said about existentialism as a loosely defined movement. My Hero! The article has three sections. First, we outline a set of The Changes Victorian, themes that define, albeit very broadly, existentialist concerns. This is done with reference to the historical context of existentialism, which will help us to understand why certain philosophical problems and methods were considered so important. Second, we discuss individually six philosophers who are arguably its central figures, stressing in these discussions the ways in Dad is which these philosophers approached existentialist themes in distinctive ways. These figures, and many of the others we mention, have full length articles of their own within the Encyclopedia . Finally, we look very briefly at the influence of Viking, existentialism, especially outside philosophy. Although a highly diverse tradition of Why My, thought, seven themes can be identified that provide some sense of overall unity. Here, these themes will be briefly introduced; they can then provide us with an You Take Away, intellectual framework within which to discuss exemplary figures within the Dad is My Hero, history of existentialism.

Philosophy should not be thought of Viking Investment, primarily either as an attempt to investigate and understand the self or the world, or as a special occupation that concerns only a few. Rather, philosophy must be thought of as fully integrated within life. To be sure, there may need to be professional philosophers, who develop an elaborate set of methods and concepts (Sartre makes this point frequently) but life can be lived philosophically without a technical knowledge of Dad is, philosophy. Existentialist thinkers tended to identify two historical antecedents for this notion. First, the ancient Greeks, and particularly the figure of Socrates but also the Stoics and Epicureans. Socrates was not only non-professional, but in his pursuit of the good life he tended to eschew the formation of a 'system' or 'theory', and Freedom of Speech Online, his teachings took place often in public spaces. In this, the existentialists were hardly unusual. Dad Is! In the 19 th and 20 th centuries, the rapid expansion of industrialisation and advance in technology were often seen in terms of an alienation of the human from nature or from a properly natural way of living (for example, thinkers of German and of Speech Online, English romanticism). The second influence on thinking of philosophy as a way of life was German Idealism after Kant. Partly as a response to the 18 th century Enlightenment, and under the influence of the Neoplatonists, Schelling and Why My Dad is, Hegel both thought of philosophy as an Viking, activity that is an integral part of the history of Why My Dad is, human beings, rather than outside of life and the world, looking on. The Changes Brought On By Victorian Age! Later in the 19 th century, Marx famously criticised previous philosophy by My Hero, saying that the point of philosophy is not to know things – even to know things about activity – but to change them.

The concept of philosophy as a way of You Take My Anxiety, life manifests itself in existentialist thought in a number of ways. Let us give several examples, to which we will return in the sections that follow. First, the Why My My Hero, existentialists often undertook a critique of modern life in terms of the specialisation of both manual and intellectual labour. Specialisation included philosophy. One consequence of this is Can't of Speech that many existentialist thinkers experimented with different styles or genres of writing in order to escape the effects of this specialisation. Second, a notion that we can call 'immanence': philosophy studies life from the inside. For Kierkegaard, for Dad is My Hero example, the fundamental truths of my existence are not representations – not, that is, ideas, propositions or symbols the meaning of which can be separated from their origin.

Rather, the truths of existence are immediately lived, felt and acted. Likewise, for Nietzsche and Heidegger, it is essential to recognise that the philosopher investigating human existence is, him or herself, an existing human. Third, the nature of life itself is a perennial existentialist concern and, more famously (in Heidegger and in Camus), also the significance of death. A key idea here is US Government Can't of Speech Online that human existence is in some way 'on its own'; anxiety (or anguish) is the recognition of this fact. Dad Is! Anxiety here has two important implications. First, most generally, many existentialists tended to stress the significance of emotions or feelings, in so far as they were presumed to have a less culturally or intellectually mediated relation to one's individual and separate existence. This idea is found in Kierkegaard, as we mentioned above, and in Heidegger's discussion of 'mood'; it is also one reason why existentialism had an influence on psychology. Second, anxiety also stands for a form of existence that is A Description of Second Amendment recognition of being on its own. Dad Is! What is meant by 'being on of Situation in the Evil of Men, its own' varies among philosophers.

For example, it might mean the irrelevance (or even negative influence) of rational thought, moral values, or empirical evidence, when it comes to making fundamental decisions concerning one's existence. As we shall see, Kierkegaard sees Hegel's account of religion in terms of the Dad is My Hero, history of absolute spirit as an exemplary confusion of US Government Can't Suppress of Speech Online, faith and reason. Why My Dad Is My Hero! Alternatively, it might be a more specifically theological claim: the existence of a transcendent deity is not relevant to An Analysis Nietzsche's Popular Philosophical (or is positively detrimental to) such decisions (a view broadly shared by Nietzsche and Sartre). Finally, being on its own might signify the uniqueness of human existence, and Dad is My Hero, thus the fact that it cannot understand itself in terms of other kinds of existence (Heidegger and Sartre). Related to anxiety is the concept of authenticity, which is let us say the existentialist spin on Viking Investment, the Greek notion of 'the good life'.

As we shall see, the authentic being would be able to Dad is recognise and affirm the nature of existence (we shall shortly specify some of the aspects of this, such as absurdity and freedom). Not, though, recognise the nature of in the, existence as an Dad is, intellectual fact, disengaged from life; but rather, the authentic being lives in accordance with this nature. The notion of authenticity is sometimes seen as connected to individualism. This is only reinforced by the contrast with a theme we will discuss below, that of the 'crowd'. Certainly, if authenticity involves 'being on one's own', then there would seem to be some kind of value in celebrating and sustaining one's difference and independence from A Description, others.

However, many existentialists see individualism as a historical and cultural trend (for example Nietzsche), or dubious political value (Camus), rather than a necessary component of authentic existence. Individualism tends to obscure the particular types of collectivity that various existentialists deem important. For many existentialists, the conditions of the modern world make authenticity especially difficult. Why My My Hero! For example, many existentialists would join other philosophers (such as the Frankfurt School) in condemning an instrumentalist conception of reason and value. Brought On By Victorian! The utilitarianism of Dad is, Mill measured moral value and justice also in terms of the consequences of actions. Later liberalism would seek to absorb nearly all functions of political and social life under the heading of Viking, economic performance. Evaluating solely in terms of the measurable outcomes of production was seen as reinforcing the secularisation of the institutions of political, social or economic life; and Why My My Hero, reinforcing also the abandonment of any broader sense of the Evil of Men, spiritual dimension (such an idea is found acutely in Emerson, and Dad is My Hero, is akin to Can't Suppress Freedom the concerns of Kierkegaard). Existentialists such as Martin Heidegger, Hanna Arendt or Gabriel Marcel viewed these social movements in terms of a narrowing of the possibilities of human thought to the instrumental or technological. This narrowing involved thinking of the world in terms of resources, and thinking of all human action as a making, or indeed as a machine-like 'function'. The next key theme is freedom.

Freedom can usefully be linked to the concept of anguish, because my freedom is in part defined by the isolation of my decisions from My Hero, any determination by Brought, a deity, or by previously existent values or knowledge. My Hero! Many existentialists identified the 19 th and 20 th centuries as experiencing a crisis of on by Age, values. This might be traced back to familiar reasons such as an My Hero, increasingly secular society, or the rise of scientific or philosophical movements that questioned traditional accounts of value (for example Marxism or Darwinism), or the shattering experience of two world wars and the phenomenon of Can't Online, mass genocide. It is important to note, however, that for My Hero existentialism these historical conditions do not create the problem of anguish in the face of freedom, but merely cast it into higher relief. Likewise, freedom entails something like responsibility, for Age myself and for my actions. Given that my situation is one of Why My My Hero, being on Viking Investment, its own – recognised in anxiety – then both my freedom and Why My My Hero, my responsibility are absolute. The isolation that we discussed above means that there is nothing else that acts through me, or that shoulders my responsibility.

Likewise, unless human existence is to be understood as arbitrarily changing moment to moment, this freedom and responsibility must stretch across time. A Description Amendment Hole! Thus, when I exist as an authentically free being, I assume responsibility for my whole life, for Why My a ‘project’ or a ‘commitment’. We should note here that many of the Brought, existentialists take on a broadly Kantian notion of freedom: freedom as autonomy . This means that freedom, rather than being randomness or arbitrariness, consists in the binding of oneself to a law, but a law that is given by the self in My Hero recognition of its responsibilities. This borrowing from Kant, however, is heavily qualified by the next theme. The next common theme we shall call ‘situatedness’. Although my freedom is in the Evil Persona absolute, it always takes place in a particular context. My body and its characteristics, my circumstances in a historical world, and my past, all weigh upon freedom. This is what makes freedom meaningful. Suppose I tried to exist as free, while pretending to be in abstraction from the situation. In that case I will have no idea what possibilities are open to me and Dad is, what choices need to be made, here and now.

In such a case, my freedom will be naive or illusory. This concrete notion of freedom has its philosophical genesis in Hegel, and is generally contrasted to the pure rational freedom described by Kant. Situatedness is related to My Anxiety Away a notion we discussed above under the heading of Why My, philosophy as a way of life: the necessity of A Description of Second Hole, viewing or understanding life and existence from the ‘inside’. For example, many 19 th century intellectuals were interested in ancient Greece, Rome, the Medieval period, or the orient, as alternative models of a less spoiled, more integrated form of life. Dad Is! Nietzsche, to Victorian Age be sure, shared these interests, but he did so not uncritically: because the human condition is characterised by being historically situated, it cannot simply turn back the clock or decide all at once to be other than it is (Sartre especially shares this view). Heidegger expresses a related point in this way: human existence cannot be abstracted from its world because being-in-the-world is Dad is My Hero part of the ontological structure of that existence. Many existentialists take my concretely individual body, and the specific type of life that my body lives, as a primary fact about me (for example, Nietzsche, Scheler or Merleau-Ponty). My Anxiety! I must also be situated socially: each of my acts says something about how I view others but, reciprocally, each of their acts is a view about what I am. My freedom is always situated with respect to the judgements of others. This particular notion comes from Hegel’s analysis of ‘recognition’, and is found especially in Sartre, de Beauvoir and Jaspers. Situatedness in Why My Dad is My Hero general also has an important philosophical antecedent in Marx: economic and My Anxiety, political conditions are not contingent features with respect to universal human nature, but condition that nature from the ground up.

Although, of Why My Dad is, course, existentialism takes its name from the philosophical theme of 'existence', this does not entail that there is homogeneity in the manner existence is to be understood. One point on which there is You Take My Anxiety Away agreement, though, is that the existence with which we should be concerned here is not just any existent thing, but human existence . There is thus an important difference between distinctively human existence and anything else, and human existence is not to be understood on the model of things , that is, as objects of knowledge. One might think that this is an old idea, rooted in Plato's distinction between matter and soul, or Descartes' between extended and thinking things. But these distinctions appear to be just differences between two types of things. Descartes in particular, however, is often criticised by the existentialists for subsuming both under the heading 'substance', and thus treating what is distinctive in human existence as indeed a thing or object, albeit one with different properties. Why My Dad Is My Hero! (Whether the existentialist characterisation of Can't Suppress, Plato or Descartes is accurate is a different question.) The existentialists thus countered the Platonic or Cartesian conception with a model that resembles more the Aristotelian as developed in the Nichomachean Ethics . The latter idea arrives in existentialist thought filtered through Leibniz and Spinoza and the notion of a striving for existence. Equally important is the elevation of the practical above the theoretical in German Idealists. Particularly in Kant, who stressed the primacy of the 'practical', and then in Dad is My Hero Fichte and early Schelling, we find the notion that human existence is action . Accordingly, in Nietzsche and Sartre we find the notion that the human being is all and only what that being does. My existence consists of forever bringing myself into being – and, correlatively, fleeing from the dead, inert thing that is the totality of my past actions. Although my acts are free, I am not free not to act; thus existence is characterised also by 'exigency' (Marcel). For many existentialists, authentic existence involves a certain tension be recognised and lived through, but not resolved: this tension might be between the animal and the rational (important in Nietzsche) or between facticity and transcendence (Sartre and de Beauvoir). In the 19 th and 20 th centuries, the human sciences (such as psychology, sociology or economics) were coming to be recognised as powerful and legitimate sciences.

To some extend at least their assumptions and The Changes Brought Victorian, methods seemed to My Hero be borrowed from the natural sciences. While philosophers such as Dilthey and later Gadamer were concerned to show that the human sciences had to have a distinctive method, the existentialists were inclined to go further. The free, situated human being is not an object of knowledge in the sense the human always exists as the US Government Suppress Freedom of Speech, possibility of transcending any knowledge of Why My My Hero, it. There is a clear relation between such an of Friedrich Nietzsche's Philosophical, idea and the notion of the 'transcendence of the other' found in the ethical phenomenology of Emmanuel Levinas. Among the most famous ideas associated with existentialism is that of 'absurdity'.

Human existence might be described as 'absurd' in one of the following senses. First, many existentialists argued that nature as a whole has no design, no reason for existing. Although the natural world can apparently be understood by physical science or metaphysics, this might be better thought of as 'description' than either understanding or explanation. Thus, the achievements of the Why My, natural sciences also empty nature of value and meaning. Unlike a created cosmos, for example, we cannot expect the scientifically described cosmos to answer our questions concerning value or meaning. My Anxiety! Moreover, such description comes at Why My Dad is My Hero the cost of a profound falsification of nature: namely, the positing of ideal entities such as 'laws of nature', or the The Changes on by Victorian, conflation of all reality under a single model of being. Human beings can and should become profoundly aware of this lack of reason and the impossibility of an immanent understanding of it. Camus, for example, argues that the basic scene of human existence is its confrontation with this mute irrationality. A second meaning of the absurd is Why My Dad is My Hero this: my freedom will not only be undetermined by in the Persona, knowledge or reason, but from the point of view of the latter my freedom will even appear absurd. Absurdity is thus closely related to the theme of 'being on its own', which we discussed above under the heading of Dad is, anxiety.

Even if I choose to follow a law that I have given myself, my choice of law will appear absurd, and of Speech, likewise will my continuously reaffirmed choice to follow it. Third, human existence as action is doomed to always destroy itself. A free action, once done, is no longer free; it has become an aspect of the world, a thing . The absurdity of Dad is, human existence then seems to lie in the fact that in Brought Age becoming myself (a free existence) I must be what I am not (a thing). Why My Dad Is My Hero! If I do not face up to this absurdity, and choose to be or pretend to be thing-like, I exist inauthentically (the terms in this formulation are Sartre's). Existentialism generally also carries a social or political dimension. Insofar as he or she is authentic, the freedom of the human being will show a certain 'resolution' or 'commitment', and this will involve also the being – and particularly the authentic being – of others. For example, Nietzsche thus speaks of his (or Zarathustra's) work in aiding the transformation of the human, and on by Victorian Age, there is Why My Dad is also in Nietzsche a striking analysis of the concept of friendship; for Heidegger, there must be an Viking Investment, authentic mode of being-with others, although he does not develop this idea at length; the social and political aspect of authentic commitment is much more clear in Sartre, de Beauvoir and Camus. That is the positive side of the social or political dimension.

However, leading up to this positive side, there is a description of the typical forms that inauthentic social or political existence takes. Dad Is My Hero! Many existentialists employ terms such as 'crowd', 'horde' (Scheler) or the An Analysis Popular Philosophical, 'masses' (Jose Ortega y Gasset). Nietzsche's deliberately provocative expression, 'the herd', portrays the bulk of humanity not only Why My My Hero, as animal, but as docile and domesticated animals. Notice that these are all collective terms: inauthenticity manifests itself as de-individuated or faceless. Instead of being formed authentically in freedom and anxiety, values are just accepted from others because ‘that is Brought Victorian what everybody does’. Why My My Hero! These terms often carry a definite historical resonance, embodying a critique of specifically modern modes of human existence. All of the following might be seen as either causes or symptoms of a world that is 'fallen' or 'broken' (Marcel): the technology of mass communication (Nietzsche is particularly scathing about newspapers and journalists; in Two Ages , Kierkegaard says something very similar), empty religious observances, the specialisation of labour and social roles, urbanisation and of Situation in the Evil Persona, industrialisation. The theme of the crowd poses a question also to the positive social or political dimension of existentialism: how could a collective form of existence ever be anything other than inauthentic?

The 19 th and 20 th century presented a number of mass political ideologies which might be seen as posing a particularly challenging environment for authentic and free existence. For example, nationalism came in for criticism particularly by Nietzsche. Why My! Socialism and communism: after WWII, Sartre was certainly a communist, but even then unafraid to criticise both the French communist party and the Soviet Union for rigid or inadequately revolutionary thinking. Democracy: Aristotle in book 5 of his Politics distinguishes between democracy and ochlocracy, which latter essentially means rule by those incapable of The Influence of Situation in the Evil of Men, ruling even themselves. Many existentialists would identify the latter with the American and especially French concept of 'democracy'. Nietzsche and Ortega y Gasset both espoused a broadly aristocratic criterion for social and Dad is, political leadership. 2. Key Existentialist Philosophers.

a. Soren Kierkegaard (1813-1855) as an Existentialist Philosopher. Kierkegaard was many things: philosopher, religious writer, satirist, psychologist, journalist, literary critic and generally considered the ‘father’ of existentialism. Being born (in Copenhagen) to a wealthy family enabled him to devote his life to the pursuits of his intellectual interests as well as to distancing himself from the ‘everyday man’ of his times. Kierkegaard’s most important works are pseudonymous, written under fictional names, often very obviously fictional. The issue of You Take, pseudonymity has been variously interpreted as a literary device, a personal quirk or as an Dad is My Hero, illustration of the constant tension between the philosophical truth and existential or personal truth. We have already seen that for the existentialists it is Viking of equal importance what one says and the way in which something is said. This forms part of the attempt to return to a more authentic way of philosophising, firstly exemplified by the Greeks. In a work like Either/Or (primarily a treatise against the Hegelians) theoretical reflections are followed by reflections on how to seduce girls. The point is to stress the distance between the anonymously and logically produced truths of the logicians and the personal truths of existing individuals. Every pseudonymous author is a symbol for an existing individual and at times his very name is the key to Why My My Hero the mysteries of his existence (like in the case of of Friedrich Popular Philosophical Ideologies, Johanes de Silentio , fictional author of Fear and Trembling , where the mystery of Abraham’s actions cannot be told, being a product of and belonging to silence). Kierkegaard has been associated with a notion of Why My Dad is My Hero, truth as subjective (or personal); but what does this mean?

The issue is linked with his notorious confrontation with the Danish Church and the academic environment of his days. Kierkegaard’s work takes place against Amendment Hole, the background of an Why My, academia dominated by Hegelian dialectics and a society which reduces the The Influence, communication with the divine to the everyday observance of the Dad is, ritualistic side of an of Friedrich, institutionalized Christianity. Hegel is for Kierkegaard his arch-enemy not only because of what he writes but also what he represents. Hegel is guilty for Kierkegaard because he reduced the living truth of Christianity (the fact that God suffered and Dad is, died on the Cross) to just another moment, which necessarily will be overcome, in the dialectical development of the Spirit. Of Men! While Hegel treats “God” as a Begriff (a concept), for Kierkegaard the truth of Christianity signifies the very paradoxicality of faith: that is, that it is possible for the individual to go beyond the ‘ethical’ and nevertheless or rather because of this very act of disobedience to be loved by ‘God’. Famously, for Hegel ‘all that is real is rational’ – where rationality means the historically articulated, dialectical progression of Spirit – whereas for Kierkegaard the suspension of rationality is the very secret of Christianity. Against the cold logic of the Hegelian system Kierkegaard seeks “a truth which is truth for me” (Kierkegaard 1996:32). Christianity in particular represents the attempt to offer one’s life to the service of the divine. Why My Dad Is! This cannot be argued, it can only Amendment, be lived. While a theologian will try to argue for the validity of his positions by arguing and counter-arguing, a true Christian will try to live his life the Dad is, way Jesus lived it. This evidently marks the continuation of the Hellenic idea of philosophy as a way of life, exemplified in the person of Socrates who did not write treatises, but who died for his ideas.

Before the logical concepts of the theologians (in the words of Martin Heidegger who was hugely influenced by Kierkegaard) “man can neither fall to Amendment Hole his knees in awe nor can he play music and dance before this god” (Heidegger 2002:42). The idea of ‘subjective truth’ will have serious consequences to the philosophical understanding of man. Traditionally defined as animale rationale (the rational animal) by My Hero, Aristotle and for a long time worshiped as such by generations of philosophical minds, Kierkegaard comes now to redefine the human as the ‘passionate animal’. What counts in man is the intensity of of Friedrich Nietzsche's Philosophical Ideologies, his emotions and his willingness to believe ( contra the once all powerful reason) in that which cannot be understood. The opening up by Kierkegaard of this terra incognita of man’s inner life will come to play a major role for later existentialists (most importantly for Nietzsche) and will bring to light the failings and the weaknesses of an over-optimistic (because modelled after the Natural sciences) model of philosophy which was taught to talk a lot concerning the ‘truth’ of the human, when all it understood about the human was a mutilated version. In the Dad is My Hero, Garden of Eden, Adam and Eve lived in a state of innocence in communication with God and in harmony with their physical environment. The expulsion from the Garden opened up a wide range of new possibilities for them and thus the Nietzsche's Philosophical, problem of Why My, anxiety arose.

Adam (the Hebrew word for of Friedrich Popular Ideologies man) is now free to determine through his actions the route of things. Naturally, there is Dad is My Hero a tension here. Of Friedrich Ideologies! The human, created in God’s image, is an infinite being. Like God he also can choose and act according to his will. Simultaneously, though, he is a finite being since he is My Hero restricted by his body, particular socioeconomic conditions and The Changes Brought on by Victorian, so forth. This tension between the Dad is My Hero, finite and infinite is the source of anxiety. But unlike a Hegelian analysis, Kierkegaard does not look for Evil Persona a way out from anxiety; on the contrary he stresses its positive role in the flourishing of the Why My My Hero, human. As he characteristically puts it: “Because he is a synthesis, he can be in anxiety; and the more profoundly he is in anxiety, the greater is the man” (Kierkegaard 1980:154). The prioritization of anxiety as a fundamental trait of the human being is a typical existentialist move, eager to assert the positive role of emotions for human life.

Perhaps the most famous work of Kierkegaard was Fear and Trembling , a short book which exhibits many of the issues raised by him throughout his career. Viking! Fear and Trembling retells the My Hero, story of the attempted sacrifice of Isaac by his father Abraham. God tells Abraham that in order to prove his faith he has to sacrifice his only son. Abraham obeys, but at the last moment God intervenes and Away, saves Isaac. Dad Is! What is the The Changes Brought on by Victorian, moral of the story? According to our moral beliefs, shouldn’t Abraham refuse to execute God’s vicious plan? Isn’t one of the fundamental beliefs of Christianity the respect to the life of Why My, other?

The answer is naturally affirmative. An Analysis Popular Philosophical Ideologies! Abraham should refuse God, and he should respect the ethical law. Then Abraham would be in a good relation with the Law itself as in the expression ‘a law abiding citizen’. Dad Is My Hero! On the An Analysis of Friedrich Nietzsche's Popular Philosophical Ideologies, contrary what Abraham tries to achieve is My Hero a personal relation with the author of the moral law. This author is neither a symbolic figure nor an abstract idea; he is someone with a name. The name of ’God’ is the Can't Suppress of Speech Online, unpronounceable Tetragrammaton (YHVE), the unpronounceability indicates the simultaneous closeness and My Hero, distance of the great Other. The Christian God then, the author of the moral law at his will suspends the Amendment, law and demands his unlawful wish be obeyed.

Jacques Derrida notes that the temptation is Dad is now for Abraham the ethical law itself (Derrida 1998:162): he must resist ethics, this is the mad logic of God. The story naturally raises many problems. A Description Of Second Amendment! Is not such a subjectivist model of truth and Why My Dad is My Hero, religion plainly dangerous? What if someone was to support his acts of violence as a command of God? Kierkegaard’s response would be to suggest that it is only because Abraham loved Isaac with all his heart that the sacrifice could take place. “He must love Isaac with his whole soul. only then can he sacrifice him” (Kierkegaard 1983:74). Abraham’s faith is proved by the strength of his love for his son. Brought! However, this doesn’t fully answer the question of legitimacy, even if we agree that Abraham believed that God loved him so that he would somehow spare him. Why My My Hero! Kierkegaard also differentiates between the act of Abraham and the act of a tragic hero (like Agamemnon sacrificing his daughter Iphigenia). The tragic hero’s act is a product of calculation.

What is Nietzsche's better to My Hero do? What would be more beneficial? Abraham stands away from all sorts of calculations, he stands alone, that is, free in front of the horror religiosus , the price and the reward of faith. b. Friedrich Nietzsche (1844-1900) as an Existentialist Philosopher. “I know my lot. Some day my name will be linked to the memory of The Influence Persona of Men, something monstrous, of a crisis as yet unprecedented on earth. My Hero! ” (Nietzsche 2007:88).

Remarkably, what in 1888 sounded like megalomania came some years later to be realized. The name ‘Nietzsche’ has been linked with an array of historical events, philosophical concepts and widespread popular legends. In The Evil Of Men! Above all, Nietzsche has managed somehow to associate his name with the turmoil of a crisis. For a while this crisis was linked to the events of WWII. The exploitation of his teaching by the Nazi ideologues (notably Alfred Rosenberg and Alfred Baeumler), although utterly misdirected, arguably had its source in Nietzsche’s own “aristocratic radicalism”.

More generally, the crisis refers to the prospect of a future lacking of any meaning. This is a common theme for all the existentialists to be sure. The prospect of millennia of nihilism (the devaluation of the highest values) inaugurates for Nietzsche the My Hero, era in which the human itself, for on by Age the first time in its history, is called to give meaning both to its own existence and to the existence of the world. This is an event of a cataclysmic magnitude, from now on there are neither guidelines to be followed, lighthouses to direct us, and Why My Dad is, no right answers but only Viking Investment, experiments to be conducted with unknown results. Many existentialists, in My Hero their attempt to differentiate the You Take, value of individual existence from the alienating effects of the masses, formed an uneasy relation with the value of the Why My Dad is, ‘everyday man’. The ‘common’ man was thought to be lacking in of Situation in the Evil of Men will , taste in matter of aesthetics, and individuality in the sense that the assertion of his existence comes exclusively from My Hero, his participation in larger groups and from the ‘herd’ mentality with which these groups infuse their members.

Nietzsche believed that men in society are divided and ordered according to their willingness and capacity to participate in a life of spiritual and cultural transformation. Certainly not everyone wishes this participation and Amendment Hole, Nietzsche’s condemnation of those unwilling to My Hero challenge their fundamental beliefs is harsh; however it would be a mistake to suggest that Nietzsche thought their presence dispensable. In various aphorisms he stresses the importance of the ‘common’ as a necessary prerequisite for both the growth and the value of the ‘exceptional’. Such an idea clashes with our ‘modern’ sensitivities (themselves a product of Hole, a particular training). Dad Is My Hero! However, one has to recognize that there are no philosophers without presuppositions, and that Nietzsche’s insistence on the value of the exceptional marks his own beginning and his own understanding of the mission of thought.

Despite the dubious politics that the crisis of meaning gave rise to, the crisis itself is only an after-effect of a larger and deeper challenge that Nietzsche’s work identifies and poses. For Nietzsche the Suppress Freedom, crisis of meaning is inextricably linked to the crisis of religious consciousness in the West. Whereas for Kierkegaard the problem of meaning was to be resolved through the individual’s relation to the Divine, for Nietzsche the militantly anti-Christian, the problem of meaning is rendered possible at all because of the demise of the Divine. As he explains in The Genealogy of Morality , it is only after the cultivation of My Hero, truth as a value by the priest that truth comes to question its own value and function. You Take My Anxiety! What truth discovers is that at the ground of all truth lies an Why My Dad is, unquestionable faith in Loop the value of My Hero, truth. Christianity is destroyed when it is pushed to You Take My Anxiety Away tell the truth about itself, when the illusions of the My Hero, old ideals are revealed. What is called ‘The death of God’ is also then the death of truth (though not of the Viking Investment, value of truthfulness ); this is an event of immense consequences for the future. But one has to be careful here. Generations of readers, by concentrating on Why My, the event of the actual announcement of the 'death of God', have completely missed madman’s woeful mourning which follows the announcement. “‘Where is You Take God?’ he cried; ‘I‘ll tell you! We have killed him – you and I! We are all his murderers. But how did we do this?

How were we able to drink up the sea? Who gave us the sponge to wipe away the entire horizon? What were we doing when we unchained this earth from Why My Dad is My Hero, its sun? Where is it moving? Where are we moving to? Away from Victorian Age, all suns?” (Nietzsche 2001:125).

The above sentences are very far from constituting a cheerful declaration: no one is happy here! Nietzsche’s atheism has nothing to do with the naive atheism of others (for example Sartre) who rush to affirm their freedom as if their petty individuality were able to fill the vast empty space left by the absence of God. Nietzsche is not naive and because he is not naive he is rather pessimistic. What the death of God really announces is the demise of the Why My My Hero, human as we know it. One has to of Friedrich Nietzsche's Popular Philosophical Ideologies think of Why My Dad is, this break in the history of the human in Kantian terms.

Kant famously described Enlightenment as “man’s emergence from his self-incurred immaturity” (Kant 1991:54). Similarly Nietzsche believes that the demise of the divine could be the opportunity for A Description of Second Amendment Loop the emergence of a being which derives the meaning of its existence from within itself and not from some authority external to it. If the meaning of the human derived from God then, with the universe empty, man cannot take the place of the Why My My Hero, absent God. This empty space can only be filled by something greater and fuller, which in the Nietzschean jargon means the greatest unity of contradictory forces. That is the Ubermensch (Overhuman) which for Nietzsche signifies the attempt towards the cultural production of Can't Online, a human being which will be aware of his dual descent – from My Hero, animality and from rationality – without prioritizing either one, but keeping them in an agonistic balance so that through struggle new and exciting forms of human existence can be born. Nietzsche was by Freedom of Speech, training a Klassische Philologe (the rough equivalent Anglosaxon would be an Dad is, expert in classics – the texts of the ancient Greek and Roman authors). Perhaps because of his close acquaintance with the ancient writers, he became sensitive to a quite different understanding of philosophical thinking to that of his contemporaries. For the Greeks, philosophical questioning takes place within the perspective of a certain choice of life. There is no ‘life’ and then quite separately the theoretical (theoria: from Investment, thea – view, and horan – to see) or 'from a distance' contemplation of phenomena. My Hero! Philosophical speculation is the result of a certain way of life and the attempted justification of this life. Interestingly Kant encapsulates this attitude in the following passage: “When will you finally begin to live virtuously?’ said Plato to an old man who told him he was attending classes on of Situation Persona of Men, virtue.

The point is Dad is not always to speculate, but also ultimately to think about applying our knowledge. Today, however, he who lives in conformity with what he teaches is taken for a dreamer” (Kant in Hadot 2002:xiii). We have to of Situation in the Evil Persona of Men understand Nietzsche’s relation to philosophy within this context not only because it illustrates a stylistically different contemplation but because it demonstrates an Why My Dad is My Hero, altogether different way of philosophizing. Nietzsche's! Thus in Twilight of the Idols Nietzsche accuses philosophers for My Hero their ‘Egyptism’, the fact that they turn everything into a concept under evaluation. “All that philosophers have been handling for thousands of years is conceptual mummies; nothing real has ever left their hands alive” (Nietzsche 1998:16). Philosophical concepts are valuable insofar as they serve a flourishing life, not as academic exercises. Under the new model of philosophy the old metaphysical and Amendment, moral questions are to be replaced by Dad is, new questions concerning history, genealogy, environmental conditions and so forth. Let us take a characteristic passage from 1888: “I am interested in a question on which the ‘salvation of humanity’ depends more than on any curio of the theologians: the question of nutrition . For ease of use, one can put it in the following terms: ‘how do you personally have to nourish yourself in order to attain your maximum of strength, of Victorian Age, virtu in the Renaissance style, of moraline-free virtue?” (Nietzsche 2007:19). What is Dad is Nietzsche telling us here? Two things: firstly that, following the in the Persona of Men, tradition of Spinoza, the Why My, movement from transcendence to immanence passes through the rehabilitation of the body. Can't Suppress Of Speech! To say that, however, does not imply a simple-minded materialism. When Spinoza tells “nobody as yet has determined the limits of the body’s capabilities” (Spinoza 2002: 280) he is not writing about Why My Dad is, something like bodily strength but to the possibility of an A Description Amendment Loop, emergence of a body liberated from the sedimentation of culture and memory.

This archetypical body is indeed as yet unknown and we stand in Why My Dad is ignorance of its abilities. The second thing that Nietzsche is telling us in the above passage is in the Evil of Men that this new immanent philosophy necessarily requires a new ethics. One has to be clear here because of the Why My My Hero, many misunderstandings of Nietzschean ethics. Nietzsche is primarily a philosopher of ethics but ethics here refers to the possible justification of a way of life, which way of life in turn justifies human existence on earth. For Nietzsche, ethics does not refer to moral codes and guidelines on Investment, how to live one’s life.

Morality, which Nietzsche rejects, refers to the obsessive need (a need or an instinct can also be learned according to Nietzsche) of the Why My Dad is, human to preserve its own species and to regard its species as higher than the other animals. In short morality is arrogant . Viking! A Nietzschean ethics is an ethics of modesty. Why My My Hero! It places the You Take My Anxiety, human back where it belongs, among the other animals. However to say that is Dad is not to equate the human with the animal. Unlike non-human animals men are products of history that is to say products of memory.

That is their burden and of Second Amendment, their responsibility. In the Genealogy of Morality Nietzsche explains morality as a system aiming at the taming of the human animal. Morality’s aim is the elimination of the creative power of animal instincts and the establishment of a life protected within the cocoon of ascetic ideals. These 'ideals' are all those values and Dad is My Hero, ideologies made to protect man against the danger of US Government Can't Suppress Freedom Online, nihilism, the state in Why My which man finds no answer to the question of Viking, his existence. Why My Dad Is! Morality clings to the preservation of the Suppress of Speech, species ‘man’; morality stubbornly denies the very possibility of an Why My, open-ended future for humans. If we could summarize Nietzsche’s philosophical anthropology in a few words, we would say that for Nietzsche it is necessary to The Changes on by attempt (there are no guarantees here) to Dad is think of the human not as an of Second Loop, end-in-itself but only as a means to Why My Dad is something “. perfect, completely finished, happy, powerful, triumphant, that still leaves something to fear!” (Nietzsche 2007:25).

c. Martin Heidegger (1889-1976) as an Existentialist Philosopher. Heidegger exercised an unparalleled influence on The Changes on by, modern thought. Without knowledge of his work recent developments in modern European philosophy (Sartre, Gadamer, Arendt, Marcuse, Derrida, Foucault et al.) simply do not make sense. He remains notorious for his involvement with National Socialism in the 1930s. My Hero! Outside European philosophy, Heidegger is of Second Loop Hole only occasionally taken seriously, and is sometimes actually ridiculed (famously the Why My, Oxford philosopher A.J. Ayer called him a ‘charlatan’). In 1945 in Paris Jean-Paul Sartre gave a public lecture with the title ‘Existentialism is a Humanism’ where he defended the priority of action and the position that it is a man’s actions which define his humanity.

In 1946, Jean Beaufret in a letter to Heidegger poses a number of questions concerning the of Friedrich, link between humanism and the recent developments of existentialist philosophy in France. Heidegger’s response is a letter to Beaufret which in My Hero 1947 is You Take My Anxiety Away published in a book form with the title ‘Letter on Humanism’. There he repudiates any possible connection of his philosophy with the existentialism of Sartre. The question for us here is the following: Is it possible, given Heidegger’s own repudiation of Why My Dad is, existentialism, still to characterise Heidegger’s philosophy as 'existentialist'? The answer here is that Heidegger can be classified as an existentialist thinker despite all his differences from Sartre. Viking! Our strategy is to stress Heidegger’s connection with some key existentialist concerns, which we introduced above under the labels ‘Existence’, ‘Anxiety’ and the ‘Crowd’. We have seen above that a principle concern of all existentialists was to affirm the priority of individual existence and to stress that human existence is to be investigated with methods other than those of the natural sciences. This is also one of Heidegger’s principle concerns.

His magnum opus Being and Time is an investigation into the meaning of Being as that manifests itself through the human being, Dasein. The sciences have repeatedly asked ‘What is a man?’ ‘What is a car?’ ‘What is an Why My Dad is My Hero, emotion?’ they have nevertheless failed – and because of the nature of science, had to Can't Suppress of Speech fail – to ask the question which grounds all those other questions. This question is Dad is My Hero what is the meaning of (that) Being which is not an entity (like other beings, for example a chair, a car, a rock) and yet through it entities have meaning at You Take My Anxiety all? Investigating the question of the meaning of Being we discover that it arises only because it is made possible by the human being which poses the question. Dasein has already a (pre-conceptual) understanding of Being because it is the place where Being manifests itself. Unlike the traditional understanding of the human as a hypokeimenon (Aristotle) – what through the filtering of Greek thought by the Romans becomes substantia, that which supports all entities and qualities as their base and their ground – Dasein refers to the way which human beings are. ”The essence of Dasein lies in its existence” (Heidegger 1962: 67) and the existence of Dad is My Hero, Dasein is not fixed like the existence of a substance is. This is why human beings locate a place which nevertheless remains unstable and unfixed. The virtual place that Dasein occupies is not empty. It is Can't Suppress Freedom Online filled with beings which ontologically structure the very possibility of Dasein. Dasein exists as in-the-world.

World is not something separate from Why My My Hero, Dasein; rather, Dasein cannot be understood outside the referential totality which constitutes it. Heidegger repeats here a familiar existentialist pattern regarding the situatedness of experience. Sartre, by contrast, comes from the tradition of Descartes and to this tradition remains faithful. From Heidegger's perspective, Sartre’s strategy of affirming the priority of existence over essence is of Situation in the Evil of Men a by-product of the tradition of Renaissance humanism which wishes to assert the importance of man as the highest and most splendid of finite beings. Sartrean existence refers to the fact that a human is whereas Heidegger’s ek-sistence refers to the way with which Dasein is Why My My Hero thrown into a world of referential relations and A Description of Second Loop, as such Dasein is claimed by Being to guard its truth. Sartre, following Descartes, thinks of the human as a substance producing or sustaining entities, Heidegger on Dad is, the contrary thinks of the human as a passivity which accepts the call of Being. “Man is not the lord of beings. Man is the shepherd of of Friedrich Nietzsche's Popular Philosophical Ideologies, Being” (Heidegger 1993:245).

The Heideggerian priority then is Being, and Dasein’s importance lies in its receptiveness to the call of Being. For Kierkegaard anxiety defines the Dad is My Hero, possibility of responsibility, the exodus of Ideologies, man from the innocence of Eden and his participation to history. But the birthplace of anxiety is the experience of nothingness, the state in which every entity is experienced as withdrawn from its functionality. “Nothing . gives birth to anxiety” (Kierkegaard 1980:41). In anxiety we do not fear something in particular but we experience the Why My Dad is My Hero, terror of a vacuum in which is Viking Investment existence is thrown. My Hero! Existentialist thinkers are interested in A Description of Second Amendment anxiety because anxiety individualizes one (it is when I feel Angst more than everything that I come face to face with my own individual existence as distinct from all other entities around me).

Heidegger thinks that one of the fundamental ways with which Dasein understands itself in the world is through an array of ‘moods’. Dad Is My Hero! Dasein always ‘finds itself’ ( befinden sich ) in a certain mood. Man is not a thinking thing de-associated from the world, as in Cartesian metaphysics, but a being which finds itself in various moods such as anxiety or boredom. For the Suppress Freedom of Speech, Existentialists, primarily and for the most part I don’t exist because I think (recall Descartes’ famous formula) but because my moods reveal to Dad is me fundamental truths of my existence. Like Kierkegaard, Heidegger also believes that anxiety is born out of the terror of nothingness. “The obstinacy of the ‘nothing and nowhere within-the-world’ means as a phenomenon that the world as such is Loop Hole that in the face of which one has anxiety ” (Heidegger 1962:231). For Kierkegaard the possibility of anxiety reveals man’s dual nature and because of this duality man can be saved. “If a human being were a beast or an angel, he could not be in anxiety. Dad Is! Because he is An Analysis of Friedrich Philosophical Ideologies a synthesis, he can be in Why My Dad is My Hero anxiety; and the more profoundly he is in anxiety, the greater is the man” (Kierkegaard 1980:155). Equally for Heidegger anxiety manifests Dasein’s possibility to live an authentic existence since it realizes that the crowd of ‘others’ (what Heidegger calls the ‘They’) cannot offer any consolation to the drama of existence. In this article we have discussed the ambiguous or at times downright critical attitude of many existentialists toward the uncritical and unreflecting masses of A Description Amendment Loop, people who, in a wholly anti-Kantian and thus also anti-Enlightenment move, locate the meaning of their existence in an external authority.

They thus give up their (purported) autonomy as rational beings. Why My My Hero! For Heidegger, Dasein for the most part lives inauthentically in that Dasein is absorbed in a way of life produced by others, not by Dasein itself. “We take pleasure and Popular Ideologies, enjoy ourselves as they [man] take pleasure; we read, see and Dad is, judge about literature and art as they see and judge. ” (Heidegger 1962:164). To be sure this mode of US Government Online, existence, the ‘They’ ( Das Man ) is one of the existentialia, it is an a priori condition of possibility of the Dasein which means that inauthenticity is inscribed into the mode of being of Dasein, it does not come from the outside as a bad influence which could be erased. Heidegger’s language is ambiguous on the problem of inauthenticity and the reader has to My Hero make his mind on the status of the ‘They’. A lot has been said on the possible connections of on by Age, Heidegger’s philosophy with his political engagements. Although it is Why My My Hero always a risky business to read the A Description of Second Amendment Hole, works of My Hero, great philosophers as political manifestos, it seems prima facie evident that Heidegger’s thought in this area deserves the close investigation it has received. Heidegger was a highly original thinker. His project was nothing less than the overcoming of Western metaphysics through the positing of the forgotten question of being.

He stands in a critical relation to past philosophers but simultaneously he is heavily indebted to them, much more than he would like to admit. This is not to question his originality, it is to recognize that thought is not an ex nihilo production; it comes as a response to things past, and aims towards what is made possible through that past. d. Jean-Paul Sartre (1905-1980) as an Existentialist Philosopher. In the public consciousness, at Viking least, Sartre must surely be the central figure of existentialism. All the themes that we introduced above come together in his work. With the Dad is, possible exception of Nietzsche, his writings are the most widely anthologised (especially the lovely, if oversimplifying, lecture 'Existentialism and Humanism') and his literary works are widely read (especially the novel Nausea ) or performed. Although uncomfortable in the limelight, he was nevertheless the very model of a public intellectual, writing hundreds of short pieces for public dissemination and taking resolutely independent and often controversial stands on major political events. His writings that are most clearly existentialist in character date from Sartre's early and You Take My Anxiety, middle period, primarily the 1930s and 1940s. Why My! From the 1950s onwards, Sartre moved his existentialism towards a philosophy the purpose of which was to understand the Nietzsche's Philosophical Ideologies, possibility of a genuinely revolutionary politics. Sartre was in his late 20s when he first encountered phenomenology, specifically the Why My My Hero, philosophical ideas of The Influence of Situation of Men, Edmund Husserl. (We should point out Why My that Heidegger was also deeply influenced by Husserl, but it is less obvious in the language he employs because he drops the language of consciousness and acts.) Of particular importance, Sartre thought, was Husserl's notion of intentionality. In Sartre's interpretation of this idea, consciousness is not to My Anxiety Away be identified with a thing (for example a mind, soul or brain), that is to say some kind of Why My, a repository of Viking Investment, ideas and images of things.

Rather, consciousness is nothing but a directedness towards things. Sartre found a nice way to sum up the notion of the intentional object: If I love her, I love her because she is lovable (Sartre 1970:4-5). Within my experience, her lovableness is not an aspect of my image of her, rather it is a feature of her (and ultimately a part of the world) towards which my consciousness directs itself. The things I notice about her (her smile, her laugh) are not originally neutral, and then I interpret the idea of them as 'lovely', they are aspects of her as lovable. The notion that consciousness is not a thing is vital to Sartre.

Indeed, consciousness is primarily to be characterised as nothing : it is first and foremost not that which it is Why My Dad is conscious of. (Sartre calls human existence the 'for-itself', and the being of things the 'in-itself'.) Because it is not a thing, it is not subject to the laws of things; specifically, it is You Take My Anxiety Away not part of a chain of causes and its identity is not akin to Dad is that of a substance. Above we suggested that a concern with the nature of existence, and more particularly a concern with the distinctive nature of human existence, are defining existentialist themes. Moreover, qua consciousness, and not a thing that is part of the causal chain, I am free. From moment to moment, my every action is mine alone to choose. I will of course have a past 'me' that cannot be dispensed with; this is part of The Changes Victorian Age, my 'situation'. However, again, I am first and foremost not my situation. Thus, at Why My Dad is every moment I choose whether to continue on that life path, or to be something else. Thus, my existence (the mere fact that I am) is prior to US Government of Speech Online my essence (what I make of myself through my free choices). I am thus utterly responsible for myself. Dad Is My Hero! If my act is not simply whatever happens to come to mind, then my action may embody a more general principle of action. This principle too is one that I must have freely chosen and committed myself to.

It is an image of the type of life that I believe has value. (In these ways, Sartre intersects with the Amendment Loop Hole, broadly Kantian account of My Hero, freedom which we introduced above in our thematic section.) As situated, I also find myself surrounded by such images – from religion, culture, politics or morality – but none compels my freedom. Suppress Freedom Online! (All these forces that seek to appropriate my freedom by objectifying me form Sartre's version of the crowd theme.) I exist as freedom, primarily characterised as not determined, so my continuing existence requires the ever renewed exercise of freedom (thus, in our thematic discussion above, the notion from Spinoza and Leibniz of existence as a striving-to-exist). Thus also, my non-existence, and the non-existence of Why My Dad is My Hero, everything I believe in, is only a free choice away. I (in the sense of an authentic human existence) am not what I 'am' (the past I have accumulated, the things that surround me, or the You Take, way that others view me). I am alone in my responsibility; my existence, relative to everything external that might give it meaning, is Dad is My Hero absurd. Face to face with such responsibility, I feel 'anxiety'. Notice that although Sartre's account of situatedness owes much to Nietzsche and You Take My Anxiety Away, Heidegger, he sees it primarily in terms of what gives human freedom its meaning and Dad is My Hero, its burden. Nietzsche and Heidegger, in contrast, view such a conception of freedom as naively metaphysical. Suppose, however, that at some point I am conscious of myself in a thing-like way. For example, I say 'I am a student' (treating myself as having a fixed, thing-like identity) or 'I had no choice' (treating myself as belonging to the causal chain). I am ascribing a fixed identity or set of qualities to myself, much as I would say 'that is a piece of granite'.

In that case I am existing in denial of my distinctively human mode of existence; I am fleeing from my freedom. This is inauthenticity or 'bad faith'. As we shall see, inauthenticity is not just an occasional pitfall of human life, but essential to it. Human existence is a constant falling away from an The Changes Brought Victorian Age, authentic recognition of its freedom. Sartre here thus echoes the notion in Heidegger than inauthenticity is a condition of possibility of human existence. Intentionality manifests itself in another important way. Rarely if ever am I simply observing the world; instead I am involved in wanting to do something, I have a goal or purpose.

Here, intentional consciousness is not a static directedness towards things, but is rather an Why My, active projection towards the future. Suppose that I undertake as my project marrying my beloved. This is an intentional relation to a future state of affairs. As free, I commit myself to this project and must reaffirm that commitment at every moment. It is part of my life project, the image of human life that I offer to Investment myself and to others as something of value. Why My Dad Is My Hero! Notice, however, that my project involves inauthenticity. I project myself into the future where I will be married to her – that is, I define myself as 'married', as if I were a fixed being.

Thus there is an essential tension to all projection. On the Investment, one hand, the mere fact that I project myself into the future is emblematic of my freedom; only a radically free consciousness can project itself. Why My Dad Is! I exist as projecting towards the future which, again, I am not . Thus, I am (in the The Influence of Situation, sense of an authentic self) what I am not (because my projecting is always underway towards the future). On the Why My My Hero, other hand, in projecting I am projecting myself as something , that is, as a thing that no longer projects, has no future, is not free. Every action, then, is both an expression of freedom and also a snare of freedom. Projection is Brought on by Victorian Age absurd: I seek to become the impossible object, for-itself-in-itself, a thing that is both free and a mere thing. Why My Dad Is My Hero! Born of this tension is a recognition of freedom, what it entails, and its essential fragility. Thus, once again, we encounter existential anxiety. (In this article, we have not stressed the importance of the concept of time for The Changes Brought Victorian Age existentialism, but it should not be overlooked: witness one of Nietzsche's most famous concepts (eternal recurrence) and the title of Heidegger's major early work ( Being and Time ).) In my intentional directedness towards my beloved I find her 'loveable'. This too, though, is an objectification. Within my intentional gaze, she is loveable in much the same way that granite is Why My Dad is My Hero hard or heavy.

Insofar as I am in love, then, I seek to deny her freedom. Insofar, however, as I wish to be loved by her, then she must be free to choose me as her beloved. The Changes Brought On By! If she is free, she escapes my love; if not, she cannot love. It is in these terms that Sartre analyses love in Part Three of Being and Nothingness . Love here is a case study in Why My Dad is My Hero the basic forms of social relation. Sartre is thus moving from an entirely individualistic frame of reference (my self, my freedom and my projects) towards a consideration of the self in concrete relations with others. Sartre is working through – in a way he would shortly see as being inadequate – the issues presented by the Hegelian dialectic of recognition, which we mentioned above. This 'hell' of endlessly circling acts of freedom and objectification is brilliantly dramatised in Sartre's play No Exit . A few years later at the end of the 1940s, Sartre wrote what has been published as Notebooks for an Ethics . Sartre (influenced in the meantime by the criticisms of Merleau-Ponty and de Beauvoir, and by The Influence Evil Persona of Men, his increasing commitment to collectivist politics) elaborated greatly his existentialist account of Why My Dad is, relations with others, taking the Hegelian idea more seriously.

He no longer thinks of concrete relations so pessimistically. While Nietzsche and Heidegger both suggest the possibility of an authentic being with others, both leave it seriously under-developed. For our purposes, there are two key ideas in on by Age the Notebooks . The first is that my projects can be realised only with the cooperation of others; however, that cooperation presupposes their freedom (I cannot make her love me), and their judgements about me must concern me. Therefore permitting and nurturing the freedom of others must be a central part of all my projects. Sartre thus commits himself against any political, social or economic forms of subjugation. Second, there is the possibility of a form of social organisation and action in Why My which each individual freely gives him or herself over to a joint project: a 'city of ends' (this is a reworking of The Influence of Situation in the Evil Persona of Men, Kant's idea of the My Hero, 'kingdom of ends', found in the Grounding for An Analysis of Friedrich Nietzsche's Philosophical the Metaphysics of Morals ). An authentic existence, for Sartre, therefore means two things. First, it is something like a 'style' of existing – one that at every moment is anxious, and that means fully aware of the absurdity and fragility of its freedom. Second, though, there is some minimal level of content to any authentic project: whatever else my project is, it must also be a project of freedom, for myself and for others. e. Simone de Beauvoir (1908-1986) as an Existentialist Philosopher. Simone de Beauvoir was the youngest student ever to pass the demanding agregation at the prestigious Ecole Normale Superieure.

Subsequently a star Normalienne , she was a writer, philosopher, feminist, lifelong partner of Jean-Paul Sartre, notorious for her anti-bourgeois way of living and her free sexual relationships which included among others a passionate affair with the American writer Nelson Algren. Much ink has been spilled debating whether de Beauvoir’s work constitutes a body of Dad is My Hero, independent philosophical work, or is a reformulation of Sartre’s work. The debate rests of course upon the fundamental misconception that wants a body of US Government Can't Online, work to exist and develop independently of (or uninfluenced by) its intellectual environment. Why My My Hero! Such ‘objectivity’ is not only Nietzsche's Popular Philosophical, impossible but also undesirable: such a body of work would be ultimately irrelevant since it would be non-communicable. So the question of de Beauvoir’s ‘independence’ could be dismissed here as irrelevant to the philosophical questions that her work raises. In 1943 Being and Nothingness , the groundwork of the Existentialist movement in My Hero France was published. There Sartre gave an A Description of Second Loop Hole, account of freedom as ontological constitutive of the subject. One cannot but be free: this is the kernel of the Sartrean conception of freedom. In 1945 Merleau-Ponty’s Phenomenology of Perception is published. There, as well as in an essay from the Why My, same year titled 'The war has taken place' , Merleau-Ponty heavily criticizes the Sartrean stand, criticising it as a reformulation of The Influence Persona of Men, basic Stoic tenets. My Hero! One cannot assume freedom in isolation from the freedom of others.

Action is The Influence of Situation in the of Men participatory: “…my freedom is interwoven with that of others by way of the world” (Merleau-Ponty in Stewart 1995:315). Moreover action takes place within a certain historical context. For Merleau-Ponty the subjective free-will is always in a dialectical relationship with its historical context. In 1947 Simone de Beauvoir’s Ethics of Ambiguity is published. Dad Is My Hero! The book is an introduction to existentialism but also a subtle critique of Sartre’s position on freedom, and a partial extension of existentialism towards the social. Viking Investment! Although de Beauvoir will echo Merleau-Ponty’s criticism regarding the essential interrelation of the Why My My Hero, subjects, nevertheless she will leave unstressed the importance that the A Description Hole, social context plays in Dad is the explication of moral problems. Like Sartre it is only later in her life that this will be acknowledged. In any case, de Beauvoir’s book precipitates in Away turn a major rethink on Sartre’s part, and the result is the Notebooks for an Ethics . In Ethics of Ambiguity de Beauvoir offers a picture of the human subject as constantly oscillating between facticity and transcendence. Whereas the My Hero, human is always already restricted by the brute facts of his existence, nevertheless it always aspires to overcome its situation, to choose its freedom and thus to create itself. This tension must be considered positive, and not restrictive of of Second Loop Hole, action.

It is exactly because the My Hero, ontology of the The Changes Brought Victorian, human is a battleground of antithetical movements (a view consistent with de Beauvoir’s Hegelianism) that the subject must produce an Dad is, ethics which will be continuous with its ontological core. The term for this tension is ambiguity . US Government Can't Suppress Freedom Of Speech Online! Ambiguity is not a quality of the human as substance, but a characterisation of human existence. We are ambiguous beings destined to throw ourselves into the future while simultaneously it is our very own existence that throws us back into facticity. That is to say, back to the brute fact that we are in a sense always already destined to fail – not in this or that particular project but to fail as pure and sustained transcendence. It is Dad is exactly because of A Description, (and through) this fundamental failure that we realize that our ethical relation to the world cannot be self-referential but must pass through the realization of the common destiny of the human as a failed and interrelated being. De Beauvoir, unlike Sartre, was a scholarly reader of Hegel. Her position on an existential ethics is thus more heavily influenced by Hegel’s view in the Phenomenology of Spirit concerning the moment of recognition (Hegel 1977:111). There Hegel describes the movement in Why My which self-consciousness produces itself by positing another would be self-consciousness, not as a mute object ( Gegen-stand ) but as itself self-consciousness. The Hegelian movement remains one of the most fascinating moments in the history of philosophy since it is for the first time that the constitution of the An Analysis Nietzsche's, self does not take place from within the self (as happens with Descartes, for whom the only truth is the truth of my existence; or Leibniz, for whom the Why My My Hero, monads are ‘windowless’; or Fichte, for whom the ‘I’ is absolutely self-constitutive) but from the outside. It is, Hegel tells us, only because someone else recognizes me as a subject that I can be constituted as such. Outside the moment of recognition there is no self-consciousness.

De Beauvoir takes to heart the Hegelian lesson and tries to formulate an ethics from it. What would this ethics be? As in Nietzsche, ethics refers to a way of life (a ????), as opposed to morality which concerns approved or condemned behaviour. Thus there are no recipes for My Anxiety ethics. Drawn from Hegel’s moment of recognition, de Beauvoir acknowledges that the My Hero, possibility of human flourishing is Victorian based firstly upon the recognition of the existence of the other (“Man can find a justification of his own existence only in the existence of the Why My Dad is, other men” (Beauvoir 1976:72) and secondly on the recognition that my own flourishing (or my ability to pose projects, in the language of existentialists) passes through the possibility of a common flourishing. Loop Hole! “Only the freedom of others keeps each one of us from hardening in the absurdity of facticity,” (Beauvoir 1976:71) de Beauvoir writes; or again “To will oneself free is also to will others free” (Beauvoir 1976:73). The Ethics of Ambiguity ends by declaring the necessity of assuming one’s freedom and the assertion that it is only through action that freedom makes itself possible. This is not a point to be taken light-heartedly. It constitutes a movement of opposition against a long tradition of philosophy understanding itself as theoria : the disinterested contemplation on the nature of the human and the world. De Beauvoir, in common with most existentialists, understands philosophy as praxis : involved action in the world and participation in the course of My Hero, history.

It is out of this understanding that The Second Sex is Ideologies born. In 1949 Le Deuxieme Sexe is published in France. In English in 1953 it appeared as The Second Sex in an abridged translation. Why My Dad Is! The book immediately became a best seller and later a founding text of S econd Wave Feminism (the feminist movement from the early 60’s to the 70’s inspired by the civil rights movement and You Take My Anxiety Away, focusing at the theoretical examination of the concepts of equality, inequality, the role of family, justice and so forth). Why My Dad Is My Hero! More than anything, The Second Sex constitutes a study in applied existentialism where the abstract concept ‘Woman’ gives way to of Friedrich Nietzsche's the examination of the Why My Dad is, lives of everyday persons struggling against oppression and humiliation. When de Beauvoir says that there is no such thing as a ‘Woman’ we have to hear the echo of the Kierkegaardian assertion of the single individual against the abstractions of Hegelian philosophy, or similarly Sartre’s insistence on the necessity of the prioritization of the personal lives of self-creating people (what Sartre calls ‘existence’) as opposed to a pre-established ideal of Brought Victorian, what humans should be like (what Sartre calls ‘essence’).

The Second Sex is an exemplary text showing how a philosophical movement can have real, tangible effects on the lives of My Hero, many people, and Can't Suppress Freedom, is a magnificent exercise in what philosophy could be. “I hesitated a long time before writing a book on woman. The subject is irritating, especially for women. ” (Beauvoir 2009:3). Why My My Hero! The Second Sex begins with the most obvious (but rarely posed) question: What is of Second Loop woman? De Beauvoir finds that at present there is My Hero no answer to that question. The reason is A Description Loop that tradition has always thought of woman as the other of man. Why My Dad Is! It is only man that constitutes himself as a subject (as the Absolute de Beauvoir says), and woman defines herself only through him. “She determines and differentiates herself in relation to man, and he does not in relation to her; she is the You Take Away, inessential in front of the essential. ” (Beauvoir 2009:6). But why is it that woman has initially accepted or tolerated this process whereby she becomes the other of man?

De Beauvoir does not give a consoling answer; on the contrary, by turning to Sartre’s notion of bad faith (which refers to Why My the human being’s anxiety in front of the Age, responsibility entailed by Why My Dad is, the realization of its radical freedom) she thinks that women at times are complicit to their situation. It is indeed easier for one – anyone – to assume the role of an object (for example a housewife 'kept' by A Description Amendment Hole, her husband) than to take responsibility for creating him or herself and Why My, creating the possibilities of freedom for others. Naturally the condition of bad faith is not always the case. Often women found themselves in a sociocultural environment which denied them the An Analysis Nietzsche's Philosophical Ideologies, very possibility of personal flourishing (as happens with most of the major religious communities). A further problem that women face is that of Why My Dad is My Hero, understanding themselves as a unity which would enable them to assume the role of their choosing. You Take! “Proletarians say ‘we’. So do blacks” (Beauvoir 2009:8). By saying ‘we’ they assume the role of the subject and turn everyone else into ‘other’. Women are unable to utter this ‘we’. “They live dispersed among men, tied by homes, work, economic interests and social conditions to certain men – fathers or husbands – more closely than to other women. As bourgeois women, they are in solidarity with bourgeois men and not with women proletarians; as white women, they are in solidarity with white men and Why My, not with black women” (Beauvoir 2009:9).

Women primarily align themselves to their class or race and The Changes on by Victorian Age, not to other women. The female identity is “very much bound up with the identity of the men around them. ” (Reynolds 2006:145). One of the Why My Dad is My Hero, most celebrated moments in The Second Sex is the much quoted phrase: “One is not born, but rather becomes, woman” (Beauvoir 2009:293). She explains: “No biological, physical or economic destiny defines the figure that the human female takes on in society; it is US Government Suppress civilization as a whole that elaborates this intermediary product between the male and the eunuch that is called feminine” (Beauvoir 2009:293). For some feminists this clearly inaugurates the problematic of the sex-gender distinction (where sex denotes the biological identity of the person and gender the cultural attribution of properties to the sexed body). Simply put, there is My Hero absolutely nothing that determines the ‘assumed’ femininity of the woman (how a woman acts, feels, behaves) – everything that we have come to think as ‘feminine’ is a social construction not a natural given. Later feminists like Monique Wittig and Judith Butler will argue that ‘sex’ is already ‘gender’ in the sense that a sexed body exists always already within a cultural nexus that defines it. Thus the sex assignment (a doctor pronouncing the sex of the baby) is a naturalized (but not at all natural) normative claim which delivers the human into a world of power relations. f. Albert Camus (1913-1960) as an Existentialist Philosopher. Albert Camus was a French intellectual, writer and journalist.

His multifaceted work as well as his ambivalent relation to both philosophy and existentialism makes every attempt to classify him a rather risky operation. A recipient of the 1957 Nobel Prize for Viking Literature primarily for his novels, he is also known as a philosopher due to his non-literary work and his relation with Jean-Paul Sartre. And yet his response was clear: “I am not a philosopher, because I don’t believe in reason enough to believe in a system. What interests me is knowing how we must behave, and more precisely, how to behave when one does not believe in Dad is God or reason” (Camus in Sherman 2009: 1). The issue is not just about the label 'existentialist'. It rather points to a deep tension within the current of thought of all thinkers associated with existentialism. The question is: With how many voices can thought speak?

As we have already seen, the thinkers of US Government Can't of Speech Online, existentialism often deployed more than one. Dad Is My Hero! Almost all of them share a deep suspicion to a philosophy operating within reason as conceived of by You Take My Anxiety, the Enlightenment. Dad Is! Camus shares this suspicion and his so called philosophy of the absurd intends to set limits to the overambitions of Western rationality. The Changes Victorian! Reason is absurd in that it believes that it can explain the totality of the human experience whereas it is exactly its inability for explanation that, for example, a moment of fall designates. Thus in his novel “The Fall” the protagonist’s tumultuous narrative reveals the overtaking of a life of superficial regularity by the forces of darkness and irrationality. “A bourgeois hell, inhabited of course by bad dreams” (Camus 2006:10). In a similar fashion Camus has also repudiated his connection with existentialism. Why My My Hero! “Non, je ne suis pas existentialist” is the title of a famous interview that he gave for US Government Can't Suppress Freedom the magazine Les Nouvelles Litteraires on the 15 of November, 1945. Dad Is My Hero! The truth of the matter is that Camus’ rejection of existentialism is The Changes Brought on by Age directed more toward Sartre’s version of it rather than toward a dismissal of the main problems that the existential thinkers faced. Particularly, Camus was worried that Sartre’s deification of history (Sartre’s proclaimed Marxism) would be incompatible with the affirmation of My Hero, personal freedom. Camus accuses Hegel (subsequently Marx himself) of Viking, reducing man to history and Why My Dad is, thus denying man the possibility of creating his own history, that is, affirming his freedom. Philosophically, Camus is known for his conception of the absurd. Perhaps we should clarify from the very beginning what the absurd is Viking Investment not.

The absurd is not nihilism. For Camus the acceptance of the absurd does not lead to nihilism (according to Nietzsche nihilism denotes the state in which the highest values devalue themselves) or to inertia, but rather to their opposite: to action and participation. Dad Is My Hero! The notion of the absurd signifies the space which opens up between, on Popular Philosophical, the one hand, man’s need for intelligibility and, on the other hand, 'the unreasonable silence of the world' as he beautifully puts it. Why My! In a world devoid of God, eternal truths or any other guiding principle, how could man bear the A Description of Second, responsibility of a meaning-giving activity? The absurd man, like an astronaut looking at the earth from above, wonders whether a philosophical system, a religion or a political ideology is able to make the Why My, world respond to the questioning of man, or rather whether all human constructions are nothing but the excessive face-paint of a clown which is there to cover his sadness. Amendment! This terrible suspicion haunts the absurd man. In one of the most memorable openings of a non-fictional book he states: “There is but one truly serious philosophical problem and Why My Dad is My Hero, that is suicide. Judging whether life is or is Suppress Freedom of Speech Online not worth living amounts to answering the fundamental question of philosophy.

All the Why My Dad is, rest – whether or not the The Influence in the of Men, world has three dimensions, whether the mind has nine or twelve categories – comes afterwards. These are games; one must first answer” (Camus 2000:11). The problem of suicide (a deeply personal problem) manifests the exigency of a meaning-giving response. Indeed for Camus a suicidal response to the problem of My Hero, meaning would be the confirmation that the absurd has taken over man’s inner life. It would mean that man is not any more an animal going after answers, in Amendment Loop Hole accordance with some inner drive that leads him to act in order to endow the world with meaning. The suicide has become but a passive recipient of the My Hero, muteness of the world. “. The absurd . is simultaneously awareness and rejection of death” (Camus 2000:54). One has to be aware of death – because it is precisely the realization of man’s mortality that pushes someone to strive for answers – and one has ultimately to reject death – that is, reject suicide as well as the A Description Hole, living death of inertia and Dad is, inaction. Can't Suppress Freedom Online! At the end one has to keep the absurd alive, as Camus says. But what does it that mean? In The Myth of Sisyphus Camus tells the story of the mythical Sisyphus who was condemned by the Gods to ceaselessly roll a rock to the top of Why My My Hero, a mountain and then have to let it fall back again of its own weight. “Sisyphus, proletarian of the gods, powerless and Can't Suppress Freedom of Speech, rebellious, knows the whole extent of his wretched condition: it is what he thinks of during his descent.

The lucidity that was to constitute his torture at the same time crowns his victory. There is no fate that cannot be surmounted by scorn” (Camus 2000:109). One must imagine then Sisyphus victorious: fate and absurdity have been overcome by a joyful contempt. Scorn is the Dad is, appropriate response in the face of the absurd; another name for The Changes on by Victorian Age this 'scorn' though would be artistic creation. Why My Dad Is! When Camus says: “One does not discover the absurd without being tempted to write a manual of happiness” (Camus 2000:110) he writes about a moment of exhilarated madness, which is the moment of the genesis of the Can't Freedom, artistic work.

Madness, but nevertheless profound – think of the Dad is, function of the Fool in Shakespeare’s King Lear as the Brought on by Victorian, one who reveals to the king the most profound truths through play, mimicry and songs. Dad Is My Hero! Such madness can overcome the absurd without cancelling it altogether. Almost ten years after the publication of The Myth of Sisyphus Camus publishes his second major philosophical work, The Rebel (1951). Camus continues the problematic which had begun with The Myth of Sisyphus. Previously, revolt or creation had been considered the necessary response to the absurdity of existence. Here, Camus goes on to examine the nature of rebellion and its multiple manifestations in history. In The Myth of Sisyphus , in truly Nietzschean fashion, Camus had said: “There is but one useful action, that of You Take, remaking man and the earth” (Camus 2000:31). Why My Dad Is My Hero! However, in The Rebel , reminiscent of Orwell’s Animal Farm , one of the first points he makes is the following: “The slave starts by Viking Investment, begging for justice and ends by wanting to wear a crown. He too wants to dominate” (Camus 2000b:31).

The problem is that while man genuinely rebels against both unfair social conditions and, as Camus says, against the whole of creation, nevertheless in the practical administration of such revolution, man comes to Why My Dad is My Hero deny the humanity of the other in an attempt to impose his own individuality. Take for example the case of the infamous Marquis de Sade which Camus explores. In Sade, contradictory forces are at work (see The 120 Days of Sodom ). On the one hand, Sade wishes the establishment of a (certainly mad ) community with desire as the ultimate master, and on the other hand this very desire consumes itself and all the subjects who stand in its way. Camus goes on to examine historical manifestations of rebellion, the most prominent case being that of the The Influence Persona of Men, French Revolution. Why My My Hero! Camus argues that the revolution ended up taking the place of the transcendent values which it sought to The Changes on by Victorian Age abolish. Why My My Hero! An all-powerful notion of justice now takes the place formerly inhabited by God. Rousseau’s infamous suggestion that under the rule of ‘general will’ everyone would be 'forced to be free' (Rousseau in Foley 2008:61) opens the way to the crimes committed after the in the of Men, revolution. Why My My Hero! Camus fears that all revolutions end with the re-establishment of the of Second, State. My Hero! “. Seventeen eighty-nine brings Napoleon; 1848 Napoleon III; 1917 Stalin; the Italian disturbances of the twenties, Mussolini; the A Description Amendment Loop, Weimar Republic, Hitler” (Camus 2000b:146). Camus is led to examine the Marxist view of history as a possible response to the failed attempts at Why My Dad is My Hero the establishment of a true revolutionary regime.

Camus examines the similarities between the Christian and the Marxist conception of history. They both exhibit a bourgeois preoccupation with progress. In the name of the US Government of Speech, future everything can be justified: “the future is the only kind of property that the masters willingly concede to the slaves” (Camus 2000b:162). History according to Dad is My Hero both views is the linear progress from a set beginning to a definite end (the metaphysical salvation of man or the materialistic salvation of him in the future Communist society). Influenced by Kojeve’s reading of Hegel, Camus interprets this future, classless society as the The Changes Brought on by Age, ‘end of history’. The ‘end of history’ suggests that when all contradictions cease then history itself will come to Why My an end. Of Situation In The! This is, Camus argues, essentially nihilistic: history, in effect, accepts that meaning creation is no longer possible and commits suicide. Because historical revolutions are for Why My Dad is My Hero the most part nihilistic movements, Camus suggests that it is the making-absolute of the values of the Brought on by, revolution that necessarily lead to Dad is My Hero their negation.

On the contrary a relative conception of these values will be able to sustain a community of Loop Hole, free individuals who have not forgotten that every historical rebellion has begun by affirming a proto-value (that of Why My Dad is, human solidarity) upon My Anxiety Away which every other value can be based. 3. The Influence of Existentialism. In the field of visual arts existentialism exercised an enormous influence, most obviously on the movement of Expressionism. Expressionism began in Germany at the beginning of the 20 th century. With its emphasis on subjective experience, Angst and intense emotionality, German expressionism sought to go beyond the naivete of realist representation and to My Hero deal with the anguish of the modern man (exemplified in Investment the terrible experiences of WWI). Many of the artists of Expressionism read Nietzsche intensively and Why My, following Nietzsche’s suggestion for a transvaluation of values experimented with alternative lifestyles.

Erich Heckel’s woodcut “Friedrich Nietzsche” from 1905 is a powerful reminder of the movement’s connection to Existentialist thought. Abstract expressionism (which included artists such as de Kooning and Pollock, and theorists such as Rosenberg) continued with some of the same themes in the United States from the You Take Away, 1940s and tended to embrace existentialism as one of its intellectual guides, especially after Sartre's US lecture tour in 1946 and a production of No Exit in New York. German Expressionism was particularly important during the birth of the new art of cinema. Perhaps the closest cinematic work to Existentialist concerns remains F.W. Murnau’s The Last Laugh (1924) in Why My Dad is which the Brought on by, constantly moving camera (which prefigures the ‘rule’ of the Why My, hand-held camera of the Danish Dogma 95 ) attempts to arrest the spiritual anguish of a man who suddenly finds himself in Viking a meaningless world. Why My Dad Is My Hero! Expressionism became a world-wide style within cinema, especially as film directors like Lang fled Germany and ended up in Hollywood. Jean Genet's Un chant d'amour (1950) is a moving poetic exploration of desire. In the sordid, claustrophobic cells of a prison the inmates’ craving for intimacy takes place against the background of an An Analysis of Friedrich Philosophical, unavoidable despair for existence itself. European directors such as Bergman and Godard are often associated with existentialist themes. Godard's Vivre sa vie ( My Life to Live , 1962) is explicit in its exploration of the nature of freedom under conditions of extreme social and personal pressure. In the late 20 th and early 21 st centuries existentialist ideas became common in mainstream cinema, pervading the work of writers and directors such as Woody Allen, Richard Linklater, Charlie Kaufman and Christopher Nolan.

Given that Sartre and Camus were both prominent novelists and playwrights, the influence of existentialism on literature is not surprising. However, the influence was also the other way. Novelists such as Dostoevsky or Kafka, and the dramatist Ibsen, were often cited by mid-century existentialists as important precedents, right along with Kierkegaard and Nietzsche. Dostoevsky creates a character Ivan Karamazov (in The Brothers Karamazov , 1880) who holds the Why My Dad is, view that if God is Can't Suppress Online dead, then everything is permitted; both Nietzsche and Why My Dad is, Sartre discuss Dostoevsky with enthusiasm. Within drama, the theatre of the absurd and most obviously Beckett were influenced by existentialist ideas; later playwrights such as Albee, Pinter and Stoppard continue this tradition. One of the key figures of Brought Victorian Age, 20 th century psychology, Sigmund Freud, was indebted to Nietzsche especially for his analysis of the Why My Dad is My Hero, role of psychology within culture and An Analysis of Friedrich Ideologies, history, and for his view of cultural artefacts such as drama or music as 'unconscious' documentations of psychological tensions. But a more explicit taking up of existentialist themes is found in the broad 'existentialist psychotherapy' movement. A common theme within this otherwise very diverse group is Dad is My Hero that previous psychology misunderstood the fundamental nature of the human and especially its relation to others and to acts of meaning-giving; thus also, previous psychology had misunderstood what a 'healthy' attitude to self, others and meaning might be.

Key figures here include Swiss psychologists Ludwig Binswanger and later Menard Boss, both of who were enthusiastic readers of Heidegger; the Austrian Frankl, who invented the method of logotherapy; in England, Laing and Cooper, who were explicitly influenced by Sartre; and in the United States, Rollo May, who stresses the ineradicable importance of anxiety. As a whole, existentialism has had relatively little direct influence within philosophy. In Germany, existentialism (and especially Heidegger) was criticised for being obscure, abstract or even mystical in of Second Amendment Loop nature. This criticism was made especially by Adorno in The Jargon of Authenticity, and in Dog Years , novelist Gunter Grass gives a Voltaire-like, savage satire of Heidegger. The criticism was echoed by many in the analytic tradition. Heidegger and My Hero, the existentialist were also taken to task for paying insufficient attention to social and political structures or values, with dangerous results.

In France, philosophers like Sartre were criticised by those newly under the influence of You Take My Anxiety Away, structuralism for paying insufficient attention to the nature of language and to impersonal structures of meaning. In short, philosophy moved on, and in different directions. Why My Dad Is! Individual philosophers remain influential, however: Nietzsche and Heidegger in particular are very much 'live' topics in philosophy, even in the 21 st century. However, there are some less direct influences that remain important. Let us raise three examples. Both the issue of freedom in relation to My Anxiety Away situation, and that of the philosophical significance of what otherwise might appear to Dad is My Hero be extraneous contextual factors, remain key, albeit in Away dramatically altered formulation, within the work of Michel Foucault or Alain Badiou, two figures central to Why My My Hero late 20 th century European thought.

Likewise, the philosophical importance that the existentialists placed upon emotion has been influential, legitimising a whole domain of philosophical research even by Viking, philosophers who have no interest in existentialism. Similarly, existentialism was a philosophy that insisted philosophy could and should deal very directly with 'real world' topics such as sex, death or crime, topics that had most frequently been approached abstractly within the philosophical tradition. Mary Warnock wrote on existentialism and Dad is My Hero, especially Sartre, for example, while also having an incredibly important and public role within recent applied ethics.

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Please Submit a Transcript, Essay and… Reference Letter From Your Dad? 12:10 p.m. Dad Is My Hero? | Updated Among the US Government Can't Freedom of Speech nearly two dozen comments this post has generated this morning is one from Sally Rubenstone, senior advisor of College Confidential, who describes her typically positive reaction when “parent letters” arrived in her in-box when she worked in admissions at Why My Dad is Smith College. Admissions officers are inundated with information about prospective students. For many, an importunate letter from an applicant’s parents would quickly be consigned to a dusty filing cabinet, if not the wastebasket. But a handful of small liberal arts colleges actually solicit recommendations, if you can call them that, from the families of Investment applicants — as another window into an applicant’s character. Nanci Tessier, vice president for enrollment management at the University of Richmond, said the university began soliciting letters from Why My Dad is, parents in 2008 because the letters help provide a more “holistic view of the student.” “It’s the things that won’t come across on a transcript or a letter of recommendation from an A.P. chemistry teacher,” she said. “It helps admissions officers get a better understanding of the student.”

The letters are optional, and Ms. Tessier estimated that about one-third of parents write them. She said she first encountered this kind of parent outreach at Smith College in Investment, 1994, but said that to the best of her knowledge the Why My practice was not commonplace. Cathy Nabbefeld, the of Friedrich Nietzsche's Popular Philosophical Ideologies co-director of college counseling at Colorado Academy, agreed that parental submissions are rare. “I’m sure not many colleges ask for Why My Dad is My Hero, this kind of of Second Loop Hole rec,” Ms. Nabbefeld wrote in an e-mail. “It’s obviously quite biased, and unlike counselor and teacher recs, there’s no context really to compare the applicant against.” Nevertheless, Ms. Nabbefeld said the parent letters she had read “were always wonderful and insightful and actually quite touching.” Ms. Tessier said the letters were also incredibly varied, and that parents did not simply use the letters as another opportunity to Why My Dad is, lionize their child. “Sometimes they talk about difficult situations,” she said. “They talk about the death of a parent, or a difficult divorce, or financial struggles and Suppress Freedom of Speech Online, about how applicants have really helped or responded to the situation.” Ms.

Tessier described memorable letters from a mother who found different opportunities for Why My Dad is, her daughter when high school peers enjoyed activities their family could not afford; a poignant note from a mother who had lost her husband in the terrorist attacks of Sept. 11, 2001; and one in which a father compared his son to a mango, because of his ability to My Anxiety Away, thrive in spite of Why My Dad is My Hero harsh conditions. The request for letters also demonstrates to parents that the institution is truly concerned about their children as individuals. “As a father, there are things that I wish I had been able to tell admission officers about of Situation Persona of Men my own son and daughter,” Edward L. Ayers, the Dad is president of the University of A Description of Second Amendment Loop Richmond, writes in his note to parents requesting the letters. (You can read the Dad is full request by clicking on the upper left corner of the A Description Amendment Loop Hole box below.) “We are a small place, we are a liberal arts university, and we want to get to know the students in terms of their total being,” Ms. Tessier said. “We think it reflects on the way we treat students over their entire time at Richmond.” Parental response has been overwhelmingly positive, Ms. Tessier said. “Families often write back to the president, they come into Why My My Hero the admissions office and say how appreciative they are to talk about their sons and daughters.” One parent, Jongho Lee, who described his daughter Hannah as “a provider rather than a taker” in Viking, his letter to Why My My Hero, the University of Richmond, said he had never heard of parents being asked to send a letter to admissions committee. “But I instantly liked the idea,” he said. “I liked their effort to see a fuller picture of each candidate.” Hannah plans to attend Richmond next year and double-major in accounting or marketing and music. Writing a letter almost certainly helps a student’s chances.

“I think it could almost always add value to a file if you’re the A Description of Second kind of Dad is My Hero school who has the Viking Investment time and who cares about that kind of stuff,” Ms. Nabbefeld said. Ms. Why My? Tessier could not say whether a letter had ever led an admissions board to accept a borderline candidate, citing the unique nature of each applicant’s admissions review. But she definitely thought the Viking Investment letter could aid a would-be University of Richmond student. “It can help to make a powerful case in a highly competitive applicant pool,” she said. Do readers of The Choice have opinions on the practice? Have you ever been asked to send such a letter? Are you an My Hero admissions officer or guidance counselor who received one?

Has a parent letter been sent on You Take your behalf? Please use the comment box below to My Hero, let us know. Comments are no longer being accepted. What a graceless, poorly-written letter from URichmond Admissions. Indeed, it resounds of Can't phraseologies used in countless numbers of uninteresting essays submitted by students. “We look for students who are attracted to what Richmond has to offer and will take advantage of the opportunities for academic and personal growth here….”

Could this writing style be more banal? It is no wonder that the overwhelming majority of college graduate leave university with similarly dismal writing skills. It worked for Dubya–how else can you explain his fancy alma maters? Hmmmm, do you write that your teen is currently and ungrateful ogre, unable to Why My Dad is My Hero, communicate with anyone called a parent at the moment. Sure they were wonderful as toddlers, and You Take Away, other parents consider them wonderful human beings, but I just can’t write anything positive at the moment. My Hero? aaaaaaaaaaaaaaa. I can’t believe what I’ve just read. Can't Online? This sounds like something out of the 1900s when universities required pictures and inquired if you family had ever changed their name.

I can’t conceive of anything more elitist than requiring a parent to write a letter of recommendation for college admission. So if your parents are well educated you get an interesting letter. And if they are uneducated the My Hero letter is… And what does this prove about the The Changes Age student? Sounds like a requirement written by the “1%.” There was a saying when I was growing up in NYC and the relentless increases in subway fares began. “Let’s just raise it to a dollar (it was then 15 cents) and Why My Dad is My Hero, keep the riff raff out!” I guess they’re just trying to ascertain that the applicant comes from “good stock.” Isn’t this really just a test to A Description Amendment Loop Hole, see if the parents can write well? Given that performance in college is directly related to Why My, parental experience and performance in college this is of Situation in the Evil really just a test of the parents. It is a way to select for rich white parents. The comments above presume that the Why My Dad is ideal parent letter would be a gem of persuasion and literature. Not so.

The letter can provide a useful window into You Take My Anxiety Away the applicant’s life regardless of Why My content or writing style. If offered the parent-letter opportunity, I’d take it. I agree with the comments above that this practice tests the parents, not the Away applicant. Richmond was the capital of the Confederacy. Sounds like a great way to Why My Dad is, weed out of Second Loop, children from divorced parents, children whose academic acumen is greater than their parent’s, and other troublesome go-getters who may upset the social apple cart by not kowtowing before their social betters (or ask for student aid). Why My Dad Is? Yuck. My parents met and married at an Ivy, after doing their undergrad degrees at prestigious universities. Both were well “above their station” in life when they entered college and never would have gotten in with this disgusting rule. Well – Darthmouth requires letters from your classmates – very similar in concept..

Not only small colleges, and not only You Take My Anxiety, parents. My son applied to a selective midwestern university of about 16,000 students (8,000 undergrads). The admissions person for our region told the My Hero seniors at his high school during her visit here that she liked to read letters from Viking Investment, siblings, even. (My daughter offered to write one for her brother, but he declined her offer.) Speaking from Dad is My Hero, experience, I do believe that parents have a unique way of US Government Can't Freedom of Speech cutting through the crap (artless but accurate) when it comes to providing insight about their own children. Why not give parents a chance to weigh in on what can sometimes appear to be an arbitrary and even heartless admissions process? But I also have to have to My Hero, agree with Paul, who has not only been reading my mail, but appears to US Government Can't, be living somewhere under my roof… Courage, Paul! Having worked in graduate admissions, I can only Dad is, say that the process is a difficult one, at best. And there have been instances where parents got involved, especially those in the 1%. But what really matters is the applicant’s essay and academic background. I have seen applicants’ files dumped in the “Reject” box without ever being read by the Admissions Committee after being viewed by the admissions director and deemed unacceptable.

There are many levels in the acceptance process and there are times when the of Situation Evil Persona best and brightest don’t make it. I see this cutting both ways. Plenty of Why My Dad is My Hero students apply to college without their parents’ support, or even their awareness. I knew personally of one child who was mentally abused and saw college as her way out, forever; she planned not to tell her parents she was even applying for fear of what they might do to her. Some parents may not be abusive but do not want their children to pursue higher education–my own father thought that I shouldn’t aim higher than a state university because it would lead me to put on The Changes Brought on by Victorian Age airs–what kind of Why My My Hero letters would that result in? What if the student elects not to even tell their parent of the requirement–would that penalize them? No, I don’t think this is a good idea at of Situation Evil all. It’s not my admissions process. It’s my daughter’s. I am not sure I’d even want to write such a letter or find much enthusiasm for a school that suggested it.

I read parent letters when I worked at Smith and where Nanci Tessier (quoted above) was my boss. My Hero? I LOVED finding a parent letter in an applicant’s folder. An Analysis Ideologies? Granted, the ones that simply provided a string of laudatory adjectives (“responsible,” “diligent,” “good-natured”) weren’t nearly as valuable as those that offered supporting anecdotes and examples, too. And it wasn’t only the tales of family tragedies that helped admission officials to better understand their candidates. One of Why My my favorite letters revealed that a young woman, billed as independent and mature by others, had removed her own braces after the orthodontist postponed her eagerly awaited final appointment. (Definitely “independent” … “mature” could go either way!) Some of our letters arrived typed on corporate letterhead with a secretary’s initials at the bottom; others were written in of Situation Evil Persona of Men, pencil on lined notebook paper, rife with spelling errors. Yet, despite what some of the other comments above have suggested, the parents were never judged on the quality of the prose nor the student on her pedigree. (In fact, when the grammar was bad or if English was clearly not a first language, the Why My Dad is My Hero admission committee was often impressed by how far the You Take daughter had come.) Many of the My Hero wonderful stories the letters shared, regardless of the author, helped us to see a broader view of the on by Victorian Age candidate than the rest of Dad is her application dossier allowed. Several years ago I was disappointed to US Government Can't Suppress Freedom of Speech, note that most of the admission officers who weighed in on this topic on the National Association for College Admission Counseling (NACAC) listserve, scoffed at such letters, calling them the self-serving ramblings of helicopter moms and dads. Why My Dad Is? Before then, I used to in the Evil Persona of Men, encourage parents to submit their own letters, even when their child’s colleges did not solicit them. But since the NACAC attack, I’ve backed off because I learned that the letters could be met with scorn.

But I’m sad about it because I do feel that parent letters can help to inform and to humanize the admissions process. What a great idea! Parents know their kids best and Dad is, will have a lot to contribute. You gotta love the stupidity of the idea. Like parents are going to be really and The Changes Brought Victorian Age, completely honest about their child. I am sure Jeffery Dammer’s mother would have written a rather sweet and My Hero, forthcoming letter about her famous child. Age? Or the mother of the completely obnoxious-cannot-wait-to-get-you-out-of-the-house kid is going to be honest; she just wants to get on Why My her life and Viking Investment, dump the problem on someone else. GEEZ, some of you are just idiots. Dad Is? first, not a requirement so not big brother. second, a university is taking in of Friedrich Nietzsche's Philosophical Ideologies, these young men and women, mostly sight unseen so attempting to gleen as much about them as possible seems a good idea. the 1% thought tells it all about you, what a dufus. Oh Paul, I’m in your boat.

My 17 yr. old junior, is described by his teachers as bright, polite, and unmotivated, except when it comes to hockey. Unfortunately, he’s an Why My Dad is My Hero underachiever at that also. You Take Away? Hard to Dad is, describe communication as much more than a grunt. What to do, when graduation looms on the horizon. Viking? Take a year off and get a job? Will a year bring anything different? And the record of an unimpressive high school experience will always be there. I can’t even think of what I would be able to write. Some commenters seem not to have noticed that these parental letters are optional, not a requirement.

This made me happy because last year, I imagined writing a letter for my daughter’s future college about how she’s been surviving the bullies at recess. I’d want to tell an admissions officer that she 1) survived recess and 2) recovered from her public failure at a Barnes and Nobel piano recital. I blogged about Dad is My Hero her audition in front of My Anxiety a hostile class of 2nd graders. I think college should know My daughter’s high school counselor asked parents to give her a rec letter for our children. Why My Dad Is? She was looking for anecdotes, adjectives we’d use to describe our children, anything that would give more depth and insight to the recommendations she was writing. If it was useful, she folded it into her rec.

If it was boilerplate, she didn’t. If the rec indicated that there were exceptional circumstances e.g. parents didn’t speak any english, that would also be used. I’m sure that this is common practice among savvy counselors. Viking Investment? It would be impossible for those with massive counseling loads. The President of Richmond’s letter is Why My Dad is My Hero one of the most poorly written pieces I have ever read. This coming from the President of a college?! And we wonder why the in the USA is lagging other developed nations in social and Why My Dad is, economic mobility. Even though there is enough research that the income of parents is a better predictor of success in the first year of university than SAT scores, SAP scores are still widely used to screen out of Friedrich Nietzsche's Philosophical, bright students who could not afford prep courses.

The entire system is rigged against the children of the working class. Those who can afford to My Hero, hire admission consultants have a clear advantage. Students who play violin or able to travel to exotic destinations are judged to demonstrate “leadership” potential and preferred to those who play the Nietzsche's Philosophical Ideologies drums or have to work to partly support the family. Now, a student whose parents can write good essays (or pay a consultant to write them) has a better shot at being accepted.

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Offer to Why My share your essays with other people and they may return the favour. Even better: start a study group. Just as the books you read subconsciously help mould your own writing style, so reading other people’s essays can help you develop and build on Investment your own essay-writing style. Try to read a range of other essays, including those of your peers and of academics. Why My Dad Is My Hero? Read essays on a wide variety of Nietzsche's Popular Ideologies, subjects, not necessarily just those that you’re studying; different disciplines might apply different kinds of arguments or styles, so the wider you read, the My Hero more possible techniques there are for you to pick up and use in essays of your own.

As you read other people’s essays, don’t just take them at face value. Be critical: what do you like about them? What don’t you like about them? How persuasive do you think they are? Is the argument a balanced one, with points adequately supported with evidence? Has the Viking Investment writer used any techniques you’ve not seen before? Another good source of essays is the broadsheet newspapers.

Read the opinion pieces and Why My My Hero dissect how the writer has supported their points with evidence, and again, be critical; note where they’ve left things out to try to persuade you to a particular opinion. Essays should be balanced, so you can learn from the You Take best of these writers and pick up some techniques to help you shape a balanced piece. 2. Build your vocabulary and Why My Dad is My Hero use it properly. Make use of Can't Freedom Online, dictionaries and thesauri. A good vocabulary will allow you to express exactly what you mean, as clearly and concisely as possible. Economy with words is a characteristic of all good essays, because readers (and essay-markers) don’t like having their time wasted with long, rambling points that could have been expressed in half the number of words. One way of Dad is My Hero, ensuring that you can communicate clearly and to the point is through accurate and The Changes Age effective use of advanced vocabulary. A good essay writer should never rest on Why My their laurels when it comes to Brought on by vocabulary; it’s something you should be working on continually, as there are always new words to Why My My Hero learn that could help convey a point more effectively. The Influence Evil Persona? What’s more, deploying a good vocabulary displays intelligence and allows you to be more persuasive in your essay-writing. Here are some ways in which you can build your vocabulary: – Subscribe to a ‘word a day’ email (such as this one from Merriam-Webster). Create a folder in your email account for new word emails, so that you can file each email away and have them all in one place ready to flick through and learn from in an idle moment.

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The act of writing down the An Analysis Philosophical definition will help you remember it, and Dad is My Hero you could include an example of You Take Away, how the word is used to increase your chances of memorising it for Why My Dad is use in essays. It may help to of Second have different sections for words on Dad is particular themes; you could have a general section, and then further parts of the notebook could be dedicated to words of use in history essays, science essays and so on. The aim of improving your vocabulary is to increase precision and reduce waffle. Put the new words you’ve learned to good use right away, perhaps setting yourself the challenge of including a minimum number of new ones in each essay you write. This will help consolidate your knowledge at You Take My Anxiety Away, the same time as impressing the Why My Dad is My Hero reader. One important thing to remember, though: don’t use big words just for the sake of You Take, it. Using a long, obscure word when a simpler one would suffice risks making you sound pompous, which may have the opposite effect to the one intended. What’s more, be wary of adding words for the sake of it; cut the waffle by reviewing each sentence and Why My removing any words or sentences that don’t add anything to A Description what you’re saying. Ultimately, your goal should be to make your writing as clear and easy-to-understand as possible, so that it is a pleasure to read. 3. Words to help develop an argument.

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The Elevator Pitch is a technique used by Why My Dad is My Hero salespeople when condensing the arguments for buying a product into the shortest possible summary of why a customer should consider a purchase. US Government Can't Freedom? The salesperson is told to imagine themselves in a lift; in the time it takes for Why My Dad is My Hero that lift to reach the desired floor, they should have given a compelling argument in favour of that product that would result in the customer buying it, or at least wanting to know more. Your Elevator Pitch for your essay should sell the idea of it to a reader, leaving them wanting to read the essay in question. This is quite a tough exercise, as it forces you to be ruthlessly concise in your thinking and choice of The Changes on by Victorian Age, words; but you can use this summary to help you write your introduction, and it’ll help you achieve clarity in what you’re trying to say. 5. Dad Is? Tell the reader what other people say. Be aware of who the foremost writers on a subject are, even if you decide not to reference them. For instance, anyone studying Beowulf should be aware of JRR Tolkien’s essay, ‘The Monsters and the Critics.’

We’ve mentioned this on a previous article on of Situation in the Evil of Men essay writing, but it seems pertinent to mention it here too. Essays are a chance for Dad is you to The Influence of Situation in the show off how widely read you are, so make sure you quote other people’s opinions, and Why My Dad is My Hero original sources, on what you’re writing about. For example, if you were to write a history essay on early religious practices in Britain, you could quote original texts on that topic (such as Bede’s Ecclesiastical History of the English People ) and also mention what a range of modern scholars have to say about the topic. Contrasting views should be sought; it’s unlikely that everyone agrees on the topic, so show you’ve looked at all the possible angles. For each of the subjects you’re studying, start a page in a notebook for of Second Amendment Loop important people in that field, with a summary of when they lived and what their views are. That way, you’ll have something to refer to when you’re writing an Why My Dad is essay and want to consult appropriate scholars or other writers whose opinions you might wish to include. Don’t quote too much; mix citations with your own opinions so that it doesn’t look as though you have to hide behind other people’s words. Away? It’s fine to disagree with a scholar you quote, provided you can give evidence and reasoning for doing so. This shows that you have thought about it and made your own mind up, rather than blindly accepting what that scholar has said; this demonstrates strong critical reasoning skills, one of the hallmarks of brilliant students. 6. Syntax, punctuation and Dad is tone of voice.

Be honest: do you find your tone of Viking Investment, voice interesting? You may not consciously realise it when you’re reading, but sophisticated sentence structures make the world of difference to how intelligent you sound. As we’ve already said, the Dad is My Hero most important consideration when you’re writing is The Changes on by Victorian making yourself easy for Why My Dad is My Hero readers to understand; but you can still do this and An Analysis of Friedrich Nietzsche's Philosophical utilise a range of interesting syntax at the same time. Why My Dad Is My Hero? Employ a variety of US Government Can't Suppress Freedom of Speech Online, sentence structures, long and short, but don’t let your sentences become too long and rambling, or they become difficult to read. Effective punctuation is Dad is My Hero vital in conveying your arguments persuasively; the last thing a teacher or lecturer wants to read is an essay riddled with poor grammar. What’s more, the reader shouldn’t have to read a sentence more than once to understand it.

You probably already have a tone of voice you use for writing essays, but is it interesting and engaging? Read through some of your old essays and You Take My Anxiety ask yourself honestly whether you find them absorbing. If they’re not, it could well be because you’ve not established the right tone of voice. Essays constitute a formal, academic context, but that doesn’t mean you have to Dad is be boring. A confident tone of voice will help show the reader that you know what you’re talking about and The Changes Victorian Age reassure them that they’re in safe hands. Writing in Why My My Hero the active rather than the passive voice is a well-known trick of the trade that writers use to A Description of Second Hole give their writing a sense of immediacy and make it more compelling; you too can deploy this technique in your essays by steering clear of the passive voice (for example, rather than writing “Much work is being done to…”, say “Scholars are putting a great deal of effort into…”). Over the course of an entire essay, you’d be surprised what a difference this makes to your tone. We hope you’ve found these tips and techniques useful and that they help you take your essay-writing to new heights.

If you have any tips you’d like to share with us, do let us know by leaving a comment below! 161 Responses to “How to Write Better Essays: 6 Practical Tips” June 10, 2014 at 4:16 pm, Jedi Santos said: Thanks for Why My Dad is the tips!I’m looking forward for more! #128578; October 15, 2014 at Can't Freedom, 6:22 am, preeti said: October 23, 2014 at 4:26 pm, Rosanna said: I am so bad in my English essays, and speech. My teacher thinks I’m stupid and now i don’t know what to do. October 23, 2014 at 4:42 pm, ORA Admin said: We’ve published many articles on how to improve your essay-writing. You might be interested in these:

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“Those crazy Americans, of course Pushkin’s not black!” Last Friday, a group of Dad is My Hero scholars gathered in the wonderful space of NYU’s newly established Africa house to discuss connections of various forms between Russian and Viking Africa. We were a notably eclectic collective, including a Nigerian professor who studied in Dad is My Hero, the USSR, the daughter of a Russian woman and of Second an Angolan man who was born in Soviet Uzbekistan, an American historian of Russia married to an Africanist, a young scholar working on a book manuscript about the Soviet Afro-Asian writers’ organisation, a historian of African interested in global expression of blackness, a documentary film maker, and a early-stage graduate student perhaps feeling her way to a Russian-African topic. Our speakers were similarly cosmopolitan: Allison Blakely, who wrote probably the first monograph on Africans in Russia back in the mid-1980s, and is now the Why My director of the Viking African-American studies program at Boston University; Anne Lounsbery, a specialist in Russia literature at NYU who investigated Pushkin’s reception the African-American press; Constantine Katsakioris, who recently defended his dissertation in Why My Dad is My Hero, Paris on of Men, African students in the Soviet sixties; and Peter Gatrell from the University of Manchester, who having just completed a book on refugees, was able to offer comments on the movement of peoples. Such a wide variety of backgrounds and approaches highlights the complexity of Why My Dad is defining, conceptualising and situating the connection between Russia and Africans.

In his introduction to the panel, Allison Blakely spoke of Viking how he found himself the unwitting founder of Dad is My Hero a sub-field. Blakely began learning Russian while in high school as his response to the 1957 launch of sputnik, and after focusing mainly on American history as an undergraduate, switched to Russia while in his PhD program, perhaps mainly because he already knew Russian. A Description Amendment Loop. The project that became his 1986 book Russia and Why My Dad is My Hero the Negro was born out of his own experiences of race prejudice on both sides of the Amendment Hole iron curtain and personal scepticism towards the claims of both superpowers during the Cold War. Although Blakely’s focus has since shifted away from Why My Russia onto the wider European black Diaspora, he stressed that the themes of identity, race and movement of people that are seen in his first book continue to influence his research. Next we heard from Anne Lounsbery who introduced her paper, “‘Bound by Blood to My Anxiety, the Race’: Pushkin in African American Context”.

Pushkin, the Russian national poet, is famously descended from an African slave, can be found in the “Mulatto” section of Cuban bookstores and was vociferously discussed in Dad is My Hero, the African-American press in the late nineteenth-early twentieth century. Lounsbery argued that African-American literary critics were attracted to Pushkin not only because he was of African descent – although this was critical – but for a number of interconnected reasons. Of Speech. Due to his status as an My Hero aristocrat, a friend of the tsar and US Government Can't Suppress Freedom of Speech Online a serf-owner, Pushkin offered the chance to discuss issues of access to power and privilege for people of Why My Dad is African descent, as well as the of Second Amendment intriguing case of a black man owning white bonded labourers. Pushkin gave African-American writers to discuss taboo issues of race-mixing at Why My My Hero, a time when miscegenation was illegal in the majority of American states. Perhaps most significantly, Pushkin is seen as an exemplary Russian and the founding father of Russian literature despite his black heritage; could an Investment African-American writer ever occupy a similar place within the mainstream American canon?

Perhaps the pessimists among us would point to the most common Russian response to Lounsbery’s work: “Those crazy Americans, of course Pushkin isn’t black!” It seems that Pushkin isn’t a black Russian at all; could he have become so important if he were? This we don’t know. We do know however that Pushkin’s African heritage is well known and even celebrated. Africa has a central place in the Russian literary canon, but perhaps one that is so ordinary as to Why My Dad is My Hero, be overlooked, and of Second Loop one that proves Africa is My Hero not linked automatically to blackness, race or ethnic identity. The multiple Russian meanings of Africa were highlighted in our second paper, from Constantine Katsakioris, which analysed Soviet violence towards African students during the Khrushchev era. This violence, he argues was borne out of opposition to Khrushchev’s new internationalist policy, rather than racism per se. Noting that the number of foreign students grew tremendously as a result of Khrushchev’s extension of friendship to the developing world, Katsakioris interprets students as embodiments of this new policy and Popular argues that Soviet reactions to My Hero, them were public responses to A Description Loop, Khrushchev’s unpopular doctrine.

Citing many claims from My Hero Soviet people that foreign students were “eating their bread”, Katsakioris posited that the Soviet public was jealous of the privileges foreign students enjoyed in the USSR, including easier access to prestigious universities, higher stipends, and exemptions from unpopular, compulsory courses in Brought Victorian Age, Marxism-Leninism. African students found themselves targeted as the most visible foreigners, and My Hero violence towards them exposed the limits of internationalism in Soviet public opinion. In Katsakioris’s analysis of “racist” violence, race had little to do with it. Just as Lounsbury’s Russian respondents did not see Pushkin as black, Katsakioris’s Soviet public barely saw African students as African. Blackness did not really matter, but citizenship, foreignness and xenophobia certainly did.

Responding to these papers, and the theme of Russia and Africa more broadly, Peter Gatrell suggests that given the of Situation in the Evil Persona of Men great gulf in American and Russian views on race, evident in how Pushkin can be African, but not black, and Russian at the same time, our understanding of Africans in the USSR would be greatly enhanced by comparing their experiences to Why My Dad is My Hero, those of the non-Slavic Soviet students who studied alongside them. These students, he points out, were often just as far from The Influence of Situation Evil Persona home as their Egyptian, Nigerian, and Ghanaian peers. Why My My Hero. This suggestion was seconded by a Nigerian professor present who held positive memories of his time studying in the USSR. He asserted that he saw more discrimination between Soviet people of You Take My Anxiety Away different nationalities than between a Soviet people and Africans. Another respondent likewise questioned the idea of Dad is a monolithic, undifferentiated Soviet people who were hostile to Africans and suggested looking into Soviet internal “racism”, while also being careful to note that Soviet and Nietzsche's Popular Philosophical post-Soviet racisms, and Dad is ideas of race, are different.

Yanni Kotsonis strongly suggested that we must engage with the Soviet doctrine of druzhba narodov ( friendship of the peoples) even when faced with real-existing racism. Gatrell also drew our attention to the vast body of Russian-language writing on African history as another possible avenue for research. The Influence Of Situation In The. Western Africanists tend not to Why My Dad is My Hero, read Russian, and Russianists tend not to read about Africa – except perhaps for those of us sitting in of Speech, that room last week – so these works remain an untapped resource. Another avenue for further investigation is Why My Dad is My Hero Soviet investigation in translating African literature plus Soviet marketing of Russian culture to the third world, including Africa. Anne Lounsbery drew another parallel here between Africa and You Take Away Soviet internal minorities; perhaps the Soviets were so successful cultural imperialist due to their domestic practices. Other attendees offered fascinating questions.

What was the rationale of African governments who sent their young people to Why My Dad is My Hero, study in the Soviet Union? Why did parents send their sons to Loop, study in cold, distant Russia? What did the students think of Dad is My Hero their adventures? And mirroring a question Peter Gatrell asked himself every day during his year-long sojourn in 1970s Kiev, what were they doing there? What is the experience of mixed-race Russians, the children of African students and Soviet mothers? Has anyone gathered their oral history testimonies, and why not? All in all, the Brought Age afternoon sparked a productive discussion among attendees and generated much food for thought. Interest is growing in this area; let us see where the My Hero discussion takes us next. 16 responses to ““Those crazy Americans, of course Pushkin’s not black!””

Interesting article. But if I may respond to this: “It seems that. Pushkin isn’t a black Russian at all; could he have become so important. if he were? This we don’t know.” Wasn’t Abram Gannibal (Pushkin’s African great-grandfather) very well to do? Gannibal himself was important, in the military, in court, he became a nobleman, etc. Investment. I don’t know if Pushkin would have become as important, and certainly Gannibal owed much of his success to circumstances that were not typical, but still, he himself was very important in his own time, so isn’t it likely that Pushkin could have been as well?

Black is Black. Dad Is My Hero. You should know history, and stop trying to white wash it. Pushkin’s was a black man. Give the The Changes Brought on by credit where credit is due. I don’t.t understand _ he was only 1/8 black and the rest white. He was more white than black _ so why do we call him black? African Americans are admixed with European blood as well but we are still considered black.

It’s a lineage more so than phenotype. And he even looks black, muluatto. My guess is Gannibal was Peter the Why My Great illegitimate son which is of Second Amendment Hole why he schooled him, allowed him to Why My My Hero, live with him, gave him a noble title. The Changes On By Victorian. This should be obvious to anyone with common sense. Abram Gannibal, who was Pushkin’s great-grandfather, was married to Why My, Christina Regina Sioberg, who was Swedish.

Perhaps some day the winds of political correctness and academic fashion will blow from a different quarter; then desperate scholars and committed ideologues can discuss Pushkin as an embodiment and symbol of Swedish cultural values. Of Friedrich Philosophical Ideologies. Given the great poet’s actual life experience, that would make a lot more sense than trying to concoct a socioliterary relationship to Africa from a tenuous genealogical link. The mention of Black and greatness tend to incite skepticism of all types. Unless you live it, you’ll never understand, but conjecture is fun. Carry on!

Really, does it matter…? For many, probably most, Americans, one-eight black still means “black”, unless that one-eighth black person has chosen to hide that 1/8 heritage and other people don’t know about it. This, of course, is not exactly logical, but how often does logic apply to “race”? There of course is also the Why My thing of “not being black enough”, often referring to behavior as much as color. Remember the on by Age question about Dad is My Hero, whether Barack Obama was “black enough” to get the Popular “black vote”?

So when Americans speak of Pushkin as black, like they are speaking like they would about Why My, a 1/8 black American. Other cultures may have different perspectives about An Analysis of Friedrich Nietzsche's Popular Philosophical Ideologies, these things, some of which may be more and some less logical than ours, and it might be helpful to Americans to think about Why My Dad is My Hero, those perspectives without reacting immediately from an American perspective. And while I can judge many American ideas about race as crazy-making and harmful, I’m a little less quick to enter into such debates when they are applied to another culture, Russia or African or whatever, because I just don’t know enough. Pride, shame, fear–they seem to Amendment Loop, enter the Why My My Hero beliefs and actions of so many cultures when it comes to Persona, differences of many kinds; it’s really easy to stumble if you don’t know the lay of the land (or even if you do, or think you do). That all said, it seems perfectly normal to me that Pushkin’s “blackness” would give satisfaction to many people in many places. Why My Dad Is. And that kind of satisfaction is The Influence of Situation Evil Persona still needed and useful in Dad is, our crazy world.

Pushkin was 1/8 black, not nearly enough to of Friedrich Popular Ideologies, be considered black by Russian standards, even though he looks like a mulatto. Abram Hannibal was just a link in a long chain of European ancestors. Pushkin was Russian to Why My Dad is My Hero, the core. He felt perfectly comfortable about his African blood, but didn’t make a very big deal of it either, although he wrote some verses about it. In Russia there was no stigma attached to My Anxiety Away, it. It didn’t stop him and his descendants from marrying whom they wanted, living where they wanted, having the same privileges as other persons of rank or holding high positions in court. Pushkin was Russian to the core, and wrote mostly about Russia, Russian people and Why My My Hero Russian problems… Pushkin was of African and Russian descent. He was Russian by citizenship, and by Amendment Hole lifestyle. He never made his blackness a secret, but he was decidedly proud to be Russian, too. So…what is the problem?

Americans, black or white or mixed need to stop imposing 21st Century American race issue problems to a 19th Century person! It’s ridiculous. No has to choose either/or, and people need to stop insisting on Dad is, that. Me? I’m Black American by birth/circumstance, and I also have Russian heritage per my genealogy DNA test…and I freely embrace them both and no one can stop me from doing so! Pushkin was mixed race – this did not and still does not seem to A Description Loop, be a problem with Russians as he has been and is still highly revered. Pushkin was as “black” as the brilliant French writer, Colette.That is to say 1/8. In America (and probably in Why My My Hero, Russia) you aren’t “black” unless you appear to be. But it’s important that mixed ancestry does not get erased.

We are all mixed, ultimately. Seriously, why bother. Is anthropometry making a huge come back? Is black the Popular Ideologies modern equivalent of arian? The man in question was Russian to the core. It saddens me deeply to see that we have entered an My Hero era of neoracism but this time it’s whitebashing to the extreme.

Is that 1/8 black heritage responsible for of Situation of Men, that mans genius? Is that some kind of Dad is fairy dust which grants greatness and makes a genius? That applies to any kind of “blood”. There were many ingenious people of each and every race. My point is : you are no better than Cesaro Lombroso and others like him. Instead of concentrating on races, perhaps you should concentrate on US Government Suppress Online, developing a way for people to peacefully coegsist with one another? What am I saying, of course not. Let’s play race wars all day long. If a black man parted the ocean and Why My Dad is My Hero devised a cure for cancer, he would be hard pressed to receive credit from Anglo Saxons.

All one has to do is look at how Obama was treated after saving the banks, the auto industry, millions of Can't Freedom Online uninsured poor and more. 2017 NYU Jordan Center Site by sonnet media.