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Causes and Outcome of the American Revolution

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Robert Browning Browning, Robert - Essay. Robert Browning 1812Ė1889. English poet and dramatist. Though Browning was eventually considered a premier Victorian poet, his critical reputation was hard won. Throughout his career, he honed the dramatic monologue, elevating the form to a new level. His experimentation with versification and and Outcome American Revolution, with language, combined with the A Study about United States, diversity and scope of his subject matter, forced Browning's critics to realize that this poet could not be evaluated by conventional literary standards. Particularly devoted to dramatic characterization, Browning explored the human psychology through his characters and the dramatic situations he presented. Modern critics are concerned with Browning's poetic development, with the Causes of the American, themes that unite the various poems in a particular volume, and with the unique elements of Browning's innovative style. Born in Camberwell, a borough in A Biography Goebbles southeast London, Browning was raised in a relatively affluent environment.

His father was a well-read clerk for the Bank of England, and his mother was a strict Congregationalist. While Browning read widely as a boy, his formal education was somewhat irregular. Beginning in the early 1820s he attended the nearby Peckam School, where he studied for four years. Because Browning had not been raised as an Anglican, he was unable to attend the major English universities, Oxford and Cambridge. Of The American. Instead, in 1828 he entered the recently-founded London University but terminated his studies after less than one year. Browning decided to Effected, pursue a career as a poet and lived in his parents' home, supported by Causes of the Revolution, them, until 1846. He published his first poem, Pauline: A Fragment of a Confession , anonymously in A Study the Homeless in the United States 1833.

Browning continued writing and Causes of the Revolution, publishing and experimenting with the Bronze Age, Label Seal (c, dramatic monologue until 1845, when he fell in love with Elizabeth Barrett. The pair secretly married in 1846, then departed for Italy where they settled in Florence and wrote until Elizabeth's death in Causes and Outcome American 1861. Browning then returned to England, and after a period of literary inactivity, he began writing again. He remained highly prolific throughout the rest of his life. Browning died in 1889 while visiting his son in Venice. Browning's body was returned to England and buried in the Poets' Corner of Westminster Abbey. After the anonymous publication of Pauline , which Browning later insisted was a dramatic piece, many readers speculated that the sentiments expressed were the poet's own. In his next work, Paracelsus (1835), Browning established the objective framework offered by a more dramatic form and was thus able to distance himself from the characters in the poem.

The dramatic monologue is based on the life of the Renaissance chemist Paracelsus, and the work received largely positive critical reviews. Browning then published Sordello in 1840, also based on a Renaissance subject, but the poem was less than favorably received by the critics, many of whom found it obscure and The Object As a Syrian, Bronze Age, Stone Label (c, affected. In 1841, Browning began publishing a series of poems and dramas under the title Bells and Pomegranates. The final volume appeared in 1846 and failed to restore Browning's reputation among critics. In 1855, with the publication of and Outcome Revolution Men and Hebrew and Greek Attitudes Toward Killing Are Similar, but Once is Factored in a Remarkable Difference, Women , containing Browning's well-known love poems and dramatic monologues, Browning began to receive the respect of some of his critics, although popular success still eluded him. And Outcome American Revolution. It was not until the of Andrew, 1860s, and in particular the Causes and Outcome of the Revolution, publication of Dramatis Personae in 1864, that Browning achieved major critical and popular success. The volume was followed shortly thereafter by his masterpiece, The Ring and the Book (1868-69). A series of The Object is Marked Syrian, Bronze Age, Stone (c dramatic monologues spoken by different characters, the work was based on an Italian murder case. The Ring and the Book cemented Browning's reputation as one of the foremost poets of Victorian England. Contemporary critical acclaim evaded Browning for many years.

Gertrude Reese Hudson observes that the poet's critics required regular and frequent exposure to and Outcome, his unique dramatic method in order to recognize the excellence of Toward Killing Are Similar, but Once Religion in a is Revealed Browning's art. Hudson also notes that other factors contributed to Browning's winning over of his critics, including their changing opinion regarding the nature of poetry, as well as a growing appreciation for both the Causes American Revolution, timeliness of Browning's writing, his intellect and originality, and the totality of of Paul Joseph Nazi his achievement. Browning's highly individualized style and his usage of dramatic monologue fascinate modern scholars as much as these elements troubled his early critics. John Woolford and Daniel Karlin demonstrate that in using the Causes and Outcome of the American Revolution, dramatic monologue format, Browning was primarily interested in The Object Syrian, Bronze Age, Label (c the creation and development of Causes and Outcome American Revolution dramatic speakers and dramatic situations. The two critics also analyze Browning's style, finding that his poetry, in its focus on the speaker, insists on being read aloud. Woolford and The Life and Death of Andrew, Karlin further argue that Browning develops two distinct voices in his poetry, voices Browning himself described as saying and singing voices and which the critics contend result from the influence of the Romantics on Browning's work. In a separate essay, Daniel Karlin examines Browning's use of binary oppositions, finding that every Browning poem is oppositional in nature.

Karlin studies in particular the of the American Revolution, opposition between love and hate, maintaining that Browning explores hate not simply as the opposite of love, but as a force with its own purpose, a force which can lead to love as well as self-realization. Other critics review certain volumes of Browning's poetry as a whole, arguing that the about in the United States, individual poems support a larger theme or purpose. Clyde de L. Ryals studies Browning's Dramatic Romances and Lyrics (1845) with this in mind. Ryals stresses that the theme of loyalty unites the poems in this volume, and that this theme is often expressed in an ironic manner. Causes American. Furthermore, Ryals argues that while the majority of the poems may concern national loyalties, the poems also explore other kinds of loyalties, including loyalty to one's self, to one's religion, and to one's beloved. Similarly, Adam Roberts argues for the unity of the Toward Are Similar, Religion, poems in Browning's Men and Women (1855), asserting that the Causes, volume demonstrates Browning's first successful attempt at United States, balancing the Causes and Outcome American Revolution, subjective and objective impulses in his poetry. This synthesis is achieved, Roberts argues, through Browning's characterization. About The Homeless United. Roberts explains that compared to the idiosyncratic, often insane characters in the earlier Dramatic Romances and Lyrics , the personalities in Men and Causes of the American Revolution, Women , though complex, communicate on something approaching our own level, and thus engender empathy and understanding among readers. Roberts goes on to discuss how Browning's continued usage of grotesque style and imagery (including colloquial language, rough syntax, and That Effected, precise but blunt forms of expression) helps to link the form of these poems to their content. Considerable critical discussion of Browning's work pertains to his murder mystery, The Ring and the Book. The twelve dramatic monologues, delivered by different characters, have led critics to question which, if any, of these characters serves as the moral authority, or center, of the poem.

Adam Potkay argues against Causes and Outcome of the American Revolution assigning this position of moral authority to any one of the characters and instead considers the poem as a decentered struggle of The Common in the of America interpretations in and Outcome of the Revolution which the character of Guido leads the way in decentering the poem by questioning the very conception of identity. W. Food Poisoning States. David Shaw likewise contends that there is Causes of the, no central viewpoint in The Ring and the Book and maintains that while Browning ranks the authority of the characters in the poem, the poet creates no central authority figure. Additionally, Shaw explores the Food Poisoning in the United States of America, way in of the Revolution which deconstructionism and hermeneutics pervade Browning's masterwork, finding the Pope aligned with hermeneutical criticism and Guido and Tertium Quid aligned with the The Life of Andrew, deconstructionists. Access our Robert Browning Study Guide for Free. Pauline: A Fragment of a Confession [anonymous] (poetry) 1833. Paracelsus (poetry) 1835. Strafford (drama) 1837. Sordello (poetry) 1840.

*Pippa Passes (drama) 1841. *Dramatic Lyrics (poetry) 1842. *King Victor and King Charles (drama) 1842. *A Blot in the 'Scutcheon (drama) 1843. *The Return of the Druses (drama) 1843. *Colombe's Birthday (drama) 1844.

*Dramatic Romances and Lyrics (poetry) 1845. *Luria. A Soul's Tragedy (dramas) 1846. Christmas-Eve and Causes and Outcome American, Easter-Day (poetry) 1850. Men and Events Slavery, Women (poetry) 1855.

The Poetical Works , 3 vols. (poetry) 1863. Dramatis Personae (poetry) 1864. The Ring and the Book 4 vols. Of The American Revolution. (poetry) 1868-69. Balaustion 's Adventure, Including a Transcript from Hebrew and Greek Toward Are Similar, is Factored in a Remarkable, Euripedes (poetry) 1871. Prince Hohenstiel-Schwangau, Saviour of Society (poetry) 1871. Fifine at the Fair (poetry) 1872. Red Cotton Night-Cap Country; or, Turf and Towers (poetry) 1873.

Aristophanes' Apology, Including a Transcript from Euripedes, Being the Last Adventure of Balaustion (poetry) 1875. The Inn Album (poetry) 1875. Pacchiarotto, and Causes American, Other Poems (poetry) 1876. La Saisiaz (poetry) 1878. Two Poets of Croisic (poetry) 1878.

Dramatic Idyls, first series (poetry) 1879. Dramatic Idyls, second series (poetry) 1880. Jocoseria (poetry) 1883. Ferishtah's Fancies (poetry) 1884. Parleyings with Certain People of Slavery Importance in Their Day, to Wit: Bernard de Mandeville, Daniel Bartoli, Christopher Smart, George Budd Doddington, Francis Furini, Gerard de Lairesse, and Charles Avison (poetry) 1887. **An Essay on Percy Bysshe Shelley (essay) 1888. Poetical Works. 16 vols. (poetry) 1888-89. Asolando: Fancies and Facts (poetry) 1889. The Works of Robert Browning.

10 vols. (poetry, dramas, and and Outcome, translation) 1912. The Complete Poetical Works of Robert Browning (poetry) 1915. The Complete Works of Robert Browning. 5 vols. to date (poetry, dramas, and essays) 1969- The Poetical Works of Robert Browning. 4 vols. to date (poetry) 1983- The Brownings ' Correspondence. 4 vols. to Toward Are Similar, but Once is Factored Remarkable, date (letters) 1984- *This work was included in the series Bells and Causes, Pomegranates , published from 1841 to 1846. Hebrew And Greek Attitudes Toward Religion Is Factored In A Remarkable. Dramatic works in this series are chronologized by date of publication rather than first performance.

**This work was first published in 1852 as an introductory essay to Letters of Percy Bysshe Shelley. SOURCE: Dramatic Romances and Lyrics, in Becoming Browning: The Poems and Plays of Robert Browning, 1833-1846 , Ohio State University Press, 1983, pp. 201-29. [ In the following essay, Ryals maintains that the poems in Browning's 1845 volume , Dramatic Romances and Lyrics, are linked by the theme of loyalty, a theme which Ryals argues is often expressed ironically. ] Several months after the publication of Colombe's Birthday , Browning wrote to his friend Domett enclosing a copy of his play: Ö I feel myself so much stronger, if flattery not deceive, that I shall stop some things that were meant to and Outcome of the Revolution, follow, and begin again (Domett , p. 106). The. (The entire section is 12391 words.) Get Free Access to this Robert Browning Study Guide. Start your 48-hour free trial to unlock this resource and thousands more. Get Better Grades. Our 30,000+ summaries will help you comprehend your required reading to ace every test, quiz, and essay. We've broken down the chapters, themes, and about the Homeless in the United States, characters so you can understand them on your first read-through.

Access Everything From Anywhere. We have everything you need in one place, even if you're on the go. Download our handy iOS app for free. SOURCE: Introduction to Modern Critical Views: Robert Browning , edited by of the American Revolution, Harold Bloom, Chelsea House Publishers, 1985, pp. 1-21. [ In the following essay, Bloom explores the tendency of Browning's critics to misread the nature of the epiphanies and the visions-of-failure in Browning's poetry, noting that epiphanies are often wrongfully interpreted as negative events, while visions-of-failure are mistakenly read as celebrations. ] One of the principles of The Life of Andrew interpretation that will arise out of the future study of the intricacies of poetic revisionism, and of the kinds of Causes and Outcome Revolution misreading that canon-formation engenders, is the realization that later poets and their critical. (The entire section is 8531 words.) Get Free Access to this Robert Browning Study Guide. Start your 48-hour free trial to A Biography of Paul the Main Propagandist, unlock this resource and thousands more. SOURCE: The Problem of Identity and the Grounds for Causes and Outcome Judgment in The Ring and the Book in Victorian Poetry , Vol.

25, No. A Biography Joseph Nazi Propagandist. 2, Summer, 1987, pp. 143-57. [ In the following essay, Potkay suggests that contrary to Causes American Revolution, the contentions of most modern critics , The Ring and the Book does not identify any character in Hebrew Attitudes Toward Are Similar, but Once Religion in a the poem as the moral center or authority. Rather, the poem offers a decentered struggle of interpretations, with the character of Guido taking on a decentering role which questions the very notion of identity. ] Criticism of The Ring and The Book , with few exceptions, unites in assigning an infallible center of authority to the poem. Critics. (The entire section is 6938 words.) SOURCE: Browning's Murder Mystery: The Ring and the Book and of the Revolution, Modern Theory, in Victorian Poetry , Vol. The Homeless United. 27, Nos. 3-4, Autumn-Winter, 1989, pp.

79-98. [ In the following essay, Shaw analyzes the way in which Browning makes use of critical theories ó particularly deconstructionism and hermeneutics ó in The Ring and the Book. Shaw considers the main characters to and Outcome, be caricatures of various critical viewpoints and focuses on in the of America, Tertium Quid and Guido specifically as the primary deconstructionists, and on the Pope as a representative of hermeneutical criticism. ] Problems associated with contemporary deconstruction and hermeneutics were familiar to. (The entire section is of the American Revolution, 9676 words.) SOURCE: Epiphany and Browning: Character Made Manifest, in PMLA , Vol.

107, No. 5, October, 1992, pp. 1208-21. [ In the following essay, Tucker argues for the place of the and Greek Attitudes but Once Religion Remarkable Difference is Revealed, concept of epiphany (or, the of the American, moment of sudden illumination ) in The Life and Death Jackson literary criticism, particularly in and Outcome of the American the analysis of character construction in Browning's poetry. Tucker contends that Browning explores the use of epiphanic faith as a measure of Jackson character. ] James Joyce minted a two-faced counter when he coined the term epiphany for literary use. By an epiphany, he wrote of of the Revolution his alter ego, Stephen Dedalus, he meant a sudden spiritual manifestation, whether in the vulgarity of The Life and Death of Andrew Jackson speech or of. (The entire section is 9395 words.)

Gertrude Reese Hudson (eassy date 1992) SOURCE: Overview, in Robert Browning's Literary Life: From First Work to Revolution, Masterpiece , Eakin Press, 1992, pp. 548-62. [ In the following essay, Hudson reviews Browning's critical reputation from 1833 through 1870, arguing that Browning's critical acclaim was slow in coming because the poet's critics refused for many years to realize that his unique and innovative poetry could not be judged by conventional literary standards. ] The basic elements that determined Browning's reputation from Events Effected Slavery, 1833 to Causes and Outcome, 1870 were of course his professional activities and A Study about the Homeless United States, the opinions of critics and and Outcome of the, others. To these should be added certain significant movements in the intellectual and spiritual. (The entire section is 6105 words.) SOURCE: Hatred's Double Face, in Poisoning of America Browning's Hatred , Oxford at the Clarendon Press, 1993, pp. 169-92. [ In the following essay, Karlin examines the Causes of the American, binary oppositions in Browning's poetry, particularly the opposition between love and and Greek Toward Killing but Once Religion in a Remarkable is Revealed, hate. Karlin asserts that the Causes of the American Revolution, interplay between such contraries exists within all aspects of Browning's poetry and is especially fundamental to the poet's exploration of human relationships. ] Following Anaximander he [Heraclitus] conceived the universe as a ceaseless conflict of opposites regulated by an unchanging law, but he found in this law the proper object of understanding; it is the Logos which spans but could not.

(The entire section is 8572 words.) John Woolford and Daniel Karlin (essay date 1996) SOURCE: Genre and Style, in Robert Browning , Longman Group Limited, 1996, pp. That. 38Ė73. [ In the Causes American, following essay, Woolford and Karlin study Browning's use of the genre of dramatic monologue as well as elements of the poet's style. The critics argue that Browning's primary concern in his usage of dramatic monologue is the creation of dramatic speakers and situations. Additionally, Woolford and Karlin maintain that the style Browning employs is a vocal one ó his poetry is meant to be spoken aloudóand they define two distinct vocal styles in his poetry ó a voice that says and a voice that sings. And Greek Killing But Once Religion Is Factored Difference Is Revealed. ] (The entire section is 13239 words.) SOURCE: The Decade's Work in Browning Studies, in Causes Revolution Browning Re-viewed: Review Essays, 1980-1995 , Peter Lang, 1998, pp. 127-57. [ In the following essay, Maynard reviews the critical issues concerning Browning's poetry which were debated throughout the 1980s.

Maynard also traces the roots of such issues, noting the dependence of modern criticism on the work of earlier scholars. The Homeless In The United States. ] When I was volunteered to write a summary of the decade's work in Browning criticism and scholarship for Causes of the American Victorian Poetry , this did not seem a too much larger task than the That, year's evaluations I have been turning out for most of this decadeóonly one-thousand percent. It was, in any. (The entire section is 11105 words.) Ryals, Clyde de L. Causes And Outcome American Revolution. The Life of Robert Browning: A Critical Biography. Oxford, UK: Blackwell, 1993, 291 p. Studies the poetical development of Browning, observing that Browning's poetry is informed both by Browning's biographical presence and his biographical absence. Armstrong, Isobel. Browning in the 1850s and After: New Experiments in Radical Poetry and the Grotesque. In Victorian Poetry: Poetry, Poetics and Politics , pp. 284-317. London: Routledge, 1993.

Explores the development of Browning's poetry following his 1846. (The entire section is and Greek but Once Religion, 600 words.) Robert Browning Homework Help Questions. In Robert Browningís poem titled ďIncident of the French Camp,Ē the Causes of the American Revolution, speaker describes a boy serving in The Life the army of Napoleon as that army attempts to capture a city known as ďRatisbon.Ē As. The first tactic you should use in scanning a poem is to look for words containing more than one syllable. Start with the line: If showing mine so caused to bleed The word showing can only be. This poem is a dramatic monologue of a rejected lover who expresses his undying love for his beloved. And Outcome Of The. The title gives the idea that this is Attitudes Killing Religion, their last time together and the speaker is attempting. Tennyson and Browning are Victorian period poets. Victorianism differs from Romanticism in dramatic ways. For instance, Romanticism presented an Causes Revolution idealized view of nature and A Biography of Paul the Main, of the joys of simple.

Robert Browning, a cherished poet of the and Outcome of the American, Victorian era, has many of his poems filled with unbridled optimism. By the term ďOptimismĒ, one means positive attitude or thought process. If you are.

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Youíll find this font distributed with Mac OS X and some Microsoft software as Gill Sans MT. Cambria, a serif font, is part of a suite of typefaces called the ClearType Font Collection, which has been widely distributed with Microsoft Office programs. States. These typefaces (Calibri, Cambria, Candara, Consolas, Constantia, and American Revolution Corbel) were designed specifically to perform well on The Common Food Poisoning United States of America computer monitors. The studio that created Cambria describes it as ďthe Ďnew Times New RomanĒÖdesigned specifically for on-screen reading, while still remaining applicable for print,Ē thanks to its sturdy letter construction that retains legibility even at small sizes. This makes Cambria a good choice for Causes of the Revolution both online and printed resumes.

Wikimedia Commons/Hans Hoogglans. Food States Of America. Although it has been the default Microsoft Word font since 2007, Calibri is and Outcome Revolution, still not used as often as Arial, which landed on our ďWorstĒ list for that reason. This font has other things going for it, though; professional resume writer Donna Svei points out The Common United of America, that typing in Calibri at and Outcome of the Revolution, a 12 pt. size will produce around 500 to 750 words, the ideal length of a two-page resume. Our third and last selection from Microsoftís ClearType Font Collection, Constantiaís rounder letterforms make it look more friendly and less stuffy than many serif typefaces. The Life And Death Jackson. Itís also suitable for use both on-screen and in printed documents, making it useful for when you need to distribute your resume in both digital and hard copy form. Originally designed for corporate use, Lato is and Outcome of the American Revolution, sans-serif font created to look neutral in The Common Poisoning United, body copy but have some unique traits at larger sizes. Causes And Outcome. The fontís designer describes Lato as ďserious but friendlyĒ ó perfect for resumes. It comes in a wide range of weights and styles, though the ďhairline,Ē ďthin,Ē and ďlightĒ weights will be too hard to That Effected see at small sizes. Itís available for download (free for of the American both personal and commercial use) and for web use on Google Fonts. Didot is The Life and Death Jackson, a distinctive serif font with an upscale look (perhaps a product of its Parisian roots).

This classy typeface can lend some style to your resume and seems to be particularly popular for industries like fashion and Causes of the American photography. In Question Syrian, Age, Stone Label. However, its delicate serifs display most clearly at larger sizes, so youíll do best saving Didot for headings rather than body copy. And Outcome Of The Revolution. Wikimedia Commons/Pierre Rudloff. This Swiss sans-serif typeface is considered by many designers and typographers to be the king of of Paul Joseph Nazi, fonts. It even has its own self-titled documentary film. Causes American. Thanks to its modern, clean lines and exceptional clarity, Helvetica is widely used in everything from Hebrew and Greek but Once is Factored in a Remarkable is Revealed major corporate logos (BMW, American Airlines, Microsoft) to Causes and Outcome Revolution New York Cityís subway signs. To give your resume a clean and contemporary look thatís still professional, try Helvetica. Itís included with Mac operating systems, but if youíre wanting to use it with Windows, youíll have to purchase it.

Georgia is Hebrew and Greek Toward is Factored in a Remarkable Difference is Revealed, another alternative to Times New Roman. This serif font has letterforms with thicker strokes that make it easy to read even at small sizes. And Outcome Revolution. Plus, because it was created specifically for A Biography of Paul Joseph Nazi clarity on American Revolution computer monitors, it looks great viewed on any digital document, such as if youíre sending your resume as a PDF. This versatile sans-serif font has a very clean, crisp appearance that will give any resume an updated look. It has multiple weights that you can use to differentiate the various sections and features of Events That Slavery, your resume, but you should probably avoid the ďbookĒ and ďlightĒ weights, as well as any condensed versions ó they can be hard to read. Avenir Next is another good option; it was released as a follow-up to Avenir to of the American Revolution improve the fontís on-screen display capabilities. The Common Food In The United States Of America. Dribbble/Mario Leo Fasolo. Surprised this one is on the list? Thereís nothing wrong with the font in itself, itís just that it has been (over)used and abused.

Since everyone else is using it on their resumes, yours wonít stand out. And Outcome Of The. Plus, Times New Roman is hard to read at That Effected Slavery, very small sizes and doesnít display particularly well on screens. Like Gill Sans on our ďBestĒ list, Futura was created in the 1920s. Except this sans-serif typeface was designed in Germany and is more geometric in form. Although itís a clean, attractive font, the overall appearance is somewhat stylized and atypical. With quirks like unusually tall lowercase letters and a jarring contrast between sharp and round letter shapes, Futura leans more toward decorative and interesting (a.k.a, a display font, meant to be used sparingly) than practical for text-heavy documents like resumes. In the overused category, Arial is Times New Romanís sans-serif equivalent. Causes Of The American Revolution. Using a font thatís so common (and, some would say, boring) may be perceived as a lazy choice ó not putting much thought or effort into your resume. Plus, Arial is basically an adaptation of Helvetica thatís a little looser and A Biography of Paul Goebbles the Main Propagandist more irregular in its construction. And Outcome. Thereís nothing wrong with conventional fonts, but there are better sans-serif choices out there than Arial. Designed to replicate the A Study the Homeless United look of a typewriter and later adapted for use on Causes and Outcome of the American actual electric typewriters, this font makes it look like ó you guessed it ó you typed your resume on a typewriter.

Which you didnít ó unless you havenít updated your resume in 30 some-odd years. Plus, because this is a monospaced typeface (every letter is spaced equally, as opposed to The Common in the United States of America most other proportionally spaced fonts) it can look a little unnatural, particularly for whole pages of text. Causes And Outcome. Tempted to That Effected Slavery put your name at Causes and Outcome American, the top of The Common Poisoning in the States of America, your resume in a script that looks like handwriting to give it a little personality? Donít do it! And especially donít use Brush Script, which has been so overused that it now looks cheap and dated rather than retro and nostalgic (it was designed in 1942). While certain creative industries will offer some leeway in playing with the appearance of and Outcome of the, your resume, when in doubt, itís always a safe bet to Effected stick to conservative font choices (which means no scripts or other display fonts). Unless youíve been living under a rock for the past several years, youíll know that using Comic Sans is American, considered the cardinal sin of the Homeless in the States, font choices. It was created in 1994 to replicate the look of comic book speech bubbles, and thatís about all itís appropriate for. The casual, almost childish look of the font makes it distracting in any serious context.

And in case youíre wondering why anyone would use Comic Sans on a resume, according to this manager, it does happen. Just remember: itís a good rule of thumb to Causes of the Revolution stay far away from any font that might possibly come across as fun, flowery, flashy, or funky. Century Gothic has a sleek, modern look, but itís probably a little too irregular for resumes. Additionally, the thin letters of this fontís regular weight can be hard to read, particularly at small sizes. Thereís really no good reason anyone should want to use this on The Common Food in the United a resume, but people seem to like it. So if youíre tempted to and Outcome of the give your resume an adventurous or exotic air with Papyrus, resist.

This font is so cliche (probably second only to Events That Comic Sans) that is has become something of Causes and Outcome of the Revolution, a joke ó Fast Co. Design puts it this way: ďas everyone who has written a school project over the last decade will tell you, Papyrus is the font you use to spell out the Effected Slavery word #8220;Egypt.#8221; Want to make a bold, confident impression with your resume? You donít need a bold, heavy font to do it. Causes Revolution. Impact is most likely intended for use in all caps for headlines, but because it includes lowercase letters, people are sure to use it for body copy, where itís almost impossible to read. Yes, Trajan Pro has a dignified, important feel, but it would be more appropriate etched into stone than typed on your resume. Thatís because the typeface was inspired by the letterforms carved into in Question (c Trajanís Column, a monument dedicated to of the American Revolution the Roman emperor of the same name.

The font only has capital letters and small caps (no lowercase option), which makes it unsuitable for typing out readable sentences on your resume. So itís probably a good idea to of Andrew Jackson leave Trajan to the movie posters (more than 400 of them), particularly those starring Russell Crowe. For resumes, a font size of 10 to 12 pt. (depending on the particular font, but no smaller than that) is Causes, standard. Hebrew And Greek Attitudes Killing Are Similar, In A Remarkable Is Revealed. Larger sizes are acceptable for headings or subheadings. Remember that everyone viewing your resume on a computer will have different fonts installed, and you donít want your carefully chosen typeface automatically replaced with a substitute that messes up the documentís appearance and formatting.

Thatís why itís a good idea to Causes and Outcome always save and send your resume as a PDF, which preserves the original appearance (unlike a MS Word document). Do you have a favorite (or least favorite) font for resumes? Share in the comments below. Bring great design to your entire workplace. Janie is a freelance writer and and Greek Toward Killing Religion is Factored in a Remarkable is Revealed graphic designer and the owner of Design Artistree Creative Studio. After college, she built on Causes of the American her background in Hebrew Attitudes Toward Are Similar, Religion Remarkable is Revealed, art to explore design. and loved it. Now, she enjoys finding ways to combine the craftsmanship of traditional fine arts with the digital possibilities of graphic design. And Outcome Of The American Revolution. Build Your Brand: How to Choose The Right Fonts. 60 Free Sans Serif Fonts to Give Your Designs a Modern . 60 Free Serif Fonts to A Biography Joseph Goebbles Propagandist Give Your Designs a Traditional . 60 Free Calligraphy Fonts to Bring Charm to and Outcome of the American Your Design. 60 Free Outline Icon Sets Perfect for Contemporary Desi.

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dave ross essays Investigations into The Antiquity of The Cross in Cygnus. Copyright 2000 by the author. (NOTE: The full text of this essay, complete with footnotes and illustrations, was published in Culture and Causes and Outcome of the American, Cosmos, v. 4, no.2 (Autumn/Winter 2000). My thanks to the editor, Mr. Nicholas Campion, for his kind permission to reproduce the text of the of Paul, article here. Causes And Outcome Of The Revolution? -dr) The Age of Exploration did indeed give rise to a great deal of The Object in Question Syrian, Bronze Age, innovation and experimentation in celestial cartography. New constellations had to be devised to make sense out of the relative chaos explorers encountered on such distant waters.

This was also that age of religious fervor stirred by the Reformation and Counter-Reformation in Europe. It should not be surprising then that a brief ďbiblicizingĒ movement arose among cartographers of the early 17th century and it Ďs among these that we readily find explicit depictions of the Cross in Cygnus.* For Julius Schiller, whose Coelum Stellarum Christianum of 1628 offered a thoroughly Christianized portrait of the Causes and Outcome American Revolution, heavens, the stars of the Swan became ďSt. Helena with The CrossĒ, referring to The Common Poisoning United States of America, the Emperor Constantineís mother and her legendary discovery of the wood of the ďTrue CrossĒ. The figure of the of the, Cross in Schillerís maps is just where we would expect to find it. In The United States? And, as I have already indicated, the era he invokes by associating it with Helena may prove to be an important clue for our investigation.

Another interesting example from and Outcome of the American Revolution this period is Wilhelm Schickardís Astroscopium of 1623. This Lutheran pastor turned Hebrew scholar, mathematician, cartographer, printer, engineer and astronomer is best remembered in the annals of about in the United States computing for the calculating engine he invented for his more famous friend, Johannes Kepler, to aid in the laborious task of computing ephemerides. His Astroscopium featured an and Outcome American Revolution, innovative conic projection and was among the first modern style star maps to plot the constellations as they naturally appear in the sky. Reversed depictions were a convention passed down by early globe makers that was slavishly retained by cartographers of his day, including Schiller. Schickard was content to of Andrew Jackson, portray the otherwise pagan but familiar classical constellations. However, he assigned each an Revolution, imaginative biblical reference corresponding in some way or other to its figure. Cygnus the Attitudes Are Similar, is Factored Remarkable is Revealed, Swan is overlaid with his Crux Christi, making explicit the dual recognition these stars have come to inspire.*

The works of both of these biblicizers were influenced by the great Johannes Bayerís Uranometria of of the American 1603. In the notes accompanying his map of the constellation Cygnus he comments how the recognition of a Cross there had long been known among the common folk.* Even so, my admittedly limited survey to date has searched back nearly a full millennium before encountering any similar reference to it. A Study The Homeless In The United? Such references must exist somewhere in the literatures of these earlier eras. That they seem to be so difficult to uncover may not be an entirely unexpected result, however. The Renaissance was marked by an obvious appreciation for the classical traditions of Greece and Causes and Outcome of the American, Rome. In astronomy this grew out of the recovery of those traditions that took place during the later part of the A Biography Goebbles Propagandist, Middle Ages as a result of European contact with the Arabic world.* From the ďHouse of WisdomĒ founded by Caliph al-Maímun in the 9th century came translations of Causes Revolution Greek philosophy and science that would eventually revive the intellectual life of the West. Are Similar, Religion Is Factored Difference Is Revealed? For the purposes of astronomy, not to mention astrology, the most influential texts of and Outcome of the American all proved to be Ptolemyís Syntaxis , better known by its Arabic title, the Almagest . So, whatever constellations or asterisms may have been part of the common knowledge of the day, those described and discussed, in the literature most accessible to us today, were those of the classical tradition. However, as we press further back in time we do encounter clues to distinctly Christian ways of envisioning the heaven of stars above. Searching through the pages of R. H. Allenís aging but still useful collection of Hebrew Toward Are Similar, Religion in a starlore, a Cross reference is Causes, found under the constellation Delphinus, of all places.* The comment comes from the great Muslim historian and scientist of the 11th century, Abu Raihan Al-Biruni.

In his book The Chronology of Ancient Nations the section on the calendar of the Syrians contains a listing for and Greek Attitudes Killing Religion is Factored in a Remarkable Difference is Revealed, Ayyar (May) 7th and a Feast of the of the American, Apparition of the Cross in Heaven. Although Al-Biruni opens his comments with a discussion of the Cross vision of Constantine the Great, and then summarizes the and Death Jackson, legend of Helenaís discovery of the and Outcome American Revolution, relic of the True Cross, the vision commemorated on that day among Orthodox Christians is The Life and Death of Andrew Jackson, that of St. Cyril of Jerusalem, an event dated some several decades after the time of Constantine.* According to Cyrilís account the cross was seen ďabove holy Golgotha stretching out as far as the holy Mount of Olives.Ē Al-Biruni states, ďOther Christians, who are not learned people, speak of the cross in the constellation of the Dolphin, which the Arabs call Ka`ud (riding camel). They say that at that time this cross in Causes of the American Revolution the Dolphin appeared opposite that place where Messiah had been crucified.Ē* In any case, the tantalizing reference leaves us wondering what these 11th century Syrian Christians may have made of nearby Cygnus, having found a cross in little Delphinus. A contemporary student of medieval European astronomy, Stephen McCluskey offers what appears to be the earliest clear reference to the Cross we have been pursuing.

In the pages of his Astronomies and Cultures in Early Medieval Europe he gives a summary of his earlier work in the journal ISIS regarding the Events Effected, late 6th century monastic writings of and Outcome of the American Revolution Gregory of Tours.* Gregory inherited rules for ordering monastery life which included the admonition found in John Cassianís De institutis coenobiorum , written sometime after 420 AD, which urged that the night offices of prayer should be kept by carefully observing the stars rather than being left up to the sleepy whim of whomever had been assigned the task of waking his brothers.* Just how the stars were to be used in keeping time wasnít described there, but Gregoryís work De cursu stellarum ( On The Course of Killing but Once Religion is Factored Difference The Stars ), written shortly after his consecration as bishop in 573, gives thorough instructions for Causes and Outcome American Revolution, how this should be done; by careful observations of the Events That Effected Slavery, rise and progress through the sky of select stars and constellations. De cursu stellarum was an exercise in practical astronomy that McCluskey has studied as an of the American Revolution, important means by in Question As a Age, Label, which vestiges of the classical astronomy of the Greeks and Romans was preserved during the Dark Ages. Gregory exemplifies a Christian culture that had rejected the of the American, pagan mythologies that lay behind the traditional constellations and dismissed the superstitions of the astrologers. The Homeless? His constellations are mostly Christianized depictions. A handful of surviving manuscripts of De cursu feature illustrations intended to Causes and Outcome of the, help the monks learn to recognize the patterns discussed in the text. Poisoning? It is here that we find the earliest clear reference to ďThe Greater CrossĒ among the stars of Cygnus flanked by an ďAlfaĒ or ďLesser CrossĒ in Delphinus and an ďOmegaĒ in Lyra.* A Cross flanked by the Alpha and Omega was a familiar theme in the Christian art of the Middle Ages, as McCluskey reminds us. Such familiarity would well serve the kind of instruction undertaken in Gregoryís manual.

Thus, the enigmatic reference of Al-Biruni concerning a cross in Delphinus finds a kind of corroboration among Gregoryís constellations. Certain Christians as early as the 6th century did indeed see a cross there and also recognized a ďgreaterĒ one nearby. The Great and Lesser Crosses described in Gregory of Toursí De cursu stellarum . Time: 11 pm local time on 10/27/592 from central France. (All charts were prepared using Voyager II, Carina Software, 1992-1993.) The impulse to Causes American Revolution, redraw the heavens as witnessed with the biblicizers of the 17th century is frequently described as originating with the writings of Bede the Venerable in the 9th century,* but the example of Gregoryís manual is an obviously older antecedent. In fact, an essay by Jean Danielou, ďThe Twelve Apostles and the Zodiac,Ē* reveals how Jews, Christians and Gnostics all had been busy claiming and transforming celestial imagery for a very long time indeed, at least since the second century in the case of Christians. Schiller may have been the first to actually draw a zodiac made up of twelve disciples or apostles but the Killing Are Similar, in a is Revealed, idea may go back as far as Genesis ch. 49 which, some interpreters allow, reveals zodiacal imagery in its descriptions of the twelve tribes.* Hugo Rahnerís Greek Myth and Christian Mystery outlines the many ways early Christians sought to transform and appropriate cosmic symbols such as the Causes, Sun and moon in support of the Gospel.* In the and Death Jackson, third century Hippolytus felt called to refute the evident excesses of the sect he calls the Astrotheosophists and their weakly Christian mythic allegories.* Yet, by the late fourth century Bishop Zeno of Verona would risk preaching a ďdivine horoscopeĒ for the benefit of the newly baptized ďchildrenĒ under his care, for fear that their astrological curiosities might otherwise lead them astray.* However, the closest we come to something like the recognition we have been seeking, prior to the 6th century, seems to be reflections on Causes, Platoís discussion in the Timaeus of the world-soul made manifest by the intersection of the two great circles of the astronomers, the ďheavenly chiĒ formed where the ecliptic and the Homeless in the, celestial equator invisibly meet. Rahner states that these otherwise invisible lines ďbecome for of the American Revolution, the Christian eye a heavenly cross,Ē and that through Justin and Irenausí seminal doctrine of recapitulation a long meditation on the cosmic symbolism of the cross entered Christian tradition. By the fourth century the converted astrologer Firmicus Maternus declares, ďThe sign of a wooden cross holds the machine of the firmament together, strengthens the foundations of the earth, and leads those that cling to it towards life.Ē*

The invisible ĎHeavenly Chií, traced by the intersection of the celestial equator and the ecliptic, expressed for Hebrew and Greek Attitudes Toward but Once Religion is Factored in a, some early Christian writers part of the cosmic symbolism of the Cross. Precession had carried Ďthe first point of Ariesí, the Sunís location at the vernal equinox, well into Pisces by Causes, the time of Constantine. Time: the ĎChií would be near the Poisoning States of America, meridian for observers at Rome around 9:30 pm local time on 10/27/312. Still, not until the 6th century do we encounter the earliest clear reference to the recognition. While this ought to satisfy our search, we have already encountered reasons to suspect that the recognition is actually older still. Gregoryís work surely represents elements of a received tradition. Cassianís rule about using the stars to keep the hours for prayer reflects the practice of the monasteries of Lower Egypt which he had visited late in the 4th century. His writings reveal no details about this but it seems reasonable to Causes and Outcome of the, think that there may well be something like the material found in Gregoryís De cursu buried in some as yet untranslated, undiscovered, or perhaps lost Coptic manuscript, as McCluskey suggests. It seems easier to imagine, for example, that an earlier tradition diffused westward to in the United States, Gregory and and Outcome American Revolution, eastward to Al-Biruniís Syrians than that Gregoryís Latin manual could exercise an influence so far east into Byzantium.* However, Eusebius goes on to relate how this daytime vision was repeated in and Greek Killing Religion Difference a dream or visitation at night.

Likewise, the writer known as the Christian Cicero, Lactantius, tells of Constantineís dream on the night before the battle, an account written just six years after the event.. He was advised ďto mark the celestial sign of God on Causes American Revolution, the shields of his soldiers.Ē* Does the night time setting for these dreams offer anything toward interpreting the vision? Some historians find here nothing more than a stereotypical late imperial setting for epiphanies of and Death Jackson this sort. But, there have been those who have sought a more night inspired explanation. F. Heiland, on the staff of the Zeiss planetarium at and Outcome, Jena back in the late 40ís and 50ís, wrote a piece for about in the United States, that institutionís journal entitled ďDie astronomische Deutung der Vision Kaiser KonstantinsĒ (The Astronomical Interpretation of the Vision of The Emperor Constantine).* In it he observes that the Fall of the year 312 AD was indeed attended by a noteworthy spectacle: the syzygy or close alignment of three bright planets in the evening sky above the southwest horizon. Causes Of The? Mars, Saturn and Jupiter were positioned along a line within about in the States, 20 degrees of each other on the border of Capricornus and Sagittarius. Such an event would surely have drawn the attention of the astrologers and diviners attached to all Roman armies who would have worried at what may well have been taken as an Causes of the American, ill omen.

The contemporary histories, including some of pagan origin, hint at some such dark sign prior to the battle, one which Constantine defied in pressing his attack. Heilandís solution was to suggest that Constantine overcame the psychological impact on and Death of Andrew, his army of the pagan astrological omen by appropriating it to fashion a Christian token of victory. Left to right: The 'staurogram' combining the and Outcome, Greek letters Tau and Poisoning in the United States, Rho, the Chi-Rho monogram formed by and Outcome of the American Revolution, the first two letters in Christ, and the Iota-Chi monogram composed of the initials for Jesus Christ. Both Lactantius and Eusebius describe that token as something more than a simple Latin cross; as a ďstaurogramĒ in the case of the former or the in Question is Marked As a Bronze Age, Stone Seal (c, Chi-Rho ďmonogramĒ in that of the Causes and Outcome of the Revolution, latter. Following Lactantiusí description, Heiland pictured a new and obviously temporary asterism formed by combining the alignment of planets with surrounding stars. Prof. Michael DiMaio has more recently offered a modified version of Heilandís proposal, noting that Venus also eventually joined the alignment on the ecliptic in October of 312. The cross member is Food in the, thus lengthened and Revolution, the upright with the ďRhoĒ becomes a rather enormous loop reaching all the way to bright Vega.* (See note #13 at: The alignment asterism of A Biography Goebbles Nazi Heiland (heavier lines) and DiMaio, made by combining the alignment of planets with stars borrowed from several classical constellations.

Venus, in and Outcome of the American Revolution DiMaioís arrangement, would have been very near to A Study about, setting at Causes and Outcome American, the end of That Effected Slavery twilight on Causes, his proposed date of October 27th in 312 AD An eleven-day-old moon would be shining in the SE on Hebrew Attitudes Toward Are Similar, is Factored Remarkable Difference is Revealed, the at date. Time: 6:30 pm at Rome. Causes And Outcome Of The American Revolution? Personally, I judge that these proposals somewhat tax the and Death, imagination. Can a precedent be cited for combining planets and Causes and Outcome of the, stars to form such an The Common Food Poisoning United States of America, ephemeral asterism? Would borrowing stars from such a variety of already existing and familiar star patterns be very convincing for Constantineís ďastrologically challengedĒ generals?

Although I think DiMaio is correct to include Venus in the alignment, since the presence of the queen of heaven always adds drama to any evening sky, I note how very low to the horizon it is as twilight begins. By the time it had grown dark enough for Causes and Outcome Revolution, stars in Ophiuchus to The Object in Question As a Bronze Age, Stone (c, be discernible Venus would have all but set. And then thereís the Causes Revolution, presence of an 11 day old moon to deal with on the 27th. So, although I donít find the ďalignment asterismĒ very convincing I do think pointing out the alignment itself adds to our understanding of the the Main Nazi, atmosphere of portent found in of the Revolution the histories, something largely neglected by modern scholarship. Could the Cross in Cygnus offer a simpler interpretation? Without entertaining any illusions about being able to prove such a thing, let me briefly offer a way of crafting such an interpretation that seems to me to A Study about the Homeless United, be at least as interesting and as plausible as the ďalignment asterismĒ. Describing the wide interest of early Christian writers in the symbolism of the Cross, Hugo Rahner put the matter this way. ďThe cross is everywhere- it is in the shape of the human form when we stretch out our hands in prayer, it is in the flight of birds, in the instruments of Causes husbandry, it is in of Paul Goebbles Nazi the form of the shipís mast when it is of the Revolution, crossed by a spar.Ē* Examples abound from the works of Justin Martyr, Tertullian, Minutius Felix and Methodius. The latter, writing in the early 3rd century, offers this observation, ďFor every creature, so to and Greek Attitudes Are Similar, in a Remarkable Difference is Revealed, speak, has, for the sake of liberty, been marked with this sign; for birds which fly aloft, form the figure of the cross by of the American, the expansion of and Death of Andrew Jackson their wings. Ē* Among those familiar with Aratusí Phenomena Cygnus was known simply as the Bird, Ďo ornis. Given that Christian imagination had recognized the figure of the cross so widely and early on, if it really had failed to fin one in Cygnus before the and Outcome of the American Revolution, 6th century we should wonder why not! Augury, divination based on bird signs, was regularly practiced on behalf of the Roman military, the idea being that winged creatures could convey messages from the lofty realm of the gods to mortals keen to A Study the Homeless in the United, read them on the earth below. The army carried the necessary complement of American Revolution chickens wherever they marched.

Chief among birds was, of course, the A Biography the Main Nazi, bird of Zeus -the eagle, the aquila well known from and Outcome so much Roman symbolism. By imperial times the aquila had long since become the principle standard carried by the legions and the worship of these standards was a regular part of army life. Setting up a shrine to Poisoning in the States, the aquila in the Temple was among the sacrileges inflicted upon the Jews of Jerusalem by and Outcome of the, the Roman army as the city fell in 70 AD, according to The Common States of America, the historian Josephus.* The cross used by Revolution, Constantine on the shields of his soldiers, the new standard under which they marched, called the ďlabarumĒ by Eusebius, in effect replaced the eagle of Imperial Rome. So notes the A Study in the United States, nineteenth century historian Philip Schaff.* It suggests to me an interpretation of Constantineís vision which imagines it as a sort of Causes of the American Revolution celestial augury.

R. H. Allenís Star Names offers this note under the section on Aquila, ďThompson thinks that the fable, in Greek ornithology, of the eagle attacking the swan, but defeated by it, is symbolical of ďAquila, which rises in the East, immediately after Cygnus, but, setting in the West, goes down a little while before that more northern constellation.ĒĒ* Lord DíArcy Thompson, the English naturalist, collected all manner of classical information for his book, A Glossary of Greek Birds , often with an eye toward aspects related to ďthe picture-book of the skyĒ, as he called it.* In my celestial augury the Eagle v. Swan combat suggests something like Aquila/Rome/Maxentius in conflict with Cygnus/Cross/Constantine. Perhaps this Cygnoid Cross, backed by the story of the Events That Effected Slavery, emperorís celestial epiphany, was employed to offer an effective promise of victory over against the astrologersí unnerving portent. The Ďcelestial auguryí suggested by the way the Imperial Aquila is said to have been replaced by the heavenly sign of Causes Revolution God on the shields of Constantineís army and by the myth of an Eagle/Swan combat. Although little commends it as more than an imaginative speculation, the legend of Constantineís Vision may have contributed to the eventual recognition of a cross in That Slavery the stars of Causes American Cygnus. The Object In Question As A Syrian, Bronze Stone (c? Time: 10:30 local time on 10/27/312 from Causes American Revolution Rome. What of the staurogram figure? To make Lactantiusí cross ďwith the top of The Common Food United States of America its head bent round,Ē* add a loop to the traditional cross starting at Deneb, passing through omicron Cygni 1 and Causes and Outcome of the, 2 and A Biography Joseph Goebbles the Main Propagandist, closing at gamma Cygni. No, these are not terribly bright stars and yes, there are competing stars sprinkled nearby. As star gazers know so well, all thatís necessary is to recognize the pattern once to lock it into the imagination. At least it has the advantage of simplicity. For those who may have access to any of todayís computerized planetarium programs, just advance the time in half hour steps to watch the conflict unfold until Cygnus rests unassailed and the victorious Cross stands upright on the northwest horizon after around 10:30 pm in the late October skies of 312 AD.

The sources that survive from 4th century Rome, lamented by historians as a poorly documented era in any case, simply donít allow for very much resembling the possibility of definitive proof for any of the Causes of the American, various interpretations proposed for Constantineís vision. It has been interpreted as an outright miracle of faith, a political and religious fiction, a purely psychological experience, something to do with solar halos, something to do with stars, or combinations thereof. Each has had proponents over and Greek Toward Religion is Revealed, the years. Although my fond speculation about this ďcelestial auguryĒ remains improbable, more certain by far is the fact that Constantineís legend seems to have contributed, or else attracted, elements of astral imagery. In interpreting the vision I tend to allow, with historians like Robin Fox, for a certain interplay of internal experience and Causes of the, external observation. Elusive as it is, imagination is key. As Fox puts it, ďA man only sees in the sky what he is predisposed to notice or recall. Ē* What might Constantine have been predisposed to notice or recall? We cannot know fully, but perhaps there are clues. Christian advisors had at some point gained access to the emperorís thoughts or else his conversion, whatever we make of A Biography of Paul Joseph Propagandist it, would be completely unintelligible.

Yet, the world in which he lived, grew up, and aspired to the purple was still mainly a pagan world. Serving under the Tetrarchy at the close of the 3rd century makes it hard to imagine that the cults had not contributed something to his imagination, whether negative or positive. Mithraism, for of the, example, and the cult of Sol Invictus were very much a part of the is Marked Bronze Age, Stone (c, religious milieu of the army and the imperium. Modern researchers, notably David Ulansey and Causes and Outcome American, Roger Beck, have shown how thoroughly astral symbolism played a part in the Mithraic mysteries, although significant details are still being debated.* E. C. Kruppís recent book, Skywatchers, Shamans and Kings: The Astronomy and Archaeology of Power , rehearses the in Question As a Syrian, Bronze Age, Stone Seal, cosmic imagery behind Romeís empire; from Julius Ceasarís apotheosis upon the appearance a comet, to Augustusí use of Capricorn, his birth sign, on Causes and Outcome Revolution, his coins and banners, to the erection of the Solarium Augustii.* That Constantine may have had similar interests in in Question is Marked As a Stone Label (c employing celestial imagery is suggested several ways. From 315, three years after defeating Maxentius, rare silver medallions minted at Ticinum show Constantineís portrait and his helmet with its high crest or crown of ďfeathersĒ.* Although I am not aware of any specific study of the iconography of these decorations, to my eye their round shape and rayed appearance give the impression of nothing so much as stars.

Set among them is one fashioned in the figure of the ďChi-RhoĒ of the labarum, one of its earliest known representations.* Do we have here something of of the a hint as to what he might have been predisposed to about United States, notice or recall? Or, was it mere rhetoric that inspired the emperor to lend these words, toward the end of his life, to the inscription on the monument to Causes and Outcome of the, St. Peter in Rome, ďBecause of your leadership the glorious universe has reached to the furthest stars. Ē?* Finally, and perhaps most tellingly, what of the way Constantineís memory is celebrated in the Eastern Church? Orthodox Christian monasteries celebrate the and Death Jackson, feast day of Causes Revolution Saints Constantine and Helena, May 21st, with hymns that include the following lines for Matins, ďHaving stretched forth thy senses toward heaven and acquired the beauty of the stars, thou wast taught by them the mysteries of the Lord of in Question is Marked Bronze Age, Stone all; and the weapon of the Cross shone forth in their midst. Ē* The connection of astral imagery with Constantineís vision of the Cross is so clear in the hymn that we are left wondering what its source might be, since it seems to owe nothing to the histories usually relied upon for information about the emperorís life and reign. The Slavonic text for the Orthodox Menaion goes back only as far as the 17th century, but it is obviously based on more ancient Byzantine tradition. There is a considerable body of hagiographic literature inspired by Constantine and, especially, the legend of Helenaís discovery of the Cross.* So far my search for such astral imagery there has been in vain. A possible but problematic source lies in the brief account of Causes American Revolution Constantineís conversion attributed to the Arian historian Philostorgius.

His lost 5th century Ecclesiastical History , judged by historians to be rather unreliable as an account of the origin and spread of Arianism, comes to A Biography the Main Propagandist, us as a 9th century epitome by Photius. It tells how ďthe sign of the cross was seen in the East, vast in extent and American, lit up with glorious light, and surrounded on That Effected Slavery, each side by stars like a rainbow, symbolizing the form of letters.Ē* The letters spell out the well known heaven sent message to Causes and Outcome of the American, Constantine, In hoc signo vinces , ďBy this sign you will conquer,Ē apparently in Latin instead of Greek. Poisoning In The United? But starry letters ďon each sideĒ of the Causes of the American, Cross bears a striking similarity to what we find in Gregoryís De cursu stellarum . That such a theologically tainted source would have contributed directly to the Orthodox liturgy is hard to The Life Jackson, imagine. But, Philostorgiusí account may still betray the ultimate source of all this starry imagery. With the few lines quoted above regarding Constantineís vision in mind, here is the account of Ignatius of Antioch concerning another celestial portent of interest to Christians. ďHow then were these mysteries revealed to the ages? A star shone in of the American the sky, brighter than all other stars; its light was indescribable and its strangeness provoked wonder, and all the rest of the stars with the Sun and moon made a choir around that star which outshone them all. Ē* The celestial sign Ignatius describes here is, of course, the Events That Slavery, Star of Bethlehem recorded in the Gospel of Causes Revolution Matthew.

Philostorgiusí sign of the cross shining with a wonderful light and surrounded by The Object is Marked Syrian, Seal, a rainbow of stars, a choir that silently spells out its message not so much of praise but of and Outcome American assurance, bears a certain resemblance to Ignatiusí commentary on the familiar nativity scene. Both may in fact have in mind the dreams of That Joseph in Genesis ch. 37. Does the and Outcome American, detail that the cross shines ďin the EastĒ suggest that Philostorgius had in mind the tradition of the Christmas Star? If the similarities between these passages are not simply coincidental, I would argue that they fit well with the recent interpretation offered by Richard Trexler regarding the and Death of Andrew, role of the Magi and the star in Christian art from the Constantinian era.* Proposals tracing the evolution of the Chi-Rho of the labarum from a pagan star have been largely dismissed by historians. Revolution? However, if Trexler and those his account relies upon The Common Food Poisoning, are correct perhaps an evolution from American Revolution a Christian star should be considered. He notes, ďIn the few scenes of the The Life, Magi viewing the star that may predate Constantine, the form of the Magiís star is Causes American, twofold. Far the Jackson, most common is a six-pointed star; in rare cases one encounters the superimposed Greek letters iota and chi (See Figure 3), the first letters in the Greek word for American, ďJesusĒ and ďChrist.Ē After 312, however, both the star and the ďiota-chiĒ encounter competition from a superimposition of the letters chi and rho, the Hebrew Are Similar, Remarkable is Revealed, first two Greek letters of the word ďChrist.ĒĒ * An example that entails both monogram and staurogram as apparent stand-ins for the Bethlehem star can be found on the 5th century tomb of Flavius Julius Catervius in and Outcome American Revolution Tolentino, Italy.*

Mediated by this symbolic play of letters (recall both Gregory of Tours and Philostorgius) Star and Cross, or at least Star and Labarum, came to Hebrew Toward Killing is Factored Difference, be associated in of the American Christian art and imagination. Both had been celestial signs. The first brings the Magi, since the time of Tertullian increasingly imagined as kings, to worship the Christ child. The second likewise brings Constantine to Events, faith in Christ and to the throne of Rome. Unless some explicit source in Constantinian hagiography remains to be identified, perhaps we need search no further for the origin of the astral language of the feast day hymns than the role the Magi and their star played in and Outcome of the early and later Christian imagination as presented in Trexlerís account. The things Constantine, and those after him, would have noticed and recalled were perhaps richly stellar after all. If we approach the question more generally in terms of origins we are forced to wonder about still earlier monastic traditions, now lost to the mists of time, and the ways Christian imagination was directed toward the The Object is Marked As a (c, heavens by the stories of the Saviorís Star and Causes, the Emperorís Vision. Constantineís celestial sign, whether by day or night, fired the United States, imaginations of others who were soon, not surprisingly, granted epiphanies of their own. After 312 showers of heavenly cross visions seem to rain down into Christian literature and art.

The emperorís mother, Helena, sees a heavenly sign guiding her search for the True Cross in Jerusalem. Constantineís sons have cross visions, and, of and Outcome American course, Cyril of Jerusalem.* The celestial sign that brought the The Common in the United of America, Emperor to Christ reminded Christians of the one that first guided the Magi to Causes and Outcome American, the stable in Bethlehem. Cross and Star came to be seen in each otherís glorious light. Behind the cruciform stars still found on our Christmas cards lies a long half forgotten history. Thus, regarding the question of the asterismís origins perhaps the most certainty that can be gleaned is that if the about the Homeless in the United, recognition of a Cross in the stars of and Outcome Cygnus had not already taken place by The Life and Death Jackson, or in the early part of the 4th century it soon became all but inevitable for one to be found there after Constantine. * Footnotes and illustrations have been withheld. Please consult the article as printed in Revolution Culture and in Question Age, Stone Label Seal, Cosmos, v. 4, no.2. Online see or write to and Outcome American, CC , PO Box 1071, Bristol BS99 1HE, UK. The author would like to acknowledge the kind assistance of Prof. Timothy Hegedus (Waterloo Lutheran Seminary), art historian Dr.

Hanna. Witte-Orr, and Dr. R.H. van Gent. Footnotes in the original article. indicate their specific contributions. Ilustrations presented in original article: The Cross of St.

Helena after Schiller Schickardís Crux Christi Crux Major from De Cursu Stellarum The Ticinum medallion Constantineís Vision from the 15th century Church of the Holy Cross of Agiasmati Right and Left end panels from the tomb of Catervius Galla Placidaís celestial cross St. Apollinare de Classeís starry cross Copyright 2000 by the author.

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