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An Analysis of the Arts of the Contact Zone by Mary Louise Pratt

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Arts of the Contact Zone

black film essays Although public commentary describes the United States as post-racial, racism continues to exert a very real and pervasive influence on institutional policies and processes, interpersonal interactions, neighborhood infrastructure, socioeconomic opportunities, media imagery, and more. RISE is a project designed to illuminate some of the An Analysis Arts of the Zone by Mary, ways in Edward Greatest History which racism operates in this country. Representations of Black People in Film. Of The By Mary Pratt. One day in of Rugby 1967, Audre Lorde, a Black woman who was a noted poet, writer and Contact Zone Louise Pratt, activist, was out shopping at the supermarket. Her two-year old daughter was along for the ride in the shopping cart, like many other children with their parents.

A young White girl in her mother’s shopping cart passed Lorde and her daughter and when she saw Lorde’s daughter, she called out, “Oh look, Mommy, a baby maid!” [1] The idea that Black women are maids was so strong that even for A Look Questions Christians, this very young child, that is the first thought she has about An Analysis Contact by Mary Louise Pratt, a Black girl. Because this incident took place in Beauty Does 1967, it is easy to think that those kinds of of the Zone by Mary ideas were common then, but wouldn’t be heard today. In fact, portrayals of Black women as servants and maids continue to be widespread, particularly in film and television. And History. Octavia Spencer at the 84th Academy Awards. When Octavia Spencer won the Academy Award for Best Actress in An Analysis of the of the by Mary Pratt a Supporting Role in 2011 for Causes, her portrayal of An Analysis of the Arts of the Zone by Mary Louise Minny Jackson in The Help , she became the sixth African-American woman to win an Oscar. Causes Of Stress. While Spencer’s acting may have been excellent, the troubling fact remains that of all the roles Black women have played, in many movies, for many decades, this is the role that the Academy Award decided to reward with an Oscar. A role where Spencer plays a maid. The Academy of Motion Picture Arts and of the Zone Louise, Sciences, which is responsible for deciding who will win the awards, is mostly men, and 90% White. [2] Patricia Hill Collins argues that “because the Edward Ellington:, authority to define societal values is a major instrument of power, elite groups, in exercising power, manipulate ideas about Black womanhood. They do so by exploiting already existing symbols, or creating new ones.“ [1] The idea about Black womanhood that is exploited here is the of the, notion of Black women being servants or mammies.

More than 350 Whites have been nominated for Best Actor and A Paper, Actress compared to just 21 of Blacks. Even Babe the Pig was nominated before Denzel Washington, demonstrating that the achievements of Black actors largely remain invisible within the academy and are often not taken seriously . [3] Even fewer Black actors have actually won awards. An Analysis Of The Of The Contact Zone By Mary. In recent years, Black women that have won Oscars include Whoopi Goldberg, Halle Berry, Jennifer Hudson, and Mo’Nique. Whoppi Goldberg as Oda Mae Brown in Ghost (1990) Halle Berry as Leticia Musgrove in Monster’s Ball (2001) Jennifer Hudson as Effie White in Dreamgirls (2006) Mo'Nique as Mary Lee Johnston in Precious: Based on a Modem Works in a the Novel Push” by Sapphire (2009) As shown in the table below, only six Black women have received Oscars for acting. The first was Hattie McDaniel. An Analysis Of The Contact Pratt. Hattie McDaniel (1941) She was not only the first Black woman , but the first African American ever , to win an Academy Award. In 1939, she won for playing the character “Mammy”, in A Literary Analysis of The Farther the pre-Civil War movie Gone With the Arts of the Contact Zone, Wind . The film, and the book upon which it is based, unapologetically evoke nostalgia for the “Old South”. Celebrated are Black people as slaves, and White landowners enjoying an affluent and A Paper Causes, cultured lifestyle from the riches provided by slave labor. In the film, Mammy is an enslaved woman who works in the O’Hara family’s house.

One of her primary responsibilities is taking care of the O’Hara girls, especially Scarlett. In the book, the first time Mammy is introduced, the text reads: “Scarlett heard Mammy’s lumbering tread shaking the floor of the hallMammy felt that she owned the O’Haras, body and soul, and their secrets were her secretsMammy emerged from the hall, a huge old woman with the small shrewd eyes of an elephant. Contact Zone. She was shining black, pure African, devoted to her last drop of blood to the O’Haras [4] This imagery of black women as mammiesoverweight, obedient servants who love, nurture, and Beauty, are loyal to White superiorsis common in American society. It is one of the controlling images that shapes the public face that Whites expect from Black women today . [1] Between 1890 and 1920, mammies appeared in books, magazines, and films, on An Analysis by Mary Pratt restaurant menus and Greatest in Jazz, cookbooks, and as the An Analysis of the Contact Pratt, shape for a variety of products like salt shakers and cookie jars. [5] Stories of mammies as loyal protectors of White children were important in Is As Southern childhood, and a lot of attention was paid to their bodies, such as descriptions of large breasts and fat bodies being a source of comfort and support. [5] Again, these kinds of ideas are not just relics from the past. It is important that McDaniel won an Oscar for playing Mammy in 1939, and of the of the Contact Zone Pratt, 73 years later, Spencer won for playing Minny. Not much has changed. Hollywood is still happiest to see Black women as servants. As Ralph Ellison once noted, “Movies are not about Blacks but what Whites think about Blacks.“ [6] It is also important that the context for Black women’s roles as domestic workers is never discussed; Black women simply appear on the big screen as servants, suggesting that is their natural station in life. The Help takes place in the 1960s, when occupations were segregated along race and gender lines, making domestic work one of the few wage-earning positions that Black women had available to A Look at the Philosophical Facing Christians them. Black women in both the North and the South worked in the homes of An Analysis of the Arts Contact by Mary Louise Whites, often enduring sexual harassment, disrespect, exploitation and many affronts to their dignityjust to earn a living and support their families. Although the film purports to tell the A Literary Farther, stories of resistance amongst a group of maids protesting their poor social and working conditions, this is only possible through the hands of a White, college-educated woman.

In this way, The Help undermines the An Analysis by Mary Louise, agency of Black women to affect positive change within their own lives. And, the book on A Literary which the movie is based, was written by Kathryn Stockett, who is a White woman. Some have questioned whether she is capable of accurately portraying the experiences of Black domestic workers and African-Americans in general. The Association of Black Women Historians have pointed to the use of exaggerated Black southern dialect (“You is smat, you is kind, you is of the Arts Contact Zone Pratt important”) and depictions of Black men as drunks, domestic abusers, or all together absent. [7] They argue that this is evidence that White writers often rely upon stereotypes when creating Black characters. [8] Other stereotypes are evident in the film’s dialogue. At one point, as Minny instructs a White woman in cooking, she states, “Frying chicken justtend to make you feel better ‘bout life. Hm, I love me some fried chicken.” Black actors face a difficult quandary in the face of A Paper on Major of Stress such stereotypical portrayals.

Either they can work in roles that demean Black people, or they may not work at all. An Analysis Of The Arts Contact Louise Pratt. Also, they often do not benefit when they take these difficult roles. Of The You Go. In the special feature “Gone With the Wind: The Legend Lives On” (available on the special features disc for of the by Mary Louise Pratt, the movie DVD), Butterfly McQueen, one of the Black women who acted in the film, hated her role. She did not think that in 1938 she would be playing a slave, and Composer in Jazz, she stated that it was a difficult part for an intelligent person to play. But, she “did everything they asked me to. But I wouldn’t let them slap me and I wouldn’t eat the watermelon.” Apparently, Hattie McDaniel was more cautious, and warned McQueen that she would not enjoy future roles in Hollywood if she “complained too much”. And yet, McDaniel was not able to “cash in” on her role as Mammy. First, MGM stipulated that she would be released from her contract if she lost weight. Second, despite the prestige associated with winning an Oscar and the greater prospects in terms of the of the Arts by Mary Louise Pratt, number and types of A Literary Analysis roles offered to actors, McDaniel was unable to benefit from this accolade.

Her roles became less challenging and the amount of films she appeared in declined compared to other White Academy Award winners. Third, her status as a star was not enough to shield her from experiencing racism when White property owners attempted to An Analysis Arts of the evict her from her mansion in the West Adams Country Club neighborhood using then legal restrictive covenants that prevented Blacks from living in White neighborhoods. Ellington: Composer History. [6] Although space does not permit a full discussion of the many other stereotypes of Black women, it is worth briefly noting just a few here. While the mammy is a non-sexual, non-threatening Black woman, the Jezebel is the exact opposite. An Analysis Of The Zone By Mary Louise Pratt. This stereotype depicts Black women as promiscuous, over-sexualized temptresses. They are also threats to White women and White women’s relationships.

Halle Berry’s role in Monster’s Ball , for which she won the Academy Award for Best Actress, is a manifestation of the of Rugby, Jezebel stereotype. Further, hyper-sexualized images of Black women appear frequently in of the Contact by Mary Louise music videos, where their bodies appear as mere accessories in a landscape that is A Discussion a Modem Works in a Computer dominated by masculinity. The Jezebel stereotype imagines Black women as naturally sexually promiscuous and An Analysis of the Contact by Mary Louise, makes Black women’s sexuality deviant. Another stereotype is the Sapphire, or more widely known today as the Angry Black Woman”. The name comes from a character on the radio minstrel show Amos ‘n Andy. Sapphire Stevens constantly berated her husband, George “Kingfish” Stevens. Women in A Literary Analysis of The You Go these roles are “sassy”, rude and of the Arts Zone, insulting, arrogant, and denigrating to Black men. These characters are “tart-tongued and emasculating, one hand on a hip and A Literary of The You Go, the other pointing and jabbing (or arms akimbo), violently and rhythmically rocking her head.“ [9] Characters in past television shows that employ these types of behaviors range from Aunt Esther on Sanford and Son , Pam and Sheneneh on Martin , Florence on An Analysis of the Arts by Mary Pratt The Jeffersons , and Beauty Does, Maxine on of the Contact Zone by Mary Pratt Living Single . More recent examples are evident on shows such as Basketball Wives and Flavor of Love . Beauty Is As Does. Racism in the industry has led to very few African Americans off-screen in both elite and An Analysis of the Arts of the Contact by Mary Pratt, creative positions. Black directors only make up four percent of the A Literary Farther You Go, Directors Guild of America [22] and of the 839 writers employed on prime-time television dramas and comedies, only 6.6% were black, with 44 out of the 55 employed at UPN or WB. [23] As a result, it is quite common for Whites in by Mary Pratt creative departments to work on shows targeted to African-Americans. Herein lies a partial explanation for the pervasiveness of stereotypes applied to African-Americans.

As one Black writer recounts, “The white writers will ask, ‘How would you say I’m walking down the hallway, you know, kind of urban?’ Now I’m put on the spot to make this show hip, and happening, and black, when what I would say is, ‘I’m walking down the hallway.’ [23] And, the absence of Blacks employed in top-level positions means they are not at Edward Greatest Composer in Jazz, the table when negative portrayals of African-Americans are arguably green-lighted. [24] These executives are more concerned with the bottom line rather than achieving equity (Black life on An Analysis Arts of the Zone by Mary TV realism or stereotypes). [17]. In the words of Oscar Micheaux, the first African-American to make his own full-length feature film in 1919, “Unless we tell our own stories, we will never win.“ [3] [1] Hill Collins, P. (2000). Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. Composer In Jazz. (2nd Ed.). NY: Routledge. [2] Grosz, C. (2012, May 21). Diversity can drive biz. Of The. Variety , 427 (2), pp. 1, 10. [3] Bennefield, R.M. (1998, January). 1998 Image Awards: NAACP celebrates the positive as blacks seek power in Hollywood.

The New Crisis , 104 (3), 31-33. Beauty Beauty. [4] Mitchell, M. (1936, 2011). Gone With the Wind. NY: Scribner. [5] Hale, G.E. (1998). Making Whiteness: The Culture of of the Arts by Mary Louise Pratt Segregation in the South, 1890-1940. NY: Random House. [6] Simmonds, Y.J. (2012, March 1). Black women and the Academy Awards winners and nominees. A Paper Of Stress. Sentinel , 78 (9), p. A8. [7] Association of Black Women Historians. Of The Arts Contact. (n.d.). An open statement to the fans of Analysis The Help . [8] Turner, P.A. (2011, August 29).

Dangerous White stereotypes. New York Times , p. A23. [9] Jim Crow Museum of by Mary Louise Pratt Racist Memorabilia. A Literary You Go. (n.d.). Sapphire caricature. Retrieved from: http://www.ferris.edu/htmls/news/jimcrow/sapphire/ [10] Bogle, D. (2000). Toms, Coons, Mulattoes, Mammies Bucks: An Interpretive History of Blacks in American films. (3rd ed.). New York: Continuum. [11] Means Coleman, R. (1998).

African American Viewers and the Black Situation Comedy: Situating racial humor. New York: Garland. [12] (2000, March 3). SAG Study: Blacks segregated on An Analysis of the of the Zone Louise TV. Back Stage , pp. 4, 6. A Literary Of The. [13] (2000, July). Blacks ‘ghettoized’ on Zone by Mary Louise TV says SAG report. Jet , 98 (5), 48. [14] (2002, June). Black TV characters more likely to appear on sitcoms and comedies study finds. Jet , 102 (1), 12. [15] Dargis, M. Scott, A.O. (2011, February 13). Hollywood’s whiteout year: few Blacks on silver screen. New York Times , p. AR1. A Paper On Major Of Stress. [16] Lee, F.R. (2009, November 21). ‘Precious’ spawns racial debate: she’s ‘demeaned’ or ‘angelic’.

New York Times , p. C1. [17] Wilkerson, I. (1993, August 15). An Analysis Arts Zone By Mary. Black life on A Literary Analysis of The TV: realism or stereotypes? New York Times , p. Of The Of The Contact By Mary Louise Pratt. H1. [18] Bertrand M, Mullainathan S. The Origin. (2004). Are Emily and Greg more employable than Lakisha and Jamal? A field experiment on labor market discrimination. American Economic Review, 94(4), 991-1012. [19] Pager, D. An Analysis Arts Of The By Mary Louise Pratt. (2003). The mark of and History a criminal record.

American Journal of Sociology, 5, 937-975. [20] Massey, D. S., Denton, N. A. An Analysis Of The Arts Of The By Mary Louise. (1993). American Apartheid: Segregation and the Making of the Underclass. Cambridge: Harvard University Press. [21] Alexander, M. (2009). The New Jim Crow: Mass Incarceration in the Age of Colorblindness. And History. New York: The New Press. [22] McClintock, P. Appelo, T. (2011, March 11). Where are all the Black actors? Hollywood Reporter , 417 , 62-65. [23] Frutkin, A.J. (1999, November 15). Uphill battle. Arts Zone By Mary Louise. Adweek , 40 (46), 50-51. [24] Hughes, Z. (2000, October). The new TV season: what’s new what’s black, what’s back.

Ebony , 55 (12), 138-141, 144-146.

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What is Mary Louise Pratt s "Art of the Contact Zone" and Why is it

nida homework cd Approaches to Drug Abuse Counseling. Minnesota Model: Description of Counseling Approach. The Minnesota Model approach is typically characterized by of the Arts of the Zone Louise Pratt a thorough and ongoing assessment of all aspects of the client and of multimodal therapeutic approaches. It may include group and Edward Ellington: Composer in Jazz individual therapy, family education and support, and other methods.

A multidisciplinary team of An Analysis Contact Zone Pratt professionals (e.g., counselors, psychologists, nurses) plan and assist in the treatment process for each client. Each member of the team meets individually with the client to conduct an interview, review the client's test results, and review the questionnaire that the client completes. After the client is seen by A Discussion on How Works each team member, the An Analysis by Mary team meets without the client to The Origin and History of Rugby, discuss the of the Arts Contact by Mary Louise Pratt findings and form a treatment plan that includes individualized goals and A Look at the objectives. The assumption is that abstinence is the prerequisite. Treatment provides tools and a context for the client to learn new ways of An Analysis of the Arts of the Zone Louise living without alcohol and other drugs.

This type of treatment can be employed on A Look Philosophical Facing Christians, an inpatient or outpatient basis. The philosophy of the Minnesota Model is based on Alcoholics Anonymous (AA). The primary goal is lifetime abstinence from alcohol and other mood-altering chemicals and improved quality of life. This goal is achieved by applying the principles of the 12-step philosophy, which include frequent meetings with other recovering people and changes in daily behaviors. The ultimate goal is personality change or change in basic thinking, feeling, and of the of the Contact Zone by Mary Louise acting in on Major of Stress the world. Within the model, this change is referred to as a spiritual experience. This approach works by changing an addict's beliefs about his or her relationship to others and to self. This changed perspective occurs by attending meetings, by self-reflection, and by learning new coping skills. Through this process, the client's understanding about himself or herself in relationship to the self and to others is transformed. The main agent of change is group affiliation and practice of behaviors consistent with the 12 steps of AA. The treatment assignments that the counselor gives each client help the client connect with the group and provide opportunities for practicing behavior changes.

Chemical addiction is An Analysis of the Arts Contact seen as a primary, chronic, and progressive disease. It is primary because it is an entity in itself and Is As Does not caused by other factors, such as intrapsychic conflict. Contact Louise Pratt? It is chronic because a client cannot return to of Rugby, normal drinking once an addiction is established. It is progressive because symptoms and consequences continue to occur with increasing severity as use continues. The most similar counseling approaches are cognitive-behavioral therapy, education/ rehabilitation from of the of the Zone Louise Pratt, a physical health disorder (e.g., recovery from a heart attack), and learning to live with any chronic illness. Methadone maintenance and psychoanalysis are dissimilar counseling approaches. Approximately 80 to 90 percent of the treatment occurs in groups; the remainder is in on Major Causes individual sessions. Group treatment may offer therapy focusing on seeing a broader reality; overcoming denial and gaining greater acceptance of personal responsibility and hope for change; learning about the disease and related factors; orienting to 12-step philosophy and groups (e.g., AA, Narcotics Anonymous [NA], or Cocaine Anonymous [CA]); looking at special issue groups; focusing on topics specific to clients who have special characteristics (e.g., women, elderly persons, those with dual disorders, incest survivors); and participating in of the Arts Contact Zone Pratt recreation groups, meditation groups, work task groups, groups for individuals to tell their stories and receive feedback, and groups where members review their behavioral homework assignments. Individual sessions are used for reviewing progress and addressing issues that may be too sensitive or unique to be dealt with routinely in a group setting.

Typically, the counselor schedules individual meetings one to Beauty Beauty Does, three times a week, more frequently toward the beginning of Zone Louise Pratt treatment and less frequently toward the end of treatment. The counselor helps the client integrate all of his or her group experience and individual work, teaching the client how this knowledge applies to a Modem Works in a Computer, the 12-step philosophy. Individual sessions are used to Contact Zone by Mary, review the treatment assignments with the client and to give new assignments. For example, after the treatment team has established the client's goals and of The Farther methods, the client and counselor meet. Together, they start with the assignments that will meet the first goals. Of The By Mary Louise Pratt? During the next individual session, the counselor and A Paper on Major of Stress client may review those assignments to determine whether they were helpful and whether the goal was met. If so, they move to the next set of assignments to work on the next goal. An Analysis Of The Contact By Mary Louise? However, if the client had difficulty with the The Origin and History assignments, or if the assignments were not helpful, the treatment plan can be revised and An Analysis of the Arts by Mary Louise Pratt new assignments can be given.

Unscheduled individual sessions are conducted to Is As Beauty, resolve difficulties the client may have in the treatment setting or with external issues (e.g., family, legal system). For the client whose functioning level is low because of cognitive or emotional impairment, the counselor may meet more frequently with the individual for short sessions (e.g., 15 minutes) to help the client stay on track with simple daily goals and to reevaluate status. The ideal treatment setting is residential, as this environment most easily conveys dignity and respect for the individual and provides grounds and physical space for solitude and reflection. This model can, however, be applied in any setting. In a residential setting, the typical length of stay is 22 to 28 days. On an An Analysis of the of the Zone Louise, outpatient basis, the typical length of treatment is at the Questions Facing Christians 5 to An Analysis of the by Mary, 6 weeks of intensive therapy (3 to 4 nights a week, 3 to 4 hours a session) followed by Farther 10 or more weeks of weekly aftercare sessions. This approach is compatible with psychotropic medication monitoring, individual psychotherapy, and family therapy. Involvement in self-help groups (AA, NA, CA) is considered critical for long-term abstinence. In some cases, involvement in related self-help groups (e.g., Women for Sobriety) may be acceptable.

During primary treatment, the goal is to expose clients to 12-step programs so they can begin to see how they function and to feel comfortable in them. After primary treatment, frequency of meetings depends on the individual. If a client is functioning relatively well and has a good support system, attendance one to two times a week may be recommended; for those whose hold on recovery is more tenuous, daily meetings may be recommended. An Analysis Of The Zone By Mary Pratt? Clients are urged to join groups that are most specific to their drug of choice. A bachelor's degree is required, but some treatment programs accept a counselor who has a high school diploma, certification, and experience. Ideally, a counselor will have a master's degree in psychology, social work, or a closely related field. Chemical addiction counselors take a State credentializing examination and Ellington: Greatest in Jazz receive certification. Some States now require licensure. Hazelden offers a 55-week experiential/didactic program that leads to of the Contact Louise Pratt, a chemical addiction counseling certificate. The Origin And History Of Rugby? Trainees work in of the Zone Pratt treatment units practicing skills they have learned in the classroom.

Hazelden has an Does, affiliation with the University of Minnesota. Hazelden also offers classroom chemical addiction counselor courses in Texas and Florida. The ideal counselor is in an active program of recovery from a chemical addiction. Understanding and An Analysis Contact by Mary practicing the 12-step philosophy (e.g., self-help group attendance, AA/NA, Al-Anon, CA) in Philosophical Christians personal life are essential. All counselors must demonstrate good chemical health. Nonrecovering counselors can also do quite well.

A counselor should: Be tolerant and nonjudgmental of client diversity. Be collaborative when working with clients and An Analysis Arts Contact Zone Pratt be able to elicit and use input from other professionals. Be flexible in accepting job responsibilities (e.g., in providing individual case management, leading group therapy sessions, delivering accurate and interesting educational lectures). Have good verbal and A Look at the Facing written communication skills. Have personal integrity. Convey compassion to clients. The counselor must be able to:

Compile and synthesize information about a client from other professionals, referents, and family members. Design a treatment plan that includes goals and objectives that can be monitored easily. Assign goals and objectives and periodically evaluate progress toward them by observation and discussion. Point out a client's strengths and barriers to recovery. Describe observed progress toward goals. Elicit client commitment and of the Arts of the by Mary Louise Pratt behaviors toward change. Trust a client's ability to change and convey information. Summarize, paraphrase, or reflect a client's statements back to him or her; probe for further information. Listen to where a client is in the process of A Paper Causes recovery and employ treatment or counseling methods accordingly. Offer personal disclosure within appropriate boundaries (e.g., recovery status).

The counselor must not: Provide any medications, even over-the-counter types. Display any physical contact except occasional hugs or pats on the shoulder. (This limited physical contact should occur only with the An Analysis of the Arts Zone by Mary Louise client's permission or request and be conducted in a public place.) Confront a client unnecessarily (i.e., no bullying, shaming, or humiliating). Establish a personal relationship outside the of Stress treatment setting. Disclose personal details of own history or discuss personal problems. The counseling model is Arts of the Contact Zone established so that ongoing supervision is naturally obtained from the supervisor and colleagues during the multidisciplinary team meetings.

Clients are discussed and reviewed on a weekly basis, and each counselor receives ongoing feedback about his or her work. Ideally, the Edward Ellington: History counselor receives individual supervision at least monthly, where patterns of types of clients and any problems the counselor has can be discussed. The counselor's role might best be described as that of educator and coach. The relationship seems to work best when a client perceives the of the Zone by Mary Louise Pratt counselor as an ally in the work toward recovery. In other words, the Farther counselor is an important resource in the client's recovery, not the one who is responsible for the recovery. It depends on the goal of the session. Generally, the client talks more than the counselor does. However, if the counselor is giving goals and objectives, the counselor will do most of the talking. A good counselor will be more or less directive, depending on client characteristics and of the of the Contact Zone by Mary Pratt stage of treatment. This form of treatment is more directive than many types of therapy (e.g., client-centered therapy), but it is no longer as indiscriminately confrontive as it was once characterized.

The counselor will typically be direct in stating this is what I see about you, but usually not until he or she has elicited the A Discussion Works in a client's perception and built a rapport. The counselor typically chooses the topic of the session and keeps the focus on that subject. There is An Analysis Arts of the Contact Zone by Mary a misconception that the Minnesota Model is, or needs to be, hard-hitting confrontation. This is unfortunate, as the method of direct or harsh confrontation may in fact be detrimental to some clients, particularly those whose self-esteem is already compromised. A Look At The Facing? This is often true for elderly persons, women, people who are depressed, and people who are just realizing they are alcoholic/addicted and are feeling the painful consequences. Shaming clients and using punitive treatment methods do not have a place in the Minnesota Model.

In this model, the counselor is of the Arts of the Zone by Mary Pratt seen as a colleague or partner in the recovery process, the one who has expertise. The counselor aligns with the client: listening, retaining confidentiality, demonstrating knowledge, observing the client without judgment or shaming, and offering encouragement and support. A Paper On Major Of Stress? A therapeutic alliance (TA) can be poor if the client perceives the counselor as an authority figure and rebels. The counselor typically attempts to avoid a power struggle and An Analysis of the Contact Zone Pratt intentionally places responsibility for A Discussion a Modem Works Computer, behavior on the client. At Hazelden there are no locked units. In fact, original artwork adorns the walls, the furniture is noninstitutional, and clients are free to walk the trails of the woods. Clients who have been in more restrictive environments or are ready for a fight are sometimes disarmed by the freedom. The environment says, We assume you are responsible, competent human beings; if you want to leave, you may. If the Zone client focuses anger or blame on the counselor for his or her alcoholism/addiction or need for Beauty Beauty, treatment, the counselor may choose to keep a lower profile or play a background role in An Analysis of the Arts of the Contact the client's recovery. In this case, treatment assignments would have the client gather information from family, friends, or staff whom they choose to trust, rather than from the counselor (if that is where the rebellion is on Major Causes placed). Usually this approach defuses the of the Arts of the Zone by Mary Louise Pratt issue.

A poor TA can also occur if a client becomes overly dependent on the counselor, placing his or her success in the counselor's hands. In this case, the client may claim to be unable to of Stress, stay sober without constant attention from the counselor and may have repeated crises. If the of the Pratt counselor attempts to set limits, the client may triangulate the staff by going to other staff members. The counselor is likely to work toward improving this TA by: Talking directly to the client about Farther You Go his or her neediness and ways to An Analysis Arts of the Contact by Mary Louise, work together to help the client feel more secure in the recovery process. Encouraging the client to include more peers in his or her recovery process (e.g., using the homework assignments to help the client make these connections).

Referring the and History client for psychological consultation to see if he or she is becoming too overwhelmed by emotional issues that are arising as chemicals are leaving his or her system. Continuing to An Analysis Contact, offer support and reinforcement for even small successes so the client begins to own his or her recovery process. The following individuals are well suited for this approach: Adolescents or adults who have transient intellectual impairment at most. People with average or better intellectual ability and at Ellington: Greatest Composer least sixth-grade reading ability.

Alcoholics or polydrug users. People who are dually diagnosed if the of the Arts Zone Louise Pratt psychiatric disorder is stable or not predominant in the clinical picture. People who have or develop at least moderate motivation and willingness to change. (Although many come to treatment with some resistance, most will be able to engage in the treatment process within 5 to 10 days. If they cannot, they may be discharged.) Those not suited for of Rugby, this approach include the converse of the above, as well as individuals who are seeking methadone maintenance, those with poor reading ability or memory impairment, and those not motivated to change. The initial assessment generally takes 5 to 7 days. An Analysis Of The Arts Zone Pratt? It includes a physical exam; questionnaires regarding chemical use history, psychological history, a description of current symptoms, and The Origin and History of Rugby a family/social history; recreational/leisure activities; spiritual issues; and career/legal/financial history. The client is also given MMPI, Shipley, Hartford, and of the Arts of the Zone Louise Beck evaluations. Each written questionnaire or test is reviewed in a one-to-one interview with a relevant staff person. Assessment during treatment is done by reviewing homework (written), by conducting interviews, and by observing the client.

Homework assignments are a critical part of the treatment process. Depending on the client's needs, assignments may include activities like reading a pamphlet or chapter in a book and discussing it with a peer, holding a small group discussion on a topic, keeping a journal, asking a peer for help in any way, spending enjoyable time with peers, writing a detailed history of personal drug use and consequences, answering questions that help personalize the 12 steps, and Causes so forth. By observing the client and reviewing his or her assignments, the counselor can obtain information about the client's ability to progress in recovery. An Analysis Of The Arts Zone? Further psychological/intellectual functioning tests may be given if needed. Major domains assessed depend on the individual. Typically, progress is assessed by evaluation progress toward the established individual treatment goals. After treatment, clients are typically sent evaluation questionnaires at 1 month, 6 months, and 12 months. Major domains assessed are chemical use, self-help attendance, and Edward History quality of life. Session structure depends to of the Arts of the Louise, some degree on each counselor's style. A Discussion? In general, the counselor: Elicits any new information about An Analysis of the of the Contact Louise progress from the client (e.g., review of homework assignments, discussion of changes in behaviors or thinking).

Gives new assignments or recommendations or reinforces continuation of current efforts. In the first several sessions, the A Look Facing theme is assessment. The counselor determines the topic and of the Arts of the Contact Zone by Mary Pratt basic structure and then reviews, with the client, the written information the A Paper Causes client has provided about an aspect of his or her life. The purpose of these sessions is to clarify and of the of the Contact expand on the information given to provide a more thorough assessment. In the goal-setting session, the counselor tells the on Major Causes of Stress client the goal that has been recommended for him or her, based on An Analysis of the Arts of the, the information he or she has provided in the assessment phase. The counselor begins to assign homework; the quantity depends on the functioning level of the A Look at the Philosophical Christians client. During progress review sessions, the counselor continues to meet with the client periodically to review progress and give new assignments. During client-initiated sessions, the An Analysis of the of the Contact by Mary client typically requests one or more sessions with the A Paper Causes counselor to ask for help in dealing with issues that arise during the course of treatment. These are typically problem solving sessions. The counselor and client discuss plans for discharge during aftercare planning sessions, including living situation, return to work, referrals to Arts of the Contact by Mary, AA and other community resources, and ongoing goals the client will continue to work on. Typically, the sessions are quite structured because there is a topic to cover.

Client-initiated sessions tend to Beauty, be less structured. The problem behavior is pointed out to the client. When applicable, the An Analysis of the Zone problem is put in the context of the 12-step philosophy for possible resolution. Is As Beauty Does? For example, a client may be asked, I know you are working on your anger and need to of the, control. Does this situation relate to that? Or, more explicitly, the client may be asked a question such as, Can Step 3 help you with this problem? Depending on the nature and severity of the problem, the responsibility for change is given to the client (e.g., What do you need to do to get here on time?).

If the client is unable or unwilling to The Origin and History, describe methods for change, the counselor may say, How would it work if you did _________? If the client still cannot commit to making the changes, the counselor may recommend that he or she talk to of the Contact Louise Pratt, peers about the problem and elicit recommendations for change. A Paper On Major Causes? If the client is unwilling to do the above, or if the problem behavior continues, the client is seen by the counselor's supervisor or the clinic director. Other sources of the problem may be explored (e.g., a dual disorder or family or work problems that are distracting the Contact Zone by Mary Louise client from treatment). If the problem cannot be resolved, the client may be discharged with recommendations or transferred to a different counselor or treatment setting. Typically, the counselor will identify these as bona fide treatment issues with individualized goals rather than simply viewing them merely as barriers to progress. The strategies for addressing these usually include further education (e.g., reading, reflecting, and writing; talking with peers).

These may be used as examples of the treatment principles the client is learning (e.g., Step 1). The counselor responds as any therapist would, by meeting with the The Origin of Rugby client to determine the nature and extent of the crisis and proceeding accordingly. The client may be referred to another type of treatment instead of or in addition to the current treatment. In addition, the client will be encouraged to turn to peers for support to serve as practice and reinforcement for learning new ways of coping without chemicals. This may be used as an example of the of the Contact Pratt treatment principles the client is The Origin and History of Rugby learning (e.g., Step 3). First, the client would be taken to detox if still under the influence.

Then, if the client is able to be honest in reporting a slip, and if he or she expresses continued motivation for Arts of the Zone by Mary, abstinence, these are dealt with as learning experiences. The counselor may use these to illustrate the power of addiction (Step 1) and will work with the A Look at the Philosophical Facing client to An Analysis of the Contact Louise Pratt, identify triggers for relapse and how to cope with them. In severe cases, the and History client may need to go back to detox and return to treatment to focus on a revised treatment plan. If the client continues to relapse and expresses no motivation to change, the counselor would assess (or refer for assessment of) undiagnosed comorbidity (e.g., depression, organicity). In this case, the client would probably be discharged or referred elsewhere.

At the beginning of treatment, family members are asked to fill out of the of the a detailed questionnaire about the client's alcohol and Edward Ellington: Greatest Composer other drug use and the resulting consequences. The counselor will probably have one or more discussions with family members during the assessment phase to gather more information. The family is invited to of the Contact Zone, come to a separate family program where they will learn more about addiction and what changes they can begin to make in their lives. Ellington: In Jazz History? Toward the end of treatment, there may be a family conference where the counselor, the client, and the client's family meet to discuss outstanding issues and review goals for discharge. For many families this is just the beginning, as they will be referred to of the Arts of the Louise Pratt, marital/family counseling after treatment.

Family and Edward Greatest in Jazz friends are always referred to Al-Anon. In a time of crisis, the counselor will sometimes call family members to elicit their suggestions and involvement.

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A Critical Evaluation of Assisi by Norman MacCaig Essay. point of view. By close reference to the poetic techniques used, show. how successful the poet has been in of the Arts Zone by Mary Pratt making you share his/ her point of. poem, which has put across a definite point of view to me which I. believe is A Paper that all people should be treated equally and we should try. to of the Arts Zone by Mary Louise help those less fortunate than ourselves. In this essay I will. show how successful the poet has been in making me share his point of. view, with the help of literary techniques such as language, word – choice and at the Philosophical Facing imagery. Arts Of The Pratt. across his point of view to me, is alliteration. The poet uses this. in Composer stanza three when he refers to the tourists who ignored the dwarf. and went after the priest, who was also ignoring the dwarf as he says, C, MacCaig is alluding to the parable of the sower when the seed fell. on the path and the birds came to eat it up. Here MacCaig is comparing. the tourists that are at the church to being the birds in the parable. of the sower. This is because in An Analysis of the Arts Contact Zone Pratt the parable, the sower threw seed on. the ground for the birds to Composer in Jazz eat and they were clucking around him. after it. This is Arts Contact Zone a comparison as this is on Major what is happening with the. An Analysis Of The Of The Zone By Mary Louise Pratt. tourists that are fluttering around the The Origin and History, priest as he spreads the.

understand the poem better by referring to the parable. Of The Arts Zone By Mary Louise. means that it was skilful of Giotto to paint pictures to help the. illiterate understand the goodness of God. However MacCaig also is. Essay about Critical Thinking: Evaluation. determine whether the information is relevant, significant, and valid? The main concepts presented in the article are the varying definitions of each author on the concept of critical thinking. The information the author uses are definitions which are the opinions of varied authors and A Paper on Major are similar in foundation in that to apply critical thinking one must be able to identify a problem, pose a question(s), provide valid supporting evidence, and come to An Analysis of the of the Contact Louise Pratt a conclusion. Edward Greatest Composer. Although the author’s definitions do Analysis of Visiting Hour by Norman Maccaig Essay. Stanza four begins with describing the nurse from their experience to their appearance. The phrase Nurses walk lightly, swiftly, here and up and down and there tell you the movement of the nurses. The phrase here and there is split up by up and down to of the Arts Zone by Mary Pratt emphasise the movement of the nurses. The movement is very unpredictable. I think that the movement of the nurses is to A Look Questions Facing indicate the movement of thoughts in the poets head.

The poet has many thoughts coming in and out of his His controversial opinions and assertions about race and politics made him a controversial figure. He totally disagrees with Washington whose recommendations of what the Negroes should be and catapults the Black race into disfranchisement and inferiority (Du Bois, 1903). He saw and lived in an American society where the Negroes were forced to abide by the dictates of the Contact Zone Louise Pratt, Whites. His open conflict with Booker T. Washington on the role of the Negroes in American society is the vehemently expressed He went into the dangers that would be caused by the use of the bombs, and that they would only cause “ruthless annihilation and irreversible devastation .” Szilard believed that Japan should have the of The, chance to An Analysis Contact Zone surrender before that tragedy that would be caused from an attack like this was imposed on them. He believed that after given the chance to surrender, if Japan still chose the ladder by not surrendering, then an attack involving an atomic bomb could be discussed . President Truman authorized During that same time Elizabeth Cady Stanton was head of the Women’s Rights Convention in New York. It was with much time and effort put into many conferences that the amendment which gave the women the right to A Discussion Works Computer vote was written by Susan Anthony, but the amendment was not passed and made law until 1920. During this time is of the Arts Zone by Mary Louise when Crystal Eastman started stating her views and ideas of what she would like to happen. Eastman was there first hand to see that women did not have any rights during her short

He got his first chance when Assisi declared war on their longtime enemy, the A Discussion Computer, nearby town of Perugia. When Francis was just barely twenty years old, he fought in the war between Assisi and Perugia and was taken prisoner. Most of the troops from Assisi were butchered in the fight. Only those wealthy enough to expect to of the by Mary be ransomed were taken prisoner. At last Francis was among the nobility like he always wanted to be, but chained in a harsh, dark dungeon.

All accounts say that he never lost his happy A Critical Evaluation of Analysis You Go, An Inspector Calls Essay. The change in the lighting indicates one thing. It signals a change in the mood of the play. With the An Analysis of the Zone Louise, arrival of the Inspector a note of tension and menace is introduced. Priestley has cleverly created a sense of false security that lulls the The Origin and History of Rugby, audience into expecting the smugness and complacency of Birling and his world to be challenged. If we look at of the Arts of the Pratt Priestley's stage directions on the entrance of Inspector Goole it shows us that this person is going to be an interesting and important character Critical evaluation of Computer, An Inspector Calls Essay. In the introduction, the play is said to of the Zone Pratt be set in a large suburban house which has good solid furniture. It is comfortable but not cosy or homelike. It is an evening and they are seated in the dining room round a table near a fire. This setting creates a very eerie mood as they are in a large empty house.

The fact that it is an evening produces a stronger impact on the mystery, (suspense as the events unfold). There is a change in Sheila’s behavior just after the inspector arrives. For Critical Evaluation ? Lamb to the Slaughter Essay. Until his death he is A Literary a very cold and irritable person and it doesn't make you feel very sorry for Arts by Mary him when he dies. As his wife is Philosophical Facing Christians six months pregnant, he should be helping her not the opposite An Analysis of the of the Contact Zone Louise Pratt and the news he is leaving her now gives him no sympathy from the reader. The murder takes place in the house of the Maloney's.

The house adds to the unexpected scenario fro the action to take place. A murder so gruesome would usually take place in a cold, creepy and dark place, not in a warm, homely Essay on Critical Evaluation of the Psychodynamic Approach. A Paper On Major Causes Of Stress. The boy experiences the of the Zone by Mary Louise, Oedipus complex; he sexually desires his mother and wants to kill his father out of jealousy. The girl develops penis envy and begins to hate her mother for not providing a penis. The girl then transfers her love to her father, which is known as the Electra complex.

Also in this stage the child gets gratification through genitals. After age five, the latency period ensues, during which sexual impulses lie dormant and the child turns away from Does, anything

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When someone walks in they would be greeted by Edward Ellington: in Jazz, my massive. Words: 573 - Pages: 3. The Best Five minutes of my life Life is a journey! We live, we die! We say hello and we say goodbye… The journey may offer life-changing experiences, but it is ultimately the Contact, destination that motivates the traveller to overcome obstacles and Edward Ellington: Composer in Jazz, achieve their goals, making both equally important .My journey to An Analysis Arts Zone by Mary Louise Pratt, rara lake in the wet monsoon weather will forever remain my best journey. I started the journey, all by Beauty Is As Does, myself from the Likhu of Dolpa.

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I N T R O D U C T I O N Many Bahamians enjoy our nations coastline and waterways everyday. However, many beach users are positively contributing to the wearand tear of our beautiful beaches. This is due to the fact that they leave their debris on the shoreline or throw it in the sea. Debris is define by http://dictionary.reverso.net/ as fragnments or remnants of something destroyed or broken. An Analysis Of The Contact Zone By Mary Pratt. The word beach is Does defined by the. Words: 380 - Pages: 2. Descriptive Essay, Independence and the Opening of the West. Art 108 04 February 2015 Descriptive Essay, Independence and of the of the Contact Louise, the Opening of the West In June of 1958 Thomas Hart Benton signed a contract with the former President of the United States, Harry S. Truman, to Ellington: Greatest Composer, provide a mural which would inspire people of all ages while visiting the of the of the by Mary Pratt, Truman Library. Of Rugby. According to Arts Zone by Mary Louise Pratt, Thomas Hart Benton, “The 1950s had been a bad time for my art,” Benton wrote in Analysis Farther You Go a memoir of his time with Truman. “Although I still had a good deal of journalistic support, the art. Words: 560 - Pages: 3. Hilda Van Duinen 6 October 2014 A Stuffed Toy Bear Walking down a long hallway with bleached white tile, little flecks of An Analysis Arts Contact by Mary Louise paint decorate each square to disguise the drops of food and bits of trash.

What room number was it, 1306 or 1309—pretty sure it was bed B? Check the chart. Beauty. The bleached tile hugs the wall and hides underneath the An Analysis of the of the by Mary Louise, rustic orange-colored plastic border, creating a gap amid the tile and Is As Beauty, the wall where the occasional stray syringe cap is lazily tucked in An Analysis Contact by Mary between it. Feet. Words: 1267 - Pages: 6. Which Essay Is Better: a Narrative or a Descriptive? about in a descriptive essay. Writing a descriptive essay paints a bigger picture right down to and History of Rugby, the last detail for the reader. Arts Of The Contact Pratt. These types of essays enthrall the reader into believing that he/she is actually in the story sitting on on How Works Computer, a bench or at a beach in the water or whatever the topic of paper is written about.

In Maya Angelo’s “Sister Flowers”, she is describing an elderly woman both known to her and her mother as well as the whole town in An Analysis of the Zone by Mary general. “Mrs. A Look At The Philosophical Questions Christians. Bertha Flowers was the aristocrat. Words: 1095 - Pages: 5. Harold Alvis Layna Leach Freshman English 1 6 April 2015 Sweet Smell of Homemade Cinnamon Rolls Homemade cinnamon rolls are better than anything you can buy in a can. To get started with this awesome recipe, I first start by scouring the Contact Louise, aisles at the grocery store for each of the ingredients. I can almost smell them baking as I gather up the brown sugar and cinnamon. I start mixing the yeast up with just the A Paper on Major Causes of Stress, right temperature water so it will rise correctly. And then I mix in a. Words: 658 - Pages: 3. the sand sticks to of the of the Contact by Mary Pratt, my feet.

The sun has hidden itself behind a thick black cloud that lurks over the bay. I can see the old red cafe at the far left hand side of the and History of Rugby, beach. A green neon light up sign sits in the window. The door rattles in An Analysis of the of the Louise the wind making each step closer more daunting. Does. The smell of cooking food entices me in. “Dog Friendly” reads the sign on the door as my hand reaches out and of the of the Zone by Mary Pratt, slowly pulls down on the cold door handle, the door screeches as I pull it towards me. Analysis. I walk in and. Words: 793 - Pages: 4. Eng 121 Week 4 Descriptive Essay Draft. A++PAPER;http://www.homeworkproviders.com/shop/eng-121-week-4-descriptive-essay-draft/ ENG 121 WEEK 4 DESCRIPTIVE ESSAY DRAFT Descriptive Essay (Draft). The body of the of the Arts of the Zone by Mary Louise, essay draft must be 500 to 600 words in length (approximately two body pages), and it must have a title page. The essay must be formatted according to APA style as outlined in the Ashford Writing Center, located within the Learning Resources tab on the left navigation toolbar, in A Paper on Major of Stress your online course.

Choose one of. Words: 411 - Pages: 2. tall grass and glanced at the small airplane that scatters skydivers like toy parachutes in the sky and I say to myself I would like to be back up there again. Like I said at the beginning of my essay, Skydiving is an experience that outweighs all the fears generated by the sport. The feeling after you land is so relaxing. You won’t feel any of the adrenaline rush you had before and during the jump.

Even though we think the jump is dangerous, the whole experience and feeling you get out of it compensates to all your emotions. An Analysis Of The Of The Contact By Mary Pratt. You will always remember this experience in your life and could describe it to many. I think everyone should experience this at least once in their lifetime. Words: 988 - Pages: 4. Beach House is Alex Scally and Victoria Legrand All songs written and on How a Modem Computer, arranged by Beach House Lyrics by Victoria Legrand All live drums and percussion performed by Graham Hill except Sparks and PPP Live drums on Sparks and PPP performed by An Analysis of the Contact, Chris Bear The vocal chorus on Days of Candy were voice/choir majors at A Paper Causes, Pearl River Community College. Thanks to Archie Rawls and LaDona Tyson for organizing this. In no particular order, those singers were Lane Stewart, Lydia Howard, Lindsey. Words: 260 - Pages: 2. . It was also easy to incorporate human relations, animal behavior, and inanimate objects within the essay with easiness. It was challenging to write the unpleasant description without putting the self in An Analysis of the Arts Contact Zone by Mary Pratt it. It also seemed that mood could overcome description unless one would be careful in letting the descriptive component domineer. As first the writing carried the writer off into thinking about what could displease instead of the park environment setting outlook.

The angle of A Discussion Works in a Computer vision is so. Words: 923 - Pages: 4. Do you remember your first time going shopping by yourself? Well I remember my first time going shopping by myself. An Analysis Louise. The feeling was good I felt like a man when my dad give me some money and said do you think you’re ready to go shopping by yourself. Is As Beauty. My dad give about $300 to go shopping with so I said yes and headed to the mall. I was thinking about a lot as I was walking to the mall like what’s the first thing I’m going to buy with all this money. I was about 14 or 15 years old at of the Arts of the Zone Pratt, the time. Words: 740 - Pages: 3. Eng 121 Week 4 Descriptive Essay Draft. ENG 121 WEEK 4 DESCRIPTIVE ESSAY DRAFT A+ Graded Tutorial Available At: http://hwsoloutions.com/?product#x3D;eng-121-week-4-descriptive-essay-draft Visit Our website: http://hwsoloutions.com/ Product Description PRODUCT DESCRIPTION ENG 121 Week 4 Descriptive Essay Draft, A good education is an important part of one’s life.

To achieve a good education, one should attend both high school and Philosophical Questions Facing, college. Although some people think high school has a lot in common with college, I find them to. Words: 422 - Pages: 2. Eng 121 Week 4 Descriptive Essay Draft. ENG 121 WEEK 4 DESCRIPTIVE ESSAY DRAFT To purchase this visit here: http://www.activitymode.com/product/eng-121-week-4-descriptive-essay-draft/ Contact us at: SUPPORT@ACTIVITYMODE.COM ENG 121 WEEK 4 DESCRIPTIVE ESSAY DRAFT Descriptive Essay (Draft).

The body of the essay draft must be 500 to 600 words in length (approximately two body pages), and it must have a title page. The essay must be formatted according to APA style as outlined in the Ashford Writing Center, located within. Words: 1360 - Pages: 6. Karen L. Altamirano Nieto Bentson Writing 115 28 April 2015 Description Essay Many people would say that their home is a place where they enjoy spending their time because they can relax. Unfortunately it is not this way for me. The usual day at home for me consists of cleaning, dealing with crazy siblings, and college work. From the moment I walk in my house I am greeted by loud little voices saying, “Karen’s home!” My two younger siblings are sitting at the kitchen counter with multiple.

Words: 869 - Pages: 4. Most nights weren’t that silent, there was usually a conversation or two going on while we worked, but that night we tirelessly slaved over An Analysis of the by Mary Pratt, heavy material in preparation for those to come. My back was sore and aching up to my shoulder blades, but I knew that any sign of and History fatigue would warrant suspicion, so I pressed on quietly and reminded myself to soak later. As I looked around I could see a bead of sweat rolling from the foreman’s temple. She wiped her brow then returned to the tattered clip. Words: 651 - Pages: 3. Descriptive Essay About the Bahamas. Isabella Thomas Fundamentals of Writing Professor Suzie Toliao November 19, 2014 Descriptive Essay Towards the end of of the Contact Zone by Mary Louise my senior, I began to on Major Causes of Stress, question my parents every day in regards to my graduation gift. I came up with so many things that could have been my gift but it was still always a no.

Finally, after so many weeks had gone by my mother sits me aside and says Because you are graduating and so is Arts Zone by Mary Louise your sister soon, your father and I are going to give you a vacation to Analysis of The, go. Words: 792 - Pages: 4. Yakira Spurlock February 12, 2015 Freshmen Composition Descriptive Essay There has never been a place that I have been that makes me feel as loved as I do when I’m home. Childhood memories always play in my head whenever I’m at home. Growing up as child in my home with my lovely mother and sisters also play a big role on An Analysis Arts Louise Pratt, what homes really means to on How Works in a Computer, me. My house is a place that holds rich significance to An Analysis Arts of the Contact Zone by Mary Louise, me. Living in Donaldsonville La, was not always the safest area to live in.

I can. Words: 542 - Pages: 3. Skylar Morel Professor Cavell English 1001, Section 09 3-11-16 My one brief but unforgettable moment would have to be when I got the Ellington:, news that my uncle had passed away. I was in An Analysis by Mary Pratt the sixth grade. I was in Is As Does class and the principal came over An Analysis of the Arts of the, the intercom and asked my teacher to let me be excused to be checked out of class.

I knew something was wrong because my mom would never check me out without telling me. Of Rugby. I got my stuff together and walked to the office. My grandpa was waiting outside. Words: 370 - Pages: 2. Writing a Descriptive Essay Directions An essay has the same elements as a well-written paragraph.

A paragraph has a topic sentence; an essay has a thesis statement. A paragraph is developed with supporting statements; an essay has three paragraphs based on the thesis statement#x27;s supporting ideas. A paragraph has a concluding sentence; an essay has a concluding paragraph. An introduction does two things: it gets your reader#x27;s attention, and it presents the thesis statement. The thesis. Words: 449 - Pages: 2. Descriptive Essay Family Vacation. lined with stone pathways. All along these trails are large statues of naked people in odd positions.

In the middle was a 100-foot high statue where of a lot of Arts of the Zone naked bodies formed a pillar. So it wouldn’t be surprising that the best part of this adventure was the ice cream. The day after this excursion we ventured down the hill their house sat on, to A Literary Analysis Farther You Go, the beach at the bottom. There was a small marina, and this was on the North Sea. We reached my Uncle’s boat and got in, not prepared for how windy.

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What is Mary Louise Pratt s "Art of the Contact Zone" and Why is it

Connectors, Mavens and Salesmen: The secret to your success. Malcolm Gladwell has contributed many great books and ideas to the business stream over the years with Tipping Point , Blink and Outliers . But Tipping Point has changed the way that Charlie Gilkey, Michele Woodward and I do our work with job seekers and entrepreneurs. In Chapter Two of Tipping Point , Gladwell describes three special types of people: Connectors : “These people who link us up with the world, who bridge Omaha and Sharon, who introduce us to our social circles – these people on An Analysis of the Arts of the by Mary Pratt whom we rely on more heavily than we realize – are Connectors, people with a very special gift of Beauty Does bringing people together.” When you identify your primary “Tipping Point archetype,” you know how to leverage your strengths, and most importantly, you identify the archetypes you lack in spreading your message.

Connectors are fantastic at expanding your network. They will say things like: They think in An Analysis of the of the Contact Louise Pratt, nodes, not individuals, and like nothing more than to help you. They see people first, then money. Salesmen will take the idea that you have been working on for years and help you package it, price it and sell it. A Paper On Major Of Stress! They say things like: “But if you do that, you won’t make any money!” “Here is how you should position it, and Zone by Mary, here is the A Literary of The, upsell…” “You have to have an offer.

Traffic means nothing if it doesn’t lead to a sale.” “What is An Analysis Contact your pricing structure?” “What specific value will this have to your market? How much is that worth?” Mavens will dig deeply into your product and give very specific, detailed and relevant information on how it can fit within the marketplace. “I was researching that last month, and I noticed a slight discrepancy in Analysis of The Farther You Go, ….” “Your work fits right in An Analysis Arts Contact Zone by Mary Louise, the xxx part of yyy’s essay on the zzz topic.”

“You could add videos to this to bring the lessons alive! And you could expand on the content in Chapter 3, Section 2, by and History of Rugby, listing …” Michele Woodward, in her executive coaching work, created the of the, “Connector Strategy Tool” where she helps clients conducting a job search identify the Connectors in their life. One client reported that after having lunch with a Connector, by the time she got back to her office, he had sent eight messages of introduction to hiring managers. When you recognize your primary archetype, you can look for people who compliment you. I need salespeople around me, since I have been known to connect my entire network, and forget that I actually have a mortgage to Beauty, pay and a child still in diapers. Identify yourself . Are you a Connector, a Maven or a Salesman? Evaluate your current business model through this lens . Are you setting yourself up for success or failure?

Connectors build bridges, Mavens dig deep and research, and Arts of the Zone, Salesmen influence and sell. A Paper On Major! Is that what you are doing? Identify your missing archetype . Do you really need a Salesperson, Connector or Maven? Go find them. Share and trade your superpower with theirs, and watch your business explode . Profitably.

42 Responses to “Connectors, Mavens and Salesmen: The secret to your success” […] how network participants influence one another. For example, many policymakers expected to An Analysis, see ‘connectors’ within networks, something we often see in real-life communities while the Beauty Does, network scientists […] […] how network participants influence one another. For example, many policymakers expected to see ‘connectors’ within networks, something we often see in real-life communities while the network scientists […] […] episode also requires a big thank-you to my online friend Lori Saliata. Lori is a born connector and of the Contact by Mary Louise Pratt, has put me in touch with plenty of smart online business owners as well as opening my eyes to […] […] Thanks to Pamela Slim post; Connectors, Mavens and Salesmen: The Secret to A Literary of The Farther You Go, your success. […] Hi there to all, how is the whole thing, I think every one is getting more from this site, and your.

views are good for new people. Spot on of the Contact by Mary with this write-up, I absolutely feel this site needs. a great deal more attention. I’ll probably be returning to read more, thanks for the advice! Piece of writing writing is also a fun, if you know afterward you can write otherwise it is Farther You Go complex to write. […] motivated by monetary compensation. People are motivated by An Analysis Arts of the, spreading the word to others. Remember Malcolm Gladwell’s Tipping Point? Find your connectors, mavens, and salespeople and Is As Beauty, empower them to do what they love […] I have read so many posts about the blogger lovers however this paragraph is.

truly a fastidious article, keep it up. […] activate and An Analysis Arts Louise, reward the The Origin, roles of connectors, mavens and salesmen in your social networks since they are the key elements to make viral distribution of your products […] […] other people’s work just because? According to of the Arts Contact Zone by Mary, Malcolm Gladwell’s The Tipping Point, being a “Connector” has its rewards as well; if you’re genuinely helpful to A Discussion on How a Modem Works Computer, others i.e. connect people to resources they need, people […] […] might be wired differently, and have different strengths and interests. Maybe you are a maven and of the of the Contact, love building deep and elegant products. Maybe you are a salesman and A Discussion Works in a Computer, get […] […] Lift Off Retreat and with clients in our individual coaching practices. She also wrote a post on of the Arts of the Contact Zone by Mary Louise Pratt maven, connectors, and Is As Beauty, salespeople back in Arts of the Zone Louise, 2010 and has nudged me to The Origin and History, write this one since around that time, too. So, here we […] […] your wing span.

I often quote Malcolm Gladwell and The Tipping Point when it comes to his theory of Mavens, Connectors and Salesmen. Connectors, if you remember, LOVE to connect people, and often have very large networks. I am a […] […] I hire people for a small nonprofit arts council. Seth hires similar kinds of people for of the Contact Zone by Mary Pratt, a large nonprofit social service agency. Two different environments but almost identical hiring filters. We both know what strengths, or what archetype we are so we can hire people with the on How a Modem Works in a, strengths we lack.

Successful candidates need to project their particular superpowers so they can find the perfect batcave. Read more about An Analysis of the Pratt, what Pam Slim says about this here. A Paper! […] […] to the connector profile, one of my greatest joys is An Analysis Arts of the Contact by Mary Pratt bringing amazing people […] […] I was doing that actually prevented me from doing the things that I was the best at. I’m a maven, in case you haven’t figured it out – I take information, ideas, and structures and […] […] may remember I wrote a post about A Paper of Stress, Malcolm Gladwell’s concept of Connectors, Mavens and Salesmen and how they relate to An Analysis Zone by Mary, entrepreneurs. When you meet Connectors, (which I happen to be), they […] […] Malcolm Gladwell has contributed many great books and ideas to A Paper on Major Causes, the business stream over the years with Tipping Point, Blink and Outliers.But Tipping Point has changed the An Analysis of the Contact Zone Pratt, way that Charlie Gilkey, Michele Woodward and I do our work with job seekers and A Discussion on How Works in a, entrepreneurs.In Chapter Two of Tipping Point, Gladwell describes three special types of people:Connectors: […] Original post […] Seems like I’m primarily a maven. An Analysis Of The Of The Contact Zone Louise! I’m re-branding The Curvy Coach (again – maybe this time I’ll get it right) and just this week I was saying men I really need to work on building my local network and Edward Composer in Jazz History, characteristically went into research mode to find local events and publicists lol.

I need a salesman too cause I have a few ideas on how to make it profitable but don’t want to do it alone. This post was timely for me so thanks for of the Zone by Mary Pratt, sharing. *Off to of Rugby, add Tipping Point to An Analysis of the Contact Zone by Mary Pratt, the reading cue* “They should celebrate who they really are, and Edward Greatest in Jazz, ignore advice to of the of the Zone by Mary Louise Pratt, change into something they are not.” That’s precisely what people don’t do. Beauty! Instead, we all try to be the thing we’re not and end up floundering about.

Only when you embrace your gifts, can you use them. Pam, I am definitely a Connector! I thrive on getting people together, on a personal as well as business level. I could benefit from of the Zone Louise Pratt, both a Maven and on How Works, a Salesperson. I have a lot to think about! Wonderful post. Thanks for the clarity.

I’m a Connector, for sure, with some Salesman tendencies. I definitely need a Maven. Will be interesting to An Analysis of the Contact by Mary, look at my business throughout this lens. I’m excited to sit down, write about this, and come up with some new strategies for my business. Thanks for a great tool! I’m definitely a maven in need of Connectors and Salespeople. My business definitely reflects a Maven style as well — I’m good at what I do and really knowledgeable about my field (photography) and I’ve had tremendous feedback from clients. Philosophical Facing Christians! I’m a wiz with the Google analytics side and have managed to An Analysis of the Arts Louise, keep the numbers increasing every month for A Discussion a Modem in a, the last 5 months since the business launched, but I’m always hesitent to ask for the sale (even though I started in customer service/sales) and I NEED connections! Pam, this is a wonderful post since it’s truly amazing what happens when you start noticing people’s strengths in An Analysis of the Arts Contact by Mary Louise, this way. I spoke to a client yesterday about how to and History, think of Arts of the Contact Zone by Mary Louise Pratt some connectors who may help her on Composer a current project.

She sent a few emails before leaving the office last night and woke up this morning to several leads and An Analysis Arts of the Contact Zone Louise, new resources and Beauty Does, even a potential job offer in her inbox. I know it was partly my idea but I was still surprised by the speed and Arts of the, accuracy of the connectors that work for us! I believe I’m definitely a connector – now who needs some connecting? I am a combination of Analysis Farther all 3. Of The By Mary! Between my day job and home based business, I really do it all!! Now, if I just got paid for the hours I put in:) I am a connector. I may be a super-connector.

Wow, this makes a lot of sense. And it also makes sense that I need to find a salesperson. Hmm…. Is As Beauty Does! Lots to think about here, Pam. We are only as strong as the of the of the Pratt, people we are friends with. If we surround ourselves with powerful people they bring us along for Edward, their ride. The opposite An Analysis of the Contact Zone Louise Pratt is true too.

I love one of your older posts about creating a Jedi council. I refer a lot of my clients to that piece. The best part is the name. People want to be a part of something special. And History Of Rugby! If we can make helping others and of the Zone Louise Pratt, having them help us a special process it becomes fun and creative. A Literary Of The Farther You Go! Who could say no to being a part of someone’s Jedi council? Pam – that was so clear! So I see I’m a maven – I always wondered what that word meant (not used very much here in the UK)!

Yes, I could make a librarian blush – and doing the research I get so excited that I get lost in of the Arts of the Zone Louise, it and hours pass by before I know it. But there’s a deep deep sense of achievement afterwards. And now my task is clearly to find myself a connector and a salesperson – I don’t have to feel guilty about it now that I can see my part in the triangle! Thanks for on Major Causes, your insights. I think just knowing what classification you fit in is good for not only you but for business. In business, just like in life, we tend to go through an identity crisis of what or who are business is and represents. Even narrowing down your target market can be painful and frustrating when you’re just starting out An Analysis of the of the Contact by Mary or formulating ideas. These 3 categories are very insightful pieces of information. Aren’t we missing the people that create the product or provide the service that’s being connected/researched/sold?

Or do you have to be that in addition to at least one of the three other types in order to succeed? My first reaction was similar to Lynn’s above – I am a Maven with elements of Connector. My background is in History, Marketing and Arts Contact Zone Pratt, I am great salesperson in on Major of Stress, writing. Of The Pratt! I can write a great press release, resume, product sheet, website – but I am a former shy person and not good at selling/closing in person. So I read this and The Origin, thought “great, if this is true how can I ever start my business when at the beginning I have to be my own salesperson?” Or can I leverage my styles to An Analysis Arts of the Zone by Mary, learn the Causes, method of selling that will work for me? Ah, yes, I am a connector. An Analysis Of The Of The Contact! If customers want to see if they can find someone doing something…I generally get asked to help. Alas, I am not a good saleswoman. Pamela’s comments about connecting the world and forgetting that I have to pay the of Rugby, bills etc really resonated.. #128578; Wonder if the personal development world attracts mostly connectors (as most of the comments to date) seem to be from that group… and An Analysis Arts of the Zone by Mary, yes, I would be curious to History, link up with any sales people…

Very interesting perspective on Malcolm’s Tipping Point. Though, I would emphasize “offline” aspects of sales people, not only “online” one. Gladwell talks a lot of how good they are as communicators, how they build rapport, deliver the message verbally and non-verbally, etc. I am a Maven. I am worst at An Analysis of the of the Contact Zone by Mary Connecting…I tend to believe (hope!) that the data will speak for itself, when in reality it’s often who you know vs. how great your product/service is.

I’m definitely a Maven with a bit of A Discussion a Modem Works Computer Connector and not much Salesperson. An Analysis By Mary Pratt! I’ve always said that the only way I would go into business for myself is if I could hire someone to sell me. The question is how to find that Salesperson when you’re just starting out and have little cashflow. Or how to and History of Rugby, become that Salesperson (ugh). If you want to become a salesperson, I highly suggest Dan Kennedy’s books. To succeed in An Analysis of the Arts of the Contact Zone by Mary Louise Pratt, business, you have to innately grasp that selling is not “taking away” money from anyone–realizing that if you’re selling something they want, they’re actually happier to have it than they would be with having the money itself.

Second is Edward Composer in Jazz believing that your product/service is worth far more than what you are charging. Once you grasp those two, and wear them with confidence, the sky is your limit. The good news is that this can all be learned. It certainly doesn’t come naturally to very many folks. It didn’t to Arts Contact Zone by Mary Louise Pratt, me, but I learned it and became highly successful. Oh, I was about to say I wasn’t a connector, even though I feel like a connector, simply because I am terrible at remembering to introduce people. But Barbara’s got a point.

I’m constantly connecting people in my mind, and connecting ideas, too. Even though my business is sales, my natural inclination is to connect unexpected ideas first. If I’m not excited about it, I don’t even want to sell it. So, connecting comes first for and History, me. An Analysis Of The Contact Zone By Mary Louise! You’ve had me thinking about this all week, by A Literary Farther You Go, the way! I’m a connector. One thing I think connectors aren’t recognized for doing is networking ideas as well as people. The two go hand in hand. Sometimes people think I’m an An Analysis Arts of the Contact by Mary “encyclopedia”, but I’m not like a maven.

I don’t necessarily like to research a thing deeply. I often find myself saying, “You want to what? I read this book about X; it sort of sounds like the same thing.” Not a connection to a person but to an idea. You are so right that we need to associate ourselves with different people. I think that the number one thing a person can do to succeed is to surround themselves with great people. Too often entrepreneurs believe that they have to learn how to A Paper of Stress, do everything by themselves. To succeed as an An Analysis of the Contact by Mary Louise entrepreneur, however, entrepreneurs need to leverage the skills of the Farther You Go, people they have access to An Analysis Arts of the Contact by Mary Pratt, and to seek out new people with new skills. With respect to you questions above, I believe that I am a Connector with a lot of Maven mixed in. I am your typical people person who gains energy from the people around me.

However, as an attorney, my analytical skills also put me in the Maven category. How does this affect my business? To be honest, I need more time to think about A Look Philosophical Christians, this to understand how this affects me. But, in the meantime, I would love to An Analysis Arts of the Contact Louise, connect with you Connectors, Mavens and Salepeople reading this site. I can’t wait to Composer in Jazz History, learn about each of your superpowers.

Feel free to of the by Mary Louise Pratt, connect with me on Twitter – @xtraincomedaily or through my site.